The Urban Parks Programme, financed by the Heritage Lottery Fund, has sparked a new enthusiasm for the regeneration of Britain's parks. This unique reference book gives a valuable overview of all the elements of public park design. It emphasizes our parks' diversity and richness, and offers practical guidance as to their renovation and future care. It is essential reading for all those involved in the design, upkeep and regeneration of public parks.

The first biography of the 18th-century landscape gardener, Uvedale Price, showing the key interconnections between his roles as landowner, art collector, forester, landscaper, connoisseur and scholar. Uvedale Price achieved most fame as the author of the influential Essay on the Picturesque of 1794 in which he argued that the work of the greatest landscape artists, such as Salvator Rosa, Rubens and Claude, should be usedas models for the "improvement of real landscape". His attack on the smooth certainties of Capability Brown sparked off a public controversy, drawing in Richard Payne Knight and Humphry Repton, which became a cause celebre. This is the first biography of Uvedale Price, bringing out his contradictory and elusive character and revealing an astonishing cast of friends and acquaintances, including Gainsborough, Voltaire, William Wordsworth and ElizabethBarrett Browning. The book shows how he developed his ideas through practical experimentation on his own land and buildings and provides an understanding of the context of Price's practices and theories and the key interconnections between his roles as landowner, art collector, forester, landscaper, connoisseur and scholar. CHARLES WATKINS is Professor of Rural Geography, University of Nottingham; BEN COWELL is Assistant Director, External Affairs, National Trust.

This book stems from the seminal work of Robert Venturi and aims at re-projecting it in the current cultural debate by extending it to the scale of landscape and placing it in connection with representative issues. It brings out the transdisciplinary synthesis of a necessarily interdisciplinary approach to the theme, aimed at creating new models which are able to represent the complexity of a contradictory reality and to redefine the centrality of human dimension. As such, the volume gathers multiple experiences developed in different geographical areas, which come into connection with the role of representation. Composed of 43 chapters written by 81 authors from around the world, with an introduction by Jim Venturi and Cezar Nicolescu, the volume is divided into two parts, the first one more theoretical and the other one which showcases real-world applications, although there is never a total split between criticism and operational experimentation of research.

Humphry Repton (1752-1818) ambitiously styled himself Capability Brown's successor: the century's next great improver of landed property. With his rare combination of skills - he was a talented topographical sketcher with a unique ability to judge the shifting needs of his patrons - over thirty years Repton amassed an incredible four hundred commissions; his famous Red Books, illustrated to help clients visualise the potential of their properties, did much to encourage the appreciation of landscape aesthetics, especially among the rising middle classes. With colourful illustrations and detailed site investigations, this book traces Repton's landscape designs from Picturesque wildernesses like Blaise Castle to the progressive Gardenesque style of Endsleigh in Devon. It is both a perfect visitor's guide to the gardens and an introduction to the theory of Repton's work.

In 1789, Jedidiah Morse described Newport and its environs as the “Eden of America” in the First Geography of the United States. In the nineteenth century landscape architects such as Frederick Law Olmsted created dramatic gardens by the sea for his wealthy clients, and artists from John Frederick Kensett to Henry James and Thornton Wilder celebrated the city as a verdant paradise in painting, poetry, and prose. America’s Eden: Newport Landscapes through the Ages builds on the city’s iconic reputation as a centuries-old paradise, and establishes Newport as a cultural landscape of national significance. The comprehensive history from European settlement to the present day is illustrated by a treasure trove of rare period maps, paintings and photographs by prominent artists, and drawings and sketches by leading designers. Ten chapters discuss topography, geology, and climate; the history of the city from the early days of colonial New England, through the Gilded Age estates, to the 21st century. A chapter on Living Legends emphasises the importance of Newport’s historic trees. The book serves as a critical resource guide encompassing landscape architecture, fine art, tree and plant propagation, and the conservation of natural sites. A rich story of art, history, design and horticulture awaits readers among the gardens, gazebos and trees of Newport.

Business Principles for Landscape Contracting, fully revised and updated in its third edition, is an introduction to the application of business principles of financial management involved in setting up your own landscape contracting business and beginning your professional career. Appealing to students and professionals alike, it will build your knowledge of financial management tools and enable you to relate their applications to real-life business scenarios. Focusing on the importance of proactive financial management, the book serves as a primer for students in landscape architecture, contracting, and management courses and entrepreneurs within the landscape industry preparing to use business principles in practice. Topics covered include: Financial management and accountability Budget development Profitable pricing and estimating Project management Creating a lean culture Personnel management and employee productivity Professional development Economic sustainability.

This innovative book poses two, deceptively simple, questions: what is a sculpture garden, and what happens when you give equal weight to the main elements of landscape, planting and artwork? Its wide-ranging frame of reference, including the USA, Europe and Japan, is brought into focus through Tremenheere Sculpture Garden, Cornwall, with which the book begins and ends. Effectively less than 15 years old, and largely the work of one man, Tremenheere affords an opportunity to examine as work-in-progress the creation of a new kind of sculpture garden. Including a historical overview, the book traverses multiple ways of seeing and experiencing sculpture gardens, culminating in an exploration of their relevance as 'cultural ecology' in the context of globalisation, urbanisation and climate change. The thinking here is non-dualist and broadly aligned with New Materialisms and Material Feminisms to explore our place as humans in the non-human world on which we depend. Eminent contributors, including John Dixon Hunt, George Descombes, Bernard Lassus and David Leatherbarrow, approach these issues through practices and theories of landscape architecture; garden and art making; history and writing; and philosophy. Richly illustrated with over 100 images, including a colour plate section, the book will primarily appeal to those engaged in professional or academic research, along with sculpture garden visitors, who will find new and surprising ways of experiencing plants and art in natural and urban settings.

Industrial archeologists study towns and landscapes created over the past several centuries that were planned to integrate home and work. This ground-breaking book features architectural case studies of company towns in 48 locations - workers' villages, mill towns, mining towns, cite ouvrieres, bruk stader, colonias industriales, villaggi operai - many of which are UNESCO World Heritage sites. Extensive illustrations and images document the ways in which architectural experiments responded to the entrepreneurial initiatives that were the basis of these communities. The authors, two esteemed professors whose work focuses on the conservation of industrial heritage, examine the role of architectural and urban culture in creating the identity of these unique towns, and the consequences of their abandonment.

The work of an unjustly neglected antiquarian brought to life, showing his contribution to the field. After his military career, Major Hayman Rooke undertook detailed studies of landscape, ancient trees, natural history, meteorology, and ancient and Roman Britain. He was linked into a broad network of friends and correspondents, including landowners such as Earl Bathurst and the Duke of Portland, and their agents (among them Humphry Repton); he was also connected to numerous learned societies. Information from these sources, coupled with his wide-ranging reading and first-hand observations, gave him a unique perspective on the landscape. This book examines Rooke's work, showing how landscapes were interpreted and understood in the eighteenth century; more broadly, it offers new insights into the antiquarian movement of the time. It is richly illustrated, making use of many of Rooke's own sketches and drawings. EMILY SLOAN gained her doctoral thesis from the University of Nottingham.

"Greenspotting Haaglanden" considers the meanings of green in Haaglanden, the metropolitan region of The Hague. The authors seek to define the landscape in terms of rhythm, light, feeling, and mathematics. This analysis is preceded by inspiring interviews--with an artist, an economist, an art historian and writer, a landscape architect and filmmaker--in which the meaning of landscape is the common theme. "Greenspotting Haaglanden" represents an experiential approach; it describes how this approach was arrived at, presents a fresh teaching methodology, and demonstrates the value of interdisciplinarity. "Greenspotting Haaglanden" is a powerful representation that will inspire many landscape professionals to look at landscape in a new way.

Architectural Topographies is a critical dictionary for architects and landscape architects in which the graphic lexicon can be read from a beginning, the ground, to a conclusion, the specific case studies. Meant as a tool to help you recognise, analyse, choose, and invent solutions, the book's key words refer to the physical and material relationship between construction and ground; to where and how the link is built; to the criteria, methods, and tools used to know and transform the ground; and to the possible approaches to the place and their implications on the way the earth is touched. Fifty case studies by forty-six of the greatest architects of the previous hundred years are represented throughout in sectional drawings which place the buildings along the same ground plane to illustrate how the key words might be combined and to show each architect's position on their built work in relation to all the others. Includes projects by Alvar Aalto; Tadao Ando; Gunnar Asplund; Atelier Bow-Wow; Joao Batista Vilanova Artigas; Patrick Berger; Mario Botta; Marcel Breuer; Erik Bryggman; Goncalo Byrne; David Chipperfield; Le Corbusier; Sverre Fehn; Aurelio Galfetti, Flora Ruchat, and Ivo Trumpy; Dick Van Gameren; Herzog and De Meuron; Steven Holl; Arne Jacobsen; Kengo Kuma; Anne Lacaton and Jean Philippe Vassal; Adalberto Libera; Frank Lloyd Wright; Paulo Mendes da Rocha; Ludwig Mies van der Rohe; Enric Miralles and Carme Pinos; Glenn Murcutt; Juan Navarro Baldeweg; Sheila O'Donnell and John Tuomey; Jan Olav Jensen and Borre Skodvin; John Pawson; Giuseppe Perugini, Mario Fiorentino, and Nello Aprile; Renzo Piano; Georges-Henry Pingusson; Rudolph Schindler; Roland Simounet; Alvaro Siza; Luigi Snozzi; Alejandro de la Sota; Eduardo Souto de Moura; Alison Smithson and Peter Smithson; Fernando Tavora; Jorn Utzon; Livio Vacchini; Francesco Venezia, Roberto Collova, and Marcella Aprile; Amancho Williams; and Peter Zumthor.

Historical Ground investigates how contemporary landscape architecture invokes and displays the history of a site. In the light of modernism's neglect of history, these essays by John Dixon Hunt explore how, in fact, designers do attach importance to how a location manifests its past.

The process involves, on the one hand, registering how geography, topography and climate determine design and, on the other, how history discovered or even created for a site can structure its design and its reception. History can be evident, exploited, invented or feigned - it can be original or a new history which becomes part of how we view a place.

Landscapes discussed in this book come from across Europe and the United States, highlighting the work of designers who have drawn from site history in their design, or have purposefully created their own historical account of the location. The author explores not just the historical past, but how new ground can be given a life and a future.

Well-being is now firmly established as an overarching theme of key concern to all professionals that work, manage or design the environment. However, well-being is a complex multi-dimensional issue rooted in the ways that we encounter, perceive and interpret the environment. No single discipline can claim to have sufficient knowledge to fully explain the types of interactions that occur, therefore there is a need to draw together a wide range of professions who are exploring the consequences of their actions upon the well-being of individuals and communities. This edited work addresses the above, consisting of a collection of studies which embrace different aspects of environment, landscape and well-being to consider current approaches to well-being research and practice that fall outside the traditional concepts of well-being as part of medical research, making links with architecture, landscape design, environmental perception, social interaction and environmental sustainability. The contributors originally presented at the international conference, 'Well-Being 2011' jointly hosted by Birmingham City University and the Royal Institute of British Architects (RIBA); the chapters have been developed to present a coherent series of themes reviewing a wide range of literature, presenting case studies appropriate to diverse audiences.

Design-Build provides everything you need to know about how to embark on a design-build project within a studio or professional practice setting. Design-build models have increased across academic programs worldwide, allowing students to address the real-world challenges of working in the community using a participatory design process. In practice, they offer a full partnership between the designer and builder to elevate design concepts and reduce project costs. Written by an experienced practitioner and educator, this book offers contextual background on the development of the design-build model in pedagogy and practice, guidance from inception to conclusion for classroom and field usage, discussions on the shift to community-engaged design and inspirational examples from international case studies. Illustrated in full color throughout, it looks at structuring a design-build firm, best-practice, efficiency and the limitations of design-build as a practice model. This is the fundamental guidebook for those interested in developing or working for a design-build professional practice, academics leading design-build programs and students interested in social and environmental justice, education, and practice through a design-build model.

This comprehensive guide on historic garden and landscape conservation will help landscape professionals familiarise themselves with what the conservation of historic gardens, garden structures and designed landscapes encompasses.

The aim of the series is to introduce each aspect of conservation and to provide concise, basic and up-to-date knowledge within five volumes, sufficient for the professional to appreciate the subject better and to know where to seek further help.

"Gardens & Landscapes in Historic Building Conservation" is an essential guide for everyone with an interest in the conservation of historic gardens and designed landscapes worldwide. The latest assessment of the origins, scope and impact of gardens and designed landscapes is vital reading. Covering history and theory, survey and assessment, conservation and management and the legislative framework the book considers all aspects of garden and landscape conservation and related issues. It explores the challenge of conserving these important sites and surviving physical remains and a conservation movement which must understand, protect and interpret those remains.

This book demonstrates how the discipline of the history and conservation of gardens and landscapes has matured in recent decades, recognising the increased participation of professional contract and curatorial managers in the management of these sites and in conserving and interpreting landscapes.

Drawing on a wide range of sources, combining academic and professional perspectives, the book provides information and advice relevant to all involved in trying to preserve one of England's greatest cultural contributions and legacy for future generations to enjoy. With chapters by all the leading players in the field and illustrated by copious examples this gives essential guidance to the management and conservation of historic gardens and designed landscapes.

More than 30 years after his groundbreaking exhibition at London's Institute of Contemporary Arts, Conrad Atkinson is rightly regarded as one of Britain's most important living political artists. Landscapes, the first of a complete series on Atkinson's oeuvre, reviews work relating specifically to the land, and is published in response to the inclusion of Atkinson's early masterwork, "For Wordsworth, For West Cumbria," in the Tate Gallery's recent exhibition, A Picture of Britain, where the work was given central placement. The book includes an essay by Richard Cork, chief art critic of the London Times, an interview with Antony Hudek of the Courtauld Institute, and original writings by the artist. Represented in New York by the Ronald Feldman Gallery, Atkinson is also a Professor of Art at the University of California at Davis.

Ecology of Fire-Dependent Ecosystems is brimming with intriguing ecological stories of how life has evolved with and diversified within the varied fire regimes that are experienced on earth. Moreover, the book places itself as a communication between students, fire scientists, and fire fighters, and each of these groups will find some familiar ground, and some challenging aspects in this text: something which ultimately will help to bring us closer together and enrich our different approaches to understanding and managing our changing planet. -- Sally Archibald, Professor, University of the Witwatersrand, Johannesburg, South Africa Most textbooks are as dry as kindling and about as much fun to sink your teeth into. This is not that kind of textbook. Devan Allen McGranahan and Carissa L. Wonkka have taken a complex topic and somehow managed to synthesize it into a comprehensive, yet digestible form. This is a book you can read cover to cover - I know, I did it. As a result, I took an enlightening journey through the history and fundamentals of fire and its role in the natural and human world, ending with a thoughtful review of the evolving relationship between humans and wildland fire. -- Chris Helzer, Nebraska Director of Science, The Nature Conservancy, and author of The Prairie Ecologist blog Ecology of Fire-Dependent Ecosystems: Wildland Fire Science, Policy, and Management is intended for use in upper-level courses in fire ecology and wildland fire management and as a reference for researchers, managers, and other professionals involved with wildland fire science, practice, and policy. The book helps guide students and scientists to design and conduct robust wildland fire research projects and critically interpret and apply fire science in any management, education, or policy situation. It emphasizes variability in wildland fire as an ecological regime and provides tools for students, researchers, and managers to assess and connect fire environment and fire behaviour to fire effects. Fire has not only shaped social and ecological communities but pushed ecosystems beyond previous boundaries, yet understanding the nature and effects of fire as an ecological disturbance has been slow, hampered by the complexity of the dynamic interactions between vegetation and climate and the fear of the destruction fire can bring. This book will help those who study, manage, and use wildland fire to develop new answers and novel solutions, based on an understanding of how fire functions in natural and social environments. It reviews literature, synthesizes concepts, and identifies research gaps and policy needs. The text also explores the interaction of fire and human culture, demonstrating how fire policy can be made adaptable to cultural and socio-ecological objectives.

A definitive intellectual history of landscape urbanism It has become conventional to think of urbanism and landscape as opposing one another-or to think of landscape as merely providing temporary relief from urban life as shaped by buildings and infrastructure. But, driven in part by environmental concerns, landscape has recently emerged as a model and medium for the city, with some theorists arguing that landscape architects are the urbanists of our age. In Landscape as Urbanism, one of the field's pioneers presents a powerful case for rethinking the city through landscape. Charles Waldheim traces the roots of landscape as a form of urbanism from its origins in the Renaissance through the twentieth century. Growing out of progressive architectural culture and populist environmentalism, the concept was further informed by the nineteenth-century invention of landscape architecture as a "new art" charged with reconciling the design of the industrial city with its ecological and social conditions. In the late twentieth and early twenty-first centuries, as urban planning shifted from design to social science, and as urban design committed to neotraditional models of town planning, landscape urbanism emerged to fill a void at the heart of the contemporary urban project. Generously illustrated, Landscape as Urbanism examines works from around the world by designers ranging from Ludwig Hilberseimer, Andrea Branzi, and Frank Lloyd Wright to James Corner, Adriaan Geuze, and Michael Van Valkenburgh. The result is the definitive account of an emerging field that is likely to influence the design of cities for decades to come.

Visual Communication for Architects and Designers teaches you the art of designing a concise, clear, compelling and effective visual and verbal presentation. Margaret Fletcher has developed a reference manual of best practices that gives you the necessary tools to present your work in the best way possible. It includes an impressive 750 presentation examples by over 180 designers from 24 countries in North America, South America, Europe, the Middle East, Asia, Oceania and Africa. This book offers actionable advice to solve a variety of complex presentation challenges. You will learn how to: Understand differences in communication design, representation design and presentation design and know how to use these skills to your advantage; Structure the visual and verbal argument in your presentation; Design your presentation layouts, architectural competitions, boards and digital presentations; Manage issues related to the presentation of architectural and design ideas; Present yourself professionally. Your ability to communicate your design ideas to others is an invaluable and important skill. Visual Communication for Architects and Designers shows you how to develop and implement these skills and gain command of your presentations.

Gathers twenty-eight contributions from transdisciplinary experts across six continents and twenty countries, including USA, UK, Italy, Finland, Mexico, Columbia, Jamaica, Turkey, Japan, Pakistan, India, South Korea, China, Thailand, Australia, South Africa, Argentina, Lithuania, Germany and Canada Features illustrated global case studies with examples of current cultural landscape practices Divided into five thematic parts covering the evolution of cultural landscape practice, current trends, challenges and future progression.

The past decade has witnessed a remarkable resurgence in the intellectual interplay between geography and the humanities in both academic and public circles. The metaphors and concepts of geography now permeate literature, philosophy, and the arts. Concepts such as space, place, landscape, mapping and territory have become pervasive as conceptual frameworks and core metaphors in recent publications by humanities scholars and well-known writers.

Envisioning Landscapes, Making Worlds contains over 25 contributions from leading scholars who have engaged this vital intellectual project from various perspectives, both inside and outside of the field of geography. The book is divided into four sections representing different modes of examining the depth and complexity of human meaning invested in maps, attached to landscapes, and embedded in the spaces and places of modern life. The topics covered range widely and include interpretations of space, place, and landscape in literature and the visual arts, philosophical reflections on geographical knowledge, cultural imagination in scientific exploration and travel accounts, and expanded geographical understanding through digital and participatory methodologies. The clashing and blending of cultures caused by globalization and the new technologies that profoundly alter human environmental experience suggest new geographical narratives and representations that are explored here by a multidisciplinary group of authors.

This book is essential reading for students, scholars, and interested general readers seeking to understand the new synergies and creative interplay emerging from this broad intellectual engagement with meaning and geographic experience.

As different parts of the globe deal with the challenges of coastal settlements in the Anthropcene landscape of increasing uncertainty, the methods of design offer new strategies for developing and testing solutions. These complex problems require collaboration across disciplines, with scientists, planners, engineers, designers, and others able to work together in finding new ways of living in coastal and changing landscapes. Sustainable Coastal Design and Planning is an outstanding collection of essays by leading practitioners and academics from across the globe on design and planning for coastal resilience in the face of climate change. It thoroughly explores the questions of coastal change at different scales and provides international case studies that illustrate diverse strategies in different geographies and cultures. Taken as a whole, they canvas a broad palette of approaches and techniques for engaging these complex problems. Divided in two parts, this book focuses on how to develop solutions through multidisciplinary design thinking and informs all stakeholders on specific methods and practices that will be needed to work effectively in this dynamic space.

For every element that we design in the landscape, there is a corresponding grading concept, and how these concepts are drawn together is what creates a site grading plan. This study guide explores these concepts in detail to help you learn how to grade with confidence in preparation for the Grading, Drainage and Construction Documentation section of the Landscape Architecture Registration Examination (LARE). This updated second edition is designed as a textbook for the landscape architecture student, a study guide for the professional studying for the LARE, and a refresher for licensed landscape architects. New to this edition: * Additional illustrations and explanations for grading plane surfaces and warped planes, swales, berms, retention ponds, and drain inlets; * Additional illustrations and explanations for grading paths, ramp landings, ramp/stair combinations and retaining walls; * A section on landscape and built element combinations, highlighting grading techniques for parking lots, culverts and sloping berms; * A section on landscape grading standards, recognizing soil cut and fill, determining pipe cover, finding FFE, and horizontal and vertical curves; * Updated information about the computer-based LARE test; * All sections updated to comply with current ADA guidelines; * An appendix highlighting metric standards and guidelines for accessibility design in Canada and the UK. With 223 original illustrations to aid the reader in understanding the grading concepts, including 32 end-of-chapter exercises and solutions to practice the concepts introduced in each chapter, and 10 grading vignettes that combine different concepts into more robust exercises, mimicking the difficulty level of questions on the LARE, this book is your comprehensive guide to landscape grading.

What makes a garden regionally appropriate? Fifteen private gardens designed by leading landscape architects answer that question for Northern California by directly addressing the climate, landscape, and culture they inhabit. Whether small or large, urban or rural, luxurious or low budget, these resilient outdoor spaces are finely attuned to the area's microclimates and the indoor-outdoor lifestyle for which Northern California is known. They make use of local building materials and craftspeople and offer their owners a unique emotional connection to nature. Firmly planted in time and place, the projects, complete with plans, define not so much a style as an experience and thrive with little effort from their owners.

Communicating Sustainability is a book of evidence-based strategies for making sustainability vivid, accessible, and comprehensible. To do this, it brings together research from a range of specialties including cognitive psychology, visual perception, communication studies, environmental design, interpretive exhibit design, interpretive signage, wayfinding, storytelling, courtroom litigation, information graphics, and graphic design to illustrate not only what approaches are effective but why they work as they do. The topic of sustainability is vast and complex. It interconnects multiple dimensions of human culture and the biosphere and involves a myriad of systems and processes, many of which are too large, too small, too fast, or too slow to see. Many people find verbal explanations about all of this too abstract or too complicated to understand, and for most people the concepts of sustainability are regarded as quirky, peripheral, and not essential to everyday life. Yet the challenges of sustainability concern the very survival of most species of life on Earth, including the human species. In order for life as we know it to survive and thrive into the future, sustainability must become broadly understood-by everyone, not just activists or specialists. This book offers tools to help make complex systems and nuanced, abstract ideas concrete and comprehensible to the broadest range of people. The goal of communication, and of this book, is to build understanding.