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Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > General
This book features a crystalline new translation of one of art
history's most influential works-published on its one-hundredth
anniversary. Principles of Art History by Heinrich Wolfflin
(1864-1945), a revolutionary attempt to construct a science of art
through the study of the development of style, has been a
foundational work of formalist art history since it was first
published in 1915. At once systematic and subjective, and
remarkable for its compelling descriptions of works of art,
Wolfflin's text has endured as an accessible yet rigorous approach
to the study of style. Although Wolfflin applied his analysis to
objects of early modern European art, Principles of Art History has
been a fixture in the theoretical and methodological debates of the
discipline of art history and has found a global audience. With
translations in twenty-four languages and many reprints, Wolfflin's
work may be the most widely read and translated book of art history
ever. This new English translation, appearing one hundred years
after the original publication, returns readers to Wolfflin's 1915
text and images. It also includes the first English translations of
the prefaces and afterword that Wolfflin himself added to later
editions. Introductory essays provide a historical and critical
framework, referencing debates engendered by Principles in the
twentieth century for a renewed reading of the text in the
twenty-first.
A mixed-media volume with text by Hoyt Hilsman and original artwork
by Nancy Kay Turner
This is a provocative and novel investigation of the psyches of
sixty artists, predominantly from the world of film, theatre and
television/radio -- writers, actors, producers and directors
ranging from Shakespeare and Voltaire to major
late-twentieth-century figures such as Spike Milligan, Sam
Peckinpah and Frank Sinatra, by way of F. Scott Fitzgerald, Orson
Welles and Judy Garland. Irish artists featured include Oliver St
John Gogarty, Jimmy O'Dea and Richard Harris. The chapters, which
range from quite brief vignettes to more in-depth studies, examine
the background of each individual before considering their
personality, social relationships and work. Professor Fitzgerald
brings his expertise to bear in elucidating the psychological
factors, strengths and frailties that shaped the lives and careers
of these prominent creators, many of whom are regarded as geniuses.
The lives of extraordinary artists are of interest in themselves;
when their stories are told from the perspective of expert
psychological insight, the results are fascinating and revealing.
This book consists of fifteen cartoons inspired by an 1866 Harper's
Weekly article about the hypothetical length of the Thirty Years'
War at different periods in time and extending into the future when
both sides had developed the ultimate weapons to end all wars. Of
course, war is inspired by the devil.
Knowings and Knots presents a range of interdisciplinary
perspectives on the methodology of research-creation and asks how
those who make knowledge think about and value it. Not just a
method but a site of ongoing experimentation around what counts as
knowledge, research-creation is a meeting place of academia,
artistic creation, and the wider public. The contributors argue
that academic institutions and funders must recognize
research-creation as innovative knowledge-making that leaps over
the traditional splitting of theory from practice while considering
how gender/feminist studies, Indigenous practices, and new
materialism might inform and develop the conversation. Through this
book, readers can transform the way they experience both art and
education. Contributors: Carolina Cambre, Owen Chapman, Paul
Couillard, T.L. Cowan, John Cussans, Randy Lee Cutler, Petra Hroch,
Rachelle Viader Knowles, Natalie Loveless, Glen Lowry, Erin
Manning, Sourayan Mookerjea, Natasha Myers, Simon Pope, Stephanie
Springgay, Sarah E. Truman
Fantasy Flowers Coloring Book No. 2 -32 Designs in an Elaborate
Square Frame, illustrated by Alberta L. Hutchinson, is a collection
of 32 fantasy flowers, each inside an elaborate square frame,
suitable for coloring. Children and adults alike will enjoy the
infinite designs that can be made by adjusting the color of both
the intricate frame and the flower designs. Hutchinson has colored
seven of the designs on the front and back cover as examples and
inspiration. As with Hutchinson's other design coloring books,
Fantasy Flowers Coloring Book No. 2 will be enjoyed by colorists of
all ages and levels of skill.
The Book of Love features stunning full-colored art from the
collection of Hearts of Love and Light by Artist, Alixandra
Mullins, as well as a variety of Love poems and writings by various
contributors.
This Pre-School Bridge Coloring Book is for children, ages 4-7. The
focus is on learning shapes, card symbols, counting to 13,
following directions, recognizing colors and introducing basic
bridge concepts. The prime directive is to encourage small kids to
use their imagination, to color inside and outside the lines, and
to play face to face with friends. The learning bonus is the
introduction to the world of playing cards. As Pablo Picasso
himself said, "Every child is an artist." All they need is a little
encouragement. Simply put, there is something very moving about
children coloring in a book. It is so simple, and so much FUN
NEW EDITION: A collection of paintings, drawings, and prints from
Western art illustrating the occupation and hobby of knitting
during the 1800s. Includes a brief history of knitting and a
description about the art work. The images are digitally enhanced
to improve their color quality and clarity. This is an ideal
reference and/or gift for handspinners, knitters, and fiber
artists.
This book consists of fifteen cartoons inspired by an 1866 Harper's
Weekly article about the hypothetical length of the Thirty Years'
War at different periods in time and extending into the future when
both sides had developed the ultimate weapons to end all wars. Of
course, war is inspired by the devil.
Angels and Goddesses features visual art from the hottest new and
emerging talent. Profiling unique, edgy work along with many artist
statements. Spiritual imagery for contemplation and inspiration in
full color
"The Real Snake" is a fascinating record of many of the
presentations that were made by academics and artists at The
Representational Art Conference in the fall of 2012, a
groundbreaking event founded by artists Michael Pearce and Michael
Lynn Adams, who recognized that there had been a neglect of
critical appreciation of representational art well out of
proportion to its quality and significance. Filling a gap in the
study of contemporary art, the conference was planned as a focused
but non-doctrinaire event, of serious academic standards.
Essential reading for people who love traditional studio art and
want to know more about what's happening in the representational
art world, "The Real Snake" is packed with fascinating
contributions, including critical insight from Jed Perl and the
entertaining commentary of popular Californian artist John Nava,
who gives the title to the volume with his reference to a scene in
the movie "Bladerunner." Other engaging chapters include eloquent
compositions by the popular blogger John Seed, the legendary Los
Angeles artist Ruth Weisberg and technical wizard Virgil Elliott.
CONTENTS
Michael Pearce
"Preface"
Jed Perl
"Re-imagining Representation"
Ruth Weisberg
"The Possibilities of Post-Post-Modernism"
Stephen Knudsen
"Is Representational Painting Ready to Take on Metamodernism
Without Cliches? The Painting of Bo Bartlett"
Justin Kunz
"World, Story and Meaning in Contemporary Representational Art"
Liu Nan
"Painting and Drawing Instruction in Higher Education in the
United States: An Historical Overview of Trends from 1776 until
2006"
Gingher Leyendecker
"The Effects of Technical and Conceptual Teaching Methodologies on
Student Outcomes in Life Drawing"
Saskia Ozols Eubanks
"The Dialectics of Impropriety: Realism, Classicism and a Feminist
Voice"
Kay Kane
"The Restoration of Venus: The Nude, Beauty and Modernist
Misogyny"
John Seed
"Anne Harris, Kyle Staver and Janice Nowinski: Three Approaches to
Beauty"
Patrick Connors
"Antecedents in Contemporary Pictorial Imagery: Thomas Eakins's
Paintings and Photography in Perspective"
Zoe Bray
"Anthropology / Ethnography and Naturalist / Realist Painting:
Parallels in Ways of Seeing and Understanding the World"
Claire Nettleton
"Postmodern Poodles and Electric Sows: Contemporary
Representations of Beaute Animale"
Virgil Elliott
"The Concept of Quality in Art: Inspirational and Practical
Concerns"
John Nava
"Don't Worry, Be Happy "
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