In our modern built-up world, we are constantly looking for a connection to nature through our gardens. Inspired design ideas reveal how to create exterior spaces in a variety of styles, from a classic urban roof garden with romantic garden plantings, to clean, modern and tranquil spaces. Using traditional and cutting-edge materials that are practical, cost-effective and environmentally friendly, the ideas in this book featured can easily be tailored to the individual's tastes or needs of a particular site or project. Featuring 600 full colour photographs and diagrams of unique projects from around the world by well-known and up-and-coming architects and landscape designers, this is an essential resource for garden planners, outdoor and architecture enthusiasts alike.

Lancelot `Capability' Brown (1716-1783) is the iconic figure at the head of the English landscape style, a tradition that has dominated landscape design in the western world. He was widely acclaimed for his genius in his own day and his influence on the culture of England has arguably been as great as that of Turner, Telford and Wordsworth. Yet, although Brown has had his biographers, his work has generated very little analysis. Brown was prolific; he has had a direct influence on half a million acres of England and Wales. The astonishing scale of his work means that he did not just transform the English countryside, but also our idea of what it is to be English and what England is. His work is everywhere, but goes largely unnoticed. His was such a naturalistic style that all his best work was mistaken for untouched nature. This has made it very difficult to see and understand. Visitors to Brown landscapes do not question the existence of the parkland he created and there has been little professional or academic analysis of his work. This book for the first time looks at the motivation behind Brown's landscapes and questions their value and structure whilst at the same time placing him within the English landscape tradition. It aims primarily to make landscape legible, to show people where to stand, what to look at and how to see.

Outlandia is an off-grid artists' fieldstation, a treehouse imagined by artists London Fieldworks (Bruce Gilchrist & Jo Joelson) and designed by Malcolm Fraser Architects, situated in Glen Nevis, opposite Ben Nevis. It is performative architecture that immerses its occupants in a particular environment, provoking creative interaction between artists and the land. This book explores the relationship between place and forms of thought and creative activity, relating Outlandia and the artists there to the tradition of generative thinking and making structures that have included Goethe's Gartenhaus in Weimar, Henry Thoreau's cabin at Walden Pond and Dylan Thomas's writing shack in Laugharne. Based on a series of residencies and radio broadcasts produced by London Fieldworks in collaboration with Resonance 104.4fm, the Remote Performances project enabled twenty invited artists to consider and engage in transmissions, sound performances and dialogues on their artmaking strategies immersed in this specific rural environment of mountain, forest and river; flora and fauna. Some artists engaged in dialogue with people living and working in the area with a range of specialisms and experience in, for examples, forestry, mountain culture, wildlife, tourism, and local history. This book explores the ways in which being in the field impacts on artists and permeates through to the artworks they create. It considers the relationship between geography and contemporary art and artists' use of maps and fieldwork. It charts these artists' explorations of the ecological and cultural value of the natural environment, questioning our perceptions and relationships to landscape, climate and their changes. The book is an inspiring collection of ways to think differently about our relationship with the changing natural environment. The book includes essays by Jo Joelson, Francis McKee, Tracey Warr and Bruce Gilchrist, and texts, images and drawings by the artists: Bram Thomas Arn

City and country-these terms are generally regarded as opposites. The urban, with its constructed spaces and places, is separated from nature, with its mature landscapes and clearings. Yet, today's landscape architecture explores both of them as a single system, making it possible to see the mutual dependency of these supposedly opposing developments. In view of massive changes in ecological systems, as well as increasing migration and the spread of unplanned human settlements, landscape architecture is also being confronted with global challenges. This catalogue is a plea to redefine the discipline's position. Innovative but complex approaches are presented in examples of specific projects from all over the world. Landscape architecture today commits itself to the spatial systems that will shape tomorrow's society.(English edition: ISBN 978-3-7757-4259-7) Exhibition: Architekturmuseum der TU Munchen in der Pinakothek der Moderne 27.4.-20.8.2017

A ravishing celebration of landscape, its iridescent beauty and its potential to comfort, awe and mesmerise. Landskipping explores the different ways in which we have, throughout the ages, responded to the land, beginning in the eighteenth century when artists first started to paint English scenery, and the Lakes, as well as Snowdon, began to attract a new kind of visitor, the landscape tourist. Meanwhile, at the same time, an entirely different band of people, the agricultural improvers, also travelled the land, looking at it in terms of its usefulness as well as its beauty. What emerges as universal then and now is a place's capacity to frame and define our experience. Moving from the rolling hills of Dorset to the peaks of the Scottish Highlands, this is an exquisite and compelling book, written by Anna Pavord with zest, passion and deep understanding.

Strategies for Landscape Representation discusses a variety of digital and analogue production techniques for the representation of landscape at multiple scales. Careful consideration is required to represent time, and to ensure accuracy of representation and evaluation in the landscape. Written as a guide for making appropriate selection of a wide variety of visualisation tools for students and built environment professionals with an interest in landscape, the book charts emerging technologies and historical contexts whilst also being relevant to landscape legislation such as Building Information Modelling (BIM) and Landscape Assessment. This book is an innovation-driven text that encourages readers to make connections between software, technology and analogue modes. The management, choice and combination of such modes can arguably narrow the unknown of landscape character, address the issues of representing time and change in landscape and engage and represent communities' perceptions and experience of landscape. Showcasing international examples from landscape architecture, planning, urban design and architecture, artists, visualisers, geographers, scientists and model makers, the vitality of making and intrinsic value of representational work in these processes and sites is evidenced. An accompanying companion website provides access to original source files and tutorials totalling over a hundred hours in mapping and GIS, diagrams and notation, photomontage, 3D modelling and 3D printing.

Sponge city is a concept originated from the use of 'sponge' to describe the absorpting function of cities. Population researchers in Australia were the first to use the sponge metaphor in expressing the adsorption of polulation from cities. In recent years, the expression is more often used to describe the regulation and storage capacity of cities or field. The theory of 'sponge city' has been applied in several design and planning practices and this book will cover the critical technologies of sponge city, illustrated with case studies. Theoritical issues and practical cases are closely integrated in this book, taking landscape as a new form of infrastrcture and introducing a greener, wiser way of life.

Since the publication of "Treehouses of the World," the community of treehouse builders has grown tremendously, and many more innovative treehouses have been built around the world. In "New Treehouses of the World," world-renowned treehouse designer and builder Pete Nelson takes readers on an exciting, international tour of more than 35 new treehouses that reveal how treehouses are designed, constructed, and appreciated in a wide array of cultures and settings.
Both beautifully photographed and thoughtfully written by Pete Nelson, "New Treehouses of the World "documents Nelson's travels, discoveries, and epiphanies, and explores the ever-growing new frontier of arboreal architecture. The message that Nelson promotes is simple: As sustainable living issues stand poised to become the most important challenges facing the post-millenial age, the positive power and goodwill that a simple treehouse engenders is of greater importance than ever before.

As pioneers attempted to settle and civilize the "Wild West," cemeteries became important cultural centers. Filled with carved wooden headboards, inscribed local stones, and Italian marble statues, cemeteries functioned as symbols of stability and progress toward a European-inspired vision of Manifest Destiny. As repositories of art and history, these pioneer cemeteries tell the story of communities and visual culture emerging together within the developing landscape of the Old West.
Annette Stott traces this story through Rocky Mountain towns on the western frontier, from the unkempt "boot hills" of the early mining camps and cattle settlements to the more refined "fair mounts." She shows how people from Asia, Europe, and the Americas contributed to the visual character of the mountain cemeteries, and how the sepulchral garden functioned as an open-air gallery of public sculpture, at once a site for relaxation, learning, and social ritual. Here, widespread participation in a variety of ceremonies brought mountain communities together with a frequency almost unimaginable today. Illustrated with eighty-three striking photographs, this book shows how the pioneer cemetery emerged as a site of public sculpture and cultural transmission in which each carved or molded monument played dual (and sometimes conflicting) public and private roles, recording the community's history and values while memorializing individuals and events.

This book explores different design approaches to revealing change within a landscape, and examines how landscape designers bring together the cultural context of a specific place with material, spatial and ecological considerations. Revealing Change in Cultural Landscapes includes case studies such as Gilles Clement's Jardin du Tiers-Paysage in France, the Brick Pit in Sydney, Australia and Georges Descombes' Renaturation of the River Aire in Switzerland to uncover the insights of designers. In doing so, Catherine Heatherington considers the different ways designers approach the revealing of change and how this informs a discussion about people's perceptions and understanding of landscape. With over 100 images and contributions from Jacky Bowring, Dermot Foley and Krystallia Kamvasinou, this book will be beneficial for students of landscape and landscape architecture, particularly those with an interest in how landscapes change over time and how this is perceived by both designers and visitors.

This book focuses on Luis Frois, a 16th-century Portuguese Jesuit and chronicler, who recorded his impressions of Japanese gardens, cities and building practices, tea-drinking rituals, Japan's unification efforts, cultural traditions, and the many differences between Europe and Japan in remarkable manuscripts almost lost to time. This research also draws on other Portuguese descriptions from contemporary sources spanning the years 1543 - 1597, later validated by Japanese history and iconography. Importantly, explorer Jorge Alvares recorded his experiences of discovery, prompting St. Francis Xavier to visit Japan in 1549, thus ushering in the "Christian Century" in Japan. During this long period of accord and reciprocal curiosity, the Portuguese wrote in excess of 1500 pages of letters to European Jesuits that detail their impressions of the island nation-not to mention their observations of powerful public figures such as Oda Nobunaga, Toyotomi Hideyoshi, and Sen no Rikyu. In addition to examining these letters, the authors translated and researched early descriptions of 23 gardens in Kyoto and Nara and 9 important cities-later visited by the authors, sketched, photographed and compared with the imagery painted on 16th-century Japanese screens. However, the data gathered for this project was found mainly within five large volumes of Frois' Historia do Japao (2500 pages) and his Treaty on Contradictions-two incomparable anthropological works that were unpublished until the mid-20th century for reasons detailed herein. His volumes continue to be explored for their insightful observations of places, cultural practices, and the formidable historical figures with whom he interacted. Thus, this book examines the world's first globalization efforts that resulted in profitable commerce, the introduction of Portuguese firearms that changed Japan's history, scientific advances, religious expansion, and many artistic exchanges that have endured the centuries.

By training fruit trees and shrubs to grow in controlled shapes, you accomplish two goals: improved appearance and increased productivity. Depending on location and demand, espalier fruit trees can offer privacy, weather protection, and decoration, not to mention an abundant and delicious harvest. All types of trellises, including wall-covering cordons and free-standing pergolas, are featured here, as well as a comprehensive list of fruit plants and their unique characteristics. Authors Karl Pieber and Peter Modl provide ambitious gardeners with not only construction tips and a list of tools and materials required, but invaluable information on the planting of different fruit species, their upbringing, and shaping. Learn how to combat the most common fruit tree diseases and pests, and develop a knowledge of habitat requirements and care to ensure these espalier structures bring the desired results.

The bench: a functional object that rarely features at the forefront of our minds, even when we are sitting on one in a garden. And yet (as this book will reveal) benches have surprising significance, regarding the specific places where they operate, and in a more general sense. The bench is more than a convenient sitting point. It is the domain where aesthetics, garden history, architecture, spatiality and subjectivity interfere. The bench acts as a powerful visual machine and regulates the reception of surrounding landscapes to its visitors. By transmitting verbal messages (through inscriptions), citing other benches and being part of a complex walk circuit, by providing rest and inviting its users to discover new aspects of the site, the bench is a highly polysemic element of a garden, which orients and disorients the visitor simultaneously.

The act of field sketching allows us to experience the landscape first-hand - rather than reliance upon plans, maps and photographs at a distance, back in the studio. Aimed primarily at landscape architects, Janet Swailes takes the reader on a journey through the art of field sketching, providing guidance and tips to develop skills from those starting out on a design course, to those looking to improve their sketching. Combining techniques from landscape architecture and the craft and sensibilities of arts practice, she invites us to experience sensations directly out in the field to enrich our work: to look closely at the effects of light and weather; understand the lie and shapes of the land through travel and walking; and to consider lines of sight from the inside out as well as outside in. Full colour throughout with examples, checklists and case studies of other sketchers' methods, this is an inspirational book to encourage landscape architects to spend more time in the field and reconnect with the basics of design through drawing practice.

The Miami estate of Vizcaya, like its palatial contemporaries Biltmore and San Simeon, represents an achievement of the Gilded Age, when country houses and their gardens were a conspicuous measure of personal wealth and power. In Vizcaya: An American Villa and Its Makers, a celebrated architecture critic and writer and an award-winning landscape architect explore the little-known story of Vizcaya, an extraordinary national treasure. Witold Rybczynski and Laurie Olin use a rich collection of illustrations, historic photographs, and narrative to document the creation of this stunning house and landscape. Vizcaya was completed in 1916 as the winter retreat of Chicago industrialist James Deering. The cosmopolitan bachelor, who chose Miami for its warm climate, enlisted the guidance of artist Paul Chalfin, with whom he traveled throughout Italy to survey houses and gardens. With the assistance of architect F. Burrall Hoffman, Jr., and garden designer Diego Suarez, the 180-acre site on Biscayne Bay was transformed into a grand estate, complete with lagoons, canals, citrus groves, a farm village, a yacht harbor, and a 40-room Baroque mansion. The lure of this architectural and landscape masterpiece, named for a Spanish Basque province, is undeniable. John Singer Sargent planned a short visit in 1917 but stayed for several months, producing an inspired series of watercolors, many of which are reproduced here for the first time. The book is further enriched by archival material and by the color images of noted photographer Steven Brooke, paying homage to Vizcaya as a lens through which readers learn about architecture, landscape and garden design, interior decoration, and art.

Over the past twenty years European cities have become the envy of the world: a Kraftwerk Utopia of historic centres, supermodernist concert halls, imaginative public spaces and futuristic egalitarian housing estates which, interconnected by high-speed trains traversing open borders, have a combination of order and pleasure which is exceptionally unusual elsewhere. In Trans-Europe Express, Owen Hatherley sets out to explore the European city across the entire continent, to see what exactly makes it so different to the Anglo-Saxon norm - the unplanned, car-centred, developer-oriented spaces common to the US, Ireland, UK and Australia. Attempting to define the European city, Hatherley finds a continent divided both within the EU and outside it.

Gardens of Court and Country provides the first comprehensive overview of the development of the English formal garden from 1630 to 1730. Often overshadowed by the English landscape garden that became fashionable later in the 18th century, English formal gardens of the 17th century displayed important design innovations that reflected a broad rethinking of how gardens functioned within society. With insights into how the Protestant nobility planned and used their formal gardens, the domestication of the lawn, and the transformation of gardens into large rustic parks, David Jacques explores the ways forecourts, flower gardens, bowling greens, cascades, and more were created and reimagined over time. This handsome volume includes 300 illustrations - including plans, engravings, and paintings - that bring lost and forgotten gardens back to life.

LA+ WILD explores the concept of WILD and its role in design, large-scale habitat and species conservation, scientific research, the human psyche, and aesthetics. This issue of LA+ includes contributions drawn from disciplines as diverse as evolutionary ecology, biology, visual arts, bioengineering, landscape architecture, planning, architecture, climatology, environmental history, philosophy, and literature. It features essays by Timothy Mousseau and Anders Moller, Timothy Morton, Paul Carter, Richard Weller, Julian Raxworthy, Emma Marris, Stefan Rahmstorf, Stephen Pyne, Nina-Marie Lister, and Orkan Telhan, among others. It also includes a review of the New York s Rebuild by Design competition, and interviews with eminent ecologists Richard T.T. Forman and Daniel Janzen. The feature artist for this issue is Viennese bio-artist Sonja Baumel. LA+ (Landscape Architecture Plus) Journal from the University of Pennsylvania School of Design is the first truly interdisciplinary journal of landscape architecture. Within its pages you hear not only from designers, but also from historians, artists, lawyers, ecologists, planners, scientists, philosophers, and many more besides. LA+ aims to reveal connections and build collaborations between landscape architecture/urban design and other disciplines by exploring each issue's theme from multiple perspectives. The journal features a range of contribution types including essays, interviews, design criticism, graphic features, illustrations, and short-form pieces designed to provoke and inspire readers. LA+ Journal brings you a rich collection of contemporary thinkers and designers in two lavishly illustrated issues annually."

The site designer's guide to SketchUp's powerful modeling capabilities SketchUp for Site Design is the definitive guide to SketchUp for landscape architects and other site design professionals. Step-by-step tutorials walk you through basic to advanced processes, with expert guidance toward best practices, customization, organization, and presentation. This new second edition has been revised to align with the latest software updates, with detailed instruction on using the newest terrain modeling tools and the newly available extensions and plug-ins. All graphics have been updated to reflect the current SketchUp interface and menus, and the third part of the book includes all-new content featuring the use of new grade and terrain extensions. Developed around the needs of intermediate professional users and their workflows, this book provides practical all-around coaching on using SketchUp specifically for modeling site plans. SketchUp was designed for usability, with the needs of the architect, industrial designer, and engineers at center stage. This book shows you how the software's powerful terrain and grade functions make it an ideal tool for site designers, and how to seamlessly integrate it into your workflow for more efficient design and comprehensive planning. * Master the SketchUp basics, navigation, components, and scripts * Turn 2D sketches into 3D models with volume, color, and material * Create detailed site plans, custom furnishings, gradings, and architecture * Learn sandbox tools, organization strategies, and model presentation tips SketchUp has undergone major changes since the publication of this guide's first edition, with its sale to Trimble Navigation bringing about a number of revisions and the availability of more immediately useful features. SketchUp for Site Design shows you how to harness the power of this newly expanded feature set to smooth and optimize the site design workflow.

Foreword by Michael Sadgrove, Dean of Durham Cathedral 2003-2015 "Generations of painters have sought new pictorial songs to sing in depicting Durham and its great Cathedral. I was no different in this respect, until I became aware of the infinite variations endowed upon these historic structures by the ever-changing world they inhabit. This book contains some of my songs, but there are many more yet to sing." Award-winning artist Stuart Fisher is considered to be one of the most talented painters of architectural landscapes in Northern England. Mostly Durham contains 75 of his beautiful watercolour paintings and drawings from around the historic city of Durham and beyond.

Applications of Furrow and Micro Irrigation in Arid and Semi-Arid Regions, the fifth volume in the Research Advances in Sustainable Micro Irrigation series, addresses the ever-challenging need for irrigation systems in arid and semi-arid regions of the world, areas that are suffering from severe water shortages. These areas, such as Egypt, Tunisia, most of Africa, and parts of South America, Central America, and Australia, find it a struggle to grow crops sustainably with the water available. This important book emphasizes sustainable agriculture practices to promote increased water usage efficiency in dry areas for growing of crops. It presents a variety of research and studies on such topics as: * Meteorological instruments for water management * Buried micro irrigation laterals for soil water retention * Water vapor flux models * Performance of various crops grown under different irrigation methods * Scheduling of irrigation * Phyto-monitoring techniques This valuable book is a must for those finding it a challenge to maintain sustainable crop production in the midst of continuous water shortages in areas where water is not naturally plentiful. With contributions from authors with hands-on experience in the field, the book will be an invaluable reference and guide to effective micro irrigation methods.

In this book Gayle Souter-Brown explores the social, economic and environmental benefits of developing greenspace for health and well-being. She examines the evidence behind the positive effects of designed landscapes, and explains effective methods and approaches which can be put into practice by those seeking to reduce costs and add value through outdoor spaces. Using principles from sensory, therapeutic and healing gardens, Souter-Brown focuses on landscape's ability to affect health, education and economic outcomes. Already valued within healthcare environments, these design guidelines for public and private spaces extend the benefits throughout our towns and cities. Covering design for school grounds to public parks, public housing to gardens for stressed executives, this richly illustrated text builds the case to justify inclusion of a designed outdoor area in project budgets. With case studies from the US, UK, Africa, Asia, Australasia and Europe, it is an international, inspirational and valuable tool for those interested in landscapes that provide real benefits to their users.

Join the growing movement of reactionary artists and learn how to capture our fast-paced world in this inspiring book by popular artist and author, Klaus Meier-Pauken. With useful advice on the basic materials needed, Urban Sketching Step by Step then moves on to honing essential drawing techniques - from tone and colour to perspective and composition. The huge collection of creative exercises will help you build your skills, see your surroundings with a new artistic eye and draw lively sketches of your city or town that reflect its character. Whether you are looking to discover your own sketching style, or to build on your existing knowledge, this book is packed with material to get you creating your own dynamic works of art.

The gardens and estate of La Foce constitute one of the most important and best kept early twentieth-century gardens in Italy. Amid 3,500 acres of farmland in the countryside near Pienza, with sweeping views of the Tuscan landscape, La Foce was the childhood dream garden of the late writer Marchesa Iris Origo. Passionate about the order and symmetry of Florentine gardens, Origo and her husband, Antonio, purchased the dilapidated villa in 1924, soliciting the help of English architect and family friend Cecil Pinsent to reawaken the natural magic of the property. Pinsent designed the structure of simple, elegant, box-edged beds and green enclosures that give shape to the Origos' shrubs, perennials, and vines, and created a garden of soaring cypress walks, native cyclamen, lawns, and wildflower meadows. It is, by all accounts, a remarkable achievement.Today the garden is a place of unusual and striking beauty, a green oasis in the barren Siena countryside. Situated in the Val d'Orcia, a wide valley in southeastern Tuscany that seems to exist on a larger, wilder scale than the rest of the Tuscan landscape, it is run by Benedetta and Donata Origo, and is open to the public one day a week."La Foce: A Garden and Landscape in Tuscany" is a contemplative, multifaceted study of the house, gardens, and estate of La Foce. It includes a historical essay and memoir by the daughter of La Foce's creators, Antonio and Iris Origo, along with photographs, sketches, and a critical analysis of the gardens. The volume not only focuses on the beauty of the gardens themselves and their indisputable merit as fascinating works of landscape architecture but also sees them within the context of both the larger Tuscan topography and the wider landscape of geography and history. The book will be a delight to armchair travelers, trade and landscape architects, gardeners, and those interested in Tuscan culture.

Landscape architecture is comprised of a wide and multifaceted range of very diverse outdoor space designs stern or playful, shrill or romantic, straightforward or low key. As their main building materials are trees and shrubs, flowers and grass, landscape architecture projects are in a constant state of flux. As opposed to architectural buildings, projects in this sector are therefore never quite finished or completely developed. This compendium is a reference book and source of inspiration in one, presenting around 350 current projects from around the world. They range from expansive natural and cultivated landscapes, via picturesque front yards and courtyards, spectacular greened facades and roofs, up to innovative outdoor designs that nearly or completely make do without any vegetation. They all share the fact that they constitute and provide ecologically and socially intact living spaces for human beings.