The European Landscape Convention has introduced a Europe-wide concept of protection, management and planning of all landscapes - not just the outstanding ones. This book reflects on the background to the establishment of the convention, takes a critical look at examples and experiences of its implementation, and discusses future developments for the convention and the management of landscapes in Europe. A decade after the creation of the European Landscape Convention, this book asks how it has influenced the governance and development of European landscapes, and what role it will play in the coming years. The authors provide a wide range of analyses, reflections and visions, informed by their diverse experiences of researching, working with and using the convention. The sixteen essays are organised into three sections, focusing on the fundamental concepts and values behind the convention, current projects and experiences of implementation, and prospects for future developments.

As climate, culture, and technology evolve and become increasingly unpredictable, architecture's stasis becomes more incongruous. Werewolf explores an emerging but under-investigated branch of architecture that embraces the transformation of form, performance, and the responsiveness to environments and context. These ideas are studied through architectural precedents and framed by critical essays by Jesse Reiser, Greg Lynn, Jimenez Lai, Spyros Papapetros, Kari Weil, as well as the editors. The shift from passive buildings to reactive structures is now imperative, as climate change and political turmoil exacerbate the unpredictability of environments. Werewolf expands on the architect's agency to critically address political, social, and environmental unrest. Revealing the cunning and agile ways in which architecture can negotiate rather than resist change, this book departs from the fixed Vitruvian man and uses the figure of the werewolf to propose a model where changes of state, mutation, and decomposition are conceptually fundamental.

The Shape of the Land: Topography & Landscape Architecture - the first book to centre on this subject - presents the contributions of 13 well-known practitioners and academics who discuss the forms and ramifications of reconfiguring terrain. The essays range in content from pre-industrial precedents in the work of Humphry Repton to new digital topographic modelling systems without the use of contour lines, the treatment of waste products to the land art of the American Southwest. Practicing landscape architects focusing on the modelling of topography in the works considering both utility and aesthetics. In all, the book reviews the history, reasons, and results of at least three centuries of topographic interventions, while suggesting pathways into the future - as new technology and new necessities increase the functional demands placed upon landscape architects, while at the same time potentially offering new forms of artistic expression.

Winner of the 2017 CBHL Literature Award of Excellence in Landscape Design and Architecture Phyto presents the concepts of phytoremediation and phytotechnology in one comprehensive guide, illustrating when plants can be considered for the uptake, removal or mitigation of on-site pollutants. Current scientific case studies are covered, highlighting the advantages and limitations of plant-based cleanup. Typical contaminant groups found in the built environment are explained, and plant lists for mitigation of specific contaminants are included where applicable. This is the first book to address the benefits of phytotechnologies from a design point of view, taking complex scientific terms and translating the research into an easy-to-understand reference book for those involved in creating planting solutions. Typically, phytotechnology planting techniques are currently employed post-site contamination to help clean up already contaminated soil by taking advantage of the positive effects that plants can have upon harmful toxins and chemicals. This book presents a new concept to create projective planting designs with preventative phytotechnology abilities, 'phytobuffering' where future pollution may be expected for particular site programs. Filled with tables, photographs and detailed drawings, Kennen and Kirkwood's text guides the reader through the process of selecting plants for their aesthetic and environmental qualities, combined with their contaminant-removal benefits.

One of the foremost objectives of landscape architectural design is to impart an organizational order in the landscape. Heavily illustrated, this enlightening book introduces the basic elements and principles of design, and then explores the spatial language used to organize and shape landscape architectural design. With more than five hundred hand-rendered graphics and over 150 photographs, this book offers students, professionals and life-long learners a complete introduction to the visual language that is the underpinning of landscape architectural design.

Originally published in 1963. The English Landed Estate in the Nineteeth Century: Its Administration deals principally with the administration of large landed estates during the years from 1830 to 1870. The book also throws new light on the work of the Inclosure Commissioners, who, as a department of the central government, supervised agricultural improvements made by landowners who borrowed from the government and from land companies. Author David Spring argues that the British government intervened in agriculture much more than is commonly thought. In describing the hierarchy of estate management, Spring relies, wherever possible, on hitherto unused family papers and estate documents. Especially important is his material on the Dukes of Bedford and on the domestic economy and financial position of the Russell Family. The chapter titled "The Landowner," based on the seventh Duke of Bedford's correspondence with his agent, is a case study of a single estate and provides insight into the workings of a great landowner's mind. The remaining chapters, dealing with lawyers, land agents, and the Inclosure Commissioners, include other individual portraits. Among these are Christopher Haedy, the Duke of Bedford's chief agent; James Loch, king of estate agents in nineteenth-century England; Henry Morton, the Earl of Durham's land agent; and William Blamire and James Caird, two of the Inclosure Commissioners.

Between 1937 and 1938, garden designer Christopher Tunnard published a series of articles in the British Architectural Review that rejected the prevailing English landscape style. Inspired by the principles of Modernist art and Japanese aesthetics, Tunnard called for a "new technique" in garden design that emphasized an integration of form and purpose. "The functional garden avoids the extremes both of the sentimental expressionism of the wild garden and the intellectual classicism of the 'formal' garden," he wrote; "it embodies rather a spirit of rationalism and through an aesthetic and practical ordering of its units provides a friendly and hospitable milieu for rest and recreation." Tunnard's magazine pieces were republished in book form as Gardens in the Modern Landscape in 1938, and a revised second edition was issued a decade later. Taken together, these articles constituted a manifesto for the modern garden, its influence evident in the work of such figures as Lawrence Halprin, Philip Johnson, and Edward Larrabee Barnes. Long out of print, the book is here reissued in a facsimile of the 1948 edition, accompanied by a contextualizing foreword by John Dixon Hunt. Gardens in the Modern Landscape heralded a sea change in the evolution of twentieth-century design, and it also anticipated questions of urban sprawl, historic preservation, and the dynamic between the natural and built environments. Available once more to students, practitioners, and connoisseurs, it stands as a historical document and an invitation to continued innovative thought about landscape architecture.

Personal and private outdoor space is becoming ever-more elusive as urban areas become more crowded due to population growth and increasing development. Urban Oasis: Tranquil Outdoor Spaces at Home explores projects from London to New York and Sydney to San Francisco that reveal inspirational designs of rooftops, garden spaces, outdoor rooms, terraces and courtyards, and provide refuge from the modern world with private pockets of paradise. These outdoor spaces provide relaxing, sociable, and plant-filled settings for residents to savor peace and calm, and the company of family and friends.

This title features a stunning array of residential design, from a simple cottage on a remote island to a luxurious home set in a spectacular landscape. The private homes featured in Paradise Found boast a rich variety of different architecture and interior styles, but they all share a similar spirit. Fusing traditional European design with Asian, African, and Caribbean influences, the resulting unique homes reflect a keen sense of style. Featuring full colour photography, Paradise Found visits a selection of glorious houses and hideaways that are guaranteed to enchant and inspire.

Known internationally as the epitome of the classic English country garden, it is perhaps less well known that Hidcote's creator was an enigmatic American. Lawrence Johnston, an expatriate and one of the so-called "Henry James Americans," a pedigreed member of old New York, left no diaries or significant correspondence. What he did leave, however, is a garden that continues to inspire horticulturists, gardening enthusiasts, and everyone who appreciates the beauty of nature. First published in 1989, the book was the first biography of Johnston; for this revised and enlarged edition Clarke, the author of 15 books on landscape history and gardening, has collected much new, original material that illuminates the creation of the garden and presents Johnston's life in the context of the period that set the seal on England's preeminence in garden design and plantsmanship.

Universally, the production, maintenance and management of housing have been, and continue to be, market-based activities. Nevertheless, since the mid-twentieth century virtually all governments, socialist and liberal alike, have perceived the need to intervene in urban housing markets in support of low-income households who are denied access to the established (private sector) housing market by their lack of financial resources. Housing in Developing Cities examines the range of strategic policy alternatives that have been employed by state housing agencies to this end. They range from public sector entry into the urban housing market through the direct construction of ('conventional') 'public housing' that is let or transferred to low-income beneficiaries at sub-market rates, to the provision of financial supports (subsidies) and non-financial incentives to private sector producers and consumers of urban housing, and to the administration of ('non-conventional') programmes of social, technical and legislative supports that enable the production, maintenance and management of socially acceptable housing at prices and costs that are affordable to low-income urban households and communities. It concludes with a brief review of the direction that public housing policies have been taking at the start of the 21st century and reflects on 'where next', making a distinction between 'public housing' and 'social housing' strategies and how they can be combined in a 'partnership' paradigm for the 21st century.

Historical Ground investigates how contemporary landscape architecture invokes and displays the history of a site. In the light of modernism's neglect of history, these essays by John Dixon Hunt explore how, in fact, designers do attach importance to how a location manifests its past. The process involves, on the one hand, registering how geography, topography and climate determine design and, on the other, how history discovered or even created for a site can structure its design and its reception. History can be evident, exploited, invented or feigned - it can be original or a new history which becomes part of how we view a place. Landscapes discussed in this book come from across Europe and the United States, highlighting the work of designers who have drawn from site history in their design, or have purposefully created their own historical account of the location. The author explores not just the historical past, but how new ground can be given a life and a future.

Summers at the Vauxhall pleasure garden in London brought diverse entertainments to a diverse public. Picturesque walks and arbors offered a pastoral retreat from the city, while at the same time the garden's attractions indulged distinctly urban tastes for fashion, novelty, and sociability. High- and low-born alike were free to walk the paths; the proximity to strangers and the danger of dark walks were as thrilling to visitors as the fountains and fireworks. Vauxhall was the venue that made the careers of composers, inspired novelists, and showcased the work of artists. Scoundrels, sudden downpours, and extortionate ham prices notwithstanding, Vauxhall became a must-see destination for both Londoners and tourists. Before long, there were Vauxhalls across Britain and America, from York to New York, Norwich to New Orleans. This edited volume provides the first book-length study of the attractions and interactions of the pleasure garden, from the opening of Vauxhall in the seventeenth century to the amusement parks of the early twentieth. Nine essays explore the mutual influences of human behavior and design: landscape, painting, sculpture, and even transient elements such as lighting and music tacitly informed visitors how to move within the space, what to wear, how to behave, and where they might transgress. The Pleasure Garden, from Vauxhall to Coney Island draws together the work of musicologists, art historians, and scholars of urban studies and landscape design to unfold a cultural history of pleasure gardens, from the entertainments they offered to the anxieties of social difference they provoked.

This is the first study of Renaissance architecture as an immersive, multisensory experience that combines historical analysis with the evidence of first-hand accounts. Questioning the universalizing claims of contemporary architectural phenomenologists, David Karmon emphasizes the infinite variety of meanings produced through human interactions with the built environment. His book draws upon the close study of literary and visual sources to prove that early modern audiences paid sustained attention to the multisensory experience of the buildings and cities in which they lived. Through reconstructing the Renaissance understanding of the senses, we can better gauge how constant interaction with the built environment shaped daily practices and contributed to new forms of understanding. Architecture and the Senses in the Italian Renaissance offers a stimulating new approach to the study of Renaissance architecture and urbanism as a kind of 'experiential trigger' that shaped ways of both thinking and being in the world.

Winner, J. B. Jackson Book Prize from the Foundation for Landscape StudiesIn this insightful biography, Bruce Stephenson analyzes the details of John Nolen's experiments, illuminating the planning principles he used in laying out communities from Mariemont, Ohio, to Venice, Florida. Stephenson's conclusion discusses the potential of Nolen's work as a model of a sustainable vision relevant to American civic culture today.John Nolen (1869-1937) studied economics, philosophy, and public administration at the Wharton School of the University of Pennsylvania, where his keen intelligence and remarkable administrative abilities were immediately recognized. In 1903, at the age of thirty-four, Nolen enrolled in the new Harvard University program in landscape architecture, studying under Frederick Law Olmsted Jr. and Arthur Shurcliff. Two years later, Nolen opened his office in Harvard Square.Over the course of his career, Nolen and his firm completed more than 400 projects, including comprehensive plans for twenty-nine cities and twenty-seven new towns, all of them in the United States. Like other reformers of the Progressive Era, Nolen looked to Europe for models to structure the rapid urbanization defining modern life into more efficient and livable form. Nolen's mutually influential relationship with Raymond Unwin, England's preeminent garden city planner, typified the "Atlantic Crossings" that produced a host of intensely interesting planning experiments in England, Europe, and the United States during the first decades of the twentieth century. "Nolen has never received the systematic assessment that he deserves despite being the subject of so much writing--the Stephenson biography stands alone. The author makes a convincing case that Nolen was a pivotal figure in the profession of city planning and that his contributions were uniquely situated to bridge the fields of landscape architecture and planning. This is an exceptionally fine work."Christopher Silver, author of Planning the Megacity: Jakarta in the Twentieth Century"The long overdue and definitive biography of one of America's most prominent and influential urbanists. . . . Stephenson effectively positions Nolen between the classical practitioners of the nineteenth century and the modern ecological focus of the twentieth century (which he helped to establish)."Keith N. Morgan, coauthor of Community by Design: The Olmsted Office and the Development of Brookline, MassachusettsIn this deeply researched and richly detailed biography . . . Stephenson focuses attention on a figure who has been curiously understudied and who arguably deserves additional scrutiny on several topics from his ideas about race and class to his proto-environmentalism, all key interests among Progressive reformers.Journal of Southern HistoryStephenson offers a richly developed biographical portrait of Nolen interwoven with a detailed discussion of his numerous planning projects. . . . [The] biographical component allows the reader to see how Nolen's life experiences shaped his professional work. Especially impressive is Stephenson's discussion of Nolen as a progressive during his work at ASEUT and his early travels to Europe. . . . The numerous color photographs make the book a visual delight and the excellent index makes referencing the book a breeze.Journal of Planning History

Since the first edition was published in 1992, Nick Robinson's The Planting Design Handbook has been widely used as a definitive text on landscape architecture courses throughout the world. It remains one of the few titles written by a practicing landscape architect and educator who is also a horticulturalist and accomplished plantsman, and which deals with the application of planting design on a large scale in landscape architecture and urban design projects. The Planting Design Handbook is distinctive for its elegant integration of an ecological approach with an understanding of visual and spatial composition. It emphasizes the role of vegetation layers and designed plant communities in complex and diverse plant assemblages for all kinds of sites and uses. This expanded and comprehensively updated third edition still provides a complete examination of principles and practice of design for public, institutional and private landscapes. It takes account of developments in theory and practice, especially in the use of perennials, and reflects a variety of media and approaches current in landscape architecture and design. All chapters have been revised and re-written to ensure updated references and new references have been added. Many new photographs of planting and projects around the world have been included, with examples of current professional drawings to illustrate the design process. It is generously illustrated, including a colour section and the beautifully detailed line drawings of the Chinese architect and painter Jia-Hua Wu.

Celebrated landscape architect Gilles Clement may be best known for his public parks in Paris, including the Parc Andre Citroen and the garden of the Musee du Quai Branly, but he describes himself as a gardener. To care for and cultivate a plot of land, a capable gardener must observe in order to act and work with, rather than against, the natural ecosystem of the garden. In this sense, he suggests, we should think of the entire planet as a garden, and ourselves as its keepers, responsible for the care of its complexity and diversity of life. "The Planetary Garden" is an environmental manifesto that outlines Clement's interpretation of the laws that govern the natural world and the principles that should guide our stewardship of the global garden of Earth. These are among the tenets of a humanist ecology, which posits that the natural world and humankind cannot be understood as separate from one another. This philosophy forms a thread that is woven through the accompanying essays of this volume: "Life, Constantly Inventive: Reflections of a Humanist Ecologist" and "The Wisdom of the Gardener." Brought together and translated into English for the first time, these three texts make a powerful statement about the nature of the world and humanity's place within it.

This book is oriented on testing and developing the neopragmatic approach of horizontal geographies, in which we follow approaches of natural sciences, social sciences, and cultural studies. Regional focus is thereby put on a rapidly changing elemental space and its social representations, characterized by unstable and not well-defined hybridities: coastal Louisiana. This region is highly dynamic: the Mississippi River in particular, with its extensive sediments, has shifted the coastal fringe of present-day Louisiana into the Gulf of Mexico. This land gain is contrasted by natural processes, but also by processes resultant of human intervention which cause marine encroachment. A complex interplay of different aspects is directly and indirectly leading to coastal land loss which makes the question of how to describe emerging hybrid spaces virulent and highlights the limits of a positivist understanding of boundaries that is also physically geographical. In the neopragmatic tradition, positivist research findings will be framed in social constructivist terms and supplemented by phenomenological approaches to Louisiana's coastal space, thus suggesting the need for and potentials of horizontal geographic integration of different theoretical and methodological approaches as well as researcher perspectives and data bases.

Pairs is a student-led journal at the Harvard University Graduate School of Design (GSD) dedicated to conversations about design that are down to earth and unguarded. Each issue is conceptualized by an editorial team-including GSD students-that proposes guests and objects to be in dialogue with one another. Pairs is non-thematic, meant instead for provisional thoughts and ideas in progress. Each issue seeks to organize diverse threads and concerns that are perceived to be relevant to our moment. Thus, Pairs creates a space for understanding and a greater degree of exchange, both between the design disciplines and with a larger public. Pairs 02 features conversations with Emmanuel Admassu, Rashid bin Shabib, Irma Boom, Gareth Doherty, David Foster, David Hartt, Sara Hendren, Jane Hutton, Sharon Johnston, Zachary Mollica, Lyndon Neri, Malkit Shoshan, Jorge Silvetti, John R. Stilgoe, Paola Sturla, Sumayya Vally, Terry Tempest Williams, and Kathryn Yusoff. Contributors include the editors and Emma Lewis, Elisa Ngan, and Maxwell Smith-Holmes.

While we all live our lives in designed landscapes of various types, only on occasion do we consider what these landscapes mean to us and how they have acquired that significance. Can a landscape architect or garden designer really imbue new settings with meaning, or does meaning evolve over time, created by those who perceive and use these landscapes? What role does the selection and arrangement of plants and hard materials play in this process and just where does the passage of time enter into the equation?

These questions collectively provide the core material for Meaning in Landscape Architecture and Gardens, a compendium of four landmark essays written over a period of twenty years by leading scholars in the field of landscape architecture. New commentaries by the authors accompany each of the essays and reflect on the thinking behind them as well as the evolution of the author 's thoughts since their original publication.

Although the central theme of these writings is landscape architecture broadly taken, the principal subject of several essays and commentaries is the garden, a subject historically plentiful in allusions and metaphors. As a whole Meaning in Landscape Architecture and Gardens offers the general reader as well as the professional a rich source of ideas about the designed landscape and the ways by which we perceive, consider, react, and dwell within them and what they mean to us.

The essays have been perennial favorites in landscape courses since their original publication in Landscape Journal. Bringing them together bolstered by the new commentaries creates a book valuable to all those creating gardens and landscapes, as well as those teaching and studying these subjects.

THE UPDATED, AUTHORITATIVE GUIDE TO SPORTS FIELD MANAGEMENT THAT INCLUDES THE LATEST DEVELOPMENTS IN, AND ON, THE FIELD The updated Third Edition of Sports Fields: Design, Construction, and Maintenance is a comprehensive reference for professionals who are responsible for the design, construction, renovation, and maintenance of athletic facilities. This book contains illustrative examples of specific design elements of the most popular sports facilities. This Third Edition contains new chapters on safety, public relations, and professionalism for future sports field managers, as well as fresh drawings and photos that highlight innovative field layout, grading, irrigation, and drainage. All-new case studies review best practices and techniques for sports fields ranging from youth and high school fields to fields that are designed for professional athletes. This text is also an ideal resource for anyone studying for Sports Field Manager Certification (offered by STMA). Features new case studies that include design and management best practices for all levels and types of sports facilities Offers new chapters on safety, public relations, and professionalism for future sports field managers Includes new illustrations and photos of innovative field layout, grading, irrigation, and drainage Contains the most recent information on sand-based field systems and synthetic turf Presents discussions of a range of fields including baseball, softball, football, soccer, lacrosse, field hockey, tennis, and track and field Sports Fields: Design, Construction, and Maintenance, Third Edition is a blueprint for field managers, designers, and builders for successful sports field projects.

This book provides extensive information on craftsmen-built houses in China. Though some inroads have been made in studying this folk custom, this work represents the first comprehensive and systematic monograph. The book examines the topic at the two main levels of "history" and "theory". Combining historical textual research, contemporary textual research, and field study, the book presents systematic information on the folk custom of craftsmen-built houses in China. At the level of theoretical research, it puts forward some original opinions on the major theoretical issues, such as the folk custom of religious belief, the boundary between superstition and religion, and the relationship between oral literature and ritual. The book provides a guide to help readers systematically understand the folk custom of craftsmen-built houses in China. Sharing valuable insights into Chinese architectural history, as well as religious studies, cultural anthropology, and folklore, it will appeal to researchers in the fields of folklore, cultural anthropology, and architecture and can also serve as a popular science book for understanding Chinese architectural culture.

This stimulating book explores the intersection of landscape, democracy and spatial justice on an international scale to offer an overarching definition and examination of the emerging field of landscape democracy. The concept of landscape in academia, policy and practice is being met with growing interest and a wider understanding that it is a complex living environment, moulded by tangible and intangible mediums, processes and systems. This book examines how physical, mental, emotional, economic, social and cultural wellbeing depend in large part on inclusive planning and management of landscapes. Through a broad set of theoretical and conceptual frameworks and international case studies, the authors of Defining Landscape Democracy address critical questions, such as: Why is democracy relevant to landscape? How do we democratise landscape? How might we achieve landscape and spatial justice? This work will provide new knowledge and insights for researchers in the fields of landscape architecture, human geography, planning, public policy, sociology, landscape management, and designers and planners actively engaged in shaping democratic public spaces and communities. Contributors include: A. Aagaard Christensen, R. Alomar, P. Angelstam, F. Arler, M. Bose, A. Butler, B. Castiglioni, M. Clemetsen, S. Egoz, M. Elbakidze, V. Ferrario, C. Geisler, P. Horrigan, K. Jogensen, M. Jones, N.T. King, U. Krippner, L.C. Knudtzon, J. Langhorst, L. Licka, E. Lopez-Bahut, J. Makhzoumi, D. Mitchell, K.R. Olwig, E. Oureilidou, L. Paz Agras, J. Primdahl, D. Ruggeri, E. Schwab, B. Sirowy, L. Soderkvist Kristensen, K.B. Stokke, T. Waterman, B. Yigit Turan