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Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > General
This Pre-School Bridge Coloring Book is for children, ages 4-7. The
focus is on learning shapes, card symbols, counting to 13,
following directions, recognizing colors and introducing basic
bridge concepts. The prime directive is to encourage small kids to
use their imagination, to color inside and outside the lines, and
to play face to face with friends. The learning bonus is the
introduction to the world of playing cards. As Pablo Picasso
himself said, "Every child is an artist." All they need is a little
encouragement. Simply put, there is something very moving about
children coloring in a book. It is so simple, and so much FUN
This book consists of fifteen cartoons inspired by an 1866 Harper's
Weekly article about the hypothetical length of the Thirty Years'
War at different periods in time and extending into the future when
both sides had developed the ultimate weapons to end all wars. Of
course, war is inspired by the devil.
Angels and Goddesses features visual art from the hottest new and
emerging talent. Profiling unique, edgy work along with many artist
statements. Spiritual imagery for contemplation and inspiration in
full color
"The Real Snake" is a fascinating record of many of the
presentations that were made by academics and artists at The
Representational Art Conference in the fall of 2012, a
groundbreaking event founded by artists Michael Pearce and Michael
Lynn Adams, who recognized that there had been a neglect of
critical appreciation of representational art well out of
proportion to its quality and significance. Filling a gap in the
study of contemporary art, the conference was planned as a focused
but non-doctrinaire event, of serious academic standards.
Essential reading for people who love traditional studio art and
want to know more about what's happening in the representational
art world, "The Real Snake" is packed with fascinating
contributions, including critical insight from Jed Perl and the
entertaining commentary of popular Californian artist John Nava,
who gives the title to the volume with his reference to a scene in
the movie "Bladerunner." Other engaging chapters include eloquent
compositions by the popular blogger John Seed, the legendary Los
Angeles artist Ruth Weisberg and technical wizard Virgil Elliott.
CONTENTS
Michael Pearce
"Preface"
Jed Perl
"Re-imagining Representation"
Ruth Weisberg
"The Possibilities of Post-Post-Modernism"
Stephen Knudsen
"Is Representational Painting Ready to Take on Metamodernism
Without Cliches? The Painting of Bo Bartlett"
Justin Kunz
"World, Story and Meaning in Contemporary Representational Art"
Liu Nan
"Painting and Drawing Instruction in Higher Education in the
United States: An Historical Overview of Trends from 1776 until
2006"
Gingher Leyendecker
"The Effects of Technical and Conceptual Teaching Methodologies on
Student Outcomes in Life Drawing"
Saskia Ozols Eubanks
"The Dialectics of Impropriety: Realism, Classicism and a Feminist
Voice"
Kay Kane
"The Restoration of Venus: The Nude, Beauty and Modernist
Misogyny"
John Seed
"Anne Harris, Kyle Staver and Janice Nowinski: Three Approaches to
Beauty"
Patrick Connors
"Antecedents in Contemporary Pictorial Imagery: Thomas Eakins's
Paintings and Photography in Perspective"
Zoe Bray
"Anthropology / Ethnography and Naturalist / Realist Painting:
Parallels in Ways of Seeing and Understanding the World"
Claire Nettleton
"Postmodern Poodles and Electric Sows: Contemporary
Representations of Beaute Animale"
Virgil Elliott
"The Concept of Quality in Art: Inspirational and Practical
Concerns"
John Nava
"Don't Worry, Be Happy "
Florence, Italy, birthed the Italian Renaissance. Hundreds of years
later, American sculptor Kelly Borsheim traveled to Florence, fell
in love with the city, and found herself immersed in the old art of
painting directly on the street. The book focuses mainly on the
large temporary artworks in pastel and chalk, street paintings of
famous art masterpieces created between 2007 and 2010 by Kelly and
her colleagues in Florence, as well as in other parts of Italy. The
city began to change during these years and Kelly chronicles the
struggles of the street painters for the ability to continue their
form of art for public enjoyment. This visual journey (over 330
images) includes the following chapters: *Introduction (images of
Florence as the setting for this story) *Who are the Madonnari (a
bit of history) *How I became a Madonnara *Solo Creations and My
Process *Destruction of an Ephemeral Art *Protesting the Street Art
Tax *Collaborative Creations *Sharing the Street *The People You
Meet *The Kids *The Parades *Tributes and Special Occasions
*Festivals Nocera 2009 Nocera 2010 Mantova / Grazie Di Curtatone
2010 This book will be enjoyable for all that love art, street
painting, and Florence, Italy.
an artists thoughts about the modern world.
One ill-fated evening at the Reform Club, Phileas Fogg rashly bets
his companions 20,000 pounds that he can travel around the entire
globe in just eighty days - and he is determined not to lose.
Breaking the well-established routine of his daily life, the
reserved Englishman immediately sets off for Dover, accompanied by
his hot-blooded French manservant Passepartout. Travelling by
train, steamship, sailing boat, sledge and even elephant, they must
overcome storms, kidnappings, natural disasters, Sioux attacks and
the dogged Inspector Fix of Scotland Yard - who believes that Fogg
has robbed the Bank of England - to win the extraordinary wager.
Around the World in Eighty Days gripped audiences on its
publication and remains hugely popular, combining exploration,
adventure and a thrilling race against time.
2012 New Mexico-Arizona Book Awards Finalist Bill Pearson,
Photograper and his wife, Annmarie Pearson, poet have teamed up to
create this novelity book, "Nature Rhymes with Natural Impressions"
for your viewing pleasure. The photographs are inspirations of
Bill's flair to capture nature's natural attractions in its most
panoramic elegance. Annmarie's poetry compliments Bill's
photographs and vice versa. Together their art is shared as a
dynamic collaboration in poetry and photographs.
A unique book of the paintings of Darryl Taylor Kravitz
NEW EDITION: A collection of paintings, drawings, and prints from
Western art illustrating the occupation and hobby of knitting
during the 1800s. Includes a brief history of knitting and a
description about the art work. The images are digitally enhanced
to improve their color quality and clarity. This is an ideal
reference and/or gift for handspinners, knitters, and fiber
artists.
NEW EDITION: A collection of paintings, drawings, and prints from
Western art illustrating the occupation and hobby of knitting
during the 1800s. Includes a brief history of knitting and a
description about the art work. The images are digitally enhanced
to improve their color quality and clarity. This is an ideal
reference and/or gift for handspinners, knitters, and fiber
artists.
Do you like to go treasure hunting in obvious or out of the way
places? Do you like to view fine art in galleries large and small?
This book will give you directions to New Mexico's amazing New Deal
treasures and to buildings and bridges, murals and sculptures,
paintings and people who made them. They are not necessarily in the
most obvious places, and yet many are in places that one routinely
visits. They have been patiently waiting in our cities, our
villages, our parks, rarely witnessed as being "treasures." They
were constructed perhaps even by your own artistic ancestors. This
book is full of clues. Go sleuthing Growing up in Portales, New
Mexico, Kathryn Akers Flynn lived in an area with a New Deal
courthouse, a New Deal post office, and New Deal schools. She
worked at the local swimming pool and partied in the city park,
both built during the Depression era. In high school she was a
cheerleader on 1930s football fields for onlookers in Work Progress
Administration bleachers and camped out at a nearby Civilian
Conservation Corps created park and lake. She never knew any of
these structures were fashioned by the New Deal, nor did she notice
the New Deal treasures in Salt Lake City while at the University of
Utah where she received her Bachelor's Degree or the New Deal
structures in Carbondale, Illinois where she earned her Master's
Degree at Southern Illinois University. Returning to New Mexico,
she had a career in the state health and mental health
administration that included directorship of Carrie Tingley
Hospital, a New Deal facility with many public art treasures. It
wasn't until she became Deputy Secretary of State of New Mexico
that she realized what was around her. As a result she went on to
edit three editions of the "New Mexico Blue Book" featuring
information about New Deal creations all over the state. This book
presents the history and whereabouts of many such treasures found
since compiling an earlier book, "Treasures on New Mexico Trails,"
and another that focuses on New Deal programs nationwide, "The New
Deal: A 75th Anniversary Celebration." She also assisted with the
compilation of "A More Abundant Life, New Deal Artists and Public
Art in New Mexico" by Jacqueline Hoefer, also from Sunstone Press
and an apt companion for "Public Art and Architecture in New
Mexico." She was instrumental in creating the National New Deal
Preservation Association, and now serves as Executive Director.
This scarce antiquarian book is included in our special Legacy
Reprint Series. In the interest of creating a more extensive
selection of rare historical book reprints, we have chosen to
reproduce this title even though it may possibly have occasional
imperfections such as missing and blurred pages, missing text, poor
pictures, markings, dark backgrounds and other reproduction issues
beyond our control. Because this work is culturally important, we
have made it available as a part of our commitment to protecting,
preserving and promoting the world's literature.
Over the last several years the term place-specificity and its
variant, place-specific has occurred frequently in relation to
installations, permanent public art works, and public
interventions. While place-specificity is now a recognised term,
within many texts place-specific is often indiscriminately
exchanged with site-specific, implying that the two terms are
synonymous. Based on theory and curatorial practice, this research
explores a range of perspectives on the role of place-specificity
within socially engaged public art practice. The study examines the
difference between site and place and how place influences
perceptions of specific locations through memory, history and
experience and explores place as a subject, an artistic influence,
and a social and cultural signifier. The research reflects on the
potential of place-specific public art to celebrate unique cultural
differences, inspire international collaboration, and provide a
forum for local distinctiveness in the face of globalization. The
relationships between public art, site, space, and place explored
in this work will be of interest to those in the fields of art,
geography, cultural studies and architecture.
Hildegarde Staninger, Ph.D., RIET-1 is a world renowned industrial
toxicologist, who is the author of the international bestseller,
Comprehensive Handbook of Hazardous Materials: Regulations,
Monitoring, Handling & Safety, Lewis Publishing/CRC Press.
Among the leading international scientists in her field, she has
done decades of research and was awarded the prestigious 7th Army
and Greater Stuttgart Community Award for her work in preventing
increased chronic obstructive pulmonary disease (COPD) during
Operation Desert Shield from the Kuwati burning oil fields during
Desert Storm. In 2006-07 she was principal investigator of a
privately funded project to identify the composition of Morgellon's
fibers. This original research revealed the environmental impacts
upon man, environment and other life forms from exposure to
nanotechnology, a work she continues to pursue.Rick Dubov's
interest in art began as a teenager in the midst of a theatrical
showbiz family. He received a BA in Art History from the University
of California Irvine where he also received his Master's Degree in
Fine Arts. His art has evolved over the years and has a heavy
European influence, having lived in Milan and Paris, where he
studied painting. He lives and works in Los Angeles.
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