This text contains the essence of Thomas Church's design philosophy, as well as practical advice. It is illustrated by site plans and photographs of some of the 2000 gardens that Church designed during his career.;Called "the last great traditional designer and the first great modern designer", Church was one of the central figures in the development of the modern Californian garden. For the first time, West Coast designers based their work not on imitation of East Coast traditions, but on climatic, landscape and lifestyle characteristics unique to California and the West. Church viewed the garden as a logical extension of the house, with one extending naturally into the other.

Have you ever dreamed of starting your own landscaping business? Have you been hesitant to put your plans into action? This comprehensive guide contains all the necessary tools and strategies you need to successfully launch and grow your business. Using a friendly, entertaining approach, Owen E. Dell shares his experiences and down-to-earth advice on every aspect of setting up and running a thriving home-based landscaping business. He shows you how to purchase the right tools, estimate start-up costs, price services, and stay profitable once in business. From painless recordkeeping to cost-efficient management techniques, Dell's step-by-step methods are practical, innovative, and easy to understand. Special features and workbook pages include: - Business Plan Worksheet - Material and Labor Records - Cost Worksheets - Tips on social media, SEO, and making the Internet work for you - Profit-and-Loss Worksheet

Energy Overlays provides a glimpse into our post - carbon future where energy infrastructure is seamlessly woven into the fabric of our cities as works of public art. Fifty designs use a variety of renewable energy technologies to arrive at innovative site - specific solutions. Power plants of the future will be the perfect place to have a picnic! On the foreshore of St Kilda with the skyline of Melbourne as a backdrop rises a new kind of power plant - one that merges renewable energy production with leisure , recreation, and education. Energy Overlays provides a roadmap to our sustainable future with essays about the energy transition and beautiful renderings and diagrams of more than fifty designs. The result is a city where the infrastructures that power our world are designed to be reflections of culture, where public parks provide clean electricity to the city grid, and where the art that makes our lives more vibrant and interesting is also part of the solution to climate change.

Marie Luise Gothein (1863 1931) published this scholarly two-volume history of garden design in German in 1913. Its second edition of 1925 was translated into English by Laura Archer-Hind, edited by gardening author Walter P. Wright (1864 1940), and published in 1928. The highly illustrated work is still regarded as among the most thorough and important surveys of its kind. It begins by examining evidence from both archaeology and literature, as well as climate and soil conditions, to discuss the gardens of ancient Egypt and Assyria, and continues to survey developments worldwide until the twentieth century. Individual gardens, technical innovations, and fashions in horticulture are all discussed in detail. Volume 2 considers northern European gardens of the Renaissance, the cultural importance of Louis XIV's France, the impact of the introduction of foreign plants, and gardening in Europe, the Far East and North America up to the early twentieth century."

Marie Luise Gothein (1863 1931) published this scholarly two-volume history of garden design in German in 1913. Its second edition of 1925 was translated into English by Laura Archer-Hind, edited by gardening author Walter P. Wright (1864 1940), and published in 1928. The highly illustrated work is still regarded as among the most thorough and important surveys of its kind. It begins by examining evidence from both archaeology and literature, as well as climate and soil conditions, to discuss the gardens of ancient Egypt and Assyria, and continues to survey developments worldwide until the twentieth century. Individual gardens, technical innovations, and fashions in horticulture are all discussed in detail. Volume 1 surveys the ancient civilisations of the Near East, Greece and Rome, discusses Byzantine and Islamic gardens, and the importance of monastery gardens in western Europe, and ends with a review of gardening in Europe during the Renaissance."

English expatriate Cecil Ross Pinsent was responsible for the design and construction of new villas and gardens such as the elegant rural estate La Foce, and the renovation of many historically sensitive ones, including Villa I Tatti, Villa Le Balze, and Villa Medici. Edith Wharton sought his advice; Vita Sackville-West and Harold Nicolson admired and were influenced by him. Geoffrey Scott, author of The Architecture of Humanism, dedicated the book to him; and Sir Geoffrey Jellicoe, England's premier landscape architect, regarded Pinsent as his "first maestro on the placing of buildings in the landscape." This first book dedicated to bringing to light Pinsent's contribution to garden design is generously illustrated with photographs from his previously unpublished albums and archive of architectural drawings and sketches, and his letters to family friends and clients.

Among the most beloved sites at the Getty Center, the Central Garden has aroused intense interest from the moment artist Robert Irwin was awarded the commission. First published in 2002, 'Robert Irwin Getty Garden' is comprised of a series of discussions between noted author Lawrence Weschler and Irwin, providing a lively account of what Irwin has playfully termed "a sculpture in the form of a garden aspiring to be art." The text revolves around four garden walks: extended conversations in which the artist explains the critical choices he made - from plant materials to steel - in the creation of a living work of art that has helped to redefine what a modern garden can and should be. This updated edition features new photography of the Central Garden in a smaller, more accessible format.

By the beginning of the nineteenth century, landscape gardening had divided into at least two branches. The geometric style promoted strictly ordered gardens, while the natural style, for which the period is known, preserved characteristics of untamed vistas. Edited by a former professional rival, John Claudius Loudon (1783 1843), this one-volume collection of the works of Humphry Repton (1752 1818) first appeared in 1840. Featuring more than 250 engravings, it illuminates the principal styles and contemporary debates of landscape design. Including perspective tricks to disguise differing water levels, and instructions on the use of cattle as a natural measure of scale, Repton's writings reflect the attention to detail that was involved in planning and executing major projects. The collection is prefaced with a biographical notice believed to have been written by the architect John Adey Repton (1775 1860), who collaborated with his father on many schemes."

`Identity is tied to place. The environment is not the backdrop; it is woven through our identity.’ So writes Chris Rose in her introduction to this insightful collection on the mutually enriching relationship possible between psychogeography and psychotherapy. The book invites an interdisciplinary, reflective and at times poetic exploration of place as an integral feature of personhood, from the sauntering of the 19th century flâneur to today’s urban activism. Chapters range across diverse topics – gendered and embodied response to place and space, home and attachment, map-making, mindfulness in the city, outdoor group analytic therapy, the interplay between our internal and external landscapes, displacement from one country and cityscape to another, and the role of the urban therapist. These ground-breaking chapters offer new insights into our deep-rooted resonance with the landscapes we inhabit and contexts we construct. The book is illustrated throughout with original artwork by urban sketchers.

First published in 1892, this work by the architect Reginald Theodore Blomfield (1856 1942), illustrated by Francis Inigo Thomas (1865 1950), uses historical evidence to vindicate a classical approach to garden design, in which a house and its surroundings are kept in harmony. It is a response to the work of the gardener and journalist William Robinson (1838 1935), who had written vehemently in favour of romantic, naturalistic gardens. Closely linked to the burgeoning Arts and Crafts movement as secretary to the Art-Workers' Guild under William Morris' presidency, Blomfield had developed a theory of garden design which held that it should be a reflection of architectural order: honest, vernacular simplicity as opposed to the 'wild garden'. Illustrative of the contemporary debate between architects and plantsmen, this instructive text, reissued in its second edition of 1892, captures a moment in this developing relationship in the years before Edwin Lutyens and Gertrude Jekyll gave it new harmony.

Bauernhauser pragen die Identitat der Allgauer Kulturlandschaft seit Jahrhunderten. Die Zukunft bauerlicher Hofstellen ist jedoch durch den Strukturwandel der Landwirtschaft bedroht, mit den Bauten droht die Kulturlandschaft zu verschwinden. Die Publikation Weiter|Nutzen zeigt rund zwanzig besonders interessante Projekte, in denen die Altbausubstanz landwirtschaftlicher Gebaude auf vorbildliche Weise zu neuem Leben erweckt wurde. Damit sollen Eigentumer|innen und potentielle Bauherr|inn|en angeregt werden, mit dem sensiblen Erhalt ihrer Hoefe einen Beitrag zum authentischen Gesamterscheinungsbild der Region zu leisten. Gegliedert werden die hochwertig fotografierten und gestalteten Prasentationen der Projekte nach spezifischen Landschaftsbildern des Allgaus. Speziell fur die Buchpublikation von Studierenden der Hochschule Augsburg erstellte Planunterlagen erlauben einen guten Vergleich vor und nach der Umbauphase der jeweiligen Hofstellen. Begleitend eroertern eine Historikerin, Architekt|innen, Landschaftsplaner, Museumsleiter und ein ehemaliger Kreisbaumeister Entwicklung und Perspektive der Baukultur, Typologie und Sanierungsmoeglichkeiten. Das unterstreicht die Betrachtung der jeweiligen Falle, die in einer Synopse mit Projektdaten verglichen werden. Ein Fachteil gibt abschliessend konkrete praktische Ratschlage zum Umbau. Zudem ist eine Bildstrecke mit historischen Fotografien eingewoben, die einen Einblick in vergangene Zeiten der Allgauer Kulturlandschaft gewahrt.

Population increases, advances in technology and the continued trend towards inner-city migration have transformed the traditional city of spaces into the modern city of objects. This has necessitated alternative spatial and technological solutions to replenish those environments that were once so intrinsic to society's day-to-day interactions and communal activities. This book considers skycourts and skygardens as 'alternative social spaces' that form part of a broader multi-level urban infrastructure - seeking to make good the loss of open space within the built environment. Jason Pomeroy begins the discussion with the decline of the public realm, and how the semi-public realm has been incorporated into a spatial hierarchy that supports the primary figurative spaces on the ground or, in their absence, creates them in the sky. He then considers skycourts and skygardens in terms of the social, cultural, economic, environmental, technological and spatial benefits that they provide to the urban habitat. Pomeroy concludes by advocating a new hybrid that can harness the social characteristics of the public domain, but be placed within buildings as an alternative communal space for the 21st century. Using graphics and full colour images throughout, the author explores 40 current and forthcoming skycourt and skygarden projects from around the world, including the Shard (London), Marina Bay Sands (Singapore), the Shanghai Tower (China) and the Lotte Tower (South Korea).

In this book Gayle Souter-Brown explores the social, economic and environmental benefits of developing greenspace for health and well-being. She examines the evidence behind the positive effects of designed landscapes, and explains effective methods and approaches which can be put into practice by those seeking to reduce costs and add value through outdoor spaces. Using principles from sensory, therapeutic and healing gardens, Souter-Brown focuses on landscape's ability to affect health, education and economic outcomes. Already valued within healthcare environments, these design guidelines for public and private spaces extend the benefits throughout our towns and cities. Covering design for school grounds to public parks, public housing to gardens for stressed executives, this richly illustrated text builds the case to justify inclusion of a designed outdoor area in project budgets. With case studies from the US, UK, Africa, Asia, Australasia and Europe, it is an international, inspirational and valuable tool for those interested in landscapes that provide real benefits to their users.

Scottish gardener and botanist Thomas Blaikie (1751 1838) spent the majority of his life in France, where he designed and planted some of the most famous Parisian gardens: he drew up the original plans for the gardens of the Ch teau de Bagatelle and renovated the Parc Monceau. He became a favourite of Marie Antoinette, and served patrons among the highest ranks of the aristocracy in pre-revolutionary France, including the Comte d'Artois and the Duc d'Orl ans. After surviving the French Revolution, he received a commission to create gardens for Empress Jos phine at her Malmaison country retreat. Blaikie kept this fascinating diary from 1775 until August 1792. More than just an account of his vast gardening knowledge and achievements, the book gives a unique insight into the social history of the revolutionary period in France. It was edited by the critic and journalist Francis Birrell (1889 1935) and first published in 1931.

This textbook on the Green City examines urban nature as an ideal, provider of services and conceptual urban design approach. It answers important contemporary questions that arise about the ecological and cultural interactions, development and structure, and ecological performance of urban nature worldwide. The book explains what urban nature is, how it came to be, and how it evolved in the context of the natural and cultural conditions of its sites. It also describes what constitutes urban biodiversity and the role of differentiated urban nature in the Green City concept. Theories of urban development and ecology are linked to practical applications of urban planning and illustrated with many case studies and examples. The great potentials of urban nature are shown in detail. In order to cope with or mitigate problems in the city, a targeted urban nature management adapted to the specific conditions of the different types of urban nature is needed, which includes nature conservation as well as nature design, always keeping in mind the relation to the urban dwellers. The textbook is especially addressed to students and teachers of urban planning, ecology, geography, social sciences as well as practitioners of urban design and nature conservation. This book is a translation of the original German 1st edition Die Grune Stadt by Jurgen Breuste, published by Springer-Verlag GmbH Germany, part of Springer Nature in 2019. The translation was done with the help of artificial intelligence (machine translation by the service DeepL.com). A subsequent human revision was done by the author primarily in terms of content and scientific terms, so that the book will read stylistically differently from a conventional translation but without loss of messages. Springer Nature works continuously to further the development of tools for the production of books and on the related technologies to support the authors.

In this informative study of Britain's rich horticultural history, first published in 1829, George W. Johnson (1802 66), a chemist, political economist and practising gardener, traces the history of gardening in England. He argues that the pursuit is an art which, like other art forms, developed by way of experiments and chance discoveries. The basic facts we know today, such as that vines must be watered, that plants flourish on exposure to the sun, and that animal manure helps to cultivate vegetables, all came about as a result of findings being passed down through many generations, and practice being improved through experience. Tracing the cultural importance of gardening back to biblical times, and relating it to the works of classical writers such as Hesiod, Cato and Cicero, as well as modern scholars such as Linnaeus and Banks, Johnson's work remains of interest to horticulturalists and botanists today.

The volume is a collection of thoughts, passages, research and projects that regard the emerging question of public space. The square and its evolution takes us, from a place of urban and human relationships to a place of different collective activities in the contemporary city. This analysis can teach one to read not only the design experience and the diffusion of new models, but also the changes in the aesthetic experience of public space, in its socio-urban and architectural implications, and in its relationships between horizontal space (i.e. the square) and vertical space (the building).

Everything that anybody (whether they are citizen activists, or public officials, or professional landscape architects, architects, and planners) needs to know about the critical role public parks play in creating livable communities. Millions of dollars are being spent on restoring parks and creating new ones. Planner Alexander Garvin explains the rationales for their existence, the forms they take, their value, ways to pay for and govern them, and the ingredients that make successful parks, providing the first single definitive source of wisdom about them.

James Shirley Hibberd (1825 90) was a journalist and horticultural writer who worked as a bookseller before devoting his time to researching and lecturing and publishing on gardening. An active member of the Royal Horticultural Society, he edited several gardening magazines including Floral World, and his writing was widely enjoyed and respected. This book, first published in 1856, is Hibberd's carefully researched and practical guide to decorating the home and garden. Hibberd explains the practical aspects of garden design, the pleasures of bee-keeping, and how to construct a pond or aquarium. Full of useful advice on everything from preserving cut flowers to the ideal species of bird to keep in an aviary, this is a charming and enjoyable manual for the Victorian gardener which was very popular in its time, and remains a useful source for the cultural historian as well as an entertaining treat for the general reader.

Reginald J. Farrer (1880 1920) was a traveller and plant collector who was an important influence on horticultural style in England. In 1902 he embarked on an expedition to Asia, where he was inspired by the rock gardens of Tokyo, Yokohama and Beijing, and discovered plant species such as Clematis macropetala, and the eponymous Geranium farreri and Viburnum farreri, which are now common in European gardens. In his first book, published in 1904, he records his experiences in Japan and other Asian countries, vividly recounting his impressions of, and his passion for, eastern landscape, terrain, plantations, forestry and flora, of which the aesthetic characteristics became central to the rockeries and shrubberies he created on his return home. Farrer died while on an expedition at the early age of forty, but the legacy of his highly influential writings and his wide-ranging plant introductions remains significant today.

Architecture in Context analyzes the work of contemporary international architects through the presentation of projects that exemplify their architectural vision and their connection with the spaces with which they work. It explains how the interaction between architecture and landscape is a pivotal aspect, and it describes the design strategies that architects use to insert buildings into the landscape with minimal environmental impact. At the center of designers' work, we find an attention to the identity of the place and the environment, consideration of cultural and social values, and observation of the intrinsic characteristics of the local site and materials. Presenting projects of different scales and sizes, from airports to museums, schools, private houses, public buildings, hotels, and industrial sites, this volume offers up a wide array of the most significant architectural projects by the most respected contemporary architects around the world. Projects: Azerbaijan: Autoban, Heydar Aliyev International Airport (Baku). China: Li Xiaodong Atelier, Liyuan Library (Beijing). Chile: Cazu Zegers Arquitectura, Tierra Patagonia Hotel (Torres del Paine); Rodrigo Duque Motta, Elqui Domos Astronomical Hotel (Pisco Elqui, Paihuano). Colombia: El Equipo Mazzanti, Parque Biblioteca Espana (Medellin). Denmark: 3XN, Frederiksberg Courthouse (Copenhagen). France: 5+1AA Alfonso Femia Gianluca Peluffo, Renovation of Les Docks (Marseille). Italy: Diverserighestudio, Opificio Golinelli (Bologna); Pietro Carlo Pellegrini Architetto, Secondary School (Riccione); MCA Mario Cucinella Architects, Municipal Nursery School (Guastalla); Enzo Eusebi + Partners, Salpi Plant (Preci). Portugal: ANDRE, Casa do Vigario (Paredes). Senegal: Toshiko Mori Architect, Thread Artist Residency and Cultural Center (Sinthian). South Africa: Peter Rich Architects, Mapungubwe Interpretation Centre (Limpopo). The Netherlands: Neutelings Riedijk Architects, Rozet Cultural Center (Arnhem). UK: Steven Holl Architects, Reid Building, Glasgow School of Art (Glasgow). USA: Diller Scofidio + Renfro, The Roy and Diana Vagelos Education Center (New York); Michael Maltzan Architecture, Star Apartments (Los Angeles); Thomas Phifer and Partners, Corning Museum of Glass Extension (Corning).

Reginald J. Farrer (1880 1920) was a horticulturalist and plant finder who made a lasting contribution to British gardening, the rockery designs for which he is best known having been greatly influenced by those he discovered in Asia. First published in 1909, this study eloquently describes the author's own garden and its surrounding countryside in his home town of Clapham, Yorkshire. Focusing on the early spring, Farrer reveals through figurative prose the awakening of the flowers and shrubs, the character of the garden as winter disappears, and the aesthetics inherent to the natural world. The study shows his passion for horticulture, and his dedication to an aesthetic that led him to influence generations of gardeners. Featuring an extensive index of plant names and illustrated with photographs taken by the author, it is as informative as it is descriptive, and offers a wealth of anecdotal advice that remains of great interest.

Drawing on first-hand accounts of action research in the Americas, Africa, and Asia, The Heart of Community Engagement illustrates the transformative learning journeys of exemplary catalysts for community-based change. Practitioners' stories of community engagement for social justice in the Global South elucidate the moments of insight and transformation that deepened their practice: how to deal with uncertainty, recognize their own blind spots, become aware of what is emergent and possible in the moment, and weave an inclusive bond of love, respect, and purpose. Each successive narrative adds a deeper level of understanding of the inner practice of community engagement. The stories illuminate the reflective, or inner, practice of the outside change agent, whether a planner, designer, participatory action researcher, or community development practitioner. From a shantytown in South Africa, to a rural community in India, or an informal settlement in peri-urban Mexico, the stories focus attention on the greatest leverage point for change that we, as engaged practitioners, have: our own self-awareness. By the end of the book, the practitioners are not only aware of their own conditioned beliefs and assumptions, but have opened their minds and hearts to the complex and dynamic patterns of emergent change that is possible. This book serves as a much-needed reader of practice stories to help instructors and students find the words, concepts, and examples to talk about their own subjective experience of community engagement practice. The book applies some of the leading-edge concepts from organizational development and leadership studies to the fields of planning, design, and community engagement practice. Key concepts include the deep dive of sensing the social field, seeing the whole, and presencing the emergent future. The book also provides a creative bridge between participatory action research and design thinking: user-based design, rapid prototyping, and learning from doing.