|
|
Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > General
2012 New Mexico-Arizona Book Awards Finalist Bill Pearson,
Photograper and his wife, Annmarie Pearson, poet have teamed up to
create this novelity book, "Nature Rhymes with Natural Impressions"
for your viewing pleasure. The photographs are inspirations of
Bill's flair to capture nature's natural attractions in its most
panoramic elegance. Annmarie's poetry compliments Bill's
photographs and vice versa. Together their art is shared as a
dynamic collaboration in poetry and photographs.
A unique book of the paintings of Darryl Taylor Kravitz
Do you like to go treasure hunting in obvious or out of the way
places? Do you like to view fine art in galleries large and small?
This book will give you directions to New Mexico's amazing New Deal
treasures and to buildings and bridges, murals and sculptures,
paintings and people who made them. They are not necessarily in the
most obvious places, and yet many are in places that one routinely
visits. They have been patiently waiting in our cities, our
villages, our parks, rarely witnessed as being "treasures." They
were constructed perhaps even by your own artistic ancestors. This
book is full of clues. Go sleuthing Growing up in Portales, New
Mexico, Kathryn Akers Flynn lived in an area with a New Deal
courthouse, a New Deal post office, and New Deal schools. She
worked at the local swimming pool and partied in the city park,
both built during the Depression era. In high school she was a
cheerleader on 1930s football fields for onlookers in Work Progress
Administration bleachers and camped out at a nearby Civilian
Conservation Corps created park and lake. She never knew any of
these structures were fashioned by the New Deal, nor did she notice
the New Deal treasures in Salt Lake City while at the University of
Utah where she received her Bachelor's Degree or the New Deal
structures in Carbondale, Illinois where she earned her Master's
Degree at Southern Illinois University. Returning to New Mexico,
she had a career in the state health and mental health
administration that included directorship of Carrie Tingley
Hospital, a New Deal facility with many public art treasures. It
wasn't until she became Deputy Secretary of State of New Mexico
that she realized what was around her. As a result she went on to
edit three editions of the "New Mexico Blue Book" featuring
information about New Deal creations all over the state. This book
presents the history and whereabouts of many such treasures found
since compiling an earlier book, "Treasures on New Mexico Trails,"
and another that focuses on New Deal programs nationwide, "The New
Deal: A 75th Anniversary Celebration." She also assisted with the
compilation of "A More Abundant Life, New Deal Artists and Public
Art in New Mexico" by Jacqueline Hoefer, also from Sunstone Press
and an apt companion for "Public Art and Architecture in New
Mexico." She was instrumental in creating the National New Deal
Preservation Association, and now serves as Executive Director.
This scarce antiquarian book is included in our special Legacy
Reprint Series. In the interest of creating a more extensive
selection of rare historical book reprints, we have chosen to
reproduce this title even though it may possibly have occasional
imperfections such as missing and blurred pages, missing text, poor
pictures, markings, dark backgrounds and other reproduction issues
beyond our control. Because this work is culturally important, we
have made it available as a part of our commitment to protecting,
preserving and promoting the world's literature.
Paintings by Pete Caswell form 2007 and 2008. The book includes
colorful and vibrant paintings from India, India faces, Ocean and
flowers series. Colorful images from Meherabad Pune and Meherazad
in India. Over 80 pages of full colour images.
Over the last several years the term place-specificity and its
variant, place-specific has occurred frequently in relation to
installations, permanent public art works, and public
interventions. While place-specificity is now a recognised term,
within many texts place-specific is often indiscriminately
exchanged with site-specific, implying that the two terms are
synonymous. Based on theory and curatorial practice, this research
explores a range of perspectives on the role of place-specificity
within socially engaged public art practice. The study examines the
difference between site and place and how place influences
perceptions of specific locations through memory, history and
experience and explores place as a subject, an artistic influence,
and a social and cultural signifier. The research reflects on the
potential of place-specific public art to celebrate unique cultural
differences, inspire international collaboration, and provide a
forum for local distinctiveness in the face of globalization. The
relationships between public art, site, space, and place explored
in this work will be of interest to those in the fields of art,
geography, cultural studies and architecture.
Hildegarde Staninger, Ph.D., RIET-1 is a world renowned industrial
toxicologist, who is the author of the international bestseller,
Comprehensive Handbook of Hazardous Materials: Regulations,
Monitoring, Handling & Safety, Lewis Publishing/CRC Press.
Among the leading international scientists in her field, she has
done decades of research and was awarded the prestigious 7th Army
and Greater Stuttgart Community Award for her work in preventing
increased chronic obstructive pulmonary disease (COPD) during
Operation Desert Shield from the Kuwati burning oil fields during
Desert Storm. In 2006-07 she was principal investigator of a
privately funded project to identify the composition of Morgellon's
fibers. This original research revealed the environmental impacts
upon man, environment and other life forms from exposure to
nanotechnology, a work she continues to pursue.Rick Dubov's
interest in art began as a teenager in the midst of a theatrical
showbiz family. He received a BA in Art History from the University
of California Irvine where he also received his Master's Degree in
Fine Arts. His art has evolved over the years and has a heavy
European influence, having lived in Milan and Paris, where he
studied painting. He lives and works in Los Angeles.
Angels and Goddesses features visual art from the hottest new and
emerging talent. Profiling unique, edgy work along with many artist
statements. Spiritual imagery for contemplation and inspiration in
full color
Living to 100? "Old age is hot right now...they don't know what to
do with us " says Isabel Ferguson, one of the women featured in Amy
Gorman's "Aging Artfully, 12 Profiles of Visual & Performing
Women Artists Aged 85-105." Based on interviews of inspirational
artists, musicians and dancers 85-105 living with zest in the San
Francisco Bay Area, Aging Artfully captures historical memories of
the last century as the lives and creative processes of each artist
unfold. Meet Dorothy Takahashi Toy, 89, an Asian-American, who tap
danced her way into the white world and broke racial barriers, to
Lily Hearst, a Viennese pianist who played scales and pieces daily
until she died at 107. The 12 positive multi-ethnic role models
portrayed in Aging Artfully have no time for complaining. The book
-- with 100+ photos -- celebrates lives of the elders, it honors
aging, challenges popular perceptions of being old and is certain
to spark dialogue. One of the keys to successful aging is to "never
give up." The vibrant women featured lead us to the realization
that we all can uncover and act upon our own inner passions and
follow them with open hearts. Well into our old age we can wake up
each morning and live fully in the here and now. Bronze winner:
2007 Independent Publishing Book Awards (IPPYs), category of
Women's Issues; 5 stars on Amazon. "Aging Artfully is a book to be
treasured and... shared." Jim Cox, Midwest Book Review
an artists thoughts about the modern world.
Thomas Eakins (1844-1916) was one of America's foremost painters
and a highly respected sculptor, photographer, and fine arts
teacher. He is often celebrated for his realist depictions of
contemporary life in late nineteenth-century Philadelphia. Yet, in
addition to his iconic paintings of rowers, doctors, and wrestlers,
he completed a number of works that reflected his deep and abiding
interest in the historical past. "Thomas Eakins and the Uses of
History" is the first book to examine the artist's lifelong
fascination with historical themes. Akela Reason delves deeply into
unpublished letters, diaries of friends and contemporaries, and
period newspapers to offer new insights into this aspect of the
artist's career.Probing the complex motivations behind his choice
of historical subjects, Reason argues that Eakins used these images
to express his most deeply held professional aspirations, most
notably his self-conscious desire to measure himself against master
artists of the distant past. The author begins with Eakins's first
foray into historical painting at the time of Philadelphia's
Centennial Fair of 1876, when he conceived "William Rush Carving
His Allegorical Figure of the Schuylkill River." A careful analysis
of his historical images reveals how Eakins's acute awareness of
the historical tradition influenced his teaching and shaped his
artistic career. Indeed, his insistent placement of the historical
works in major exhibitions alongside his better-known realist
paintings reveals his desire to carve out a place within this
tradition. The artist not only considered these works important to
his career; he sometimes suggested that they were among his best.
Eakins's partiality for these historical images makes clear that he
envisioned his artistic legacy in terms different from those by
which modern art historians have typically defined his art.
Bad Influence is a randomly issued print 'zine published by Ten Two
Studios. Issues are created whenever time, participating artists,
and interest allow. This issue of Bad Influence includes articles
about cemetery photography, Victorian post-mortem photography,
mourning dress in Victorian photography, The Woodmen's Circle Home,
and spirit photography. It includes artwork and photography from
Marian Savill, Diane Ferguson, Jennifer Minnis and Lisa Vollrath.
This scarce antiquarian book is included in our special Legacy
Reprint Series. In the interest of creating a more extensive
selection of rare historical book reprints, we have chosen to
reproduce this title even though it may possibly have occasional
imperfections such as missing and blurred pages, missing text, poor
pictures, markings, dark backgrounds and other reproduction issues
beyond our control. Because this work is culturally important, we
have made it available as a part of our commitment to protecting,
preserving and promoting the world's literature.
"Imagining Science "brings together internationally recognized
artists, scientists, and social commentators to feature a body of
original artwork and essays which explores the complex legal,
ethical, and social concerns about advances in biotechnology, such
as stem cell research, cloning, and genetic testing. Many important
questions and themes emerge from this exchange, highlighting the
linkages between scientific and creative research. This
collaboration also stresses the vital role art can play in
critiquing these biomedical technologies, particularly as
advancements in science begin to challenge our ethical boundaries.
This scarce antiquarian book is included in our special Legacy
Reprint Series. In the interest of creating a more extensive
selection of rare historical book reprints, we have chosen to
reproduce this title even though it may possibly have occasional
imperfections such as missing and blurred pages, missing text, poor
pictures, markings, dark backgrounds and other reproduction issues
beyond our control. Because this work is culturally important, we
have made it available as a part of our commitment to protecting,
preserving and promoting the world's literature.
Towering billboards featuring photorealistic portraits of popular
cinema stars and political leaders dominated the cityscape of
Chennai, in the south Indian state of Tamil Nadu, throughout the
second half of the twentieth century. Studying the manufacture and
reception of these billboards known locally as banners and cutouts
within the context of the entwined histories of the cinema industry
and political parties in Tamil Nadu, Preminda Jacob reveals the
broader significance of these fragments of visual culture beyond
their immediate function as pretty pieces of advertising. Jacob
analyzes the juxtaposition of cinematic and political imagery in
the extra-cinematic terrain of Chennai's city streets and how this
placement was pivotal to the elevation of regional celebrities to
cult status. When interpreting these images and discussing their
political and cultural resonance within the Tamil Nadu community,
Jacob draws upon multiple perspectives to give appropriate context
to this fascinating form of visual media."
|
|