A comprehensive, one-stop guide to environmental stewardship for golf courses and grounds

This highly practical guide covers the full complement of tools green industry professionals need to create a successful environmental program on golf courses and grounds. Written by a leading golf course superintendent and grounds manager, The Environmental Stewardship Toolkit offers a comprehensive analysis of all relevant issues, including environmental management, resource management, community engagement, and document management.

The emphasis throughout is on the development of programs that are both sustainable and practical, combining the protection and renewal of environmental systems with a workable business plan. Regulatory issues as well as concerns of owners, customers, and the community at large are also addressed. Clear, pragmatic, up-to-the-minute coverage includes:

Numerous illustrations, photos, and customizable templates and checklists that readers can use in their own projects

A system for sorting projects into green, greener, and greenest in order to tailor implementation for different budgets and project complexity

An in-depth look at site assessment, water quality and conservation, integrated pest management, and wildlife habitat management

Guidance for developing green public relations and communications skills to promote the project in the community

Field-tested procedures for building a state-of-the art documentation system for capturing, organizing, and disseminating information

A must-read for golf course superintendents, irrigation specialists, turfgrass specialists, and grounds managers, The Environmental Stewardship Toolkit is also useful for landscape architects and designers, grounds owners, developers, builders, contractors, and anyone wishing to be on the cutting edge of sustainability in the green industry.

Weatering and Durability in Landscape Architecture provides authoritative guidelines to weathering, durability, and physical changes in the designed landscape over time.
* Provides innovative weathering strategies illustrated with case studies.
* Includes information on completed landscapes with data and commentary on maintenance and durability.
* Provides the personal weathering and durability strategies of leading experts.

From Francis Alys and Ursula Biemann to Vivan Sundaram, Allora & Calzadilla, and the Center for Urban Pedagogy, some of the most compelling artists today are engaging with the politics of land use, including the growth of the global economy, climate change, sustainability, Occupy movements, and the privatization of public space. Their work pivots around a set of evolving questions: In what ways is land, formed over the course of geological time, also contemporary and formed by the conditions of the present? How might art contribute to the expansion of spatial and environmental justice? Editors Emily Eliza Scott and Kirsten Swenson bring together a range of international voices and artworks to illuminate this critical mass of practices. One of the first comprehensive treatments of land use in contemporary art, Critical Landscapes skillfully surveys the stakes and concerns of recent land-based practices, outlining the art historical contexts, methodological strategies, and geopolitical phenomena. This cross-disciplinary collection is destined to be an essential reference not only within the fields of art and art history, but also across those of cultural geography, architecture and urban planning, environmental history, and landscape studies.

This book approaches the concept of geo-architecture from the perspective of functions of architectures by analyzing the cases of traditional Chinese houses and tombs as well as palaces and places of worship. Houses and tombs, the 'Yang' dwellings and 'Yin' dwellings of human beings in traditional Chinese interpretation, are the two types of architectures that reveal the wisdom with which different ethnic groups adapted to different geographic environments at different times throughout the long history. Palaces are connected with various religious architectures throughout the Chinese history. The connection between imperial power and religion, along with its geographic and cultural connotations, are implicated in the pattern and layout of religious and imperial architectures. This book is the second of a 4-volume book series. The series develops the innovative concept of "geo-architecture" by exploring the myriad influences of natural, human and historical factors upon architecture. These influences are considered in three categories, namely, interaction between architecture and nature, interaction between architecture and its human users and change in architecture over time--each category serves as a lens. Augmenting these lenses is the Time-Person-Place concept applied different geographic. The analysis ultimately focuses on two aspects: geographic influence on architecture and architectural response to geography. The over 1000 pictures of case architectures enriches the study with stunning and unique visual angles. "This unprecedented work will be a unique and valuable contribution to the literature. Integrating as it does the disciplines of architecture, landscape architecture, and geography, Wang Fang's voice is original, compelling, and will be much appreciated by English-speaking readers (and inside China, too, I can only imagine.)"Stephen M Ervin Assistant Dean Graduate School of Design, Harvard University July 2nd, 2013 "One reason for why there would be interest is because her research would fill some significant gaps in the literature.What is novel about Dr. Wang's series is that she further extends this intellectual project of looking at Chinese architecture through Chinese eyes, by taking it one provocative step further."Annette M. Kim Associate Professor Department of Urban Studies and Planning, M.I.T. July 1st, 2013

This book analyzes forms of architectures within the frame concept of geo-architecture, and looks into the interaction of architecture and its environment. It starts by discussing the collisions between architecture and geography, humanity, as well as other architectures and reflects on the ancient Chinese notion of emotional relief and expression through natural landscape. It then studies important transportation and scenic routes, like pavilions, towers, clan halls and villages within architectural systems. It also discusses the forms of geographic integration and isolation expressed through architecture, which reflects their historical and cultural context.This book is the first of a 4-volume book series. The series develops the innovative concept of "geo-architecture" by exploring the myriad influences of natural, human and historical factors upon architecture. These influences are considered in three categories, namely, interaction between architecture and nature, interaction between architecture and its human users and change in architecture over time--each category serves as a lens. Augmenting these lenses is the Time-Person-Place concept applied different geographic. The analysis ultimately focuses on two aspects: geographic influence on architecture and architectural response to geography. The over 1000 pictures of case architectures enriches the study with stunning and unique visual angles. "This unprecedented work will be a unique and valuable contribution to the literature. Integrating as it does the disciplines of architecture, landscape architecture, and geography, Wang Fang's voice is original, compelling, and will be much appreciated by English-speaking readers (and inside China, too, I can only imagine.)" Stephen M Ervin Assistant Dean Graduate School of Design, Harvard University July 2nd, 2013 "One reason for why there would be interest is because her research would fill some significant gaps in the literature.What is novel about Dr. Wang's series is that she further extends this intellectual project of looking at Chinese architecture through Chinese eyes, by taking it one provocative step further."Annette M. Kim Associate Professor Department of Urban Studies and Planning, M.I.T. July 1st, 2013

This book is aimed at readers and researchers who are interested in Chinese garden architecture, the rise and fall of Yuanming Yuan and the history of the Qing dynasty. It is the first comprehensive study of the palatial garden complex in a Western language, and is amply illustrated with photographs and original drawings. Young-tsu Wong's engaging writing style brings "the garden of perfect brightness" to life as he leads readers on a grand tour of its architecture and history.

This book explores the concept of geo-architecture by analyzing the ways architectures are related to the local geography, including mingling or contrasting with surrounding landscape, adapting to mountainous or aquatic terrain, and selection of construction materials. Architectures build with such skillfully contrived strategies and techniques have become live exhibit of folk customs and served to record in profound detail the long history of mankind's recognition of nature. The combined effect is such that the architecture grows out of the surrounding natural and human environment. This book is the third of a 4-volume book series. The series develops the innovative concept of "geo-architecture" by exploring the myriad influences of natural, human and historical factors upon architecture. These influences are considered in three categories, namely, interaction between architecture and nature, interaction between architecture and its human users and change in architecture over time--each category serves as a lens. Augmenting these lenses is the Time-Person-Place concept applied different geographic. The analysis ultimately focuses on two aspects: geographic influence on architecture and architectural response to geography. The over 1000 pictures of case architectures enriches the study with stunning and unique visual angles. "This unprecedented work will be a unique and valuable contribution to the literature. Integrating as it does the disciplines of architecture, landscape architecture, and geography, Wang Fang's voice is original, compelling, and will be much appreciated by English-speaking readers (and inside China, too, I can only imagine.)"Stephen M Ervin Assistant Dean Graduate School of Design, Harvard University July 2nd, 2013 "One reason for why there would be interest is because her research would fill some significant gaps in the literature.What is novel about Dr. Wang's series is that she further extends this intellectual project of looking at Chinese architecture through Chinese eyes, by taking it one provocative step further."Annette M. Kim Associate Professor Department of Urban Studies and Planning, M.I.T. July 1st, 2013

The studio and residential building at Wuhrstrasse 8/10 in Zurich is a unique place: Commissioned by the Painters & Sculptors Cooperative Zurich, founded in 1948, eminent Swiss architect Ernst Gisel (1922–2021) designed this ensemble of buildings comprising 8 apartments and twelve artist studios in 1953. Thus, a utopia of self-organised working and living space became reality. Since then, 54 artists have left their mark on the artistic and cultural life of Zurich and Switzerland from their home on Wuhrstrasse 8/10. This book recounts the history of this extraordinary structure, illustrated with archival plans and documents as well as new and historic photographs. It also examines the political and social dimension of the Wuhrstrasse model and its international impact. Further essays explore how the lives and works of the resident artists are interwoven with contemporary events, and address the artist studio as both an idealised myth and as a real place of work. In inserts created especially for the book, eleven Zurich-based artists, all members of the cooperative themselves, respond to the exemplary model that is the “Atelierhaus.”

In this multi-authored book, senior practitioners and researchers offer an international overview of landscape character approaches for those working in research, policy and practice relating to landscape. Over the last three decades, European practice in landscape has moved from a narrow, if relatively straightforward, focus on natural beauty or scenery to a much broader concept of landscape character constructed through human perception, and transcending any of its individual elements. Methods, tools and techniques have been developed to give practical meaning to this idea of landscape character. The two main methods, Landscape Character Assessment (LCA) and Historic Landscape Characterisation (HLC) were applied first in the United Kingdom, but other methods are in use elsewhere in Europe, and beyond, to achieve similar ends. This book explores why different approaches exist, the extent to which disciplinary or cultural specificities in different countries affect approaches to land management and landscape planning, and highlights areas for reciprocal learning and knowledge transfer. Contributors to the book focus on examples of European countries - such as Sweden, Turkey and Portugal - that have adopted and extended UK-style landscape characterisation, but also on countries with their own distinctive approaches that have developed from different conceptual roots, as in Germany, France and the Netherlands. The collection is completed by chapters looking at landscape approaches based on non-European concepts of landscape in North America, Australia and New Zealand. This book has an introductory price of GBP125/$205 which will last until 3 months after publication - after this time it will revert to GBP140/$225.

Elwes takes a journey through the twin histories of landscape art and experimental moving image and discovers how they coalesce in the work of artists from the 1970s to the present day. Drawing on a wide geographical sampling, Elwes considers issues that have preoccupied film and video artists over the years, ranging from ecology, gender, race, performativity, conflict, colonialism and our relationship to the nonhuman creatures with whom we share our world. The book is informed by the belief that artists can provide an embodied, emotional response to landscape, which is an essential driver in the urgent task of combating the environmental crisis we now face. The book comprises a series of essays that explore how the moving image mediates our relationship to and understanding of landscapes. The focus is on artists' film and video and draws on work from the 1970s to the present day. Early chapters map the theoretical terrain for both landscape and artists' moving image creating a foundation for the chapters that follow devoted to practice. These address themes of identity politics, performativity and animals and examine examples of British 'weather-blown films' and work from around the world including Indigenous Australian film landscapes. The book offers an informed, personal view of the subject and threaded through the narrative is a concern with the environment and the vexed question of whether an appreciation of nature's aesthetics undermines a commitment to ecology. The book is written in a clear, engaging style and is enlivened by Elwes's own experiences as a video artist, writer and curator, and the primary material she draws on derived from conversations with fellow practitioners across the years. As a practitioner, Elwes was a key figure in the early phases of video art in the UK as well as a curator and critic. She was professor of moving image art at the University of the Arts London; and is founding editor of the Moving Image Review & Art Journal (MIRAJ) This book will appeal to students, undergraduate and post-graduate, Ph.D. candidates, researchers, practitioners, teachers and lecturers and a general readership of interested gallery-going public.

Small-scale urban greening projects are changing the urban landscape, shifting our experience and understanding of greenspaces in our cities. This book argues that including power dynamics, symbolism, and aesthetics in our understanding of the human relationship to urban nature can help us create places that nurture ecological and human health and promote successful and equitable urban communities. Using an interdisciplinary approach to current research debates and new comparative case studies on community perceptions of these urban greening projects and policies, this book explores how small-scale urban greening projects can impact our sense of place, health, creativity, and concentration while also being part of a successful urban greening program. Arguing that wildness, emotion, and sense of place are key components of our human-nature relationship, this book will be of interest to designers, academics, and policy makers.

Universally, the production, maintenance and management of housing have been, and continue to be, market-based activities. Nevertheless, since the mid-twentieth century virtually all governments, socialist and liberal alike, have perceived the need to intervene in urban housing markets in support of low-income households who are denied access to the established (private sector) housing market by their lack of financial resources. Housing in Developing Cities examines the range of strategic policy alternatives that have been employed by state housing agencies to this end. They range from public sector entry into the urban housing market through the direct construction of ('conventional') 'public housing' that is let or transferred to low-income beneficiaries at sub-market rates, to the provision of financial supports (subsidies) and non-financial incentives to private sector producers and consumers of urban housing, and to the administration of ('non-conventional') programmes of social, technical and legislative supports that enable the production, maintenance and management of socially acceptable housing at prices and costs that are affordable to low-income urban households and communities. It concludes with a brief review of the direction that public housing policies have been taking at the start of the 21st century and reflects on 'where next', making a distinction between 'public housing' and 'social housing' strategies and how they can be combined in a 'partnership' paradigm for the 21st century.

Have you ever dreamed of starting your own landscaping business? Have you been hesitant to put your plans into action? This comprehensive guide contains all the necessary tools and strategies you need to successfully launch and grow your business. Using a friendly, entertaining approach, Owen E. Dell shares his experiences and down-to-earth advice on every aspect of setting up and running a thriving home-based landscaping business. He shows you how to purchase the right tools, estimate start-up costs, price services, and stay profitable once in business. From painless recordkeeping to cost-efficient management techniques, Dell's step-by-step methods are practical, innovative, and easy to understand. Special features and workbook pages include: - Business Plan Worksheet - Material and Labor Records - Cost Worksheets - Tips on social media, SEO, and making the Internet work for you - Profit-and-Loss Worksheet

Energy Overlays provides a glimpse into our post - carbon future where energy infrastructure is seamlessly woven into the fabric of our cities as works of public art. Fifty designs use a variety of renewable energy technologies to arrive at innovative site - specific solutions. Power plants of the future will be the perfect place to have a picnic! On the foreshore of St Kilda with the skyline of Melbourne as a backdrop rises a new kind of power plant - one that merges renewable energy production with leisure , recreation, and education. Energy Overlays provides a roadmap to our sustainable future with essays about the energy transition and beautiful renderings and diagrams of more than fifty designs. The result is a city where the infrastructures that power our world are designed to be reflections of culture, where public parks provide clean electricity to the city grid, and where the art that makes our lives more vibrant and interesting is also part of the solution to climate change.

Population increases, advances in technology and the continued trend towards inner-city migration have transformed the traditional city of spaces into the modern city of objects. This has necessitated alternative spatial and technological solutions to replenish those environments that were once so intrinsic to society's day-to-day interactions and communal activities. This book considers skycourts and skygardens as 'alternative social spaces' that form part of a broader multi-level urban infrastructure - seeking to make good the loss of open space within the built environment. Jason Pomeroy begins the discussion with the decline of the public realm, and how the semi-public realm has been incorporated into a spatial hierarchy that supports the primary figurative spaces on the ground or, in their absence, creates them in the sky. He then considers skycourts and skygardens in terms of the social, cultural, economic, environmental, technological and spatial benefits that they provide to the urban habitat. Pomeroy concludes by advocating a new hybrid that can harness the social characteristics of the public domain, but be placed within buildings as an alternative communal space for the 21st century. Using graphics and full colour images throughout, the author explores 40 current and forthcoming skycourt and skygarden projects from around the world, including the Shard (London), Marina Bay Sands (Singapore), the Shanghai Tower (China) and the Lotte Tower (South Korea).

`Identity is tied to place. The environment is not the backdrop; it is woven through our identity.’ So writes Chris Rose in her introduction to this insightful collection on the mutually enriching relationship possible between psychogeography and psychotherapy. The book invites an interdisciplinary, reflective and at times poetic exploration of place as an integral feature of personhood, from the sauntering of the 19th century flâneur to today’s urban activism. Chapters range across diverse topics – gendered and embodied response to place and space, home and attachment, map-making, mindfulness in the city, outdoor group analytic therapy, the interplay between our internal and external landscapes, displacement from one country and cityscape to another, and the role of the urban therapist. These ground-breaking chapters offer new insights into our deep-rooted resonance with the landscapes we inhabit and contexts we construct. The book is illustrated throughout with original artwork by urban sketchers.

In this book Gayle Souter-Brown explores the social, economic and environmental benefits of developing greenspace for health and well-being. She examines the evidence behind the positive effects of designed landscapes, and explains effective methods and approaches which can be put into practice by those seeking to reduce costs and add value through outdoor spaces. Using principles from sensory, therapeutic and healing gardens, Souter-Brown focuses on landscape's ability to affect health, education and economic outcomes. Already valued within healthcare environments, these design guidelines for public and private spaces extend the benefits throughout our towns and cities. Covering design for school grounds to public parks, public housing to gardens for stressed executives, this richly illustrated text builds the case to justify inclusion of a designed outdoor area in project budgets. With case studies from the US, UK, Africa, Asia, Australasia and Europe, it is an international, inspirational and valuable tool for those interested in landscapes that provide real benefits to their users.

This textbook on the Green City examines urban nature as an ideal, provider of services and conceptual urban design approach. It answers important contemporary questions that arise about the ecological and cultural interactions, development and structure, and ecological performance of urban nature worldwide. The book explains what urban nature is, how it came to be, and how it evolved in the context of the natural and cultural conditions of its sites. It also describes what constitutes urban biodiversity and the role of differentiated urban nature in the Green City concept. Theories of urban development and ecology are linked to practical applications of urban planning and illustrated with many case studies and examples. The great potentials of urban nature are shown in detail. In order to cope with or mitigate problems in the city, a targeted urban nature management adapted to the specific conditions of the different types of urban nature is needed, which includes nature conservation as well as nature design, always keeping in mind the relation to the urban dwellers. The textbook is especially addressed to students and teachers of urban planning, ecology, geography, social sciences as well as practitioners of urban design and nature conservation. This book is a translation of the original German 1st edition Die Grune Stadt by Jurgen Breuste, published by Springer-Verlag GmbH Germany, part of Springer Nature in 2019. The translation was done with the help of artificial intelligence (machine translation by the service DeepL.com). A subsequent human revision was done by the author primarily in terms of content and scientific terms, so that the book will read stylistically differently from a conventional translation but without loss of messages. Springer Nature works continuously to further the development of tools for the production of books and on the related technologies to support the authors.

Summers at the Vauxhall pleasure garden in London brought diverse entertainments to a diverse public. Picturesque walks and arbors offered a pastoral retreat from the city, while at the same time the garden's attractions indulged distinctly urban tastes for fashion, novelty, and sociability. High- and low-born alike were free to walk the paths; the proximity to strangers and the danger of dark walks were as thrilling to visitors as the fountains and fireworks. Vauxhall was the venue that made the careers of composers, inspired novelists, and showcased the work of artists. Scoundrels, sudden downpours, and extortionate ham prices notwithstanding, Vauxhall became a must-see destination for both Londoners and tourists. Before long, there were Vauxhalls across Britain and America, from York to New York, Norwich to New Orleans. This edited volume provides the first book-length study of the attractions and interactions of the pleasure garden, from the opening of Vauxhall in the seventeenth century to the amusement parks of the early twentieth. Nine essays explore the mutual influences of human behavior and design: landscape, painting, sculpture, and even transient elements such as lighting and music tacitly informed visitors how to move within the space, what to wear, how to behave, and where they might transgress. The Pleasure Garden, from Vauxhall to Coney Island draws together the work of musicologists, art historians, and scholars of urban studies and landscape design to unfold a cultural history of pleasure gardens, from the entertainments they offered to the anxieties of social difference they provoked.

Bauernhauser pragen die Identitat der Allgauer Kulturlandschaft seit Jahrhunderten. Die Zukunft bauerlicher Hofstellen ist jedoch durch den Strukturwandel der Landwirtschaft bedroht, mit den Bauten droht die Kulturlandschaft zu verschwinden. Die Publikation Weiter|Nutzen zeigt rund zwanzig besonders interessante Projekte, in denen die Altbausubstanz landwirtschaftlicher Gebaude auf vorbildliche Weise zu neuem Leben erweckt wurde. Damit sollen Eigentumer|innen und potentielle Bauherr|inn|en angeregt werden, mit dem sensiblen Erhalt ihrer Hoefe einen Beitrag zum authentischen Gesamterscheinungsbild der Region zu leisten. Gegliedert werden die hochwertig fotografierten und gestalteten Prasentationen der Projekte nach spezifischen Landschaftsbildern des Allgaus. Speziell fur die Buchpublikation von Studierenden der Hochschule Augsburg erstellte Planunterlagen erlauben einen guten Vergleich vor und nach der Umbauphase der jeweiligen Hofstellen. Begleitend eroertern eine Historikerin, Architekt|innen, Landschaftsplaner, Museumsleiter und ein ehemaliger Kreisbaumeister Entwicklung und Perspektive der Baukultur, Typologie und Sanierungsmoeglichkeiten. Das unterstreicht die Betrachtung der jeweiligen Falle, die in einer Synopse mit Projektdaten verglichen werden. Ein Fachteil gibt abschliessend konkrete praktische Ratschlage zum Umbau. Zudem ist eine Bildstrecke mit historischen Fotografien eingewoben, die einen Einblick in vergangene Zeiten der Allgauer Kulturlandschaft gewahrt.

Between 1937 and 1938, garden designer Christopher Tunnard published a series of articles in the British Architectural Review that rejected the prevailing English landscape style. Inspired by the principles of Modernist art and Japanese aesthetics, Tunnard called for a "new technique" in garden design that emphasized an integration of form and purpose. "The functional garden avoids the extremes both of the sentimental expressionism of the wild garden and the intellectual classicism of the 'formal' garden," he wrote; "it embodies rather a spirit of rationalism and through an aesthetic and practical ordering of its units provides a friendly and hospitable milieu for rest and recreation." Tunnard's magazine pieces were republished in book form as Gardens in the Modern Landscape in 1938, and a revised second edition was issued a decade later. Taken together, these articles constituted a manifesto for the modern garden, its influence evident in the work of such figures as Lawrence Halprin, Philip Johnson, and Edward Larrabee Barnes. Long out of print, the book is here reissued in a facsimile of the 1948 edition, accompanied by a contextualizing foreword by John Dixon Hunt. Gardens in the Modern Landscape heralded a sea change in the evolution of twentieth-century design, and it also anticipated questions of urban sprawl, historic preservation, and the dynamic between the natural and built environments. Available once more to students, practitioners, and connoisseurs, it stands as a historical document and an invitation to continued innovative thought about landscape architecture.

The gardens of Versailles are perhaps the most famous in the world. Seemingly open to the horizon, their scale is monumental. Their grand east-west axis celebrates the Sun King, even as they offer an expression of the scientific spirit of the age in their geometrical layout and exploitation of the optical properties of reflecting water. The original park design, realized by Andre Le Notre, a few advisers, and Louis XIV himself--author of "The Way to Present the Gardens of Versailles"--remains largely intact. Yet Louis XV made his own original contribution to the gardens at the Trianon, where later still Richard Mique and Hubert Robert designed the English garden and the delightful village beloved by Marie Antoinette.Michel Baridon traces the history of the gardens from their inception through three centuries of their history. He stresses the cultural importance of the landscape, provides a chronology to show the stages of its growth, and discusses the contemporary challenges posed by its conservation and historical interpretation. Beautifully illustrated with archival images and commissioned photographs, "A History of the Gardens of Versailles" provides visitors and enthusiasts with a guide to these legendary grounds.

This book highlights various designs for urban green spaces and their functions. It provides an interesting meeting point between Asian, European and North America specialists (researchers, planners, landscape architects) studying urban biodiversity; urban biodiversity and green space; relations between people and biodiversity. The most important feature of this book is the unique point of view from each contributor towards "the relationship between nature and people in urban areas", in the context of the ecosystem and biodiversity in urban areas and how to manage them. All chapters explore and consider the relationship between humans and nature in cities, a subject which is taking on increasing importance as new cities are conceptualized and planned. These discussion and examples would be useful for urban ecology researchers, biologists, city planners, government staff working in city planning, architects, landscape architects, and university instructors. This book can also be used as a textbook for undergraduate and postgraduate city planning, architecture or landscape architecture courses.