Discover how to butcher your own meat and make homemade sausage

With interest in a back-to-basics approach to food on the rise, more and more people are becoming interested in butchering their own meat and making high-quality, preservative-free sausages.

With easy-to-follow instructions and illustrations, "Butchery & Sausage-Making For Dummies" offers readers a look at how to butcher poultry, rabbit, beef, pork, lamb, and goats. The book will also explore sausage-making, with tips and recipes, and will look at preserving meat through curing and smoking.Offers natural, healthier alternatives for sausages and preserved meats for people wary of processed foodsProvides helpful tips and guidance for home cooks and beginner butchersProvides needed guidance for those looking to explore this long-overlooked profession

"Butchery & Sausage Making For Dummies" is an invaluable resource for home cooks interested in being more responsible about their meat, or those that are looking to save money and enjoy healthier alternatives to what's found in their local grocery store.

Rock masses are initially stressed in their current in situ state of stress and to a lesser natural state. Whether one is interested in the extent on the monitoring of stress change. formation of geological structures (folds, faults, The subject of paleostresses is only briefly intrusions, etc. ), the stability of artificial struc discussed. tures (tunnels, caverns, mines, surface excava The last 30 years have seen a major advance our knowledge and understanding of rock tions, etc. ), or the stability of boreholes, a in the in situ or virgin stress field, stress. A large body of data is now available on knowledge of along with other rock mass properties, is the state of stress in the near surface of the needed in order to predict the response of rock Earth's crust (upper 3-4km of the crust). masses to the disturbance associated with those Various theories have been proposed regarding structures. Stress in rock is usually described the origin of in situ stresses and how gravity, within the context of continuum mechanics. It is tectonics, erosion, lateral straining, rock fabric, defined at a point and is represented by a glaciation and deglaciation, topography, curva second-order Cartesian tensor with six compo ture of the Earth and other active geological nents. Because of its definition, rock stress is an features and processes contribute to the current enigmatic and fictitious quantity creating chal in situ stress field."

- Practical overview of live audio entertainment, including real-world examples, interviews and tips. - Includes insights from professionals in multiple parts of the live audio sector, as well as individuals at different stages in their careers - Opportunity to update our aging live audio books, as well as to offer a business perspective which our current books lack

Explores the Science and Practice Of Acoustics for Arts Centers Employing the experiences of a world-renowned acoustician celebrated for the successful design of multi-use performing arts centers, Acoustics of Multi-Use Performing Arts Centers examines the complexities of this venue and discusses the challenges and solutions that arise in the concept, design, construction and commissioning phases. This book addresses the various programming needs of a multi-use performing arts center (needs that can range from symphony, opera and ballet to highly-amplified concerts and Broadway productions) and provides instruction from the planning of the initial concept to the final tuning stages. While assuming a basic understanding of the principals of sound, construction and performance, the author includes architectural drawings drawn to scale and presents case studies with in-depth discussion of undocumented halls. He also provides a full chapter on tuning multi-use halls and offers an inside look at design options for adjustable acoustics that include stage, pit and hall design. In addition, the book: Covers the fundamentals of acoustics as it relates to initial stages of multi-use hall design Explores the concepts of acoustics in terms of new and renovated spaces Defines the basic components of the building structure Examines floors, walls, ceilings, shells, and finishes and how they can be designed to achieve acoustic excellence Discusses how to use and tune adjustable acoustic systems in a multi-use hall in order to achieve acoustic excellence Designed as a step-by-step guide to achieving outstanding acoustics in multi-use performance spaces, Acoustics of Multi-Use Performing Arts Centers serves students, architects, engineers, designers and acousticians.

Commercial-Industrial Cleaning, by Pressure-Washing, Hydro-Blasting and UHP-Jetting is the first proprietary manual for cleaning and rehabilitation through pressure-washing, hydro-blasting and ultra high pressure water jetting (UHP). It examines the cleaning, restoration and rehabilitation of statuary and historical structures; manufacturing hardware; and application technologies for residential, commercial and industrial areas, structures and buildings. Commercial-Industrial Cleaning, by Pressure-Washing, Hydro-Blasting and UHP-Jetting contains over 450 applications from agricultural, marine, municipal, food processing, paper-pulp, pharmaceutical and cosmetic, industrial and power generating maintenance areas. It includes gear lists to help readers easily identify the appropriate tooling and equipment for each specific application and industry. Commercial-Industrial Cleaning, by Pressure-Washing, Hydro-Blasting and UHP-Jetting supplies readers with the tools to create a successful business model for retaining and safeguarding corporate application itineraries. It is a valuable guide for maintenance superintendents, buyers of maintenance services, contractors, field technicians, engineers and architects involved in commercial-industrial cleaning.

Written by television trainers who run their own courses on Multiskilling, this book offers a comprehensive introduction to the broad range of skills and technical knowledge required in this industry. It details all the essential information you need to know, acting as an on-the-job reference source for everyday use. For many broadcasting technicians, one of the biggest challenges in recent years has been the transition from a career working in a solo core skill such as camerawork or audio, to acquiring the experience and expertise of a range of production jobs. Many people are expected to work in a number of crafts and to equip themselves with a much wider range of television techniques than had been customary in the past. Multiskilling has become an integral part of television culture, requiring that new entrants are competent in several specialist production skills. Multiskilling for Television Production concentrates on the techniques associated with news and magazine programme production, where most tecnhical operators are usually employed, but most techniques are shared across the whole spectrum of television and film making. Anyone baffled by the range and scope of skills to be mastered will find this book invaluable.

This comprehensive book presents all aspects of acoustic metamaterials and phononic crystals. The emphasis is on acoustic wave propagation phenomena at interfaces such as refraction, especially unusual refractive properties and negative refraction. A thorough discussion of the mechanisms leading to such refractive phenomena includes local resonances in metamaterials and scattering in phononic crystals.

A Solid Introduction to Sound and Vibration: No Formal Background Needed This Second Edition of Fundamentals of Sound and Vibration covers the physical, mathematical and technical foundations of sound and vibration at audio frequencies. It presents Acoustics, vibration, and the associated signal processing at a level suitable for graduate students or practicing engineers with having no prior formal training in the field. The book is a coherent textbook based on the first semester of the master's program in Sound and Vibration Studies at the internationally acclaimed Institute of Sound and Vibration Research at the University of Southampton. New in the Second Edition: The latest edition has been extensively revised and updated, with a new introductory chapter and new chapters on the measurement of sound and vibration. Other chapters include fundamentals of acoustics, fundamentals of vibration, signal processing, noise control, human response to sound and human response to vibration; many of these have been substantially revised. Example problems and answers for self-study are included. The revised text: Offers a brief summary on the importance of sound and vibration Considers the vibration of mechanical structures, ranging from simple SDOF models to continuous systems Highlights the aspects of signal processing commonly used for data analysis Addresses engineering noise control, and more Fundamentals of Sound and Vibration, Second Edition provides you with broad coverage of sound, vibration and signal processing in a single volume, and serves as a reference for both graduate students and practicing engineers.

Effectively Construct Integral Formulations Suitable for Numerical Implementation Finite Element and Boundary Methods in Structural Acoustics and Vibration provides a unique and in-depth presentation of the finite element method (FEM) and the boundary element method (BEM) in structural acoustics and vibrations. It illustrates the principles using a logical and progressive methodology which leads to a thorough understanding of their physical and mathematical principles and their implementation to solve a wide range of problems in structural acoustics and vibration. Addresses Typical Acoustics, Electrodynamics, and Poroelasticity Problems It is written for final-year undergraduate and graduate students, and also for engineers and scientists in research and practice who want to understand the principles and use of the FEM and the BEM in structural acoustics and vibrations. It is also useful for researchers and software engineers developing FEM/BEM tools in structural acoustics and vibration. This text: Reviews current computational methods in acoustics and vibrations with an emphasis on their frequency domains of applications, limitations, and advantages Presents the basic equations governing linear acoustics, vibrations, and poroelasticity Introduces the fundamental concepts of the FEM and the BEM in acoustics Covers direct, indirect, and variational formulations in depth and their implementation and use are illustrated using various acoustic radiation and scattering problems Addresses the exterior coupled structural-acoustics problem and presents several practical examples to demonstrate the use of coupled FEM/BEM tools, and more Finite Element and Boundary Methods in Structural Acoustics and Vibration utilizes authors with extensive experience in developing FEM- and BEM-based formulations and codes and can assist you in effectively solving structural acoustics and vibration problems. The content and methodology have been thoroughly class tested with graduate students at University of Sherbrooke for over ten years.

With this all-in-one manual, students and teachers have an easy-to-read reference that provides a reliable and current rundown of the world of sound production, from planning a recording session to mastering the final product. Organized by four main topics - pre-production, recording various instruments, mixing theories and tools, and mastering - Audio Production Principles follows the actual flow of instruction given over the course of a student's tenure. Chapters address etiquette and basic operations for any recording session written in useful, tutorial style language, providing guidelines for beginner audio engineers on topics including pre-production, equipment selection, and mixing tips by instrument. Jumpstarting the mastering process, lessons delve into features unique to specific tools and techniques. All sections offer instructional scenarios of studio setups, asking students to brainstorm the best production technique for each situation. These exercises also help teachers generate new ideas for instruction and production projects of their own.

A comprehensive guide to wind farm noise prediction, measurement, assessment, control and effects on people Wind Farm Noise covers all aspects associated with the generation, measurement, propagation, regulation and adverse health effects of noise produced by large horizontal-axis wind turbines of the type used in wind farms. The book begins with a brief history of wind turbine development and the regulation of their noise at sensitive receivers. Also included is an introductory chapter on the fundamentals of acoustics relevant to wind turbine noise so that readers are well prepared for understanding later chapters on noise measurements, noise generation mechanisms, noise propagation modelling and the assessment of the noise at surrounding residences. Key features: * Potential adverse health effects of wind farm noise are discussed in an objective way. * Means for calculating the noise at residences due to a wind farm prior to construction are covered in detail along with uncertainty estimates. * The effects of meteorological conditions and other influences, such as obstacles, ground cover and atmospheric absorption, on noise levels at residences are explained. * Quantities that should be measured as well as how to best measure them in order to properly characterise wind farm noise are discussed in detail. * Noise generation mechanisms and possible means for their control are discussed as well as aspects of wind farm noise that still require further research to be properly understood. The book provides comprehensive coverage of the topic, containing both introductory and advanced level material.

The Study Guide helps reinforce your understanding of concepts presented in the text. Each chapter starts with a review of the important topics discussed in the chapter. You can then test your knowledge by answering additional questions and completing lab exercises (as appropriate) to reinforce the primary objectives of the lesson, and view artwork and safety precautions.

Recording Music on Location provides an exceptional collection of information regarding all aspects of recording outside of the studio. Featuring clear explanations on how to achieve professional results, this book is divided into two distinct sections: popular music and classical music. Whether you record in the local rock club, jazz cafe, or in an orchestra hall, Bartlett offers sage advice on each stage of the process of location recording. Packed with hints and tips, this book is a great reference for anyone planning to venture outside of the studio. Audio examples, tracking sheets, weblinks, and downloadable checklists are available on the companion website at www.focalpress.com/cw/bartlett. This edition has been thoroughly updated and includes new sections on iOS devices, USB thumb-drive recorders, and digital consoles with built-in recorders, along with updated specs on recording equipment, software, and hardware. This edition will also show you how to prepare recordings for the web and live audio streaming, and covers spectral analysis, noise reduction, and parallel compression. A new case study will go in depth on classical-music recording.

Provides an overview of the use of mass spectrometry (MS) for the analysis of pesticide residues and their metabolites. * Presents state of the-art MS techniques for the identification of pesticides and their transformation products in food and environment * Covers important advances in MS techniques including MS instrumentation and chromatographic separations (e.g. UPLC, HILIC, comprehensive GCxGC) and applications * Illustrates the main sample preparation techniques (SPE, QuEChERS, microextraction) used in combination with MS for the analysis of pesticides * Describes various established and new ionization techniques as well as the main MS platforms, software tools and mass spectral libraries

What is this sound? What does that sound indicate? These are two questions frequently heard in daily conversation. Sound results from the vibrations of elastic media and in daily life provides informative signals of events happening in the surrounding environment. In interpreting auditory sensations, the human ear seems particularly good at extracting the signal signatures from sound waves. Although exploring auditory processing schemes may be beyond our capabilities, source signature analysis is a very attractive area in which signal-processing schemes can be developed using mathematical expressions. This book is inspired by such processing schemes and is oriented to signature analysis of waveforms. Most of the examples in the book are taken from data of sound and vibrations; however, the methods and theories are mostly formulated using mathematical expressions rather than by acoustical interpretation. This book might therefore be attractive and informative for scientists, engineers, researchers, and graduate students who are interested in the mathematical representation of signals and the applications of Fourier analysis. The book can be described as being practically self-contained but does assume readers are familiar with introductory topics in discrete signal processing, as in the discrete Fourier transform. Hence this book might be also usable as a textbook in graduate courses in applied mathematics on topics such as complex functions. Almost all scientific phenomena are sensed as waves propagating in some space. Over the years, waveform analysis has therefore been one of the resilient academic areas of study and still is seen as fertile ground for development. In particular, waveform analysis based on the theory of linear systems would be a good example where a physical interpretation can be given to the mathematical theory of complex functions in terms of magnitude, angle, poles, and zeros of complex functions. For readers who are interested in the physical aspects of sound and vibration data or elementary formulation of wave equations and their solutions, the book Sound and Signals by M. Tohyama (Springer 2011) is recommended. It can serve as a complementary companion to this present volume or independently as a good reference.

Electroacoustic devices such as microphones and loudspeakers are used everywhere from cars and mobile phones to homes, places of worship, and sports arenas. They are a key part of the modern communication society, helping to transmit information to our ears. A contemporary introduction to the subject, Electroacoustics explains the scientific and engineering principles behind the design of these sound transducers. It also examines the compromises that are necessary when designing transducers for use in the real world. Learn about Ultrasonic Transducers, Loudspeaker Enclosure Design, and More This accessible textbook book is based on the author's extensive experience teaching electroacoustics to advanced graduate and graduate students. He uses the concept of electrical circuit analogies to help readers quickly grasp the fundamentals of acoustical and mechanical systems. The book covers both traditional electrodynamic audio and ultrasonic transducers and includes up-to-date material on arrays, planar transducers, loudspeaker enclosure design, and more. To meet the needs of a broad range of readers, the book also includes background material on room acoustics, electrical circuits, and electrical filters. Electroacoustic theory is explained in an easy-to-read style without resorting to matrix theory. Throughout, a wealth of illustrations and exercises make the ideas more concrete. Get a Solid Foundation in Electroacoustic Engineering Principles The book emphasizes multidisciplinary engineering principles, preparing students for the broad range of applications they may encounter in their research as well as later in their careers. The modern treatment of transducers also makes this a valuable reference for transducer designers, acoustical consultants, hobbyists, and anyone involved in electroacoustic design.

As we move further into the 21st Century, sensory and consumer studies continue to develop, playing an important role in food science and industry. These studies are crucial for understanding the relation between food properties on one side and human liking and buying behaviour on the other.

This book by a group of established scientists gives a comprehensive, up-to-date overview of the most common statistical methods for handling data from both trained sensory panels and consumer studies of food.

It presents the topic in two distinct sections: problem-orientated (Part I) and method orientated (Part II), making it to appropriate for people at different levels with respect to their statistical skills.

This book succesfully: Makes a clear distinction between studies using a trained sensory panel and studies using consumers.Concentrates on experimental studies with focus on how sensory assessors or consumers perceive and assess various product properties.Focuses on relationships between methods and techniques and on considering all of them as special cases of more general statistical methodologies

It is assumed that the reader has a basic knowledge of statistics and the most important data collection methods within sensory and consumer science.

This text is aimed at food scientists and food engineers working in research and industry, as well as food science students at master and PhD level. In addition, applied statisticians with special interest in food science will also find relevant information within the book.

This book presents a novel framework design for the next generation Marine Wireless Communication Networks (MWCNs). The authors first provide an overview of MWCNs, followed by a discussion of challenges in the design and development of MWCNs in support of a diversity of marine services such as real-time marine monitoring, offshore oil exploration, drilling, marine tourism and fishing. The authors then propose cross layer networking solutions to achieve a high performance modern MWCN that enables efficient and reliable data transmissions under hostile marine environment, which include the network deployment, the physical layer channel coding, intelligent network access and resource management, and learning-based opportunistic routing. Finally, the authors summarize the book and present some open issues that will lead to new research directions in the next generation MWCNs.

This corrected version of the landmark 1981 textbook introduces the physical principles and theoretical basis of acoustics with deep mathematical rigor, concentrating on concepts and points of view that have proven useful in applications such as noise control, underwater sound, architectural acoustics, audio engineering, nondestructive testing, remote sensing, and medical ultrasonics. Since its publication, this text has been used as part of numerous acoustics-related courses across the world, and continues to be used widely today. During its writing, the book was fine-tuned according to insights gleaned from a broad range of classroom settings. Its careful design supports students in their pursuit of a firm foundation while allowing flexibility in course structure. The book can easily be used in single-term or full-year graduate courses and includes problems and answers. This rigorous and essential text is a must-have for any practicing or aspiring acoustician.

Handbook for Sound Engineers is the most comprehensive reference available for audio engineers, and is a must read for all who work in audio. With contributions from many of the top professionals in the field, including Glen Ballou on interpretation systems, intercoms, assistive listening, and fundamentals and units of measurement, David Miles Huber on MIDI, Bill Whitlock on audio transformers and preamplifiers, Steve Dove on consoles, DAWs, and computers, Pat Brown on fundamentals, gain structures, and test and measurement, Ray Rayburn on virtual systems, digital interfacing, and preamplifiers, Ken Pohlmann on compact discs, and Dr. Wolfgang Ahnert on computer-aided sound system design and room-acoustical fundamentals for auditoriums and concert halls, the Handbook for Sound Engineers is a must for serious audio and acoustic engineers. The fifth edition has been updated to reflect changes in the industry, including added emphasis on increasingly prevalent technologies such as software-based recording systems, digital recording using MP3, WAV files, and mobile devices. New chapters, such as Ken Pohlmann's Subjective Methods for Evaluating Sound Quality, S. Benjamin Kanters's Hearing Physiology-Disorders-Conservation, Steve Barbar's Surround Sound for Cinema, Doug Jones's Worship Styles in the Christian Church, sit aside completely revamped staples like Ron Baker and Jack Wrightson's Stadiums and Outdoor Venues, Pat Brown's Sound System Design, Bob Cordell's Amplifier Design, Hardy Martin's Voice Evacuation/Mass Notification Systems, and Tom Danley and Doug Jones's Loudspeakers. This edition has been honed to bring you the most up-to-date information in the many aspects of audio engineering.

The Science of Sound Recording will provide you with more than just an introduction to sound and recording, it will allow you to dive right into some of the technical areas that often appear overwhelming to anyone without an electrical engineering or physics background. The Science of Sound Recording helps you build a basic foundation of scientific principles, explaining how recording really works. Packed with valuable must know information, illustrations and examples of 'worked through' equations this book introduces the theory behind sound recording practices in a logical and practical way while placing an emphasis on the concepts of measurement as they relate to sound recording, physical principles of mechanics and acoustics, biophysics of hearing, introduction to electronics, analog and digital recording theory and how science determines mixing techniques.

Light on physics and math, with a heavy focus on practical applications, Optical, Acoustic, Magnetic, and Mechanical Sensor Technologies discusses the developments necessary to realize the growth of truly integrated sensors for use in physical, biological, optical, and chemical sensing, as well as future micro- and nanotechnologies.

Used to pick up sound, movement, and optical or magnetic signals, portable and lightweight sensors are perpetually in demand in consumer electronics, biomedical engineering, military applications, and a wide range of other sectors. However, despite extensive existing developments in computing and communications for integrated microsystems, we are only just now seeing real transformational changes in sensors, which are critical to conducting so many advanced, integrated tasks.

This book is designed in two sections Optical and Acoustic Sensors and Magnetic and Mechanical Sensors that address the latest developments in sensors.

The first part covers:

• Optical and acoustic sensors, particularly those based on polymer optical fibers
• Potential of integrated optical biosensors and silicon photonics
• Luminescent thermometry and solar cell analyses
• Description of research from United States Army Research Laboratory on sensing applications using photoacoustic spectroscopy
• Advances in the design of underwater acoustic modems

The second discusses:

• Magnetic and mechanical sensors, starting with coverage of magnetic field scanning
• Some contributors personal accomplishments in combining MEMS and CMOS technologies for artificial microsystems used to sense airflow, temperature, and humidity
• MEMS-based micro hot-plate devices
• Vibration energy harvesting with piezoelectric MEMS
• Self-powered wireless sensing

As sensors inevitably become omnipresent elements in most aspects of everyday life, this book assesses their massive potential in the development of interfacing applications for various areas of product design and sciences including electronics, photonics, mechanics, chemistry, and biology, to name just a few.

Known as the "Father of Festival Sound," Bill Hanley (b. 1937) made his indelible mark as a sound engineer at the 1969 WoodStock Music and Arts Fair. Hanley is credited with creating the sound of WoodStock, which literally made the massive festival possible. Stories of his on-the-fly solutions resonate as legend among festivalgoers, music lovers, and sound engineers. Since the 1950s his passion for audio has changed the way Audiences listen to and technicians approach quality live concert sound. John Kane examines Hanley's echoing impact on the entire field of sound engineering, that crucial but often-overlooked carrier wave of contemporary music. Hanley's innovations founded the sound reinforcement industry and launched a new area of technology, rich with clarity and intelligibility. By the early seventies the post-WoodStock festival mass gathering movement collapsed. The music industry shifted, and new sound companies surfaced. After huge financial losses and facing stiff competition, Hanley lost his hold on a business he helped create. By studying both his history during the festivals and his independent business ventures, Kane seeks to present an honest portrayal of Hanley and his acumen and contributions. Since 2011, Kane conducted extensive research, including over one hundred interviews with music legends from the Production and performance side of the industry. These carefully selected respondents witnessed Hanley's expertise at various events and venues like Lyndon B. Johnson's second inauguration, the Newport Folk/Jazz Festivals, the Beatles' final tour of 1966, the Fillmore East, Madison Square Garden, and more. The Last Seat in the House will intrigue and inform anyone who cares about the modern music industry.

Provides state-of-the-art algorithms for sound capture, processing and enhancement

"Sound Capture and Processing: Practical Approaches" covers the digital signal processing algorithms and devices for capturing sounds, mostly human speech. It explores the devices and technologies used to capture, enhance and process sound for the needs of communication and speech recognition in modern computers and communication devices. This book gives a comprehensive introduction to basic acoustics and microphones, with coverage of algorithms for noise reduction, acoustic echo cancellation, dereverberation and microphone arrays; charting the progress of such technologies from their evolution to present day standard.

Sound Capture and Processing: Practical Approaches

Brings together the state-of-the-art algorithms for sound capture, processing and enhancement in one easily accessible volumeProvides invaluable implementation techniques required to process algorithms for real life applications and devicesCovers a number of advanced sound processing techniques, such as multichannel acoustic echo cancellation, dereverberation and source separationGenerously illustrated with figures and charts to demonstrate how sound capture and audio processing systems workAn accompanying website containing Matlab code to illustrate the algorithms

This invaluable guide will provide audio, R&D and software engineers in the industry of building systems or computer peripherals for speech enhancement with a comprehensive overview of the technologies, devices and algorithms required for modern computers and communication devices. Graduate students studying electrical engineering and computer science, and researchers in multimedia, cell-phones, interactive systems and acousticians will also benefit from this book.

Major Label Mastering: Professional Mastering Process distills 25 years of mastering experience at Capitol Records into practical understandings and reliable systems. Containing unparalleled insights, this book reveals the mastering tricks and techniques used by Evren Goeknar at one of the world's most notable record labels. Beginning with the requisite competencies every Mastering Engineer must develop, Major Label Mastering delves into the particulars of the mastering studio, as well as fundamental mastering tools. Included among these tools is The Five Step Mastering Process, a rigorously tested system that equips the practitioner to successfully and confidently master a project to exacting standards of audio fidelity. Covering all bases, the book discusses both macro and micro considerations: from mindset approach and connecting with clients down to detailed guidelines for processing audio, advanced methods, and audio restoration. Each chapter ends with exercises intended to deepen understanding and skill, or to supplement course study. Suitable for all levels, this is a unique resource for students, artists, and recording and Mastering Engineers alike. Major Label Mastering is supplemented by digital resources including audio examples and video tutorials.