- Presents the first career retrospective of Peter Goin's work, with contextualized close readings of images and rare insight into the artist's intent, decisions, and evolution - Written by a renowned literary ecocritic to provide broad, interdisciplinary appeal across subjects such as photography, ecocriticism and environmental humanities - Beautifully illustrated with 200 colour and black and white photographs

Urban biodiversity is an increasingly popular topic among researchers. Worldwide, thousands of research projects are unravelling how urbanisation impacts the biodiversity of cities and towns, as well as its benefits for people and the environment through ecosystem services. Exciting scientific discoveries are made on a daily basis. However, researchers often lack time and opportunity to communicate these findings to the community and those in charge of managing, planning and designing for urban biodiversity. On the other hand, urban practitioners frequently ask researchers for more comprehensible information and actionable tools to guide their actions. This book is designed to fill this cultural and communicative gap by discussing a selection of topics related to urban biodiversity, as well as its benefits for people and the urban environment. It provides an interdisciplinary overview of scientifically grounded knowledge vital for current and future practitioners in charge of urban biodiversity management, its conservation and integration into urban planning. Topics covered include pests and invasive species, rewilding habitats, the contribution of a diverse urban agriculture to food production, implications for human well-being, and how to engage the public with urban conservation strategies. For the first time, world-leading researchers from five continents convene to offer a global interdisciplinary perspective on urban biodiversity narrated with a simple but rigorous language. This book synthesizes research at a level suitable for both students and professionals working in nature conservation and urban planning and management.

The Idea of the Cottage in English Architecture is a history of the late Georgian phenomenon of the architect-designed cottage and the architectural discourse that articulated it. It is a study of small buildings built on country estates, and not so small buildings built in picturesque rural settings, resort towns and suburban developments. At the heart of the English idea of the cottage is the Classical notion of retreat from the city to the countryside. This idea was adopted and adapted by the Augustan-infused culture of eighteenth-century England where it gained popularity with writers, artists, architects and their wealthy patrons who from the later eighteenth century commissioned retreats, gate-lodges, estate workers' housing and seaside villas designed to 'appear as cottages'. The enthusiasm for cottages within polite society did not last. By the mid-nineteenth century, cottage-related building and book publishing had slowed and the idea of the cottage itself was eventually lost beneath the Tudor barge-boards and decorative chimneystacks of the Historic Revival. And yet while both designer and consumer have changed over time, the idea of the cottage as the ideal rural retreat continues to resonate through English architecture and English culture.

Creeping bentgrass is considered the premier turfgrass species grown on golf courses, and there is a growing demand for an understanding of its maintenance and management practices. Still the only comprehensive reference on the subject, Creeping Bentgrass Management, Second Edition helps you identify the factors that contribute to summer bentgrass decline and guides you in selecting the best approaches for stress and pest management. This full-color book delves into all aspects of modern approaches to creeping bentgrass management on golf courses. It describes the nature of mechanical, physiological, and environmental stresses and how they influence growth and management of creeping bentgrass. The book covers the selection of creeping bentgrass cultivars; cultural practices, including mowing, irrigation, and topdressing; the deleterious effects of organic and inorganic layers in golf greens; and ways to limit injury due to mechanical or physical stresses. It also discusses recent advances in the management of selected diseases and soil-related maladies of creeping bentgrass-from Pythium-incited root dysfunction to dollar spot, yellow tuft, and blue-green algae. The focus is on common disease symptoms, predisposing conditions, hosts, and cultural and chemical management strategies. Advances in biological disease control are also reviewed. The book offers practical guidance in selecting and using fungicides, herbicides, and plant growth regulators. It also discusses the use of non-selective herbicides and fumigants for the renovation of creeping bentgrass and outlines strategies for dealing with selected invertebrate pests. Throughout, color photographs help you identify diseases and stresses that may be affecting your own golf course. Fully revised and updated, this second edition of a bestseller features three new chapters, new photographs, and expanded information about diseases. Drawing on the author's more than thirty years of experience and research, it brings together a wealth of information on how to optimize creeping bentgrass health and performance. What's New in This Edition Three new chapters, covering the nature of fungicides, abiotic maladies, and selected invertebrate pests An expanded section on disease-double the length of the first edition Updated chapters that reflect the latest developments in creeping bentgrass management More extensive discussion of annual bluegrass problems and their management More than 100 new photos Tips from Dr. Dernoeden Watch these videos to get Dr. Dernoeden's tips on how to control dollar spot disease and crabgrass and how to identify fairy ring.

Landscapes are being degraded and simplified across the globe. This book explores how forest restoration might be carried out to increase landscape heterogeneity, improve ecological functioning and restore ecosystem services in such landscapes. It focuses on large, landscape-scale reforestation because that is the scale at which restoration is needed if many of the problems that have now developed are to be addressed. It also shows how large-scale forest restoration might improve human livelihoods as well as improve conservation outcomes. A number of governments have undertaken national reforestation programs in recent years; some have been more successful than others. The author reviews these to explore what type of reforestation should be used, where this should be carried out and how much should be done. For example, are the traditional industrial forms of reforestation necessarily the best to use in all situations? How can forest restoration be reconciled with the need for food security? And, are there spatial thresholds that must be exceeded to generate economic and environmental benefits? The book also examines the policy and institutional settings needed to encourage large-scale reforestation. This includes a discussion of the place for incentives to encourage landholders to undertake particular types of reforestation and to reforest particular locations. It also considers forms of governance that are likely to lead to an equitable sharing of the costs and benefits of forest restoration.

Memory Landscapes of the Inka Carved Outcrops: From Past to Present presents a comprehensive analysis of the carved rocks the Inka created in the Andean highlands during the fifteenth and early sixteenth centuries. It provides an overview of Inka history, a detailed analysis of the techniques and styles of carving, and five comprehensive case studies. It opens in the Inka capital, Cusco, one of the two locations where the geometric style of Inka carving was authored by the ninth ruler Pachakuti Inka Yupanki. The following chapters move to the origin places on the Island of the Sun in Lake Titicaca and at Pumaurqu, southwest of Cusco, where the Inka constructed the emergence of the first members of their dynasty from sacred rock outcrops. The final case studies focus upon the royal estates of Machu Picchu and Chinchero. Machu Picchu is the second site where Pachakuti appears to have authored the geometric style. Chinchero was built by his son, Thupa Inka Yupanki, who adopted his father's strategy of rock carving and associated political messages. The methodology used in this book reconstructs relational networks between the sculpted outcrops, the land and people and examines how such networks have changed over time. The primary focus documents the specific political context of Inka carved rocks expanded into the performance of a stone ideology, which set Inka stone cults decidedly apart from earlier and later agricultural as well as ritual uses of empowered stones. When the Inka state formed in the mid-fifteenth century, carved rocks were used to mark local territories in and around Cusco. In the process of imperial expansion, selected outcrops were sculpted in peripheral regions to map Inka presence and showcase the cultivated and ordered geography of the state.

Revised and fully updated, this textbook provides a detailed yet accessible introduction to the key aspects of ecosystem services. Ecosystem services is one of the most powerful guiding principles for ecology, biodiversity conservation and the management of natural resources. It provides the basis of assessing the multiple values and services that ecosystems can provide to humankind, including diverse issues such as carbon sequestration, flood control, crop pollination and aesthetic and cultural services. The second edition of Ecosystem Services: Key Issues has been fully revised and updated to address policy and scientific developments, as well as new and emerging issues, such as nature-based solutions, zoonotic diseases and environmental justice. It includes new and updated case studies from across the world and each chapter contains further reading, learning objectives and discussion questions to aid student learning. The book details the historical roots of ecosystem services in the second half of the twentieth century, through initiatives such as the Millennium Ecosystem Assessment, The Common International Classification of Ecosystem Services (CICES) and the United Nations Sustainable Development Goals. It shows how ecosystem goods and services can be categorised and valued in economic as well as non-monetary terms, while also highlighting some of the difficulties and limitations of valuation techniques. The author describes how themes such as systems thinking, social-ecological resilience and natural capital relate to ecosystem services, and how these can contribute to more sustainable and equitable development. This book will be essential reading for students and scholars of ecosystem services, ecology, environmental science, biodiversity conservation, environmental economics, natural resource management and sustainable development. It will also be of use to professionals and policymakers who are looking to integrate ecosystems and their services into their decision making processes.

This design primer examines the forces at work in the built environment and their impact on the form of buildings and their environments. The actions of a range of individuals and agencies and the interaction between them is examined, exploring the competing interests which exist, their interaction with physical and environmental forces and the uncertain results of both individual and corporate intervention.

Calvert Vaux (1824--1895) designed Central Park and other parks in American cities with Frederick Law Olmsted. Trained in England as an architect, Vaux also planned buildings that mirrored the advance of urbanization in America. Museums, exhibition halls, model tenements, and dwellings, as well as many structures in Central Park, were among his designs. This book is an in-depth study of Vaux's life and work.

The eminent preservationist, author, and landscape historian Elizabeth Barlow Rogers is also a committed New Yorker. Writing the City reveals the many facets of her passion as a citizen of the great metropolis and her lifelong efforts to protect and improve it. These include, most importantly, the creation of the Central Park Conservancy, the organization that transformed Central Park from one of the city's most degraded amenities into its most valuable. Many of Rogers's essays relate to this remarkable achievement, and the insight and administrative acumen that propelled it.The first section of Writing the City, "Below and Above the Ground," explores New York's physical make up, especially its geology, as well as the origins of another of New York's world-class landscapes, the New York Botanical Garden. "Along the Shoreline" features an insightful review of Phillip Lopate's Waterfront: A Journey Around Manhattan and two other essays about the city's edges, one of which focuses on Brooklyn Bridge Park.In the last section in the collection, "In and About the Parks," Rogers's understanding of culture, architecture, urban planning history, and landscape architecture come together in five insightful essays. Subjects range from Green-Wood Cemetery and Prospect Park in Brooklyn to "Thirty-three New Ways You Can Help Central Park's Renaissance," published in New York Magazine in 1983. The concluding essay, "Jane and Me," offers new perspectives on the urban theorist and activist Jane Jacobs, whose writings catalyzed Rogers's own interest in urban planning in the 1960s.

Landscape and branding explores the way landscape is conceptualised, conceived, represented and designed by professionals in a brand-driven age. Landscape - incorporating tangible physical space as well as intangible concepts, narratives, images, and experiences of place - is constructed by a number of creative industries. This book tests the hypothesis that place branding, a powerful marketing and management practice, increasingly blurs the distinction between the promotion of landscape and its production in design terms. Place branding involves the strategic and systematic composition of single-minded, experiential and market-friendly place identities which are consistently communicated across various media, including physical space. How does this implicate or transform notions of place, nature, landscape experience, and the qualitative value of landscape itself? How does this affect the role of landscape architecture? To answer these questions, place branding theory and practice is critically examined alongside an in depth case study of one specific landscape - the Blue Mountains (Australia). Projects undertaken between 1995 and 2015, including a branding strategy for the region, media campaigns, television, cinema, and several landscape architectural works in the public and private domain are comparatively analysed, focusing on the discourse, conventions and values informing their production, and the landscape narratives they convey.

It's been more than forty years since the second edition of this landmark guide to the preservation and restoration of gardens and landscapes at historic sites was published. Since the last edition came out, author Rudy Favretti, the nation's foremost authority in this area, has worked on many significant sites including both Monticello and Mount Vernon. New to this edition are: *Personal case studies from the authors' extensive experience in landscape restoration-preservation * An in-depth look complete with color images of the archaeological excavations at Bacon's Castle and Monticello in Virginia *Seventy-three illustrations including eight color photos *An enlarged and comprehensive bibliography *Fully updated and added chapters based on new and emerging information in the field Further, Landscape and Gardens for Historic Buildings covers a wide array of topics including researching and planning, maintaining restored landscapes, identifying authentic flora, and selecting the right historical period, or a series of periods to show the evolution of the historic landscape.

The Kent coastal strip of Dungeness is a unique environment. Harshly vulnerable to the elements yet protected from inland development, it has enticed many architects, artists, photographers and creative thinkers, including of course renowned artist and film-maker Derek Jarman. Its exposed position makes it an extreme place - a viewing station for the shifting sea, the passing clouds and the changing seasons. Design writer Dominic Bradbury is your guide to this border landscape both natural and manmade, from shingle beaches to black houses. Dungeness is a crucible for exciting architecture; the local vernacular includes fishermen's cottages, lighthouses and ex-industrial structures. This mix has attracted leading architects including Rodic Davidson, Fiona Naylor and Brian Johnson, Simon Conder, Guy Holloway and others to complete projects in the area. The book includes sixteen stunning case studies of homes both converted from non-domestic buildings and exciting new builds.

It's been more than forty years since the second edition of this landmark guide to the preservation and restoration of gardens and landscapes at historic sites was published. Since the last edition came out, author Rudy Favretti, the nation's foremost authority in this area, has worked on many significant sites including both Monticello and Mount Vernon. New to this edition are: *Personal case studies from the authors' extensive experience in landscape restoration-preservation * An in-depth look complete with color images of the archaeological excavations at Bacon's Castle and Monticello in Virginia *Seventy-three illustrations including eight color photos *An enlarged and comprehensive bibliography *Fully updated and added chapters based on new and emerging information in the field Further, Landscape and Gardens for Historic Buildings covers a wide array of topics including researching and planning, maintaining restored landscapes, identifying authentic flora, and selecting the right historical period, or a series of periods to show the evolution of the historic landscape.

Ian McHarg and the Search for Ideal Order looks at the well-known and studied landscape architect, Ian McHarg, in a new light. The author explores McHarg's formative years, and investigates how his ideas developed in both their complexity and scale. As a precursor to McHarg's approach in his influential book Design with Nature, this book offers new interpretations into his search for environmental order and outlines how his struggle to understand humanity's relationship to the environment in an era of rapid social and technological change reflects an ongoing challenge that landscape design has yet to fully resolve. This book will be of great interest to academics and researchers in landscape architectural history.

Arcadia Updated delves into the concept of landscape as it is shaped by the literary tradition and material works known as pastoral. Referring to several of the tradition's works as well as scholarly critiques, Fiskevold and Geelmuyden highlight how individual landscape perception is primarily a cultural construct: each individual may see a unique landscape based on personal experiences, but simultaneously, landscape represents a tradition of engaging with nature and land, which has been largely forgotten. In re-engaging and connecting the practice of understanding landscapes with the pastoral tradition, the authors establish a common ground for treating landscape as an object of analysis in landscape planning. Arcadia Updated contributes to the methodological debate concerning landscape character assessment. Including 30 black-and-white images, this book analyses how humans engage with land organically, materially and communicatively. It seeks to raise landscape awareness as both an individual and a collective act of imagination. The practice of analysing landscapes is an ongoing culture of reinterpreting the land as landscape in response to society's development and technical progress. The role of the landscape analyst is to interpret the contemporary world and offer visual explanations of it. This book will be beneficial to professional landscape planners as well as to academics and students of landscape, literature and cultural studies. It provides an essential contribution to the cross-disciplinarity of the landscape discourse.

A key aspect of town planning, landscape planning and landscape architecture is to identify and then use the distinctive features and characteristics of space, place and landscape to achieve environmental quality. Landscape Analysis provides an introduction to the field both in theory and in practice. A wide range of methods and techniques for landscape analysis is illustrated by urban and rural examples from many countries. Analysing landscapes within a planning context requires both skill and insights. Drawing upon numerous concrete examples, together with an examination of some theoretical concepts, this book guides the reader through a wide range of different approaches and techniques of landscape analysis that may be applied at different scales, from elementary site analysis to historical and regional studies. This is an essential book for students and graduate practitioners working in landscape architecture, planning and architecture.

Throughout history and around the world, community members have come together to build places, be it settlers constructing log cabins in nineteenth-century Canada, an artist group creating a waterfront gathering place along the Danube in Budapest, or residents helping revive small-town main streets in the United States. What all these projects have in common is that they involve local volunteers in the construction of public and community places; they are community-built. Although much attention has been given to specific community-built movements such as public murals and community gardens, little has been given to defining community-built as a whole. This volume provides a preliminary description of community-built practices with examples from the disciplines of urban design, historic preservation, and community art. Taken as a whole, these community-built projects illustrate how the process of local involvement in adapting, building, and preserving a built environment can strengthen communities and create places that are intimately tied to local needs, culture, and community. The lessons learned from this volume can provide community planners, grassroots facilitators, and participants with an understanding of what can lead to successful community-built art, construction, preservation, and placemaking.

Defining a research question, describing why it needs to be answered and explaining how methods are selected and applied are challenging tasks for anyone embarking on academic research within the field of landscape architecture. Whether you are an early career researcher or a senior academic, it is essential to draw meaningful conclusions and robust answers to research questions. Research in Landscape Architecture provides guidance on the rationales needed for selecting methods and offers direction to help to frame and design academic research within the discipline. Over the last couple of decades the traditional orientation in landscape architecture as a field of professional practice has gradually been complemented by a growing focus on research. This book will help you to develop the connections between research, teaching and practice, to help you to build a common framework of theory and research methods. Bringing together contributions from landscape architects across the world, this book covers a broad range of research methodologies and examples to help you conduct research successfully. Also included is a study in which the editors discuss the most important priorities for the research within the discipline over the coming years. This book will provide a definitive path to developing research within landscape architecture.

Spanning the period from Elizabeth I's reign to Charles II's restoration, this study argues the garden is a primary site evincing a progressive narrative of change, a narrative that looks to the Edenic as obtainable ideal in court politics, economic prosperity, and national identity in early modern England. In the first part of the study, Amy L. Tigner traces the conceptual forms that the paradise imaginary takes in works by Gascoigne, Spenser, and Shakespeare, all of whom depict the garden as a space in which to imagine the national body of England and the gendered body of the monarch. In the concluding chapters, she discusses the function of gardens in the literary works by Jonson, an anonymous masque playwright, and Milton, the herbals of John Gerard and John Parkinson, and the tract writing of Ralph Austen, Lawrence Beal, and Walter Blithe. In these texts, the paradise imaginary is less about the body politic of the monarch and more about colonial pursuits and pressing environmental issues. As Tigner identifies, during this period literary representations of gardens become potent discursive models that both inspire constructions of their aesthetic principles and reflect innovations in horticulture and garden technology. Further, the development of the botanical garden ushers in a new world of science and exploration. With the importation of a new world of plants, the garden emerges as a locus of scientific study: hybridization, medical investigation, and the proliferation of new ornamentals and aliments. In this way, the garden functions as a means to understand and possess the rapidly expanding globe.

Revel in the extraordinary expressions of water-inspired architecture known as AquaTekture! Discover the vision and construction challenges imaginative designers faced to craft the inspirational designs shown here. Unconventional, daring, and creative are only some of the words used to describe these pools, spas, and water environments. Now in its third year, the Global AquaTekture Visionary Awards (GAVA) features 59 exceptional installations. View magnificent visions of artisans who garnered these coveted awards. Over 190 color photos take you on a private tour around the globe to view awe-inspiring, prized design applications. Enjoy projects that exemplify AquaTekture, including water-inspired architecture from exclusive residences in Australia, Acapulco, and Austin, to the Swarovski Crystal Sparkling Hill Resort holistic spa in Canada and Francis Ford Coppola's Winery in California.

Radical reconfigurations in gardening practice in sixteenth- and seventeenth-century England altered the social function of the garden, offering men and women new opportunities for social mobility. While recent work has addressed how middle class men used the garden to attain this mobility, the gendering of the garden during the period has gone largely unexamined. This new study focuses on the developing gendered tension in gardening that stemmed from a shift from the garden as a means of feeding a family, to the garden as an aesthetic object imbued with status. The first part of the book focuses on how practical gardening books proposed methods for planting as they simultaneously represented gardens increasingly hierarchized by gender. The second part of the book looks at how men and women appropriated aesthetic uses of actual gardening in their poetry, and reveals a parallel gendered tension there. Munroe analyzes garden representations in the writings of such manuals writers as Gervase Markham, Thomas Hill, and William Lawson, and such poets as Edmund Spenser, Aemilia Lanyer and Lady Mary Wroth. Investigating gardens, gender and writing, Jennifer Munroe considers not only published literary representations of gardens, but also actual garden landscapes and unpublished evidence of everyday gardening practice. She de-prioritizes the text as a primary means of cultural production, showing instead the relationship between what men and women might imagine possible and represent in their writing, and everyday spatial practices and the spaces men and women occupied and made. In so doing, she also broadens our outlook on whom we can identify and value as producers of early modern social space.

This book sheds light on the contemporary status of phenomenological discourse in architecture and investigates its current scholastic as well as practical position. Starting with a concise introduction to the philosophical grounds of phenomenology from the points of view of Husserl, Merleau-Ponty and Heidegger, it presents a critical reading of the works of some leading figures of architectural phenomenology in both theory and practice, such as Christian Norberg-Schultz, Kenneth Frampton, Juhani Pallasmaa, and Steven Holl. Highlighting the main challenges of the current phenomenological discourse in architecture, this book formulates a more articulated method of 'phenomenological interpretation' - dubbed 'phenomenal phenomenology' as a new and innovative method of interpreting the built environment. Finally, using Tadao Ando's Langen Foundation Museum as a case study, it investigates the architect's contribution to phenomenological discourse, interprets and analyzes the Museum building using the new heuristic method, and thus provides a clear example of its applicability. By introducing a clear, articulated, and practical method of interpretation, this book is of interest to academics and students analyzing and studying architecture and the built environment at various scales.

This book poses spatial violence as a constitutive dimension of architecture and its epistemologies, as well as a method for theoretical and historical inquiry intrinsic to architecture; and thereby offers an alternative to predominant readings of spatial violence as a topic, event, fact, or other empirical form that may be illustrated by architecture. Exploring histories of and through architecture at sites across the globe, the chapters in the book blur the purportedly distinctive borders between war and peace, framing violence as a form of social, political, and economic order rather than its exceptional interruption. Regarding space and violence as co-constitutive, the book's collected essays critique modernization and capitalist accumulation as naturalized modes for the extraction of violence from everyday life. Focusing on the mediation of violence through architectural registers of construction, destruction, design, use, representation, theory, and history, the book suggests that violence is not only something inflicted upon architecture, but also something that architecture inflicts. In keeping with Walter Benjamin's formulation that there is no document of civilization that is not also a document of barbarism, the book offers "spatial violence" as another name for "architecture" itself. This book was previously published as a special issue of Architectural Theory Review.