Engendering Cities examines the contemporary research, policy, and practice of designing for gender in urban spaces. Gender matters in city design, yet despite legislative mandates across the globe to provide equal access to services for men and women alike, these issues are still often overlooked or inadequately addressed. This book looks at critical aspects of contemporary cities regarding gender, including topics such as transport, housing, public health, education, caring, infrastructure, as well as issues which are rarely addressed in planning, design, and policy, such as the importance of toilets for education and clothes washers for freeing-up time. In the first section, a number of chapters in the book assess past, current, and projected conditions in cities vis-a-vis gender issues and needs. In the second section, the book assesses existing policy, planning, and design efforts to improve women's and men's concerns in urban living. Finally, the book proposes changes to existing policies and practices in urban planning and design, including its thinking (theory) and norms (ethics). The book applies the current scholarship on theory and practice related to gender in a planning context, elaborating on some critical community-focused reflections on gender and design. It will be key reading for scholars and students of planning, architecture, design, gender studies, sociology, anthropology, geography, and political science. It will also be of interest to practitioners and policy makers, providing discussion of emerging topics in the field.

This book analyses the magnificent imperial necropolises of ancient China from the perspective of Archaeoastronomy, a science which takes into account the landscape in which ancient monuments are placed, focusing especially but not exclusively on the celestial aspects. The power of the Chinese emperors was based on the so-called Mandate of Heaven: the rulers were believed to act as intermediaries between the sky gods and the Earth, and consequently, the architecture of their tombs, starting from the world-famous mausoleum of the first emperor, was closely linked to the celestial cycles and to the cosmos. This relationship, however, also had to take into account various other factors and doctrines, first the Zhao-Mu doctrine in the Han period and later the various forms of Feng Shui. As a result, over the centuries, diverse sacred landscapes were constructed. Among the sites analysed in the book are the "pyramids" of Xi'an from the Han dynasty, the mountain tombs of the Tang dynasty, and the Ming and Qing imperial tombs. The book explains how considerations such as astronomical orientation and topographical orientation according to the principles of Feng Shui played a fundamental role at these sites.

Heritage Sites in Contemporary China: Cultural Policies and Management Practices focuses on cultural heritage policies in China emerging in the period of the 11th and 12th Five Year Plans. Various important Chinese sites across China are investigated, including Luoyang Sui, Daming Gong, Niuheliang, Xinjiang, and Nanyuewang through the dual perspective of archaeological debate and as a case study of policy making. It explores the relationship between policy and the institutional and administrative conditions, such as budgeting and land concerns, which affect it. Building on the research project implemented by the China Academy for Cultural Heritage (CACH) from 2012-2014, which focused on the impact of the Dayizhi Policy for Great Archaeological Sites, the book provides an interdisciplinary insider's approach to viewing archaeological discoveries; policies and emerging practices in site and archaeological management; and public administration in China. Featuring contributions from experts within CACH and from the Chinese community of archaeologists, and including numerous tables, data and maps, it will appeal to researchers and scholars in disciplines such as archaeology, heritage management, public administration, and policy making.

This book explores the moving qualities of mountains by utilising theories, ideas and processes which contribute to a larger understanding of these geological forms. In highlighting the fluid attributes of mountains the authors offer an alternative to the traditional approach of the sciences and the humanities, which address mountains as static geological or geographical features. The essays in this collection posit that movement impacts the relationship between society and mountains - travelling landscape objects, constructing design and artistic translations, climbing and experiencing changing atmospheres and the different ways of seeing from mountain peaks - and that physical, intellectual and spiritual motion is integral to their understanding. This innovative collection will be of great interest to scholars of geography, art, architecture, history, theology and philosophy.

Over the last three decades, historic housing areas have become one of the major concerns in urban regeneration, housing renovation and conservation projects. Since the late 1990s, the notion of community, sustainability and sustainable community have become rising issues in the urban regeneration debate. Regeneration, Heritage and Sustainable Communities in Turkey contributes to this debate by integrating the interplay between regeneration, community needs and sustainability in the context of Istanbul. Together with the relational, multi-scalar and contingency planning approaches, these vital agents of regeneration provide new possibilities and creative opportunities to successfully deal with the uncertainties and complexities in evolving regeneration spaces. The interdisciplinary text reasons that finding the balance between the needs, aspirations and concerns of local communities and the conservation of the built environments will lead to more equitable and sustainable solutions to the problems faced in Istanbul's historic quarters.

Walking, Landscape and Environment explores walking as a method of research and practice in the humanities and creative arts, emerging from a recent surge of growth in urban and rural walking. This edited collection of essays from leading figures in the field presents an enquiry into, and a critique of, the methods and results of cutting-edge 'walking research'. Walking negotiates the intersections between the human self, place and space, offering a cross-disciplinary collaborative method of research which can be utilised in areas such as ecocriticism, landscape architecture, literature, cultural geography and the visual arts. Bringing together a multitude of perspectives from different disciplines, on topics including health and wellbeing, disability studies, social justice, ecology and gender, this book provides a unique appraisal of the humanist perspective on landscape. In doing so, it challenges Romantic approaches to walking, applying new ideas in contemporary critical thought and alternative perspectives on embodiment and trans-corporeality.

This book offers an original framework on how to investigate, understand and translate sense of place at a regional scale. The book explores contemporary sense of place theory and practice, drawing upon the Western District of Victoria, in Australia, being the "Country of the White Cockatoo". It offers a unique multi-temporal and thematical analytical approach towards comprehending and mapping the values that underpin and determine strengths of human relationships and nuances to this landscape. Included is a deep ethno-ecological and cross-cultural translation, that takes the reader through both the Western understanding of sense of place as well as the Australian Aboriginal understanding of Country. Both are different intellectual constructions of thoughts, values and ideologies, but which share numerous commonalities due to their archetypal meanings, feelings and values transmitted to humans.

What if environmentally damaged landscapes could not only be remediated from an ecological standpoint, but also designed to replenish an entire community as well as the nature surrounding it? The Handbook of Regenerative Landscape Design incorporates ecology, engineering, sociology, and design elements into a new paradigm for environmental restoration and the renewal of urban and cultural sites. This is the first resource in the field to examine the collaborative roles of scientists, landscape architects, and urban planners in transforming degraded landscapes into sustainable communities for both people and wildlife. Top practitioners and theorists from different fields and perspectives contribute innovative case studies that converge in their emphasis on new uses for reclaimed land, rather than a return to its original state. In addition, this book is one in only a handful to address the system conditions necessary for the repair of severely degraded landscapes, especially in an urban context. It elucidates the most suitable remediation strategies for treating degraded environments such as industrial landfills, mining sites, buried urban rivers, heavily polluted or effectively destroyed wetlands, Superfund sites, and abandoned factories. Bringing the perspectives of landscape architects, scientists, and urban planners to a wider audience, the Handbook of Regenerative Landscape Design demonstrates how ecological landscape restoration processes can facilitate sociological and urban renewal initiatives.

One of the main objectives of planning and design is the reflection of the works to the space. Therefore, the starting point of this book is to reveal the research conducted by different professions in the field of spatial planning and design. For this purpose, original researches on direct application and land were included. Planning and design studies need co-operation between professions in order to fulfill this philosophy. These activities are effective means of fulfilling the philosophy of sustainability. Planning and design is a tool to tell the story of a community, and how it's past, present and future work together for a sustainable tomorrow. The design process in which the most appropriate spatial compositions are revealed by shaping the areas in the direction of planning decisions, develops in the continuation of the planning process. This book is for landscape architects and other planning and design professions. Theoretical foundations, theories, methods, and applications will be essential parts of this reference book. In addition, this book addresses several very different subjects of study; landscape management, biodiversity, landscape restoration, landscape design, urban design, urban planning and architectural design related to theory, practice and the results will be covered.

Fieldwork in Landscape Architecture: Approaches and Landings is the first guide to landscape design during its initial phase: the encounter between the designer and site. Through this book you will learn to master your own approaches to 'landing' in the field to help you determine the course of the design process, by converting abstract concepts into concrete methodology. Written by leading experts in the field and featuring critical essays and voices, 160 full-colour drawings, illustrations, photographs, maps and diagrams, it will equip students and instructors of landscape architecture, across all levels, with the conceptual and practical tools they need to refine their skills and gain the confidence to become creative and critical landscape professionals.

The soil which is found in large cities offer distinctive challenges to the landscape architect or horticulturist responsible for maintaining these urban plantings. Often compacted, contaminated, or otherwise unsuitable for use in major landscape projects, these soils require practical methods which can insure a successful outcome of a landscape project. This applications-oriented, introductory reference addresses numerous topics in the field of urban soil science.

Drawing on first-hand accounts of action research in the Americas, Africa, and Asia, The Heart of Community Engagement illustrates the transformative learning journeys of exemplary catalysts for community-based change. Practitioners' stories of community engagement for social justice in the Global South elucidate the moments of insight and transformation that deepened their practice: how to deal with uncertainty, recognize their own blind spots, become aware of what is emergent and possible in the moment, and weave an inclusive bond of love, respect, and purpose. Each successive narrative adds a deeper level of understanding of the inner practice of community engagement. The stories illuminate the reflective, or inner, practice of the outside change agent, whether a planner, designer, participatory action researcher, or community development practitioner. From a shantytown in South Africa, to a rural community in India, or an informal settlement in peri-urban Mexico, the stories focus attention on the greatest leverage point for change that we, as engaged practitioners, have: our own self-awareness. By the end of the book, the practitioners are not only aware of their own conditioned beliefs and assumptions, but have opened their minds and hearts to the complex and dynamic patterns of emergent change that is possible. This book serves as a much-needed reader of practice stories to help instructors and students find the words, concepts, and examples to talk about their own subjective experience of community engagement practice. The book applies some of the leading-edge concepts from organizational development and leadership studies to the fields of planning, design, and community engagement practice. Key concepts include the deep dive of sensing the social field, seeing the whole, and presencing the emergent future. The book also provides a creative bridge between participatory action research and design thinking: user-based design, rapid prototyping, and learning from doing.

Gardens harness, enhance and revere the power of the earth; to enjoy one is to experience the most harmonious collaboration between man and nature. Each space is unique and a product of their individual climate and environment. A garden also reflects the history, culture, and architecture of the society that cultivated it. Gardens is a comprehensive visual exploration of these dynamic and engaging spaces. Along with the most celebrated gardens in the world, Gardens explores large-scale urban interjections and elaborate conservation projects giving fresh definition to Francis Bacon's idea that 'gardening is the purest of human pleasures'. The Reflections series by Roads is a visual exploration of the spaces and building that mirror the cultures in which they play such a crucial part. Text in English, Spanish, French and German.

A wide-ranging and accessibly written account of designed medieval landscapes. The phrase "designed landscape" is generally associated with the great parks and gardens of the post-medieval period, with grand country houses surrounded by parkland, such as Chatsworth and Longleat. However, recent research hasmade it clear that its origins lie much further back than that, in the middle ages, and numerous examples have been identified. This book offers the first full-length survey of designed medieval landscapes, not just the settings for castles, but for palaces, manor houses and monastic institutions. Gardens and pleasure grounds gave their owners sensory enjoyment; lakes, ponds and walkways created routes of approach that displayed residences to best effect;deer parks were stunning backdrops and venues for aristocratic enjoyment; and peacocks, swans, rabbits and doves were some of the many species which lent these landscapes their elite appearance. Richly illustrated with plans, maps, and photographs of key sites showing what can still be seen today. Oliver H. Creighton is Associate Professor in Archaeology, University of Exeter .

Gardens provoke thought and engagement in ways that are often overlooked. This book shines new light on long-held assumptions about gardens and proposes novel ways in which we might reconsider them. The author challenges traditional views of how we experience gardens, how we might think of gardens as works of art, and how the everyday materials of gardens - plants, light, water, earth - may become artful. The author provides a detailed analysis of Tupare, a garden in New Zealand, and uses it as source material for his analysis of the philosophical issues art gardens raise. His new account of gardens highlights the polymodal, multi-sensual, and improvisatory character of the garden experience, it offers an ontological comparison between gardens and humans and other animals, and it explains how identical plants, and arrangements of plants, may be mundane when encountered beyond the garden but artful, meaningful, and aesthetically valuable when experienced within it.

This book provides practicing planners with the knowledge of how to bring real world planning projects to a successful and efficient. It applies the five process groups of project management as identified in Project Management Institute's PMBOK (R) Guide and put them in the language of planners.

This book is the first study of the portico and its decorative program as a cultural phenomenon in Renaissance Italy. Focusing on a largely neglected group of porticoes decorated with painted pergolas that appeared in Rome and environs in the sixteenth and early seventeenth centuries, it tells the story of how an element of the garden-the pergola-became a pictorial topos in portico decoration, and evolved, hand in hand with its real cousin in the garden, into an object for cultural emulation among the educated patrons of early modern Rome. The liminality of both the portico and the pergola at the interface of architecture and garden is key to the interpretation of these architectural and painted forms, which rests on the intersecting frameworks of the classical tradition, natural history, and the cultural identity of the aristocracy. In the mediating space of the Renaissance portico, the illusionism pergola created an art gallery, a natural history museum, and a virtual garden where one could engage in leisurely strolls, learned conversations, appreciation of art, and scientific investigation, as well as extensive travel across time and space. The book proposes the interpretation that the illusionistic pergola was an artistic formula for the early modern perception of nature.

Sir John Vanbrugh (1664-1726) was one of the most important figures in English garden history although he is rarely recognised as such. An eclectic early career as a merchant, a soldier and a dramatist preceded Vanbrugh s acceptance of the role of architect to the Third Earl of Carlisle in 1699. His impact on architecture was paralleled by a revolution in landscape design as Vanbrugh shifted the place of the architect from the house to the grounds. He used the ancient rules of proportion combined with an empathetic approach to Nature to create innovative layouts that were geometric, but bore no relation to the formal gardens of the seventeenth century.

In Sir John Vanbrugh and the Vitruvian Landscape Caroline Dalton seeks to explain Vanbrugh s distinctive style of landscape architecture. The natural and moral philosophy of Marcus Vitruvius Pollio (Vitruvius), Euclid, Plato and Epicurus is traced through the Arabic scientists of the Middle Ages into the Italian Renaissance. The book examines the impact of science and humanism on the landscape ethos of Leon Battista Alberti in the Quattrocento and of Andrea Palladio a century later, and looks for parallels with the early Enlightenment in England from 1660 onwards. It becomes clear that the scientific advances and the political, social and economic changes associated with the Enlightenment created an atmosphere where Vanbrugh could thrive. By reference to the writing of Vitruvius, Alberti and Palladio and by utilizing his innate skills as an artist, Vanbrugh combined the science of Vitruvian geometry with the philosophy of the Ancients to create a new English landscape.

The text is illustrated throughout with a hundred images, including eighteenth-century maps and plans which have not previously been published, alongside geometrical analysis and computer-generated reconstructions of Vanbrugh s landscapes. The author has combined her extensive knowledge of information technology with her experience as a landscape historian, to produce an innovative work which questions our previous understanding of the first English landscape architect. The book is essential reading for students studying the history of the eighteenth-century landscape, as well as appealing to those with a general interest in garden history.

Well established as a valuable source of reference for architects, landscape architects, professionals and students designin external works. This volume covers water features and offers drawings detailed to scale, unlike many of the other books on the market which only deal in sketch forms.Covers landscape ponds, streams and waterfalls, fountains, edges, bank protection, revetments, dams, weirs and sluices, island rafts and jetties and drainage. Each section begins with technical guidance notes on design and construction. This is followed by a set of drawn-to-scale detail sheets. These details can be traced for direct incorporation into the set of contract drawings. A ready reference for landscape designers and an indispensable time-saving tool, Landscape Detailing is an essential for the design office.

Writing landscapes inevitably occurs in dialogue with a long textual and pictorial tradition, but first-hand experience also provides key stimuli to many writers' accounts. This monograph employs a comparative lens to offer an intervention in debates between literary scholars who focus on genre and those cultural geographers who are concerned that self-perpetuating literary tropes marginalize practical engagements. Suggesting that representation and experience are not competing paradigms for landscape, Daniel Weston argues that in the hands of contemporary writers they are complementary forces building composite articulations of place. In five case studies, Weston matches a writer to a mode of apprehending place - W.G. Sebald with picturing, Ciaran Carson with mapping, Iain Sinclair with walking, Robert Macfarlane with engaging, Kathleen Jamie with noticing. Drawing out a range of sites at which representation and experience interact, Weston's argument is twofold: first, interaction between traditions of landscape writing and direct experience of landscapes are mutually influential; and second, writers increasingly deploy style, form, and descriptive aesthetics to recover the experience of place in the poetics of the text itself. As Weston shows, emergent landscape writing shuttles across generic boundaries, reflecting the fact that the landscapes traversed are built out of a combination of real and imaginary sources.

This book assesses the Collaborative Forest Landscape Restoration Program (CFLRP) and identifies lessons learned for governance and policy through this new and innovative approach to collaborative forest management. Unlike anything else in US public land management, the CFLRP is a nationwide program that requires collaboration throughout the life of national forest restoration projects, joining agency partners and local stakeholder groups in a kind of decade-long restoration marriage. This book provides a comprehensive assessment of the governance dynamics of the program, examining: questions about collaborative governance processes and the dynamics of trust, accountability and capacity; how scientific information is used in making decisions and integrated into adaptive management processes; and the topic of collaboration through implementation, an underdeveloped area of collaborative governance literature. Bringing together chapters from a community of social science and policy researchers who have conducted studies across multiple CFLRP projects, this volume generates insights, not just about the program, but also about dynamics that are central to collaborative and landscape approaches to land management and relevant for broader practice. This volume is a timely and important contribution to environmental governance scholarship. It will be of interest to researchers and students of natural resource management, environmental governance, and forestry, as well as practitioners and policy makers involved in forest and ecosystem restoration efforts, and collaborative natural resource management more broadly.

This book is a bridge between organismal/community approaches to food web dynamics and ecosystem-level approaches to production. It explains topics including autotrophy, heterotrophy, omnivory, decomposition, foraging behavior and theory, trophic cascades, bioenergetics, and production.

One of the most significant occurrences in the history of design was the creation of the English Landscape Garden. Accounts of its genesis...the surprising structural change from the formal to a seeming informal are numerous. But none has ever been quite convincing and none satisfactorily placed the contributions of Stephen Switzer. Unlike his contemporaries, Switzer - an 18th century author of books on gardening and agricultural improvement - grasped a quite new principle: that the fashionable pursuit of great gardens should be "rural and extensive", rather than merely the ornamentation of a particular part of an estate. Switzer saw that a whole estate could be enjoyed as an aesthetic experience, and by the process of improving its value, could increase wealth. By encouraging improvers to see the garden in his enlarged sense, he opened up the adjoining countryside, the landscape, and made the whole a subject of unified design. Some few followed his advice immediately, such as Bathurst at Cirencester. But it took some time for his ideas to become generally accepted. Could this vision, and its working out in practice between 1710 and 1740 be the very reason for such changes? 300 years after the first volume of his writings began to be published; this book offers a timely critical examination of lessons learned and Switzer's roles. In major influential early works at Castle Howard and Blenheim, and later the more "minor" works such as Spy Park, Leeswood or Rhual, the relationships between these designs and his writings is demonstrated. In doing so, it makes possible major reassessment of the developments, and thus our attitudes to well-known works. It provides an explanation of how he, and his colleagues and contemporaries first made what he had called Ichnographia Rustica, or more familiarly Modern Gardening from the mid-1740s, land later landscape gardens. It reveals an exceptional innovator, who by transforming the philosophical way in which nature was viewed, integrated good design with good farming and horticultural practice for the first time. It raises the issue of the cleavage in thought of the later 18th century, essentially whether the ferme ornee as the mixture of utile and dulci was the perfect designed landscape, or whether this was the enlarged garden with features of "unadorned nature"? The book discusses these considerable and continuing contrary influences on later work, and suggests Switzer has many lessons for how contemporary landscape and garden design ought be perceived and practised.

Garden design evolved hugely during the Georgian period - as symbols of wealth and stature, the landed aristocracy had been using gardens for decades. Yet during the eighteenth century, society began to homogenise, and the urban elite also started demanding landscapes that would reflect their positions. The gardens of the aristocracy and the gentry were different in appearance, use and meaning, despite broad similarities in form. Underlying this was the importance of place, of the landscape itself and its raw material. Contemporaries often referred to the need to consult the 'genius of the place' when creating a new designed landscape, as the place where the garden was located was critical in determining its appearance. Genius loci - soil type, topography, water supply - all influenced landscape design in this period. The approach taken in this book blends landscape and garden history to make new insights into landscape and design in the eighteenth century. Spooner's own research presents little-known sites alongside those which are more well known, and explores the complexity of the story of landscape design in the Georgian period which is usually oversimplified and reduced to the story of a few 'great men'.

If a local college gives a city planner tickets to a sold-out football game, is it wrong to take them - even if the planner pays? Should a planning consultant bid on a project that has a clearly unrealistic timeframe? Can a planning director moonlight for another agency? For practicing planners, potential ethics violations abound, and the eye of public scrutiny never blinks. Planners need a guide, and now they have it: the first guidebook based on the current revision of the AICP (American Institute of Certified Planners) Code of Ethics and Professional Conduct. The Ethical Planning Practitioner presents 76 scenarios, all real-life dilemmas based on the code's rules of conduct. Each scenario comes with tools to help planners explore the answers on their own, in a training session, or in a classroom. When you buy the guide through APA, you get something more: a recording author Jerry Weitz, FAICP, made with former AICP President Dwight Merriam, FAICP. Together they review three short videos, talk about the ethical situations they represent, and suggest the actions planners could take. The recording comes with a PowerPoint presentation that makes it a powerful teaching aid. This vital handbook looks at everyday ethics the way planners need to see them, in black, white, and shades of gray - but most of all, clearly. The Ethical Practicing Planner will not only instruct but inspire planners to strengthen the public's trust.