This book highlights various designs for urban green spaces and their functions. It provides an interesting meeting point between Asian, European and North America specialists (researchers, planners, landscape architects) studying urban biodiversity; urban biodiversity and green space; relations between people and biodiversity. The most important feature of this book is the unique point of view from each contributor towards "the relationship between nature and people in urban areas", in the context of the ecosystem and biodiversity in urban areas and how to manage them. All chapters explore and consider the relationship between humans and nature in cities, a subject which is taking on increasing importance as new cities are conceptualized and planned. These discussion and examples would be useful for urban ecology researchers, biologists, city planners, government staff working in city planning, architects, landscape architects, and university instructors. This book can also be used as a textbook for undergraduate and postgraduate city planning, architecture or landscape architecture courses.

This book approaches the concept of geo-architecture by analyzing the symbolic characters of architectures. It proves that the relationship between architecture and geography is not merely an embodiment of physical and functional demands but rather a formal expression of the materialization of culture. After analyzing the vast number of villages, groups of buildings and individual buildings the forms of which closely resemble the forms of the Bagua (symbol of the Eight Trigrams), Taichi, animals and plants, this book finds that this kind of symbolism creatively places living and working places within the natural geographic environment and, by seeking a relationship between architecture and its surrounding environment, comes to express people's hopes and dreams, evolving slowly to take on certain cultural connotations. This book is the fourth of a 4-volume book series. The series develops the innovative concept of "geo-architecture" by exploring the myriad influences of natural, human and historical factors upon architecture. These influences are considered in three categories, namely, interaction between architecture and nature, interaction between architecture and its human users and change in architecture over time--each category serves as a lens. Augmenting these lenses is the Time-Person-Place concept applied different geographic. The analysis ultimately focuses on two aspects: geographic influence on architecture and architectural response to geography. The over 1000 pictures of case architectures enriches the study with stunning and unique visual angles. "This unprecedented work will be a unique and valuable contribution to the literature. Integrating as it does the disciplines of architecture, landscape architecture, and geography, Wang Fang's voice is original, compelling, and will be much appreciated by English-speaking readers (and inside China, too, I can only imagine.)"Stephen M Ervin Assistant Dean Graduate School of Design, Harvard University July 2nd, 2013 "One reason for why there would be interest is because her research would fill some significant gaps in the literature.What is novel about Dr. Wang's series is that she further extends this intellectual project of looking at Chinese architecture through Chinese eyes, by taking it one provocative step further."Annette M. Kim Associate Professor Department of Urban Studies and Planning, M.I.T. July 1st, 2013

This book stems from the seminal work of Robert Venturi and aims at re-projecting it in the current cultural debate by extending it to the scale of landscape and placing it in connection with representative issues. It brings out the transdisciplinary synthesis of a necessarily interdisciplinary approach to the theme, aimed at creating new models which are able to represent the complexity of a contradictory reality and to redefine the centrality of human dimension. As such, the volume gathers multiple experiences developed in different geographical areas, which come into connection with the role of representation. Composed of 43 chapters written by 81 authors from around the world, with an introduction by Jim Venturi and Cezar Nicolescu, the volume is divided into two parts, the first one more theoretical and the other one which showcases real-world applications, although there is never a total split between criticism and operational experimentation of research.

'Charming - a love-letter to home, history, and nature.' LEAH BROAD, Author of Quartet 'A tender and illuminating history of an overlooked world.' HORATIO CLARE 'Truly a revelation on every page.' PETROC TRELAWNY 'A richly textured book, replete with illuminating discoveries and observations.' COUNTRY LIFE 'A wide-ranging meditation on place and past.' LITERARY REVIEW Gavin considered himself an urban being... until he met his husband, Alastair. Together, they bought Stepps House in Pembridge, Herefordshire - on love at first sight. But then came the question: 'How old is it?' With its ancient beams, the date they'd been given seemed out by centuries. As Gavin traced Stepps House through various hands and eras, he saw a past emerge that resonates powerfully with our present. Mixing history and art, memoir and landscape, A Home for All Seasons is grand in its sweep and intimate in its account of rural life.

This book explores international practice in landscape architecture, focusing on the provision of services from Australia to China during China's contemporary urbanization and Australian landscape architects' approaches to place. Landscape architectural practice requires planners and designers to have a deep understanding of local culture, site characteristics, craftsmanship and even project procedures that are often intangible. How to acquire the above local knowledge has become a major challenge for international teams. Through the survey of the practice of Australian landscape practices in China and the case study of Li Lake planning and design project, this book reveals the process and difficulties of landscape planning and design as a transnational practice, as well as its special value as a way of cross-cultural fertilization. This book is intended for students, practitioners and researchers in the fields of landscape architecture, architecture and urban planning.

This open access book outlines new concepts, development models, governance and implementation processes capable of addressing the challenges of transformative urban regeneration of cities at precinct scale.

Progressive Studio Pedagogy provides guidance to educators in all design fields by questioning processes and assumptions about teaching and learning, utilising examples from architecture, landscape architecture, and interior design. Through a series of case studies, this book presents innovative approaches to learning and teaching in design studio. Traditionally, design education is perceived to be a process for acquiring skills and a site for developing creative potential. However, contemporary higher education is embracing issues that include widening participation, managing transition, and fostering independent learning and graduate employability. This book situates design learning within this varied context and offers insights into how to confront the challenge of facilitating learning through divergent contexts by presenting projects and courses that use a range of approaches that require students to think and act critically and evaluatively. Progressive Studio Pedagogy presents new practices that readers can adapt into their own creative education, making it an ideal read for those interested in teaching design.

delivers a realistic and feasible framework for creating resilient landscapes in an era of anthropogenic climate change. presents fifteen case studies of differing sociocultural, economic, and biophysical backgrounds that showcase opportunities and limitations for creating resilient landscapes throughout the world. provides that much-needed link between theory and practice to deliver forward-thinking, practical solutions. This book will be of great interest to students, researchers, practitioners and policymakers who are interested in the complex relationship between landscapes, climate change, biodiversity loss, and land-based conversion at local, national and global scales.

delivers a realistic and feasible framework for creating resilient landscapes in an era of anthropogenic climate change. presents fifteen case studies of differing sociocultural, economic, and biophysical backgrounds that showcase opportunities and limitations for creating resilient landscapes throughout the world. provides that much-needed link between theory and practice to deliver forward-thinking, practical solutions. This book will be of great interest to students, researchers, practitioners and policymakers who are interested in the complex relationship between landscapes, climate change, biodiversity loss, and land-based conversion at local, national and global scales.

This book examines three landmark utopian visions central to 20th century landscape architectural, planning, and architectural theory. The period between the 1890s and the 1940s was a fertile time for utopian thinking. Significant geographic shifts of large populations; radically altered relations between capital and labor; rapid technological developments; large investments in transportation and energy infrastructure; and repetitive economic disruptions motivated many individuals to wholly reimagine society - including the connections between social relations and the built environment. Landscape and Utopia examines the role of landscapes in the political imaginations of the Garden City, the Radiant City, and Broadacre City. Each project uses landscapes to propose a reconstruction of the relationships between land, labor, and capital but - while the projects are well-known - the role played by landscapes has been largely left unexamined. Similarly, the radical anti-capitalism that underpinned each project has similarly been, for the most part, left out of contemporary discussions. This book sets these projects within a historical and philosophical context and opens a discussion on the role of landscapes in society today. This book will be a must-read for instructors, students, and researchers of the history and theory of landscape architecture, planning, and architecture as well as utopian studies, cultural and social history, and environmental theory.

Presents essential information on the fundamental properties of soils and how they are affected under urban conditions. Coverage includes the physical, chemical and biological characterisitics of soil; how it can be classified, inventoried and mapped; urban soil properties; problems and solutions to many of the more common urban soils; methods of ameliorating compaction including other major drainage problems and much more. Contains over 150 illustrations.

For centuries, the English Lake District has been renowned as an important cultural, sacred and literary landscape. It is therefore surprising that there has so far been no in-depth critical examination of the Lake District from a tourism and heritage perspective. Bringing together leading writers from a wide range of disciplines, this book explores the tourism history and heritage of the Lake District and its construction as a cultural landscape from the mid eighteenth century to the present day. It critically analyses the relationships between history, heritage, landscape, culture and policy that underlie the activities of the National Park, Cumbria Tourism and the proposals to recognise the Lake District as a UNESCO World Heritage Site. It examines all aspects of the Lake District's history and identity, brings the story up to date and looks at current issues in conservation, policy and tourism marketing. In doing so, it not only provides a unique and valuable analysis of this region, but offers insights into the history of cultural and heritage tourism in Britain and beyond.

Mangroves thrive in intertidal zones, where they gather organisms and objects from land, river, and ocean. They develop into complex ecologies in these dynamic in-between spaces. Mobilising resources drawn from semiotic materialism and the environmental humanities, this book seeks a form of social theory from the mangroves; that is to think interstitiality from the perspective of mangroves themselves, exploring the crafty and tenacious world-making they are engaged in. Three sections weave together theory, science and close observation, responding to calls within the environmental humanities for detailed attention to interactions in marginal spaces and those of interpretative tension. It examines interstitiality by considering theories of difference, relationality, and reflexivity in the context of mangrove socioecological materialities, drawing on influential writers such as Michel Serres, Jacques Derrida, Deborah Bird Rose, Donna Haraway, Brian Massumi and Maurice Merleau-Ponty as theoretical touchstones. Exploring Interstitiality with Mangroves is a lyrically crafted philosophical analysis that will appeal to scholars, researchers and students interested in the developing frontiers of more-than-human post-anthropocentric writing, theory and methodologies. It will be of interest to readers in ecocriticism, environmental humanities, cultural geography, place studies and nature writing.

In diesem interdisziplinaren Sammelband wird nicht nur eine Motivgeschichte des Themas Wasser vorgelegt. Vielmehr eint die Beitrage der Ansatz, Wasser als ein mit vielfaltigen kulturellen Bedeutungen aufgeladenes Phanomen und als Akteur zu verstehen. Alle Aufsatze befassen sich mit der Reprasentation der grundlegenden Eigenschaft von Wasser, namlich dessen materieller Wandelbarkeit. Diese zeigt sich in so faszinierenden Aspekten wie der musikalischen 'Sprache' von Kunstbrunnen oder in der Mittlerfunktion von Wasser zwischen Mensch und Natur. Wasser kann auch zum Protagonisten in der Gartenarchitektur werden oder soziale und geographische Abgrenzung markieren. Nicht zuletzt kann Wasser auch als programmatischer Tragers eines Kunstwerks fungieren.

Recent years have seen a gathering interest in the importance of real estate development to the growth and development of cities. This has included theoretical work on such topics as land rent and property rights as well as empirical studies on property investments, assetization, securitization, and the effects of changing property values on economic growth and the global status of cities. In the field of urban political economy, attention has turned particularly to the financialization of land and the built environment and to the globalization of property ownership, real estate development, and architectural design. This edited volume brings together a collection of original investigations of the current thinking on three broad themes: the assetization of land and buildings, the relationship of land rent to valuation and speculation in the markets for private and public properties, and the different ways in which land functions as a social relation. In order to ground the discussion, each chapter combines a theoretical perspective with empirical evidence. And, to convey a sense of the global nature of these phenomena, the book includes cases from Finland, India, Spain, Singapore, Hong Kong, Japan, Italy, China, and the United States. Although its prime goal is to solidify and extend the political economy of land, this book is also a celebration of the Finnish scholar Anne Haila who was a major contributor to this literature and, specifically, to the work of this book's authors. Prior to her sudden death in 2019, she was a key figure in the discussions that are at the core of the political economy of land: this book, in part, is a public acknowledgement of her contributions.

This book presents a detailed exploration into the Centre for Alternative Technology (CAT), an enterprise concerned with finding and communicating sustainable ways of living, established in Wales in 1973. Playing a central role in the global green network, this study examines CAT's history and context for creation, its development over time and its wider influence in the progression of green ideas at the local, national and international levels. Based on original archival and ethnographic research, this book provides the first in-depth analysis of CAT and uses the case study to explore wider issues of sustainability and environmental communication. It situates the Centre within current environmental and political discourse and emphasises the relevance and reach of CAT's practical solutions and creative educational programme. These practical solutions to the destruction of the environment of human activity are increasingly vital in today's context of climate change, loss of biodiversity and rising levels of pollution. It debates the spectrum of attitudes between environmentalism and ecologism evident at CAT and in broader conversations surrounding sustainability. Woven throughout the text, the author makes clear what we can learn from CAT's almost 50 years of experiments and experiences, from his first-hand account of working at the site. This will be a fascinating and revealing read for academics, researchers, students and practitioners interested in all aspects of sustainability and environmental issues.

This book explores new approaches towards developing memorial and heritage sites, moving beyond the critique of existing practices that have been the traditional focus of studies of commemoration. Offering understandings of the effects of conflict on memories of place, as manifested in everyday lives and official histories, it explores the formation of urban identities and constructed images of the city. Topographies of Memories suggests interdisciplinary approaches for creating commemorative sites with shared stakes. The first part of the book focuses on memory dynamics, the second on Nicosia, the divided capital of Cyprus, and the third on physical and material world interventions. Design practices and modes of engagement with places of memory are explored, making connections between theoretical explorations of memory and forgetting and practical strategies for designers and practitioners.

In the last ten years, concepts such as urban health and liveability have become ever more present in urban planning studies. Many companies rank the most liveable city in the world or in a nation, and many indicators are used to try to measure factors which can report the health of a place by investigating it in different ways. While it is possible to understand why a place is liveable - due to the liveability and health concepts that are being more and more explored in urban studies, and the strong influence coming from other disciplines - it is difficult to design a place that is certain to be healthy and liveable. Accordingly, aim of this book is, after the definition of the field of investigation concerning sustainable regeneration trough topics such as resilience, adaptation, health, and mixed connections, to illustrate the present-day approaches to the analysis and design of healthy places, and in particular the original Healthy Pl@ce Design method, flexible and repeatable in different contexts. The method aims to identify sustainable urban liveability and healthiness and the factors which make places liveable and healthy from users' points of view and identifying design interventions that can enhance or create both urban liveability and health. Emblematic case studies carried out in Europe, Canada and China - Bordeaux, Copenhagen, Hamburg, Madrid, Newcastle-Gateshead, Nice, Dublin, Vancouver and Wuhan - constitute the empirical part of the book, detailed with surveys, questionnaires, images and maps. The theoretical framework - built on contemporary issues - and international case studies make this book both attractive and scientific, adding a new stone on the sustainable city construction and opening it to a particularly wide readership, including scholars, students, administrators and professionals.

Combining the charms of the country with the convenience of the city and delivering a healthy dose of both entertainment and education, American pleasure gardens were ubiquitous between the Revolution and the Civil War. Patrons of these entertainment venues would have expected to see plays, concerts, fairs, mechanical and artistic exhibits, fireworks, volcanic eruptions, and - perhaps more crucially - they would have expected to see and be seen. As outdoor entertainment venues in American cities in the eighteenth and nineteenth centuries, pleasure gardens presented citizens with public spaces where they could explore what it meant to be American. The very nature of American pleasure gardens provided an effective location for the exploration of and experimentation with American identities, due to their nature as simultaneously rural and urban, modern and nostalgic, British and American, white and racialized, and democratic and class-conscious. Stubbs examines how these once popular venues helped form American identity using nation, class, race, and the agrarian ideal as touchstones and argues the gardens allowed for the exploration of what it meant to be American through performance, both on and off the stage.

Written by a leading instructor, it focuses on accessible methods and concepts to introduce active, rather than passive, photography to students, instructors and practitioners in the fields of landscape, planning, architecture and environmental design Provides clear guidance on a diverse set of approaches and explores deeper discussions about making and using photography in environmental design, along with further reading It covers techniques to build on such as casual composition, constraints, slowing down, investigating, non-visual cues, POV, narrative and detachment that encourage enhanced visual focus Includes 190 full colour images, with examples by the author and invited contributors from practice.

The grove, a grouping of trees, intentionally cultivated or found growing wild, has a long diverse history entwined with human settlement, rural practices and the culture and politics of cities. A grove can be a memorial, a place of learning, a site of poetic retreat and philosophy or political encampment, a public park or theatre, a place of hidden pleasures, a symbol of a vanished forest ecology, or a place of gods or other spirits. Yet groves are largely absent from our contemporary vocabulary and rarely included in today's landscape practice, whether urban or rural. Groves are both literal and metaphorical manifestations, ways of defining spaces and ecologies in our cultural life. Since they can add meaning to urban forms and ecologies and contribute meaningfully to the significance of place, critical examination is long overdue. The editors have taken care to ensure that the text is accessible to the general reader as well as specialists.

Professional Practice for Landscape Architects third edition deals with the practical issues of being a successful landscape architect professional. Endorsed by the Landscape Institute, this book is an indispensable guide for licentiate members of the Institute on their Pathway to Chartership. It follows the revised 2013 syllabus covering all aspects of professional judgement, ethics and values, the legal system, organisation and management, legislation and the planning system, environmental policy and control, procurement and implementation. It also serves as a reminder and reference for fully qualified professionals in their everyday practice and for landscape students. Valuable information is presented in an easy to follow manner with diagrams and schedules, key acts, professional documents and contracts clearly explained and made easy to understand. A handy list of questions are included to aid with P2C revision, answers of which are found within the text.

This book traces the evolution of Singapore's parks system, from colonial to present times. Further, it contextualizes the design and planning of parks in the general discourse on western and eastern traditions: early twentieth century western conceptions 'imported' during colonialism; modernism; postmodernism, and the contemporary ecological debate. Park system planning products respond to national policies and result in structural urban elements and a range of park types. Global (western ideology) and local issues have influenced park system planning and the physical design of individual parks over time. However, in Singapore the eastern literature has not addressed the development of parks and urban green spaces in terms of historical perspective. The publication reveals the interrelations between visual representations and changing political ideologies. Singapore's system of public parks is shown to represent an iconography created by the state. Its set of constructed narratives elucidates on the potential social, cultural and environmental roles of public parks. However, Singapore's park system presents a novel paradigm for expanding Asian cities, characterized by evolving urban imaging strategies. In framing Singapore's case study within the broader perspective of eastern applications of western planning and design practices, and constructions of nation in post-colonial countries, the manuscript establishes the contribution of the Singaporean model of design and planning of parks to the international debate.

This book presents a study into the art of Jiangnan classical garden. Jiangnan ("the south of the Yangtze River") refers to the water network region along the lower reaches of the Changjiang River (formerly known as Yangtze River), where Jiangsu Province Chinese gardens were primarily constructed during the 16th and 17th centuries of the later Ming and early Qing dynasties. The Jiangnan garden, an architectural space where artificial and natural elements are combined, represents the elite of classical Chinese gardens and serves as a prime exemplar for its northern counterpart, the Ming and Qing imperial gardens. The book pursues an interdisciplinary approach, combining historical information with case studies and other methods. Charts and pictures are used to supplement and reinforce the conclusions drawn from the macro narrative, enhancing the authenticity and readability of the historical monographs. It represents the first study of the classical art of landscape design in China, offering readers an insightful introduction.