Your cart is empty
The scenic images that Louisiana brings to mind -- moss-draped cypress, lush marshlands, alligators gliding through bayous, herons coasting across an open sky -- all spring from one of the most diverse and productive ecosystems on the continent. This varied and inviting landscape gives rise to one of the state's many monikers, ""Sportsman's Paradise,"" which rings true whether you are boating on picturesque Lake Martin or bird-watching among the ancient live oaks of Lafitte Woods. From the precious maritime forests of Grand Isle to the steep contours of Tunica Hills, Louisiana's wild outdoors defines each region's sense of place and value. For nearly thirty years, The Nature Conservancy in Louisiana has served as a steward of these ecological riches, protecting and maintaining more than 285,000 acres of the state's land. Now, for the first time, readers can observe the vast array of flora and fauna found in these complex habitats in Louisiana Wild, with the awe-inspiring photography of C. C. Lockwood. After trekking and canoeing through more than sixty properties managed by The Nature Conservancy, Lockwood presents a vivid photo narrative that journeys from the little-known Copenhagen Hills, a prairie habitat with the largest variety of woody plants in Louisiana; to the swampland lake of Cypress Island, with its massive rookery of roseate spoonbills and great egrets; to over a dozen other sites that showcase Louisiana's distinct environs. With 220 color images, Louisiana Wild pays homage to the immeasurable impact of The Nature Conservancy's efforts and will delight anyone who calls Louisiana home.
When Sidney J. Hare (1860-1938) and S. Herbert Hare (1888-1960) launched their Kansas City firm in 1910, they founded what would become the most influential landscape architecture and planning practice in the Midwest. Over time, their work became increasingly far-ranging, in both its geographical scope and its project types. Between 1924 and 1955, Hare & Hare commissions included fifty-four cemeteries in fifteen states; numerous city and state parks (seventeen in Missouri alone); more than fifteen subdivisions in Salt Lake City; the Denver neighborhood of Belcaro Park; the picturesque grounds of the Christian Science Sanatorium in Chestnut Hill, Massachusetts; and the University of Texas at Austin among fifty-one college and university campuses. In Hare & Hare Landscape Architects and City Planners Carol Grove and Cydney Millstein document the extraordinary achievements of this little-known firm and weave them into a narrative that spans from the birth of the late nineteenth-century "modern cemetery movement" to midcentury modernism. Through the figures of Sidney, a "homespun" amateur geologist who built a rustic family retreat called Harecliff, and his son Herbert, an urbane Harvard-trained landscape architect who traveled Europe and lived in a modern apartment building, Grove and Millstein chronicle the growth of the field from its amorphous Victorian beginnings to its coalescence as a profession during the first half of the twentieth century. Hare & Hare provides a unique and valuable parallel to studies of prominent East and West Coast landscape architecture firms?one that expands the reader's understanding of the history of American landscape architecture practice.
Warren H. Manning's (1860-1938) national practice comprised more than sixteen hundred landscape design and planning projects throughout North America, from small home grounds to estates, cemeteries, college campuses, parks and park systems, and new industrial towns. Manning approached his design and planning projects from an environmental perspective, conceptualising projects as components of larger regional (in some cases, national) systems, a method that contrasted sharply with those of his stylistically oriented colleagues. In this regard, as in many others, Manning had been influenced by his years with the Olmsted rm, where the foundations of his resource-based approach to design were forged. Manning's overlay map methods, later adopted by the renowned landscape architect Ian McHarg, provided the basis for computer mapping software in widespread use today. One of the eleven founders of the American Society of Landscape Architects, Manning also ran one of the nation's largest offices, where he trained several influential designers, including Fletcher Steele, A. D. Taylor, Charles Gillette, and Dan Kiley. After Manning's death, his reputation slipped into obscurity. Contributors to the Warren H. Manning Research Project have worked more than a decade to assess current conditions of his built projects and to compile a richly illustrated compendium of site essays that illuminate the range, scope, and significance of Manning's notable career with specially commissioned photographs by Carol Betsch.
The first biography of this important landscape architect, James Rose examines the work of one of the most radical figures in the history of mid-century modernist American landscape design. An artist who explored his profession with words and built works, Rose fearlessly critiqued the developing patterns of land use he witnessed during a period of rapid suburban development. The alternatives he offered in his designs for hundreds of gardens were based on innovative and iconoclastic environmental and philosophic principles, some of which have become mainstream today. A classmate of Garrett Eckbo and Dan Kiley at Harvard, Rose was expelled in 1937 for refusing to design landscapes in the Beaux-Arts method. In 1940, the year before he received his first commission, Rose also published the last of his influential articles for Architectural Record, a series of essays written with Eckbo and Kiley that would become a manifesto for developing a modernist landscape architecture. Over the next four decades, Rose articulated his philosophy in four major books. His writings foreshadowed many principles since embraced by the profession, including the concept of sustainability and the wisdom of accommodating growth and change. James Rose includes new scholarship on many important works, including the Dickenson Garden in Pasadena and the Averett House in Columbus, Georgia, as well as unpublished correspondence. Throughout his career Rose refined his conservation ethic, finding opportunities to create landscapes for contemplation, self-discovery, and pleasure. At a time when issues of economy and environmentalism are even more pressing, Rose's writings and projects are both relevant and revelatory.
The question "Do black landscapes matter?" cuts deep to the core of American history. From the plantations of slavery to contemporary segregated cities, from freedman villages to northern migrations for freedom, the nation's landscape bears the detritus of diverse origins. Black landscapes matter because they tell the truth. In this vital new collection, acclaimed landscape designer and public artist Walter Hood assembles a group of notable landscape architecture and planning professionals and scholars to probe how race, memory, and meaning intersect in the American landscape.Essayists examine a variety of U.S. places - ranging from New Orleans and Charlotte to Milwaukee and DetroitaEURO"exposing racism endemic in the built environment and acknowledging the widespread erasure of black geographies and cultural landscapes. Through a combination of case studies, critiques, and calls to action, contributors reveal the deficient, normative portrayals of landscape that affect communities of color and question how public design and preservation efforts can support people in these places. In a culture where historical omissions and specious narratives routinely provoke disinvestment in minority communities, creative solutions by designers, planners, artists, and residents are necessary to activate them in novel ways. Black people have built and shaped the American landscape in ways that can never be fully known. Black Landscapes Matter is a timely and necessary reminder that without recognizing and reconciling these histories and spaces, America's past and future cannot be understood.
Between 1914 and 1950, Ellen Biddle Shipman (1869-1950) designed more than 650 gardens, and her commissions spanned the United States, from Long Island's Gold Coast to the state of Washington. In high demand for her formal gardens and lush planting style, her elite clients included Fords, Rockefellers, Astors, and du Ponts. Shipman's imaginative approach merged elements from the Colonial Revival and Arts and Crafts movements with a distinctive ability to create sensual, secluded landscapes. In Ellen Shipman and the American Garden author Judith B. Tankard describes Shipman's remarkable life and discusses fifty of her major works, including the Stan Hywet Gardens in Akron, Ohio; Longue Vue Gardens in New Orleans; and Sarah P. Duke Gardens at Duke University. Richly illustrated with plans and photographs, this expanded and revised edition reveals Shipman's ability to combine plants for dramatic impact and create spaces of the utmost intimacy. Tankard also examines Shipman's unusual life, including a childhood on the American frontier; years in the artists' colony of Cornish, New Hampshire; and her long association with artist and architect Charles Platt. Shipman was also notable for establishing a thriving New York City practice and acting as an advocate for women in the profession, as she trained several other successful designers in her all-female office.
During a career spanning six decades, Lawrence Halprin (1916-2009) became one of the most prolific and outspoken landscape architects of his generation. He took on challenging new project types, developing a multidisciplinary practice while experimenting with adaptive reuse and ecological designs for new shopping malls, freeways, and urban parks. In his lifelong effort to improve the American landscape, Halprin celebrated the creative process as a form of social activism. A native New Yorker, Halprin earned degrees from Cornell and the University of Wisconsin before completing his design degree at Harvard. In 1945 he joined Thomas Church's firm, where he collaborated on the iconic Donnell Garden. He opened his own San Francisco office in 1949, where he initially focused on residential commissions in the Bay Area, completing close to three hundred in ten years' time. By the 1960s the firm had gained recognition for significant urban renewal projects such as Ghirardelli Square in San Francisco (1962-68), Nicollet Mall in Minneapolis (1962-67), and Freeway Park in Seattle (1970-74). Halprin used his conception of a Sierra stream as the catalyst for the Portland Open Space Sequence, a series of parks featuring great fountains that linked housing and civic space in the inner city. A charismatic speaker and passionate artist, Halprin designed landscapes that reflected the democratic and participatory ethic characteristic of his era. He communicated his ideas as well in lectures, books, exhibits, and performances. Along with his contemporary Ian McHarg, Halprin was his generation's great proselytizer for landscape architecture as environmental design. Throughout his long career, he strived to develop poetic and symbolic landscapes that, in his words, could "articulate a culture's most spiritual values."
Turn your Paperscapes book into a work of art and the perfect gift. Featuring 50 beautiful illustrations and innovative paper design, Paperscapes London is both a book and a lovely decoration that you can proudly display. The press-out sections allow you to reveal the outlines of each building, creating the familiar cityscape of London. Accompanying each illustration is an authoritative and compelling description that covers the key facts and history of London's most striking architecture, allowing readers to explore the city in a way they never have before. Watch the videos on our Paperscapes author page to see your book transform into a dazzling skyline.
Since its genesis in 1980, Crosby Arboretum in southern Mississippi has attracted international recognition for its contributions to architecture, biology, and landscape design. Now owned and operated by Mississippi State University, Crosby is the first fully realized ecologically designed arboretum in the United States and the premier native plant conservatory in the Southeast.
Former site director and curator Robert F. Brzuszek provides a detailed survey of the arboretum's origins, planning, construction, and ongoing management. More than just a botanical center, Crosby emerged as one of the first American landscape projects to successfully balance natural habitat and planned design. The book's generous selection of photographs and drawings illustrate the beauty and purpose of the site's components: the award-winning Pinecote Pavilion, designed by architect Fay Jones; a 104-acre focus area that includes the Piney Woods Lake, which displays native water plants in their natural setting; and seven hundred additional acres of savanna, woodland, and aquatic environments that nurture more than 300 species of indigenous trees, shrubs, wildflowers, and grasses.
Utilizing the interactions between two opposing natural forces -- fire and water -- Crosby Arboretum protects the biological diversity indigenous to the Pearl River Drainage Basin, in southern Mississippi and southeastern Louisiana. Brzuszek's inspiring and informative account will help further Crosby's role as a model of sustainable landscape design and management across the country.
The subtropical climate of the Gulf South supports a varied abundance of flora, and this diversity is sustained by the ample amount of rainwater that characterizes the region. Managing rainwater in a planned environment and mitigating its effect on human habitation can test the skills of even the most seasoned landscape architect or designer. That challenge has never been more acute as increased human demand for natural resources compels professionals and home gardeners alike to seek out sustainable ecological solutions.
In this guidebook, Dana Nunez Brown details ways to manage each drop of rainwater where it falls, using a cost-effective and environmentally sensitive approach. Under natural conditions, rainfall primarily percolates into the ground and flows as groundwater until it is absorbed by trees and other vegetation, after which it is evaporated into the atmosphere and the cycle starts anew. Brown identifies plants and techniques that leverage this natural process in order to filter, clean, and slow runoff, a practice known as Low Impact Development.
Using Plants for Stormwater Management presents the native ecological communities and plant species of the Gulf South in easy-to-follow sections and diagrams. Information ranging from the productiveness of root structures and the compatibility of plants with local soils to the optimal elevation of specific vegetation and the average dimensions of foliage is represented by graphic icons for quick and easy identification.
An accessible and essential resource, this book gives both novices and experts the know-how to harness rainfall and create beautiful, ecologically functioning landscapes.
Women have practiced as landscape architects for over a century, since the founding of the practice as a profession in the United States in the 1890s. They came to landscape architecture as gardeners, garden designers, horticulturalists, and fine artists. They simultaneously shaped the profession while reflecting contemporary practice. It is all the more surprising, then, that the history of women in American landscape design has received relatively little attention. Thaisa Way corrects this oversight in "Unbounded Practice: Women and Landscape Architecture in the Early Twentieth Century. "Describing design practice in landscape architecture during the first half of the twentieth century, the book serves as a narrative both of women--such as Beatrix Jones Farrand, Marian Cruger Coffin, Annette Hoyt Flanders, Ellen Biddle Shipman, Martha Brookes Hutcheson, and Marjorie Sewell Cautley--and of the practice as it became a profession.
Winner of a 2008 David R. Coffin Publication Grant, awarded by the Foundation for Landscape Studies
The restoration of the flower gardens at Monticello in 1941, sponsored by the Garden Club of Virginia, was the result of Edwin Betts's scholarly research and Hazlehurst Perkins's practical gardening skills. Thomas Jefferson's Flower Garden at Monticello presents the evolution of Jefferson's ornamental gardening efforts with an analysis of the flower gardens as they were planned, planted, and ultimately restored.
No early American gardens were as well-documented as those at Monticello, which became an experimental station, a botanic garden of new and unusual plants from around the world. Betts and Perkins communicate here the nature and sources of Jefferson's intelligent venture into ornamental gardening.
The third edition includes a revised plant list, annotation of the more than 100 species cultivated in the flower garden, and new illustrations.
"Shaping the American Landscape" explores the lives and work of 151 professionals who quite literally shaped both the land itself and our ideas of what the American landscape means. Although the contributors consider many important figures from the past, the book breaks new ground by including seminal designers who are in their twilight years, and in some cases still professionally active, to provide a fascinating look at the modern era of design in action. The roster of profiles extends far beyond landscape architects to encompass professionals in many other fields, including planning, journalism, gardening, and golf course and cemetery design.
The authors seek not only to bring their subjects' design legacies to light, but also to instill a sense of stewardship for historically meaningful examples of their art. Across North America, key works in landscape design--from M. Paul Friedberg's Riis Plaza Park in New York to Dan Kiley's Nationsbank Plaza in Tampa--have already disappeared. Other iconic works, although still extant, face serious threats of demolition. "Shaping the American Landscape" identifies a host of public spaces deserving of recognition, and sheds light on the process by which they may be protected.
Organized in an accessible, encyclopedic format, "Shaping the American Landscape" is an indispensable reference work that may also be read simply for the pleasure of discovery. Many readers will want to go beyond the page and personally experience some of the landscapes described here. A generous selection of illustrations, together with a list of surviving landscape sites accessible to the public, brings both the subjects and their art to life.
Turn your Paperscapes book into a work of art and the perfect gift. Featuring 50 beautiful illustrations and innovative paper design, Paperscapes Paris is both a book and a lovely decoration that you can proudly display. The press-out sections allow you to reveal the outlines of each building, creating the familiar cityscape of Paris. Accompanying each illustration is an authoritative and compelling description that covers the key facts and history of Paris's most striking architecture, allowing readers to explore the city in a way they never have before. Watch the videos on our Paperscapes author page to see your book transform into a dazzling skyline.
The Chesapeake region of eastern Virginia and Maryland offers a wealth of evidence for readers and researchers who want to discover what life was like in early America. In this eagerly anticipated volume, Camille Wells, one of the foremost experts on eighteenth-century Virginia architecture, gathers the discoveries unearthed during a career spent studying the buildings and plantations across this geographic area. Drawing on the skills and insights of archaeologists and architectural historians to uncover and make sense of layers of construction and reconstruction, as well as material evidence and records ranging from ceramics, furniture, and textiles to estate inventories and newspaper advertisements, Wells poses meaningful questions about the past and proposes new ways to understand the origins of American society. The research gathered in this cohesive and engaging collection views the wider history of the colonial and early national periods through the lens of lauded as well as previously unrecorded sites in the Tidewater and Piedmont regions. The subjects are equally wide-ranging, from the way domestic architecture articulates problems and possibilities that found forceful expression in the Revolution; to the values and choices made by those who lived in unprepossessing circumstances as well as those who built statement gentry houses intended to dominate the landscape. Other essays address the challenges of discovering historically accurate room functions and furnishings as well as the way Colonial Revival attitudes still dominate much of what is imagined about the early Virginia past. Taken together, these beautifully written and accessible essays will be essential reading for those interested in architecture, material culture, and the ways they reveal the complexities of the nation's history.
One of the singular talents in landscape design, Chip Sullivan has shared his expertise through a seemingly unusual medium that, at second glance, makes perfect sense--the comic strip. For years Sullivan entertained readers of Landscape Architecture Magazine with comic strips that ingeniously illustrated significant concepts and milestones in the creation of our landscapes. These strips gained a large following among architects and illustrators, and now those original works, as well as additional strips created just for this book, are collected in Cartooning the Landscape. Framed by a loose narrative in which a young man's search for wisdom is fulfilled by a comics shop owner who instructs him not only in the essentials of illustrating but in how to see, the book takes us on a whirlwind series of journeys. We visit the living sculptures of the Tree Circus on California's Highway 17, the vast network of tunnels and fortifications--almost an underground city--of France's Maginot Line, and take a trip through time that reveals undeniable parallels between the Emperor Hadrian's re-creation of the Elysian Fields and, of all things, the iconic theme parks of Walt Disney. Sullivan immerses us in the artist's concepts and tools, from the Claude mirror and the camera obscura to the role of optical illusion in art. He shows us how hot air balloons introduced aerial perspective and reveals exhibition effects that portended everything from Cinerama to Smell-O-Vision. Sullivan's book is also a plea, in an era increasingly dominated by digitally rendered images, for a new appreciation of the art of hand drawing. The proof of this craft's value lies in the hundreds of Sullivan's panels collected in this passionate, humorous, always illuminating tour of the rich landscape surrounding us.
Cornelia Hahn Oberlander is one of the most important landscape architects of the twentieth century, yet despite her lasting influence, few outside the field know her name. Her work has been instrumental in the development of the late-twentieth-century design ethic, and her early years working with architectural luminaries such as Louis Kahn and Dan Kiley prepared her to bring a truly modern?and audaciously abstract?sensibility to the landscape design tradition. In Cornelia Hahn Oberlander: Making the Modern Landscape, Susan Herrington draws upon archival research, site analyses, and numerous interviews with Oberlander and her collaborators to offer the first biography of this adventurous and influential landscape architect. Born in 1921, Oberlander fled Nazi Germany at the age of eighteen with her family, going on to become one of the few women to graduate from Harvard University's Graduate School of Design in the late 1940s. For six decades she has practiced socially responsible and ecologically sensitive planning for public landscapes, including the 1970s design of the Robson Square landscape and its adjoining Provincial Law Courts?one of Vancouver's most famous spaces. Herrington places Oberlander within a larger social and aesthetic context, chronicling both her personal and professional trajectory and her work in New York, Philadelphia, Vancouver, Seattle, Berlin, Toronto, and Montreal. Oberlander is a progenitor of some of the most significant currents informing landscape architecture today, particularly in the area of ecological focus. In her thorough biography, Herrington draws much-deserved attention to one of the truly important figures in landscape architecture.
In much the same way that views of the Earth from the Apollo missions in the late 1960s and early 1970s led indirectly to the inauguration of Earth Day and the modern environmental movement, the dawn of aviation ushered in a radically new way for architects, landscape designers, urban planners, geographers, and archaeologists to look at cities and landscapes. As icons of modernity, airports facilitated the development of a global economy during the twentieth and early twenty-first centuries, reshaping the way people thought about the world around them. Professionals of the built environment awoke to the possibilities offered by the airports themselves as sites of design and by the electrifying new aerial perspective on landscape.
In "Flights of Imagination, " Sonja Dumpelmann follows the evolution of airports from their conceptualization as a landscape and a city to modern-day plans to turn decommissioned airports into public urban parks. The author discusses landscape design and planning activities that were motivated, legitimized, and facilitated by the aerial view. She also shows how viewing the Earth from above redirected attention to bodily experience on the ground and illustrates how design professionals understood the aerial view as simultaneously abstract and experiential, detailed and contextual, harmful and essential. Along the way, Dumpelmann traces this multiple dialectic from the 1920s to the land camouflage activities during World War II, and from the environmental and landscape planning initiatives of the 1960s through today.
The perennial borders and woodland gardens Gertrude Jekyll designed for the estates of monied clients continue to inspire designers, historians, and enthusiasts today, as do her writings on the seasonal qualities of gardens. While numerous biographers, garden historians, and critics have described and analyzed Jekyll's private commissions, her public work has received little attention. "Almost Home" is the first book to address these projects by one of the world's most recognized and celebrated English garden designers.
Given the number of private gardens she created, the range of Jekyll's public projects is quite surprising--from a tuberculosis sanatorium to a village memorial for the radio operator of the Titanic to seven British war cemeteries in northern France. Perhaps even more than do her private landscapes, Jekyll's public designs reveal the garden's function as a symbol of complex themes and as an inspiration for complex emotions. They show how Jekyll's concept of the English landscape and Englishness, which she refined and promulgated in her writing and photography, could be deployed not only within the realm of everyday upper-class life, but as part of the language of health, memorial, and tribute.
This book will appeal to landscape, garden, and architectural historians for its new information, never-before-published original drawings, and details about Jekyll's collaboration with noted architects such as Herbert Baker, Charles Holden, and her fellow Arts and Crafts proponent, Edwin Lutyens.
Mariana Griswold Van Rensselaer (1851-1934) was one of the premier figures in landscape writing and design at the turn of the twentieth century, a moment when the amateur pursuit of gardening and the increasingly professionalized landscape design field were beginning to diverge. This intellectual biography--the first in-depth study of the versatile critic and author--reveals Van Rensselaer's vital role in this moment in the history of landscape architecture.
Van Rensselaer was one of the new breed of American art and architecture critics, closely examining the nature of her profession and bringing a disciplined scholarship to the craft. She considered herself a professional, leading the effort among women in the Gilded Age to claim the titles of artist, architect, critic, historian, and journalist. Thanks to the resources of her wealthy mercantile family, she had been given a sophisticated European education almost unheard of for a woman of her time. Her close relationship with Frederick Law Olmsted influenced her ideas on landscape gardening, and her interest in botany and geology shaped the ideas upon which her philosophy and art criticism were based. She also studied the works of Charles Darwin, Alexander von Humboldt, Henry David Thoreau, and many other nineteenth-century scientists and nature writers, which influenced her general belief in the relationship between science and the imagination.
Her cosmopolitan education and elevated social status gave her, much like her contemporary Edith Wharton, access to the homes and gardens of the upper classes. This allowed her to mingle with authors, artists, and affluent patrons of the arts and enabled her to write with familiarity about architecture and landscape design. Identifying over 330 previously unattributed editorials and unsigned articles authored by Van Rensselaer in the influential journal "Garden and Forest"--for which she was the sole female editorial voice--Judith Major offers insight into her ideas about the importance of botanical nomenclature, the similarities between landscape gardening and idealist painting, design in nature, and many other significant topics. Major's critical examination of Van Rensselaer's life and writings--which also includes selections from her correspondence--details not only her influential role in the creation of landscape architecture as a discipline but also her contribution to a broader public understanding of the arts in America.
Turn your Paperscapes book into a work of art and the perfect gift. Featuring 50 beautiful illustrations and innovative paper design, Paperscapes New York is both a book and a lovely decoration that you can proudly display. The press-out sections allow you to reveal the outlines of each building, creating the familiar cityscape of New York. Accompanying each illustration is an authoritative and compelling description that covers the key facts and history of New York's most striking architecture, allowing readers to explore the city in a way they never have before. Watch the videos on our Paperscapes author page to see your book transform into a dazzling skyline.
Using a rich assortment of illustrations and biographical sketches, Peter Martin relates the experiences of colonial gardeners who shaped the natural beauty of Virginia's wilderness into varied displays of elegance. He shows that ornamental gardening was a scientific, aesthetic, and cultural enterprise that thoroughly engaged some of the leading figures of the period, including the British governors at Williamsburg and the great plantation owners George Washington, Thomas Jefferson, William Byrd, and John Custis. In presenting accounts of their gardening efforts, Martin reveals the intricacies of colonial garden design, plant searches, and experimentation, as well as the problems in adapting European landscaping ideas to local climate. The Pleasure Gardens of Virginia also brings to life the social and commercial interaction between Williamsburg and the plantations, and examines early American ideas about gracious living.
While placing Virginia's garden tradition within the larger context of that of the colonial South, Martin tells a very human story of how this art both influenced and reflected the quality of colonial life. As Virginia grew economically and culturally, the garden became a projection of the gardener's personal identity, as exemplified by the endeavors of Washington at Mount Vernon and Jefferson at Monticello. Martin draws upon both pictorial representations and the findings of modern archaeological excavations in order to recapture the gardens as they existed in colonial times.
This book examines the development of ancient Greek civilization through a path-breaking application of social scientific theories. David B. Small charts the rise of the Minoan and Mycenaean civilizations and the unique characteristics of the later classical Greeks through the lens of ancient social structure and complexity theory, opening up new ideas and perspectives on these societies. He argues that Minoan and Mycenaean institutions evolved from elaborate feasting, and that the genesis of Greek colonization was born from structural chaos in the eighth century. Small isolates distinctions between Iron Age Crete and the rest of the Greek world, focusing on important differences in social structure. His book differs from others on Ancient Greece, highlighting the perpetuation of classical Greek social structure into the middle years of the Roman Empire, and concluding with a comparison of the social structure of classical Greece to that of the classical Maya civilization.
This charming volume presents a rare opportunity to view the gardens of Meiji Japan from the inside, as seen through the eyes of an official of the Imperial Household in 1928. In Japan, the garden is considered a barometer of the nation's prosperity and character, and different periods in history have produced different kinds of gardens. Harada gives brief summaries of them all, including the Edo period (1603-1867), when professional gardeners first took over the design of gardens from priests, and reveals a few of the subtle distinctions that the Japanese use to distinguish between different kinds of gardens that appear identical to Western eyes. As a reaction to all things foreign, the gardens of the Meiji Restoration period (1868-1912), revived the earlier simpler "cha-no-yu" style of garden heavily influenced by Zen. Rare period photographs of famous parks and the now vanished gardens of Japanese aristocrats show gardens in a more naturalistic style than is common in Japan today.
You may like...
A Line Around England - A colouring book…
Simon Harmer Hardcover (1)
The Working Man's Green Space…
Micheline Nilsen Hardcover R1,020 Discovery Miles 10 200
The Place of Many Moods - Udaipur's…
Dipti Khera Hardcover
Follies - Fabulous, fanciful and…
Gwyn Headley Hardcover
Thomas Jefferson - Landscape Architect
Frederick Doveton Nichols, Ralph E. Griswold Paperback
Foreign Trends in American Gardens - A…
Raffaella Fabiani Giannetto Hardcover R1,608 Discovery Miles 16 080
An Introduction to Landscape and Garden…
James Blake Paperback R1,292 Discovery Miles 12 920
New Geographies 11 - Extraterrestrial
Jeffrey Nesbit, Guy Trangos Paperback
Steward of the Land - Selected Writings…
Thomas Affleck Hardcover R1,256 Discovery Miles 12 560