Ornamental Lakes traces the history of lakes in England, from their appearance in the early eighteenth century, through their development in the 1750s, and finally to their decline in the nineteenth century. Aside from the natural lakes in the Lake District, the bodies of water we see in England today are man-made, primarily intended to ornament the landscapes of the upper classes. Through detailed research, author Wendy Bishop argues that, contrary to accepted thinking, the development of lakes led to the dissolution of formal landscapes rather than following changes in landscape design. Providing a comprehensive overview of lakes in England, including data on who made these lakes, how, and when, it additionally covers fishponds, water gardens, cascades and reservoirs. Richly illustrated and accompanied by case studies across the region, this book offers new insights in landscape history for students, researchers and those interested in how landscapes evolve.

Americans are committing 'country-cide', says Rick Pruetz, FAICP, converting farms into suburban yards and channeling streams that once provided flood control, water purification, habitats, and recreational opportunities. But rather than rail against overdevelopment, this book celebrates communities succeeding in preservation. For ten years Pruetz explored communities that excel in saving their natural environment. In twenty-four illustrated vignettes, he captures the character of places from the volcanic range near downtown Albuquerque, New Mexico, to Minneapolis's Grand Rounds park system, to farmland improbably preserved on Long Island. As the longtime city planner of Burbank, California, Pruetz offers more than an appreciation of these communities. He brings a planner's-eye view of the practices behind their achievements. His detailed reports of creative preservation solutions mark the trail for planners, commissioners, and citizens who seek to preserve the green legacy in their own backyards.

Landscape Citizenships, featuring work by academics from North America, Europe, and the Middle East, extends the growing body of thought and research in landscape democracy and landscape justice. Landscape, as a milieu of situated everyday practice in which people make places and places make people in an inextricable relation, is proving a powerful concept for conceiving of politics and citizenships as lived, dialogic, and emplaced. Grounded in discourses of ecological, environmental, watershed, and bioregional citizenships, this edited collection evaluates belonging through the idea of landscape as landship which describes substantive, mutually constitutive relations between people and place. With a strong international focus across 14 chapters, it delves into key topics such as marginalization, indigeneity, globalization, politics, and the environment, before finishing with an epilogue written by Kenneth R. Olwig. This volume will appeal to scholars and activists working in citizenship studies, migration, landscape studies, landscape architecture, ecocriticism, and the many disciplines which converge around these topics, from design to geography, anthropology, politics, and much more.

The Routledge Handbook of Translation and the City is the first multifaceted and cross-disciplinary overview of how cities can be read through the lens of translation and how translation studies can be enriched by an understanding of the complex dynamics of the city. Divided into four sections, the chapters are authored by leading scholars in translation studies, sociolinguistics, and literary and cultural criticism. They cover contexts from Brussels to Singapore and Melbourne to Cairo and topics from translation as resistance to translanguaging and urban design. This volume explores the role of translation at critical junctures of a city's historical transformation as well as in the mundane intercultural moments of urban life, and uncovers the trope of the translational city in writing. This Handbook is critical reading for researchers, scholars and advanced students in translation studies, linguistics and urban studies.

an intelligent and level-headed look at the great promise and the great problems associated with the Park Service's Mission 66 program. (Ken Burns, filmmaker)Winner Elisabeth Blair MacDougall Book Award, Society of Architectural Historians Winner J. B. Jackson Book Prize, Foundation for Landscape StudiesIn the years following World War II, Americans visited the national parks in unprecedented numbers, yet Congress held funding at prewar levels and park conditions steadily declined. Elimination of the Civilian Conservation Corps and other New Deal programs further reduced the ability of the federal government to keep pace with the wear and tear on park facilities.To address the problem, in 1956 a ten-year, billion-dollar initiative titled "Mission 66" was launched, timed to be completed in 1966, the fiftieth anniversary of the National Park Service. The program covered more than one hundred visitor centers (a building type invented by Mission 66 planners), expanded campgrounds, innumerable comfort stations and other public facilities, new and wider roads, parking lots, maintenance buildings, and hundreds of employee residences. During this transformation, the park system also acquired new seashores, recreation areas, and historical parks, agency uniforms were modernized, and the arrowhead logo became a ubiquitous symbol. To a significant degree, the national park system and the National Park Service as we know them today are products of the Mission 66 era.Mission 66 was controversial at the time, and it continues to incite debate over the policies it represented. Hastening the advent of the modern environmental movement, it transformed the Sierra Club from a regional mountaineering club into a national advocacy organization. But Mission 66 was also the last systemwide, planned development campaign to accommodate increased numbers of automotive tourists. Whatever our judgment of Mission 66, we still use the roads, visitor centers, and other facilities the program built.Ethan Carr's book examines the significance of the Mission 66 program and explores the influence of midcentury modernism on landscape design and park planning. Environmental and park historians, architectural and landscape historians, and all who care about our national parks will enjoy this copiously illustrated history of a critical period in the development of the national park system.

What have cultural anthropologists, historical geographers, landscape ecologists and environmental artists got in common? Along with eight other disciplines, from domains as diverse as planning and design, the arts and humanities as well as the social and natural sciences, they are all fields of importance to the theory and practice of landscape architecture.

In the context of the EU funded LE: NOTRE Project, carried out under the auspices of ECLAS, the European Council of Landscape Architecture Schools, international experts from a wide range of related fields were asked to reflect, each from their own perspective, on the interface between their discipline and landscape architecture. The resulting insights presented in this book represent an important contribution to the development the discipline of landscape architecture, as well as suggesting new ways in which future collaboration can help to create a greater interdisciplinary richness at a time when the awareness of the importance of the landscape is growing across a wide range of disciplines.

Exploring the Boundaries of Landscape Architecture is the first systematic attempt to explore the territory at the boundaries of landscape architecture. It addresses academics, professionals and students, not just from landscape architecture but also from its neighbouring discipline, all of whom will benefit from a better understanding their areas of shared interest and the chance to develop a common language with which to converse.

What have cultural anthropologists, historical geographers, landscape ecologists and environmental artists got in common? Along with eight other disciplines, from domains as diverse as planning and design, the arts and humanities as well as the social and natural sciences, they are all fields of importance to the theory and practice of landscape architecture.

In the context of the EU funded LE: NOTRE Project, carried out under the auspices of ECLAS, the European Council of Landscape Architecture Schools, international experts from a wide range of related fields were asked to reflect, each from their own perspective, on the interface between their discipline and landscape architecture. The resulting insights presented in this book represent an important contribution to the development the discipline of landscape architecture, as well as suggesting new ways in which future collaboration can help to create a greater interdisciplinary richness at a time when the awareness of the importance of the landscape is growing across a wide range of disciplines.

Exploring the Boundaries of Landscape Architecture is the first systematic attempt to explore the territory at the boundaries of landscape architecture. It addresses academics, professionals and students, not just from landscape architecture but also from its neighbouring discipline, all of whom will benefit from a better understanding their areas of shared interest and the chance to develop a common language with which to converse.

The past decade has witnessed a remarkable resurgence in the intellectual interplay between geography and the humanities in both academic and public circles. The metaphors and concepts of geography now permeate literature, philosophy, and the arts. Concepts such as space, place, landscape, mapping and territory have become pervasive as conceptual frameworks and core metaphors in recent publications by humanities scholars and well-known writers.

Envisioning Landscapes, Making Worlds contains over 25 contributions from leading scholars who have engaged this vital intellectual project from various perspectives, both inside and outside of the field of geography. The book is divided into four sections representing different modes of examining the depth and complexity of human meaning invested in maps, attached to landscapes, and embedded in the spaces and places of modern life. The topics covered range widely and include interpretations of space, place, and landscape in literature and the visual arts, philosophical reflections on geographical knowledge, cultural imagination in scientific exploration and travel accounts, and expanded geographical understanding through digital and participatory methodologies. The clashing and blending of cultures caused by globalization and the new technologies that profoundly alter human environmental experience suggest new geographical narratives and representations that are explored here by a multidisciplinary group of authors.

This book is essential reading for students, scholars, and interested general readers seeking to understand the new synergies and creative interplay emerging from this broad intellectual engagement with meaning and geographic experience.

Previously published in French by A0/00ditions Quae, this volume presents findings of a major research programme into landscape and sustainable development. While led by French scholars, the research team and geographical scope of the project was international, collaborative and comparative. Using case studies from across Europe, the interdisciplinary team of contributors discuss the relationship between landscape as defined by the European Landscape Convention and the concept of sustainable development. This English edition has a new introduction written by Yves LuginbA1/4hl and Peter Howard. The book is then divided into three sections: Biophysical Realities and Landscape Practice; Landscape Resources-Inheritance and Renewal; Governance and Participation. Some of the topics covered, such as wind-farm landscapes, will be familiar to English language readers, but others, such as footpath economics, non-woodland trees, inter-generational equity, and the insistence on the necessary developments in governance less so.

Aquaculture Landscapes explores the landscape architecture of farms, reefs, parks, and cities that are designed to entwine the lives of fish and humans. In the twenty-first century, aquaculture's contribution to the supply of fish for human consumption exceeds that of wild-caught fish for the first time in history. Aquaculture has emerged as the fastest growing food production sector in the world, but aquaculture has agency beyond simply converting fish to food. Aquaculture Landscapes recovers aquaculture as a practice with a deep history of constructing extraordinary landscapes. These landscapes are characterized and enriched by multispecies interdependency, performative ecologies, collaborative practices, and aesthetic experiences between humans and fish. Aquaculture Landscapes presents over thirty contemporary and historical landscapes, spanning six continents, with incisive diagrams and vivid photographs. Within this expansive scope is a focus on urban aquaculture projects by leading designers-including Turenscape, James Corner Field Operations, and SCAPE-that employ mutually beneficial strategies for fish and humans to address urban coastal resiliency, wastewater management, and other contemporary urban challenges. Michael Ezban delivers a compelling account of the coalitions of fish and humans that shape the form, function, and identity of cities, and he offers a forward-thinking theorization of landscape as the preeminent medium for the design of ichthyological urbanism in the Anthropocene. With over two hundred evocative images, including ninety original drawings by the author, Aquaculture Landscapes is a richly illustrated portrayal of aquaculture seen through the disciplinary lens of landscape architecture. As the first book devoted to this topic, Aquaculture Landscapes is an original and essential resource for landscape architects, urbanists, animal geographers, aquaculturists, and all who seek and value multispecies cohabitation of a shared public realm. Winner of the 2020 John Brinckerhoff Jackson Book Prize!

"Architecture shapes the monuments, the memories, and the expressions of societies and groups, creating a common language with which they debate and communicate their experiences and cultures." - Hashim Sarkis For the Biennale Architettura 2021, in addition to the Exhibition Catalogue and the Short Guide, the curatorial team has put together two distinct volumes, entitled Expansions and Cohabitats, in order to further elaborate on the theme of 'How will we live together?.' These books will appeal to a wide range of readers both from architecture and art communities and beyond, to include anyone who is interested in the role that creative practice can play in collectively answering the complex challenges posed by today's unstable world. Conceived as a record that delves deeper into a special section of the exhibition, Cohabitats comprises essays and visual material that look to the theme of the Biennale Architettura 2021 from the lens of a specific geographic location. While the main exhibition is primarily organised in five parts that contemplate a new spatial contract at five scales - as diverse beings, as new households, as emerging communities, across borders, and as one planet - this volume as well as the section of the show it is associated with, present analytical examples that speak to all five of them at once. The essays examine past and current practices of coming together in and around Venice, as well as in Addis Ababa, Beirut, India, Rio de Janeiro, Hong Kong, New York, Prishtina, and more. Also available: Expansions ISBN 9788836648610

From Provincetown to Woods Hole, barns in the English and New England styles dot the landscape of Cape Cod's fifteen townships. Over 340 beautiful color photos display these fascinating structures to their best advantage, including many colorful details. Wooden and stone barns alike appear here, dating from the eighteenth through the twentieth centuries. They were built for sheltering animals, grain, cranberries, strawberries, turnips, and asparagus. Cape Cod's only full-sized nineteenth century stone barn is included. The text provides a brief introduction to each of the townships as well as fascinating insights into each of the barns displayed. Architects, Cape Codders, and aficionados of the agrarian lifestyle will find this book entrancing.

Multispecies Leisure: Human-Animal Interactions in Leisure Landscapes seeks to 'bring the animal in' to the leisure studies domain and contribute to greater understanding of leisure as a complex, interwoven multispecies phenomenon. The emerging multidisciplinary field of human-animal studies encourages researchers to move beyond narrow focus on human-centric practices and ways of being in the world, and to recognise that human and non-human beings are positioned within shared ecological, social, cultural and political spaces. With some exceptions, leisure studies has been slow to embrace the 'animal turn' and consider how leisure actions, experiences and landscapes are shaped through multispecies encounters between humans, other animals, birds and insects, plants and environment. This book begins to address this gap by presenting research that considers leisure as more-than-human experiences. The authors consider leisure with nonhuman others (e.g. dogs, horses), affecting those others (e.g. environmental concerns) and affected by the non-human (e.g. landscape, weather), by exploring the 'contact zones' between humans and other species. Thus, this work contributes to greater understanding of leisure as a complex, multispecies phenomenon. The chapters in this book were originally published as a Special Issue of the Leisure Studies.

Explores how revolutionary ideas were translated into landscape design, encompassing liberty, equality, improvement and colonialism Spanning the designed landscapes of England's Glorious Revolution of 1688, the American Revolution of 1776 and the Irish rebellion of 1798, with some detours into revolutionary France, this book traces a comparative history of property structures and landscape design across the eighteenth-century Atlantic world and evolving concepts of plantation and improvement within imperial ideology. Revolutionaries such as Jean-Jacques Rousseau, George Washington, Arthur Young, Lord Edward FitzGerald and Pierce Butler constructed houses, farms and landscape gardens-many of which have since been forgotten or selectively overlooked. How did the new republics and revolutionaries, having overthrown social hierarchies, translate their principles into spatial form? As the eighteenth-century ideology of improvement was applied to a variety of transatlantic and enslaved environments, new landscape designs were created-stretching from the suburbs of Dublin to the sea islands of the state of Georgia. Yet these revolutionary ideas of equality and freedom often contradicted reality, particularly where the traditional design of the great landed estate-the building block of aristocratic power throughout Europe-intersected with that of the farm and the plantation. Distributed for the Paul Mellon Centre for Studies in British Art

Winner of the Elisabeth Blair MacDougall Book Award 2013 presented by the Society of Architectural Historians

Today, contemporary landscape design is increasingly drawing from ideas of sustainability and ecological stability. Not in fact new, the foundations of this approach stem from early twentieth century Germany, where architects and planners were already beginning to use the design concepts which are now referred to as "green."

This ecological school of thought was driven by modernist landscape architect Leberecht Migge (1881-1935). Working with significant modernist architects of the age including Martin Elsaesser, Ernst May, Bruno Taut, and Martin Wagner Migge was responsible for some of the most important housing and planning projects of the age; the mass housing settlements, or Grosssiedlungen, of Frankfurt Main and Berlin.

Using "biotechnic" principles to integrally link dwelling and garden, Migge was able to recycle household waste to grow foodstuffs through the use of innovative infrastructure and open space planning. Also a skilled park and garden designer, he drew together green and architectural elements in his "garden-architectonic" approach.

David H. Haney s book is the first to fully document Leberecht Migge s life and work. Using Migge as a starting point, Haney addresses conceptual and theoretical aspects of German ecological design, challenging conventional assumptions about modernism and ecological design history. With 200 illustrations and photographs, When Modern Was Green is ideal for students and academics interested in modernism, landscape history and higher level German studies.

Winner of the Elisabeth Blair MacDougall Book Award 2013 presented by the Society of Architectural Historians Today, contemporary landscape design is increasingly drawing from ideas of sustainability and ecological stability. Not in fact new, the foundations of this approach stem from early twentieth century Germany, where architects and planners were already beginning to use the design concepts which are now referred to as "green". This ecological school of thought was driven by modernist landscape architect Leberecht Migge (1881-1935). Working with significant modernist architects of the age - including Martin Elsaesser, Ernst May, Bruno Taut, and Martin Wagner - Migge was responsible for some of the most important housing and planning projects of the age; the mass housing settlements, or Grosssiedlungen, of Frankfurt Main and Berlin. Using "biotechnic" principles to integrally link dwelling and garden, Migge was able to recycle household waste to grow foodstuffs through the use of innovative infrastructure and open space planning. Also a skilled park and garden designer, he drew together green and architectural elements in his "garden-architectonic" approach. David H. Haney's book is the first to fully document Leberecht Migge's life and work. Using Migge as a starting point, Haney addresses conceptual and theoretical aspects of German ecological design, challenging conventional assumptions about modernism and ecological design history. With 200 illustrations and photographs, When Modern Was Green is ideal for students and academics interested in modernism, landscape history and higher level German studies.

A Philosophy of Landscape Construction outlines a philosophy of values in landscape construction, demonstrating how integral structures, such as pavements and walls, constitute a key element to how people interact with and inhabit the final design. The book discusses how these structures enable, assist and care for people, negotiating between the dynamic processes of site ecosystems and the soil on which they are founded. They articulate spatial, functional, cultural and ecological meanings. Within this theoretical framework, designers will learn to recognize and insert a set of core values into the most technical design stages to reach their full potential. By offering a new perspective on landscape construction, moving away from the exclusively technical characteristics, this book allows landscape architects to realise the ideal vision for their designs. It is abundantly illustrated with examples from which designers can learn both successes and failures and will be an essential companion to any study of built landscapes.

Ecology of Fire-Dependent Ecosystems is brimming with intriguing ecological stories of how life has evolved with and diversified within the varied fire regimes that are experienced on earth. Moreover, the book places itself as a communication between students, fire scientists, and fire fighters, and each of these groups will find some familiar ground, and some challenging aspects in this text: something which ultimately will help to bring us closer together and enrich our different approaches to understanding and managing our changing planet. -- Sally Archibald, Professor, University of the Witwatersrand, Johannesburg, South Africa Most textbooks are as dry as kindling and about as much fun to sink your teeth into. This is not that kind of textbook. Devan Allen McGranahan and Carissa L. Wonkka have taken a complex topic and somehow managed to synthesize it into a comprehensive, yet digestible form. This is a book you can read cover to cover - I know, I did it. As a result, I took an enlightening journey through the history and fundamentals of fire and its role in the natural and human world, ending with a thoughtful review of the evolving relationship between humans and wildland fire. -- Chris Helzer, Nebraska Director of Science, The Nature Conservancy, and author of The Prairie Ecologist blog Ecology of Fire-Dependent Ecosystems: Wildland Fire Science, Policy, and Management is intended for use in upper-level courses in fire ecology and wildland fire management and as a reference for researchers, managers, and other professionals involved with wildland fire science, practice, and policy. The book helps guide students and scientists to design and conduct robust wildland fire research projects and critically interpret and apply fire science in any management, education, or policy situation. It emphasizes variability in wildland fire as an ecological regime and provides tools for students, researchers, and managers to assess and connect fire environment and fire behaviour to fire effects. Fire has not only shaped social and ecological communities but pushed ecosystems beyond previous boundaries, yet understanding the nature and effects of fire as an ecological disturbance has been slow, hampered by the complexity of the dynamic interactions between vegetation and climate and the fear of the destruction fire can bring. This book will help those who study, manage, and use wildland fire to develop new answers and novel solutions, based on an understanding of how fire functions in natural and social environments. It reviews literature, synthesizes concepts, and identifies research gaps and policy needs. The text also explores the interaction of fire and human culture, demonstrating how fire policy can be made adaptable to cultural and socio-ecological objectives.

Through cross-disciplinary explorations of and engagements with nature as a forming part of architecture, this volume sheds light on the concepts of both nature and architecture. Nature is examined in a raw intermediary state, where it is noticeable as nature, despite, but at the same time through, man's effort at creating form. This is done by approaching nature from the perspective of architecture, understood, not only as concrete buildings, but as a fundamental human way both of being in, and relating to, the world. Man finds and forms places where life may take place. Consequently, architecture may be understood as ranging from the simple mark on the ground and primitive enclosure, to the contemporary megalopolis. Nature inheres in many aesthetic forms of expression. In architecture, however, nature emerges with a particular power and clarity, which makes architecture a raw kind of art. Even though other forms of art, as well as aesthetic phenomena outside the arts, are addressed, the analogy to architecture will be evident and important. Thus, by using the concept of 'raw' as a focal point, this book provides new approaches to architecture in a broad sense, as well as other aesthetic and artistic practices, and will be of interest to readers from different fields of the arts and humanities, spanning from philosophy and theology to history of art, architecture and music.

Before the Second World War landscape architect Christopher Tunnard was the first author on Modernism in Landscape in the English language, but later became alarmed by the destructive forces of Post-war reconstruction. Between the 1950s and the 1970s he was in the forefront of the movement to save the city, becoming an acclaimed author sympathetic to preservation.

Ironically it was the Modernist ethos that he had so fervently advocated before the war that was the justification for the dismemberment of great cities by officials, engineers and planners. This was not the first time that Tunnard had to re-evaluate his principles, as he had done so in the 1930s in rejecting Arts-and-Crafts in favour of Modernism. This book tracks his changing ideology, by reference to his writings, his colleagues and his work.

Christopher Tunnard is one of the most influential figures in Landscape Architecture and his journey is one that still resonates in the discipline today. His leading role in first embracing the tenets of Modernism and then moving away from to embrace a more conservationist approach can be seen in the success and impact on the profession of those with whom he worked and taught.

Before the Second World War landscape architect Christopher Tunnard was the first author on Modernism in Landscape in the English language, but later became alarmed by the destructive forces of Post-war reconstruction. Between the 1950s and the 1970s he was in the forefront of the movement to save the city, becoming an acclaimed author sympathetic to preservation.

Ironically it was the Modernist ethos that he had so fervently advocated before the war that was the justification for the dismemberment of great cities by officials, engineers and planners. This was not the first time that Tunnard had to re-evaluate his principles, as he had done so in the 1930s in rejecting Arts-and-Crafts in favour of Modernism. This book tracks his changing ideology, by reference to his writings, his colleagues and his work.

Christopher Tunnard is one of the most influential figures in Landscape Architecture and his journey is one that still resonates in the discipline today. His leading role in first embracing the tenets of Modernism and then moving away from to embrace a more conservationist approach can be seen in the success and impact on the profession of those with whom he worked and taught.

Regulating Coastal Zones addresses the knowledge gap concerning the legal and regulatory challenges of managing land in coastal zones across a broad range of political and socio-economic contexts. In recent years, coastal zone management has gained increasing attention from environmentalists, land use planners, and decision-makers across a broad spectrum of fields. Development pressures along coasts such as high-end tourism projects, luxury housing, ports, energy generation, military outposts, heavy industry, and large-scale enterprise compete with landscape preservation and threaten local history and culture. Leading experts present fifteen case studies among advanced-economy countries, selected to represent three groups of legal contexts: signatories to the 2008 Mediterranean ICZM Protocol, parties to the 2002 EU Recommendation on Integrated Coastal Zone Management, and the USA and Australia. This book is the first to address the legal-regulatory aspects of coastal land management from a systematic cross-national comparative perspective. By including both successful and less-effective strategies, it aims to inform professionals, graduate students, policy makers, and NGOs of the legal and socio-political challenges as well as the better practices from which others could learn.

This book addresses the question 'Why draw?' by examining the various dynamic relationships between media, process, thought and environment. Highly illustrated, the book brings together authors from the fields of architecture, landscape architecture and art and demonstrates that designing through drawing is fundamentally different from designing on a screen.

Waste and Urban Regeneration examines the Nanjido region of Seoul and its transformation from Nanjido Landfill to the World Cup Park, and its relation to the urban ecology within the context of the city's urban development during the late twentieth and early twenty-first centuries. The study analyses the urban ecological meanings of the site's two distinct forms by consolidating them with the Lefebvrian urban theory and relational ecological theories. This book looks at environmental transformations and their link to South Korea's political and economic changes; how Seoul City controlled waste populations, the borderline characterisations of the inhabited landfill and its community, the regeneration of the landfill into the post-landfill park and site-specific artworks which explored the conflict between the invisible presence of the landfill's garbage and its history. As one of the first accounts of a landfill and landfill-turned-park of South Korea, this study is a must-read for academics and researchers interested in waste management, ecology, landscape theory and history.