Over the past two decades, the art world has broadened its geographic reach and opened itself to new continents, allowing for a significant crosspollination of post-conceptual strategies and vernacular modes. Printed materials, both in innovative and traditional forms, have played a key role in this exchange of ideas and sources. This catalogue, published in conjunction with an exhibition at The Museum of Modern Art, New York, examines the evolution of artistic practices related to prints, from the resurgence of ancient printmaking techniques - often used alongside digital technologies - to the worldwide proliferation of self-published artists' books and ephemera. Print/Out features focused sections on ten artists and publishers, including Ai Weiwei, Ellen Gallagher, Martin Kippenberger, Lucy McKenzie, Museum in Progress, Superflex and Rirkrit Tiravanija, as well as rich illustrations of additional printed projects from the last twenty years by major artists such as Trisha Donnelly, Felix Gonzalez-Torres, Thomas Schu tte, and Kelley Walker. An introductory essay by Christophe Cherix, Chief Curator of Prints and Illustrated Books at MoMA, offers an overview of this period with particular attention to new directions and strategies within an expanded field of printmaking.

Collecting water-oriented postcards from c. 1900-1920

Book of A to Z Entrepreneur in Practice Book content, How to: - Start (Creative & Innovative) and seeking for business opportunity? - Estimate business feasibility study and profit comprehensively? - Create Business Feasibility Study proposal? This book contains invention of NEW CONCEPT, that is: Business Map (Investment Analysis Chain Method; IACM), and explanation of each step in map (in the beginning of each chapter) and some other new concepts. So that it is very easy to analyze business development plan comprehensively, as to develop and to operate business requires multi discipline sciences. Advantageous: - To facilitate entrepreneur & professional to analyze development plan, operational strategy and business development. - To facilitate students to learn because they will know position, direction and objective of each course. More Information: www.diantruss.blogspot.com

This manuscript was previously forgotten in the bottom of a file drawer since Bern's 1989 visit. All materials collected by Bern from the Church of Anarchy & his daily collecting expeditions down Williamsom Street in Madison, WI.

A computer-generated visual/verbal folio which combines elements of cutup bi-lingual language, computer imagery, & typography, & Harry's own inimitable sleight of hand.

Images in the book includes from his extensive International travel. Most of the time he carried his sketch book, water color, color pencil to create images of his art work. His stay of eight and a half years in Saudi Arabia, he was not allowed to carry a camera to take photo image so he always carried a sketch book. His art work are in different technics in watercolor, oil colors and color pencils. His sketches dated from 1952 thru 2003. His sketches were exhibited in UK in 1952-53 in London in Saymore Art Gallary, Trafalgar House Coffee House and Open-air summer exhibit in Hampstead Heath in London. Some work exhibited in Dar-es-salaam, Tanzania and in Munich, Germany. New York Art Gallery at Pan-Am Art Gallery in New York City in 1967-68 in USA. and in Honolulu, Hawaii when he lived in Hawaii in 1973-75. In Japan he had an art exhibit at the Officers Club at Misawa Air Force Base in Japan and had forty eight images exhibited. He was also invited by Art Society at Misawa, Japan to exhibit some of his work at the Civic Center in Misawa. When returning back from his Tour to Japan, he had his last exhibit at Arts and Crafts at the Robins Air Force Base in Georgia and was appointed Artist of the year. He had no art training before but developed his hobby from his Architectural profession he practiced on four continents Africa, Europe, Asia and America with several awards including UIA International awards.

Making Images Move reveals a new history of cinema by uncovering its connections to other media and art forms. In this richly illustrated volume, Gregory Zinman explores how moving-image artists who worked in experimental film pushed the medium toward abstraction through a number of unconventional filmmaking practices, including painting and scratching directly on the film strip; deteriorating film with water, dirt, and bleach; and applying materials such as paper and glue. This book provides a comprehensive history of this tradition of "handmade cinema" from the early twentieth century to the present, opening up new conversations about the production, meaning, and significance of the moving image. From painted film to kinetic art, and from psychedelic light shows to video synthesis, Gregory Zinman recovers the range of forms, tools, and intentions that make up cinema's shadow history, deepening awareness of the intersection of art and media in the twentieth century, and anticipating what is to come.

A star of minimalist electronica and sound art, Ryoji Ikeda (born 1966) focuses on the building blocks of sound and aural minutiae, often deploying frequencies at the very edges of human hearing-sound that, as he puts it, "the listener becomes aware of only upon its disappearance." His albums "+/-" (1997) and "Matrix" (2001) spread this soundworld of sine waves and ambient glitchery to a wider audience; since then, he has exhibited and collaborated (notably with Carsten Nicolai) across the world. A homage to Musique Concrete pioneer Pierre Schaeffer's "Solfege de l'objet sonore," "Dataphonics "began as a monthly broadcast on France culture's Atelier de Creation Radiophonique, in which Ikeda created a highly physical auditory experience based on the idea of binary-logic data made audible, "to materialize the invisible domain of 'totally pure digital data.'" This book and CD includes spreads of graphic scores, codes, symbols and the composition itself, recomposed from the ten segments in which it was originally conceived.

An exploration of the interaction of aesthetics and politics in Bertolt Brecht's "photoepigrams." From 1938 to 1955, Bertolt Brecht created montages of images and text, filling his working journal (Arbeitsjournal) and his idiosyncratic atlas of images, War Primer, with war photographs clipped from magazines and adding his own epigrammatic commentary. In this book, Georges Didi-Huberman explores the interaction of politics and aesthetics in these creations, explaining how they became the means for Brecht, a wandering poet in exile, to "take a position" about the Nazi war in Europe. Illustrated with pages from the Arbeitsjournal and War Primer and contextual images including Raoul Hausmann's poem-posters and Walter Benjamin's drawings, The Eye of History offers a new view of important but little-known works by Brecht. Didi-Huberman shows that Brecht took positions without taking sides; he used these montages to challenge the viewpoints of the press and propose other readings, to offer a stylistic and political response to the inescapable visibility of historical events enabled by the photographic medium. Brecht's montages disrupt and scrutinize this visibility by juxtaposing representations of war found in magazines with his own epigrams-a "documentary lyricism" that dismounts and remounts modern history. The montages created meaningful disorder, exposing the truth by disorganizing-a process Didi-Huberman calls a "dialectic of the monteur." These works are examples of "the eyes of history"-when seeing may simultaneously deepen and critique historical knowledge. The montages Didi-Huberman argues, are Brecht's most Benjaminian works.

This fun, simple little book introduces you to floral doodling through patterns and motifs to keep your imagination flowing. Flowers, leaves, vines, and more are a delight to draw, with their many shapes and colors providing never-ending variations. The no-pressure doodling approach gives you a relaxing creative activity that you can easily customize as your own. Create unlimited styles, both on paper and to decorate whatever objects you'd like. With how-tos, prompt pages, coloring pages, and space to practice, the high-quality art paper is ready for your pens, paints, and journaling. This book also includes pretty cutouts like gift tags, writing paper, and bookmarks to use yourself and share with friends.

Exploring the experimental energy of an era,Toronto: Tributes + Tributaries, 1971-1989brings together more than 100 works by 65 artists and collectives to highlight an innovative period in Toronto art history. Amidst the social and political upheavals of their time, the artists that emerged in Toronto during the 1970s and 1980s pushed the boundaries of conventional painting, sculpture, and photography, exploring new ways of art making.Organized thematically and punctuated by references to Toronto and its cityscape, this unique publication highlights the era's preoccupation with ideas of performance, the body, the image, self-portraiture, storytelling, and representation. Featured artists include Michael Snow, Joanne Tod, the Clichettes, Duke Redbird, Barbara Astman, Robin Collyer, Robert Houle, Carol CondA (c), and Carl Beveridge, as well as photographer June Clarke, illustrator Ato Seitu, dub poet Lillian Allen, and many others.

"Visual Vitriol: The Street Art and Subcultures of the Punk and Hardcore Generation" is a vibrant, in-depth, and visually appealing history of punk, which reveals punk concert flyers as urban folk art. David Ensminger exposes the movement's deeply participatory street art, including flyers, stencils, and graffiti. This discovery leads him to an examination of the often-overlooked presence of African Americans, Latinos, women, and gays and lesbians who have widely impacted the worldviews and music of this subculture. Then Ensminger, the former editor of fanzine "Left of the Dial," looks at how mainstream and punk media shape the public's outlook on the music's history and significance.

Often derided as litter or a nuisance, punk posters have been called instant art, Xerox art, or DIY street art. For marginalized communities, they carve out spaces for resistance. Made by hand in a vernacular tradition, this art highlights deep-seated tendencies among musicians and fans. Instead of presenting punk as a predominately middle-class, white-male phenomenon, the book describes a convergence culture that mixes people, gender, and sexualities.

This detailed account reveals how members conceptualize their attitudes, express their aesthetics, and talk to each other about complicated issues. Ensminger incorporates an important array of scholarship, ranging from sociology and feminism to musicology and folklore, in an accessible style. Grounded in fieldwork, "Visual Vitriol" includes over a dozen interviews completed over the last several years with some of the most recognized and important members of groups such as Minor Threat, The Minutemen, The Dils, Chelsea, Membranes, 999, Youth Brigade, Black Flag, Pere Ubu, the Descendents, the Buzzcocks, and others.