How do you design a landscape book suitable for its intended uses? How can the natural qualities of a landscape be enhanced with new features and focal points? How can you make pedestrians stay on the footpath? What kind of plant, path or wall should you put where, and what sort of contract should you choose for your client's contractor? This refreshingly down-to-earth introduction to the vast subject of landscape design and construction answers all these questions, guiding new students through the many facets of professional practice and welding together the artistic, legal, financial, environmental and management issues which can seem so dauntingly disconnected. Illustrated with original drawings, photographs, sample plans and facsimiles, including a new colour plate section, this readable classic has been fully revised and updated throughout. It opens with a completely new chapter which explains design and aesthetic principles, explores the history of our relationship to landscape, and shows how design principles can be applied to influence reactions to the finished site. The author then considers different elements of hard landscape and their relative merits in different situations. The soft landscape section includes coverage of the effects of mass and form, natural and abstract planting, and the difficult subject of plant selection. A step-by-step guide through all the stages of managing a project, from initial discussions with clients, site inspection, surveying and quoting, through tendering, contracting, contractual agreements, development from concept design to final plans and drawings, as well as maintenance, now includes the current information on CDM regulations and provides readers with a plain-speaking reference on client management and contractual administration. Added to the guide to drawing and lettering is an extensive section on computer-aided design. A bibliography and list of useful organization are also included.

Modernity was critically important to the formation and evolution of landscape architecture, yet its histories in the discipline are still being written. This book looks closely at the work and influences of some of the least studied figures of the era: established and less well-known female landscape architects who pursued modernist ideals in their designs. The women discussed in this volume belong to the pioneering first two generations of professional landscape architects and were outstanding in the field. They not only developed notable practices but some also became leaders in landscape architectural education as the first professors in the discipline, or prolific lecturers and authors. As early professionals who navigated the world of a male-dominated intellectual and menial work force they were exponents of modernity. In addition, many personalities discussed in this volume were either figures of transition between tradition and modernism (like Silvia Crowe, Maria Teresa Parpagliolo), or they fully embraced and furthered the modernist agenda (like Rosa Kliass, Cornelia Oberlander). The chapters offer new perspectives and contribute to the development of a more balanced and integrated landscape architectural historiography of the twentieth century. Contributions come from practitioners and academics who discuss women based in USA, Canada, Brazil, New Zealand, South Africa, the former USSR, Sweden, Britain, Germany, Austria, France and Italy. Ideal reading for those studying landscape history, women's studies and cultural geography.

It is more and more evident that our living system is completely disturbed by human intrusion. Such intrusion affects the functioning of entire systems in ways we do not yet fully understand. We use paradigms such as the disturbance to cover large and deep gaps in our scienti?c knowledge. Human ecology is an uncertain terrain for anthropologists, geographers, and ecologists and rarely is expanded to include the social and economic realms. The integration of different disciplines and the application of their many paradigms to problems of environmental complexity remains a distant goal despite the many efforts that have been made to achieve it. Philosophical and semantic barriers are erected when such integration is pursued by pioneering scientists. Recently, evolutionary ecology has shown great interest in the spatial processes well described by the emerging discipline of landscape ecology. But this interest takes the form of pure curiosity or at worst, of skepticism toward the real capacity of landscape ecology to contribute to the advancement of ecological science. The past two centuries have been characterized by huge changes occurring in the entire ecosphere. Global changes are the effects of human intervention at a planetary scale, with consequent degradation of the environment creating an e- logical debt for future generations. On the other side of the issue, new technologies have improved the welfare of billions of people and have given hope to many other billions that they may also see such improvement in the near future.

Since the Garden of Eden, humanity has been concerned with shelter. Yet housing means different things to different people. This work is a comprehensive, historical reference guide that reviews housing concepts and issues. It introduces the reader to the current body of literature and seminal work in housing from a multidisciplinary perspective. The nature of the topic is multifaceted, fragmented, and demanding of serious study from diverse disciplines-this study spans the broad domains of housing knowledge in architectural history and theory; environment and behavior; design process and methods; and building and environmental technology. The book begins with a discussion of vernacular housing and American culture and makes the case that dwellings reflect the people of different regions, materials, techniques, and design traditions of an earlier time. The history of American housing is reviewed with biographies and bibliographies, setting the stage for the environmental and social science perspective of housing. Residential environments are then considered in the broad sense of home and housing. Neighborhood and community are examined with a special focus on people, behavior, and the physical setting. The arts and popular media chapter presents American popular housing as image and icon, focusing on the arts and popular media as channels of visual and symbolic information or communication. These channels include painting, prints, pattern books, photography, music, film, television and video, literature, how-to manuals, and newspapers and magazines. Taking a macro-level perspective, direct and indirect programs of public administration and policy for housing are discussed. Then, the complex systems of financing, and the prevalance and mechanisms for matching buyers with sellers is considered in the chapter that considers housing finance, marketing, economics and management. The chapter on environmental design, construction process, and technology reviews the professional disciplines and their perspectives on housing, special populations and accessibility needs, descriptions of building trades, terms, materials, construction processes and past industrial housing experiments, as well as issues of energy management, computer technology, futuristic housing, air quality and household hazards. Using current technology to conduct research, the final chapter breaks from the conventional ways of locating hard-copy, copyrighted references to a seemingly endless potential of electronic communication systems such as data tapes; on-line databases; other electronic databases; electronic mail; listserves, chat, and on-line communities; libraries; on-line electronic texts; software; and news and journals including electronic journals.

This is a story of two brothers, Geoffrey and Bevis, and their exquisite gardens, Brief and Lunuganga, set in the lush tropical landscape of Sri Lanka. It begins with a largely photographic overview of the country's natural features, showing the varied palette of landscapes that inspired Bawa's sensitive treatment of architecture. At the very heart of the book is an intimate portrait of two gloriously detailed gardens and the personalities that brought them into being. But it is also a story about the nature and landscape of an island of exceptional beauty. As such, the book has something to offer followers of Geoffrey Bawa, tropical-garden enthusiasts and to all those seeking a photographic portrait of Sri Lanka.

Postmodern architecture - with its return to ornamentality, historical quotation, and low-culture kitsch - has long been seen as a critical and popular anodyne to the worst aspects of modernist architecture: glass boxes built in urban locales as so many interchangeable, generic anti-architectural cubes and slabs. This book extends this debate beyond the modernist/postmodernist rivalry to situate postmodernism as an already superseded concept that has been upended by deconstructionist and virtual architecture as well as the continued turn toward the use of theming in much new public and corporate space. It investigates architecture on the margins of postmodernism -- those places where both architecture and postmodernism begin to break down and to reveal new forms and new relationships. The book examines in detail not only a wide range of architectural phenomena such as theme parks, casinos, specific modernist and postmodernist buildings, but also interrogates architecture in relation to identity, specifically Native American and gay male identities, as they are reflected in new notions of the built environment. In dealing specifically with the intersection between postmodern architecture and virtual and filmic definitions of space, as well as with theming, and gender and racial identities, this book provides provides ground-breaking insights not only into postmodern architecture, but into spatial thinking in general.

** This title was originally published in 2007. The version published in 2012 is a PB reprint of the original HB** The protection of natural resources and biodiversity through protected areas is increasingly based on ecological principles. Simultaneously the concept of ecosystem-based management has become broadly accepted and implemented over the last two decades. However, this period has also seen unprecedented rapid global social and ecological change, which has weakened many protection efforts.These changes have created an awareness of opportunities for innovative approaches to managing protected areas and of the need to integrate social and economic concerns with ecological elements in protected areas and parks management. A rare collection of articles that fuses academic theory, critique of practice and practical knowledge, Transforming Parks and Protected Areas analyzes and critiques these theories, practices, and philosophies, looking in-detail at the emerging issues in the design and operation of parks and protected areas. Addressing critical dynamics and current practices in parks and protected areas management, the excellent volume goes well beyond simple managerial solutions and descriptions of standard practice. With contributions from leading academics and practitioners, this book will be of value to all those working within ecology, natural resources, conservation and parks management as well as students and academics across the environmental sciences and land use management.

This book presents a set of new and innovative essays on landscape and garden culture in precolonial India, with a special focus on the Deccan. Most research to date has concentrated on the comparatively well preserved gardens and built landscapes of the celebrated Mughal empire, giving the impression that they have been lacking in other times and regions. Not only does this volume provide a corrective to such assumptions, it also moves away from traditional art-historical approaches by posing new questions and exploring hitherto neglected source materials.

The contributors understand gardens in two related ways: first as real or imagined spaces and manipulated landscapes that are often invested with pronounced semiotic density; and second as congeries of institutions and practices with far-reaching social ramifications for the constitution of elite societies. The essays here present a multi-disciplinary approach to the study of garden culture in precolonial India, and together suggest several new and exciting directions of enquiry for those working in the Deccan, Mughal India, and beyond.

Examines the general problems of designing and constructing sites for buildings. Coverage includes: site construction and planning, placing buildings on sites, landscape planning, drainage, site traffic for vehicles and pedestrians, parking, lighting, handicap facilities and much more.

Like their penchant for clubs, cricket, and hunting, the planting of English gardens by the British in India reflected an understandable need on the part of expatriates to replicate home as much as possible in an alien environment. In "Flora's Empire," Eugenia W. Herbert argues that more than simple nostalgia or homesickness lay at the root of this "garden imperialism," however. Drawing on a wealth of period illustrations and personal accounts, many of them little known, she traces the significance of gardens in the long history of British relations with the subcontinent. To British eyes, she demonstrates, India was an untamed land that needed the visible stamp of civilization that gardens in their many guises could convey.Colonial gardens changed over time, from the "garden houses" of eighteenth-century nabobs modeled on English country estates to the herbaceous borders, gravel walks, and well-trimmed lawns of Victorian civil servants. As the British extended their rule, they found that hill stations like Simla offered an ideal retreat from the unbearable heat of the plains and a place to coax English flowers into bloom. Furthermore, India was part of the global network of botanical exploration and collecting that gathered up the world's plants for transport to great imperial centers such as Kew. And it is through colonial gardens that one may track the evolution of imperial ideas of governance. Every Government House and Residency was carefully landscaped to reflect current ideals of an ordered society. At Independence in 1947 the British left behind a lasting legacy in their gardens, one still reflected in the design of parks and information technology campuses and in the horticultural practices of home gardeners who continue to send away to England for seeds.

Highly visual and containing contributions from leading names in landscape, architecture and design, this volume provides a rare insight into people's engagement with the outdoor environment; looking at the ways in which the design of spaces and places meets people's needs and desires in the twenty-first century. Embracing issues of social inclusion, recreation, and environmental quality, the editors explore innovative ways to develop an understanding of how the landscape, urban or rural, can contribute to health and quality of life. Open Space: People Space examines the nature and value of people's access to outdoor environments. Led by Edinburgh's OPENspace research centre, the debate focuses on current research to support good design for open space and brings expertise from a range of disciplines to look at: an analysis of policy and planning issues and challenges understanding the nature and experience of exclusion the development of evidence-based inclusive design innovative research approaches which focus on people's access to open space and the implications of that experience. Invaluable to policy makers, researchers, urban designers, landscape architects, planners, managers and students, it is also essential reading for those working in child development, health care and community development.

Specifically written for contractors and small businesses carrying out small works, this second edition of Spon's Estimating Cost Guide to Small Groundworks, Landscaping Work and Gardening contains accurate information on thousands of rates, each broken down to labour, material overheads and profit.
This is the first book to focus on this range of external work, including garden maintenance work on blocks of flats and individual houses, schools and sports fields, garden makeovers, laying patios and paths, small land drainage schemes on farmland, and small-scale local authority maintenance work.

Experiential Landscape offers new ways of looking at the relationship between people and the outdoor open spaces they use in their everyday lives. The book takes a holistic view of the relationship between humans and their environment, integrating experiential and spatial dimensions of the outdoors, and exploring the theory and application of environmental design disciplines, most notably landscape architecture and urban design. The book explores specific settings in which an experiential approach has been applied, setting out a vocabulary and methods of application, and offers new readings of experiential characteristics in site analysis and design. Offering readers a range of accessible mapping tools and details of what participative approaches mean in practice, this is a new, innovative and practical methodology. The book provides an invaluable resource for students, academics and practitioners and anyone seeking reflective but practical guidance on how to approach outdoor place-making or the analysis and design of everyday outdoor places.

Although the integration of sculpture in gardens is part of a long tradition dating back at least to antiquity, the sculptures themselves are often overlooked, both in the history of art and in the history of the garden. This collection of essays considers the changing relationship between sculpture and gardens over the last three centuries, focusing on four British archetypes: the Georgian landscape garden, the Victorian urban park, the outdoor spaces of twentieth-century modernism and the late-twentieth-century sculpture park. Through a series of case studies exploring the contemporaneous audiences of gardens, the book uncovers the social, political and gendered messages revealed by sculpture's placement and suggests that the garden can itself be read as a sculptural landscape.

This charming volume presents a rare opportunity to view the gardens of Meiji Japan from the inside, as seen through the eyes of an official of the Imperial Household in 1928. In Japan, the garden is considered a barometer of the nation's prosperity and character, and different periods in history have produced different kinds of gardens. Harada gives brief summaries of them all, including the Edo period (1603-1867), when professional gardeners first took over the design of gardens from priests, and reveals a few of the subtle distinctions that the Japanese use to distinguish between different kinds of gardens that appear identical to Western eyes. As a reaction to all things foreign, the gardens of the Meiji Restoration period (1868-1912), revived the earlier simpler "cha-no-yu" style of garden heavily influenced by Zen. Rare period photographs of famous parks and the now vanished gardens of Japanese aristocrats show gardens in a more naturalistic style than is common in Japan today.

This book offers an in-depth look at how changing ideas of what nature is and what it means for the United States, have been represented in buildings and landscapes over the past century.

The word "nature" comes from natura, Latin for birth - as do the words nation, native and innate. But nature and nation share more than a common root, they share a common history where one term has been used to define the other. In the United States, the relationship between nation and nature has been central to its colonial and post-colonial history, from the idea of the noble savage to the myth of the frontier. Narrated, painted and filmed, American landscapes have been central to the construction of a national identity.

eBook available with sample pages: 0203402030

The book when it first appeared was also well received by "House and Garden Architecture Forum" and "Landscape Architecture." "The handsome book will be a joy to possess for those who love beauty in architecture and cultivated nature," so wrote Pearl S. Buck. In 1940 Henry Inn of Honolulu, art collector, designer, and photographer, produced a collection of Chinese architectural pictures that is extraordinary.

Although probably the only record of its kind, many of the photographs were taken as recently as 1936. Of those locations very few remain if any. A veteran traveller to his ancestral homeland, Henry In had an extraordinarily wide set of acquaintances which gave him an entrance into some of the choicest homes and gardens throughout China. This combination of artistic shell and unusual opportunity are unique.

This professional reference covers in detail the specification of landscape works, giving descriptions, illustrations and standard clauses for the entire range of landscaping operations. It provides a back-up to "Spon's Landscape and External Works Price Book", and the new edition has been linked even more closely to both this and the new edition of "Spon's Landscape Contract Manual".

Michael Littlewood's Landscape Detailing is now well established as a valuable source of reference for architects, landscape architects, other professionals and students designing external works. For this third edition it has been split into three volumes to give a greater depth of coverage than ever before.Volume 3 covers pergolas, arbours, arches, gazebos, summer houses, sheds, shelters, decks, footbridges, furniture and roofs. Each section begins with technical guidance notes on design and construction. This is followed by a set of drawn-to-scale detail sheets. These details can be traced for direct incorporation into the set of contract drawings. A list of relevant references, bibliography and a list of association and institutions indicate where further guidance can be obtained. A ready reference for landscape designers and an indispensable time-saving tool, Landscape Detailing is an essential for the design office.

Britain's landscape, the product both of natural geological processes and some 10,000 years of human habitation, has a uniquely rich historical diversity. In "The Landscape of Britain," Michael Reed explains the forces at work in the evolution of the landscape, pointing out examples of surviving evidence from the past.
The landscape of late twentieth-century Britain is the end product of human effort directed not only towards satisfying basic physical needs for food and shelter, but also towards expressing profound spiritual and intellectual aspirations, whether by means of burial mounds or churches, schools or monasteries. This volume examines the endless processes of accretion which have created the urban and rural landscapes as today's inhabitants have inherited them, showing how each generation makes its own individual contribution without being able entirely to erase those of its predecessors, however remote or distant in time.

A new facsimile edition of a classic work on New York’s architectural masterpiece—Central Park Central Park receives millions of visitors every year, tourists and locals alike. A Description of the New York Central Park, published in 1869, is recognized today as the most important book about the park to appear during its early years. The lively, often wry, text was written by Clarence C. Cook, a distinguished Victorian art critic, while the illustrations were drawn by the popular Albert Fitch Bellows. The author and artist examine many sites in the park that survive to this day as well as features that have vanished over time. In a new Introduction, Maureen Meister reveals how the book came about. In the mid-1860s, the park’s designers, Frederick Law Olmsted and Calvert Vaux, were battling to defend their plan. Of greatest concern was a proposal to build ornate entrances, suggestive of French imperialism. If realized, the gates would have undermined the park’s natural and democratic image. At the same time, the park was threatened by a proliferation of monuments. Meister tells how Olmsted and Vaux advised Cook on what he wrote, and she has found evidence to suggest that they initiated the book’s publication. This book is their book. While the original volume offers much to delight the modern reader, Meister’s Introduction sheds light on how the book served a greater purpose. It was published to champion Olmsted and Vaux and to advocate for their vision—a dream for a magnificent public park that has come to be regarded as New York City’s achievement and a model for the nation.