Codify: Parametric and Computational Design in Landscape Architecture provides a series of essays that explore what it means to use, modify and create computational tools in a contemporary design environment. Landscape architecture has a long history of innovation in the areas of computation and media, particularly in how the discipline represents, analyses, and constructs complex systems. This curated volume spans academic and professional projects to form a snapshot of digital practices that aim to show how computation is a tool that goes beyond methods of representation and media. The book is organized in four sections; syntax, perception, employ, and prospective. The essays are written by leading academics and professionals and the sections examine the role of computational tools in landscape architecture through case studies, historical accounts, theoretical arguments, and nascent propositions.

A Philosophy of Landscape Construction outlines a philosophy of values in landscape construction, demonstrating how integral structures, such as pavements and walls, constitute a key element to how people interact with and inhabit the final design. The book discusses how these structures enable, assist and care for people, negotiating between the dynamic processes of site ecosystems and the soil on which they are founded. They articulate spatial, functional, cultural and ecological meanings. Within this theoretical framework, designers will learn to recognise and insert a set of core values into the most technical design stages to reach their full potential. Offering a new perspective on landscape construction, moving away from the exclusively technical characteristics, this book allows landscape architects to realise the ideal vision for their designs. It is abundantly illustrated with examples from which designers can learn both successes and failures and will be an important companion to any study of built landscapes.

As different parts of the globe deal with the challenges of coastal settlements in the Anthropcene landscape of increasing uncertainty, the methods of design offer new strategies for developing and testing solutions. These complex problems require collaboration across disciplines, with scientists, planners, engineers, designers, and others able to work together in finding new ways of living in coastal and changing landscapes. Sustainable Coastal Design and Planning is an outstanding collection of essays by leading practitioners and academics from across the globe on design and planning for coastal resilience in the face of climate change. It thoroughly explores the questions of coastal change at different scales and provides international case studies that illustrate diverse strategies in different geographies and cultures. Taken as a whole, they canvas a broad palette of approaches and techniques for engaging these complex problems. Divided in two parts, this book focuses on how to develop solutions through multidisciplinary design thinking and informs all stakeholders on specific methods and practices that will be needed to work effectively in this dynamic space.

The first DVD in this educational video series demonstrates the importance of having people, policies, and programs that support outdoor usage by residents in senior housing settings. Experts in environmental psychology, design, and gerontology explore how health and quality of life can be shaped by access to nature and identify key issues in planning outdoor space. The enrichment of activity programming and the special needs imposed by dementia are also addressed. Running time: 28 minutes

In their office Bassi Carella Marello, the two Geneva architects focus on a few fundamental themes of architectural research: material, presence, construction, prefabrication and the interior figure. The architects reflect on those themes in a sequence of volumes within the Bibliotheca series. This second volume analyses the appearance and expression of their high-quality buildings in the Geneva region. Text in English, French, and German. Also available: Andrea Bassi, Roberto Carella: Materialitat, Materiality, Materialite ISBN 9783037611159

Graduate of the Royal Botanic Gardens, Kew, Chartered Landscape Architect, MBA and Barrister, Gordon Rowland Fraser draws upon 30 years of project management, professional practice and teaching experience to provide an uncomplicated and intuitive guide to the business aspects of the landscape profession. An indispensable reference for seasoned professionals, the book will enable the student or novice practitioner to turn their drawing board inspiration into reality without being overwhelmed or afraid of overseeing the implementation of their proposals. Guided by the Landscape Institute's 2013 Pathway to Chartership syllabus, this structured, step-by-step, narrative guide sets out the documentation commonly used within the landscape profession and makes accessible a logical and sequential understanding of contractual relationships; procurement strategies; processes of preparing client estimates and obtaining competitive quotations; of preparing contract documentation and administering formal contracts; general concepts of law as they relate to land management and the landscape profession; of business administration, market appraisal and positioning; and of the landscape consultant's appointment. As an understanding of professional practice is intrinsic to all Landscape Institute accredited courses, this is an essential text for every landscape architecture student during their education and their subsequent journey into professional practice. Those undertaking Garden Design Diplomas will similarly find the book invaluable as they venture into the world of creativity and commerce, while the seasoned practitioner will find it a comprehensive point of reference to add to their bookshelf.

Since they established their Paris-based firm ChartierDalix in 2008, architects Frederic Chartier und Pascale Dalix have realised some fifteen buildings in France, ranging from multi-unit housing and student dormitories to schools to the transformation of a design centre for car maker Renault, a logistics hub, or office and retail spaces. Of equal importance as the actual design work is their research to ChartierDalix, in which the architects aim to bring architecture and ecosystems to harmonious concurrence. exemplified by the Biodiversity School and Gymnasium in Boulogne Billancourt near Paris which they completed in 2014. This first monograph explores ChartierDalix's visionary research and the designs derived from it, with the Boulogne Billancourt school as core of the presentation. Their intense investigation of architecture and nature and the interplay between the two is highly topical and the book a rich inspirational source for anyone interested in the future of building. Text in English and French.

The contemporary debate on landscape is no longer an exclusive idiolect; it has expanded into a relentless babel. The field is glutted with an ever-increasing number of articles, collective works and conventions. Once marginal, landscape has now become central, even essential to philosophy and geography. Its significance within sociological, anthropological and archaeological theories has also strengthened exponentially, making it the rising star of academia. This book acknowledges the importance of eco-theory to contemporary thought, exploring the limits of its study as well as the new horizons it opens up.

An unprecedented look at the wide-ranging artistic work of one of the 20th century's most significant landscape architects The modernist parks and gardens of Brazilian landscape architect and garden designer Roberto Burle Marx (1909-1994) earned him awards, widespread acclaim, and international fame. Over a 60-year career, he designed more than 2,000 gardens worldwide, the most famous of which are those he created in collaboration with the architect Oscar Niemeyer for Brasilia. Although he is best known for his landscape work, Burle Marx was a prolific artist in a variety of media, and his larger body of work-which includes paintings, drawings, tile mosaics, sculpture, textile design, jewelry, theater costumes, and more-is critical to understanding his importance as a modernist. An avid horticulturalist, he was among the first to denounce deforestation in the Amazon region; he also discovered over thirty species of Brazilian flora, which bear his name. This beautifully illustrated and groundbreaking publication covers the full range of Burle Marx's artistic output, as well as his remarkable home, an abandoned estate that he transformed into his office, workshop, gallery, and living space. The enduring influence of Burle Marx's work is also explored through interviews with seven contemporary artists: Juan Araujo, Paloma Bosque, Dominique Gonzalez-Foerster, Luisa Lambri, Arto Lindsay, Nick Mauss, and Beatriz Milhazes. These artists exemplify the extent to which his work continues to be a source of inspiration.

Aquaculture Landscapes explores the landscape architecture of farms, reefs, parks, and cities that are designed to entwine the lives of fish and humans. In the twenty-first century, aquaculture's contribution to the supply of fish for human consumption exceeds that of wild-caught fish for the first time in history. Aquaculture has emerged as the fastest growing food production sector in the world, but aquaculture has agency beyond simply converting fish to food. Aquaculture Landscapes recovers aquaculture as a practice with a deep history of constructing extraordinary landscapes. These landscapes are characterized and enriched by multispecies interdependency, performative ecologies, collaborative practices, and aesthetic experiences between humans and fish. Aquaculture Landscapes presents over thirty contemporary and historical landscapes, spanning six continents, with incisive diagrams and vivid photographs. Within this expansive scope is a focus on urban aquaculture projects by leading designers-including Turenscape, James Corner Field Operations, and SCAPE-that employ mutually beneficial strategies for fish and humans to address urban coastal resiliency, wastewater management, and other contemporary urban challenges. Michael Ezban delivers a compelling account of the coalitions of fish and humans that shape the form, function, and identity of cities, and he offers a forward-thinking theorization of landscape as the preeminent medium for the design of ichthyological urbanism in the Anthropocene. With over two hundred evocative images, including ninety original drawings by the author, Aquaculture Landscapes is a richly illustrated portrayal of aquaculture seen through the disciplinary lens of landscape architecture. As the first book devoted to this topic, Aquaculture Landscapes is an original and essential resource for landscape architects, urbanists, animal geographers, aquaculturists, and all who seek and value multispecies cohabitation of a shared public realm. Winner of the 2020 John Brinckerhoff Jackson Book Prize!

One may visit famous gardens in Tokyo, Kyoto, or Osaka-or one may visit Japanese-styled gardens in New York, San Francisco, Philadelphia, Berlin, London, Paris, Sao Paulo, or Singapore. We often view these gardens as representative of the essence of Japanese culture. Christian Tagsold argues, however, that the idea of the Japanese garden has less do to with Japan's history and traditions, and more to do with its interactions with the West. The first Japanese gardens in the West appeared at the world's fairs in Vienna in 1873 and Philadelphia in 1876 and others soon appeared in museums, garden expositions, the estates of the wealthy, and public parks. By the end of the nineteenth century, the Japanese garden, described as mystical and attuned to nature, had usurped the popularity of the Chinese garden, so prevalent in the eighteenth century. While Japan sponsored the creation of some gardens in a series of acts of cultural diplomacy, the Japanese style was interpreted and promulgated by Europeans and Americans as well. But the fashion for Japanese gardens would decline in inverse relation to the rise of Japanese militarism in the 1930s, their rehabilitation coming in the years following World War II, with the rise of the Zen meditation garden style that has come to dominate the Japanese garden in the West. Tagsold has visited over eighty gardens in ten countries with an eye to questioning how these places signify Japan in non-Japanese geographical and cultural contexts. He ponders their history, the reasons for their popularity, and their connections to geopolitical events, explores their shifting aesthetic, and analyzes those elements which convince visitors that these gardens are "authentic." He concludes that a constant process of cultural translation between Japanese and Western experts and commentators marked these spaces as expressions of otherness, creating an idea of the Orient and its distinction from the West.

It is in the wilderness of cities rather than in nature that the imagination of these landscape drawings comes to life. Without any heroic emphasis, these drawings result from the observation of traces, evident or discreet, in the urban landscape, and the process to collect and memorise traces is the way to consider memory as a primary medium for creativity. The selected collection of over 150 drawings, thought and imagined over many years, delineates a personal city experience, without any intention of building a new city theory. No single drawing in this book is a representation of cities in-situ; all of them are interpretations, translations, and combinations of traces collected and selected while teaching, working, meeting cultures, and eating food in many different cities around the world. These drawings are a different form of communication than the beautiful renderings produced in endless numbers.

This is a story of two brothers, Geoffrey and Bevis, and their exquisite gardens, Brief and Lunuganga, set in the lush tropical landscape of Sri Lanka. It begins with a largely photographic overview of the country's natural features, showing the varied palette of landscapes that inspired Bawa's sensitive treatment of architecture. At the very heart of the book is an intimate portrait of two gloriously detailed gardens and the personalities that brought them into being. But it is also a story about the nature and landscape of an island of exceptional beauty. As such, the book has something to offer followers of Geoffrey Bawa, tropical-garden enthusiasts and to all those seeking a photographic portrait of Sri Lanka.

The creation of Soviet culture in the 1920s and the 1930s was the most radical of modernist projects, both in aesthetic and in political terms. Modernism and the Making of the New Man explores the architecture of this period as the nexus between aesthetics and politics. The design of the material environment, according to the author, was the social effort that most clearly articulated the dynamic of the socialist project as a negotiation between utopia and reality, the will for progress and the will for tyranny. It was a comprehensive effort that brought together professional architects and statisticians, theatre directors, managers, housewives, pilots, construction workers. What they had in common was the enthusiasm for defining the "new man", the ideal citizen of the radiant future, and the settings in which he or she lives. -- .

A comprehensive guide to the use of math in the Green Industry

Designed for both students and practitioners in the Green Industry, this book offers full coverage of the calculations necessary to effectively, safely, and economically manage a Green Industry operation.

Following clear explanations of all relevant mathematical principles, the authors cover calculations inherent in all aspects of the Green Industry, from determining area and volume, to the application of fertilizers, pesticides, and growth regulators, to preparing design and installation cost estimates.

Coverage includes computations for:

Landscape installation and maintenance

Greenhouse, nursery, and interior landscape operation

Parks and recreation maintenance

Turf management, including lawn care, sports turf, and sod production

Proper application of fertilizers, pesticides, and plant-growth regulators

Proper calibration of application equipment

Additional features include multiple computations for readers to work through, appendices with units of measure and equivalents, and a table with conversion factors.

A comprehensive, clearly structured and readable overview of the subject, Introduction to Environmental Impact Assessment has established itself as the leading introduction to EIA worldwide. This fifth edition is a major update reflecting many significant changes in EIA procedures, process, practice and prospects over the last decade. In particular, it includes: a much more international dimension, drawing on EIA activities worldwide; an up-to-date coverage of the revised EU EIA Directive and its implementation; the associated update of contemporary UK procedures and practice; best practice on evolving methods in the EIA process; a rich array of UK and many international case studies; a new coverage of emerging EIA impact topics, including equality/deprivation; culture; resettlement; climate change; ecosystem services; and risk, resilience and cumulative impacts; an appraisal of some next steps in the EIA process, including a more effective and proportionate EIA; the impact of technological change; the changing interpretation of the project; project implementation, monitoring and adaptive management; and moves towards a more integrated impact assessment. Together, these topics act as a kind of action list for future EIA; the development of SEA legislation and practice in the UK, EU and worldwide; and a set of appendices containing key legislation and an EIS review framework. It is also makes full use of colour illustrations and chapter questions for discussion. Written by two authors with extensive research, training and consultancy experience of EIA, this book brings together the most up-to-date information from many sources. Introduction to Environmental Impact Assessment 5th Edition provides a complete, and critical, introductory text that also supports further studies. Students in undergraduate and postgraduate planning programmes will find it essential as a course text, as will students of environmental management/policy, environmental sciences/studies, geography and built environment. Key stakeholders involved in assessment activities - planners, developers, community groups, pressure groups and decision-makers in government and business - will also welcome this latest edition as a very effective means of getting to grips with the many facets of this important and evolving subject that affects a widening range of development projects.

In our modern built-up world, we are constantly looking for a connection to nature through our gardens. Inspired design ideas reveal how to create exterior spaces in a variety of styles, from a classic urban roof garden with romantic garden plantings, to clean, modern and tranquil spaces. Using traditional and cutting-edge materials that are practical, cost-effective and environmentally friendly, the ideas in this book featured can easily be tailored to the individual's tastes or needs of a particular site or project. Featuring 600 full colour photographs and diagrams of unique projects from around the world by well-known and up-and-coming architects and landscape designers, this is an essential resource for garden planners, outdoor and architecture enthusiasts alike.

Lancelot `Capability' Brown (1716-1783) is the iconic figure at the head of the English landscape style, a tradition that has dominated landscape design in the western world. He was widely acclaimed for his genius in his own day and his influence on the culture of England has arguably been as great as that of Turner, Telford and Wordsworth. Yet, although Brown has had his biographers, his work has generated very little analysis. Brown was prolific; he has had a direct influence on half a million acres of England and Wales. The astonishing scale of his work means that he did not just transform the English countryside, but also our idea of what it is to be English and what England is. His work is everywhere, but goes largely unnoticed. His was such a naturalistic style that all his best work was mistaken for untouched nature. This has made it very difficult to see and understand. Visitors to Brown landscapes do not question the existence of the parkland he created and there has been little professional or academic analysis of his work. This book for the first time looks at the motivation behind Brown's landscapes and questions their value and structure whilst at the same time placing him within the English landscape tradition. It aims primarily to make landscape legible, to show people where to stand, what to look at and how to see.

Outlandia is an off-grid artists' fieldstation, a treehouse imagined by artists London Fieldworks (Bruce Gilchrist & Jo Joelson) and designed by Malcolm Fraser Architects, situated in Glen Nevis, opposite Ben Nevis. It is performative architecture that immerses its occupants in a particular environment, provoking creative interaction between artists and the land. This book explores the relationship between place and forms of thought and creative activity, relating Outlandia and the artists there to the tradition of generative thinking and making structures that have included Goethe's Gartenhaus in Weimar, Henry Thoreau's cabin at Walden Pond and Dylan Thomas's writing shack in Laugharne. Based on a series of residencies and radio broadcasts produced by London Fieldworks in collaboration with Resonance 104.4fm, the Remote Performances project enabled twenty invited artists to consider and engage in transmissions, sound performances and dialogues on their artmaking strategies immersed in this specific rural environment of mountain, forest and river; flora and fauna. Some artists engaged in dialogue with people living and working in the area with a range of specialisms and experience in, for examples, forestry, mountain culture, wildlife, tourism, and local history. This book explores the ways in which being in the field impacts on artists and permeates through to the artworks they create. It considers the relationship between geography and contemporary art and artists' use of maps and fieldwork. It charts these artists' explorations of the ecological and cultural value of the natural environment, questioning our perceptions and relationships to landscape, climate and their changes. The book is an inspiring collection of ways to think differently about our relationship with the changing natural environment. The book includes essays by Jo Joelson, Francis McKee, Tracey Warr and Bruce Gilchrist, and texts, images and drawings by the artists: Bram Thomas Arn

City and country-these terms are generally regarded as opposites. The urban, with its constructed spaces and places, is separated from nature, with its mature landscapes and clearings. Yet, today's landscape architecture explores both of them as a single system, making it possible to see the mutual dependency of these supposedly opposing developments. In view of massive changes in ecological systems, as well as increasing migration and the spread of unplanned human settlements, landscape architecture is also being confronted with global challenges. This catalogue is a plea to redefine the discipline's position. Innovative but complex approaches are presented in examples of specific projects from all over the world. Landscape architecture today commits itself to the spatial systems that will shape tomorrow's society.(English edition: ISBN 978-3-7757-4259-7) Exhibition: Architekturmuseum der TU Munchen in der Pinakothek der Moderne 27.4.-20.8.2017

A ravishing celebration of landscape, its iridescent beauty and its potential to comfort, awe and mesmerise. Landskipping explores the different ways in which we have, throughout the ages, responded to the land, beginning in the eighteenth century when artists first started to paint English scenery, and the Lakes, as well as Snowdon, began to attract a new kind of visitor, the landscape tourist. Meanwhile, at the same time, an entirely different band of people, the agricultural improvers, also travelled the land, looking at it in terms of its usefulness as well as its beauty. What emerges as universal then and now is a place's capacity to frame and define our experience. Moving from the rolling hills of Dorset to the peaks of the Scottish Highlands, this is an exquisite and compelling book, written by Anna Pavord with zest, passion and deep understanding.