This book brings together ecological-conservation theory and heritage-preservation theory and shows how these two realms have common purpose. Through theoretical discussion and illustrative examples, Sustainable Heritage reframes the history of multiple movements within preservation and sustainable-design strategies into cross-disciplinary themes. Through topics such as Cultural Relationships with Nature, Ecology, Biodiversity, Energy, and Resource Systems; Integrating Biodiversity into the Built Environment Rehabilitation Practice; Fixing the Shortcomings Within Community Design, Planning, and Policy; Strategies for Adapting Buildings and Structures for Rising Sea Levels; and Vehicles as a Microcosm of Approaching Built Environment Rehabilitation, the book explores contemporary ecological and heritage ethics as a strategy for improving the livability of the built environment. The authors provide a holistic critique of the challenges we face in light of climate and cultural changes occurring from the local to the global level. It synthesizes the best practices offered by separate disciplines as one cohesive way forward toward sustainable design. The authors consider strategies for increasing the physical and cultural longevity of the built environment, why these two are so closely paired, and the potential their overlap offers for sustained and meaningful inhabitation. Sustainable Heritage unites students and professionals in a wide range of disciplines with one common language and more closely aligned sets of objectives for preservation and sustainable design.

This is the first book to address future informal settlements at the global scale. It argues that to foster favourable conditions for the sustainable evolution of future informal cities, planners must consider the same issues that are paramount in formal urban developments, such as provision of: balanced land uses energy efficiency and mobility water management and food sufficiency governance and community participation productivity and competitiveness identity and sense of place Planning and Design for Future Informal Settlements makes a call for responsible action to address the urban challenges of the developing world, suggesting that the vitality of informality, coupled with spatial design and good management, can support the efficient use of resources in better places to live. The book analyses the strengths and weaknesses of informal urbanism and the challenges faced by the fast growing cities of the developing world. Through case studies, it demonstrates the contributions and limitations of different attempts to plan ahead for urban growth, from the creation of formal housing and urban infrastructures for self-built dwellings to the improvement of existing informal settlements. It provides a robust framework for planners and designers, policy-makers, NGOs and local governments working to improve living conditions in developing cities.

Greenhouses fuse together cultures and countries under one glass roof. In their debut book, photographers India Hobson and Magnus Edmondson take you on a worldwide journey through their favourite botanical spaces.

The Haarkon Greenhouse Tour began as a self-initiated adventure in Oxford s botanic garden four years ago. Since then, Magnus and India have visited countless locations in the UK, Europe, America, Asia and beyond in search of dream glasshouses and greenhouses, capturing dramatic palm houses, tropical hothouses and private potting sheds along the way.

Divided into seven thematic chapters History, Specimen, Community, Research, Pleasure, Hobbyist and Architecture the featured spaces in Glasshouse / Greenhouse are depicted via a series of photo-essays that draw out the style, plant collections and character of each space.

"What does the landscape architect actually do as a designer?" The authors of this book investigate this question, which only seems easy - and address some fundamental ideas about design in landscape architecture: What resources are available for designing open spaces? What role do natural conditions play? What principles are applied? This book identifies and analyses the elements that come together to create landscape architecture. Based on their experience in practice and education, the authors reveal the core components of landscape design. In the introduction to the new edition, Stefan Bernard opens up about the book's origins and reflects on its continuing importance for the design of high-quality outdoor spaces.

Graduate of the Royal Botanic Gardens, Kew, Chartered Landscape Architect, MBA and Barrister, Gordon Rowland Fraser draws upon 30 years of project management, professional practice and teaching experience to provide an uncomplicated and intuitive guide to the business aspects of the landscape profession. An indispensable reference for seasoned professionals, the book will enable the student or novice practitioner to turn their drawing board inspiration into reality without being overwhelmed or afraid of overseeing the implementation of their proposals. Guided by the Landscape Institute's 2013 Pathway to Chartership syllabus, this structured, step-by-step, narrative guide sets out the documentation commonly used within the landscape profession and makes accessible a logical and sequential understanding of contractual relationships; procurement strategies; processes of preparing client estimates and obtaining competitive quotations; of preparing contract documentation and administering formal contracts; general concepts of law as they relate to land management and the landscape profession; of business administration, market appraisal and positioning; and of the landscape consultant's appointment. As an understanding of professional practice is intrinsic to all Landscape Institute accredited courses, this is an essential text for every landscape architecture student during their education and their subsequent journey into professional practice. Those undertaking Garden Design Diplomas will similarly find the book invaluable as they venture into the world of creativity and commerce, while the seasoned practitioner will find it a comprehensive point of reference to add to their bookshelf.

A comprehensive, clearly structured and readable overview of the subject, Introduction to Environmental Impact Assessment has established itself as the leading introduction to EIA worldwide. This fifth edition is a major update reflecting many significant changes in EIA procedures, process, practice and prospects over the last decade. In particular, it includes:

a much more international dimension, drawing on EIA activities worldwide;

an up-to-date coverage of the revised EU EIA Directive and its implementation;

the associated update of contemporary UK procedures and practice;

best practice on evolving methods in the EIA process;　

a rich array of UK and many international case studies;

a new coverage of emerging EIA impact topics, including equality/deprivation; culture; resettlement; climate change; ecosystem services; and risk, resilience and cumulative impacts;

an appraisal of some next steps in the EIA process, including a more effective and proportionate EIA; the impact of technological change; the changing interpretation of the project; project implementation, monitoring and adaptive management; and moves towards a more integrated impact assessment. Together, these topics act as a kind of action list for future EIA;

the development of SEA legislation and practice in the UK, EU and worldwide; and

a set of appendices containing key legislation and an EIS review framework.

It is also makes full use of colour illustrations and chapter questions for discussion. Written by two authors with extensive research, training and consultancy experience of EIA, this book brings together the most up-to-date information from many sources.

Introduction to Environmental Impact Assessment 5th Edition provides a complete, and critical, introductory text that also supports further studies. Students in undergraduate and postgraduate planning programmes will find it essential as a course text, as will students of environmental management/policy, environmental sciences/studies, geography and built environment. Key stakeholders involved in assessment activities – planners, developers, community groups, pressure groups and decision-makers in government and business – will also welcome this latest edition as a very effective means of getting to grips with the many facets of this important and evolving subject that affects a widening range of development projects.

Table of Contents

PART 1. Principles and procedures Chapter 1. Introduction and principlesChapter 2. US origins and worldwide development Chapter 3. EU and UK agency and legislative contexts PART 2. Process Chapter 4. Starting up: early stages Chapter 5. Impact prediction, evaluation, mitigation and enhancement Chapter 6. Participation, presentation and review Chapter 7. Monitoring and auditing: after the decision PART 3. Practice Chapter 8. UK practice Chapter 9. EIA practice worldwide PART 4. Prospects Chapter 10. EIA impact areas, current and emerging Chapter 11. EIA next steps: effectiveness and efficiency of the process Chapter 12. Widening the scope: strategic environmental assessment

Since 2011, the German government has been implementing a policy phasing out nuclear power. Over a period of seven years, Bernhard Ludewig photographed the country's atomic landscape and history, keeping a visual record of the buildings and the work performed in them. The images, collected here, create a unique panorama of usually inaccessible spaces. On show are the plants' operations - processes including the opening of the reactor and the loading of Castor containers for transport - and interiors, such as control rooms and cooling towers. The book follows the journey of uranium from enrichment through reprocessing to final storage, and shows research spanning from Otto Hahn's discovery of fission to thorium and breeder reactor prototypes. In total 55 sites are represented, and im ages of research reactors, training facilities, and Chernobyl's sarcophagus provide a further look behind closed door. The Nuclear Dream offers an insight into a disappearing world whose rooms and technology often appear sacred. It is a fitting tribute to an era of boundless energy - one whose blue glow captured a generation and proclaimed the start of a new era.

The Landscape Project is a collection of essays by the landscape architecture faculty at the Weitzman School of Design at the University of Pennsylvania, long considered a leading institution in the field of landscape architecture. This collection covers topics such as food, biodiversity, water, plants, energy, public space, politics, mapping, practice, and representation and serves as essential reading for students and professionals wishing to engage with the full scope of today's landscape. These essays radically expand the purview of landscape architecture.

Combine traditional techniques with modern media for more communicative renderings Digital Drawing for Landscape Architecture: Contemporary Techniques and Tools for Digital Representation in Site Design, Second Edition bridges the gap between traditional analog and new digital tools by applying timeless concepts of representation to enhance design work in digital media. The book explores specific techniques for creating landscape designs, including digitally rendered plans, perspectives, and diagrams, and the updated second edition offers expanded coverage of newer concepts and techniques. Readers will gain insight into the roles of different drawings, with a clear emphasis on presenting a solid understanding of how diagram, plan, section, elevation, and perspective work together to present a comprehensive design approach. Digital rendering is faster, more efficient, and more flexible than traditional rendering techniques, but the design principles and elements involved are still grounded in hand-rendering techniques. Digital Drawing for Landscape Architecture exploits both modalities to help designers create more beautiful, accurate, and communicative drawings in a professional studio environment. This second edition contains revised information on plan rendering techniques, camera matching workflow, and color selection, along with brand new features, like: * Time-based imagery and tools * Workflow integration techniques * Photoshop and Illustrator task automation * Over 400 updated images, plus over 50 new examples of award-winning work The book takes a tutorial-based approach to digital rendering, allowing readers to start practicing immediately and get up to speed quickly. Communication is a vital, but often overlooked component of the design process, and designers rely upon their drawings to translate concepts from idea to plan. Digital Drawing for Landscape Architecture provides the guidance landscape designers need to create their most communicative renderings yet.

In addition to the issues constituting the basis of microbial biotechnology, such as microorganisms culturing or their use in industry and environmental protection, the book includes modern analytical techniques known as "omics", as well as digital techniques used to record adverse changes in the environment those resulting from the harmful activity of bacteria and fungi. A color atlas (Chapter 8) with photos of the fungi discussed in each chapter was also included. The book was prepared with the use of many years of scientific and didactic experience of the authors who conduct classes in various fields and specializations of natural sciences. This resulted in the interdisciplinary nature of the publication. It will be useful not only for PhD students and students of biotechnology and microbiology, but also environmental protection, ecological biotechnology, urban revitalization, as well as all those interested in applying the latest achievements of these areas of science in practice.

The last 30 years have seen a surge in temporary gardens. The flexibility and new challenges invested in non-permanent landscapes has made them a creative and stimulating testing ground for professionals and impromptu designers. Raffaella Sini examines the historical evolution of the genre, exploring theory, narratives, and strategies informing 80 temporary gardens built in France, Germany, Spain, Portugal, Italy, the United Kingdom, Belgium, Switzerland, Sweden, New Zealand, Canada, Singapore, and the United States. Key topics include: * temporary gardens in 1970s avant-garde art and 1980s public art; * temporary gardens as opportunities to work with live processes, practice inclusion, and explore concepts of social justice and ecology; * temporary gardens to redefine the vocabulary of garden design; and * temporary gardens in tactical urbanism. The book comprehensively decodifies the full range of ephemeral gardens: uprooted, mobile, itinerant, movable, postmodern, installation, exhibited, conceptual, theme, pop-up, guerrilla, grassroots, meanwhile, interim, provisional, activist, community, and parklet. Beyond physical duration, time-focused design in gardens affects the entire process of conceiving, building, experiencing, and managing green spaces; using short-term formats, anyone can invent, trial, and experiment in a condensed experience of landscape. The temporary garden emerges as critical cultural ground for the discourse in landscape architecture, art, ephemeral urbanism, and in urban, landscape, and garden design. It is inspirational reading for designers and students alike.

From Idea to Site explores how to improve the working practices of landscape architects and therefore the quality of the design and management of our external environment. Based around the life of a project, this book puts innovation and technology at the forefront: looking at how they are changing the profession, and how these innovations might be used in the professional arena. The book also shows how landscape architecture can add to the quality and sustainability of varying construction projects, and how to make the best use of a landscape architect's skills. Including in-depth illustrated case studies from UK and international landscape schemes, the book looks at the often challenging process of getting projects to completion - 'from idea to site'.

For over 350 years Parisians have designed and preserved phenomenal public outdoor spaces. In this book Jacqueline Widmar Stewart follows the fine-spun threads of the parklands tapestry in greater Paris. Identification of various hallmarks of premiere park-building eras imbues individual parks with multi-dimensional qualities and allows readers to experience these grand green places in the way Parisians do. Multiple layers of elements and themes are woven into the fabric of French parks. Reaching back as far as its Roman heritage, vestiges of the history of Paris are apparent in virtually all its parks, regardless of size. Even the balanced distribution of green spaces throughout the city reflects a major 19th-century city-planning epoch and is still carried forward in current park development. A number of French parks and gardens from the 17th century initially belonged to royal estates but now welcome public visits -- it should be noted that the Tuileries first opened its gates to the public in 1667. Thoughtfully designed and meticulously tailored to needs of the time, others have covered unsightly urban blight with splendor, and have converted industrial sites to recreational usage while maintaining cultural ties with the past. Many marvels beckon all who enter Paris' magical spheres: a several-kilometer-long landscaped promenade above busy streets; a modern garden suspended above a major train station; the Parc de la Villette with its grand red architectural curiosities of form and motion; a midisland allee in the Seine; newly created marshlands now home to mallard ducklings; clouds of fragrance from rose-descendants of Josephine Bonaparte's original collection; not one, but two gardens of the quintessential sculptor, Auguste Rodin.

Written in a clear, accessible style, this book presents the fundamental aspects of soil science for landscape architects and professionals in related fields. Emphasis is placed on those topics of particular interest to this audience, among them erosion, irrigation, fertility and nutrients, diagnosis of plant disorders, engineering aspects, and the use of soil surveys. The book should also find some course use in departments of landscape architecture and agronomy. Serious gardeners might find it of interest as well.

Designing the outdoor environment is a complex process. Landscape architects must take into account various factors such as space, distance and movement. This volume is a practical reference work for students as well as professionals. It provides all the key dimensions for vertical planning, vegetation and public spaces - everything one needs to design functional and use-specific landscapes.

From Timur's tent in Samarqand to Shah 'Abbas's palace in Isfahan and Humayun's tomb in Delhi, the pavilion has been an integral part of Persianate gardens since its earliest appearance at the Achaemenid garden in Pasargadae in the sixth century BC. Here, Mohammad Gharipour places both the garden and the pavilion within their historical, literary and artistic contexts, emphasizing the importance of the pavilion, which has hitherto been overlooked in the study of Iranian historical architecture. Starting with an examination of the depictions and representations of gardens in religious texts, Gharipour analyses how the idea of the garden developed from the model of pre-Islamic gardens in Achaemenid and Sassanian Persia to its mentions in the Zoroastrian text of Aban Yasht and on to its central role as paradise in the Qur'an. Continuing on with an exploration of gardens and pavilions in Persian poetry, Gharipour offers in-depth analysis of their literal and metaphorical values. It is in the poetry of major Persian poets such as Ferdowsi, Naser Khosrow, Sa'di, Rumi and Hafez that Gharipour finds that whilst gardens are praised for their spiritual values, they also contain significant symbolic worth in terms of temporal wealth and power. Persian Gardens and Pavilions then goes onto examine the garden and the pavilion as reflected in Persian miniature painting, sculpture and carpets, as well as accounts of travelers to Persia. With masters such as Bizhad representing daily life as well as the more mystical prose and poetry in, for example, Sa'di's Bustan (The Orchard) and Golestan (The Rose Garden), the garden and the pavilion can be seen to have crucial semiotic significance and cultural meanings. But in addition to this, they also point to historical patterns of patronage and ownership which were of central importance in the diplomatic and social life of the royal courts of Persia. Gharipour thereby highlights the metaphorical, spiritual, symbolic and religious aspects of gardens, as well as their more materialistic and economic functions. This book reaches back through Persia's rich history to explore the material and psychological relationships between human beings, pavilions and gardens, and will be a valuable resource for Art History, Architecture and Iranian Studies.

Using a rich assortment of illustrations and biographical sketches, Peter Martin relates the experiences of colonial gardeners who shaped the natural beauty of Virginia's wilderness into varied displays of elegance. He shows that ornamental gardening was a scientific, aesthetic, and cultural enterprise that thoroughly engaged some of the leading figures of the period, including the British governors at Williamsburg and the great plantation owners George Washington, Thomas Jefferson, William Byrd, and John Custis. In presenting accounts of their gardening efforts, Martin reveals the intricacies of colonial garden design, plant searches, experimentation, and the problems in adapting European landscaping ideas to local climate. These writings also bring to life the social and commercial interaction between Williamsburg and the plantations, together with early American ideas about cultured living. While placing Virginia's gardening in the larger context of the colonial South, Martin tells a very human story of how this art both influenced and reflected the quality of colonial life. As Virginia grew economically and culturally, the garden became a projection of the gardener's personal identity, as exemplified by the endeavors of Washington and Jefferson at Mount Vernon and Monticello. In order to recapture the gardens as they existed in colonial times, Martin brings together paintings, drawings, and the findings of modern archaeological excavations. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The complex story of modern landscape architecture remains to be written, as does its precise definition. Thinking a Modern Landscape Architecture, West & East, written by one of the field's most prolific and insightful authors, provides a rare cross-cultural study that examines the written and design contributions made by two of the movement's most influential early protagonists: Christopher Tunnard (1910-1979) in England - and later the United States, and Sutemi Horiguchi (1896-1984) in Japan. Tunnard's pioneering manifesto, Gardens in the Modern Landscape, first published in 1938, laid out the thinking and provided the direction for a landscape architecture engaged more strongly with contemporary life, adopting ideas from modern art as well as the historical gardens of Japan. Rather than a book, it was the architect Horiguchi's 1934 essay The Garden of Autumn Grasses that initiated a new direction for garden making in Japan, with a considered and artful use of seasonal plants and a stronger connection to the modern architecture it accompanied. Unlike Tunnard, who sought inspiration and sources in contemporary art, Horiguchi looked to the eighteen-century Rimpa School of painting for insights into the composition of the new garden by carefully placing individual plants against a simple background. Although the two theorists-practitioners never met, Tunnard's interest in Japan, and use of Horiguchi's work as illustrations, links them in a shared quest for a landscape architecture appropriate to their times and respective countries.

This book provides one of the first comprehensive discussions of contemporary landscape architecture practice across the Asian region. Bringing together established designers, writers, and thinkers with those of the new generation, Jillian Walliss and Heike Rahmann explore emerging Asian perspectives on urbanism, modes of engagement, design thinking, and construction in a field that has traditionally been dominated by North American and European influences. The Big Asian Book of Landscape Architecture is divided into three thematic sections-Continuum, Interruption, and Speed-as characteristics that simultaneously influence an Asian practice of landscape architecture. Each section presents an interweaving of theoretical writing, reflection on practice, photo essays, and design projects to explore issues such as the shared cultural, philosophical, and physical understandings of landscape, the impact of modernity, and the effects of speed on Asian design and cities. This dynamic structure allows readers to dip into sections, rather than progress in a linear manner.

Since the turn of the millennium, there has been a burgeoning interest in, and literature of, both landscape studies and food studies. Landscape describes places as relationships and processes. Landscapes create people's identities and guide their actions and their preferences, while at the same time are shaped by the actions and forces of people. Food, as currency, medium, and sustenance, is a fundamental part of those landscape relationships. This volume brings together over fifty contributors from around the world in forty profoundly interdisciplinary chapters. Chapter authors represent an astonishing range of disciplines, from agronomy, anthropology, archaeology, conservation, countryside management, cultural studies, ecology, ethics, geography, heritage studies, landscape architecture, landscape management and planning, literature, urban design and architecture. Both food studies and landscape studies defy comprehension from the perspective of a single discipline, and thus such a range is both necessary and enriching. The Routledge Handbook of Landscape and Food is intended as a first port of call for scholars and researchers seeking to undertake new work at the many intersections of landscape and food. Each chapter provides an authoritative overview, a broad range of pertinent readings and references, and seeks to identify areas where new research is needed-though these may also be identified in the many fertile areas in which subjects and chapters overlap within the book.

Constructing Landscape is a systematic introduction to technical and constructional open space planning, with all the relevant topics, from the most common materials and surfaces to the construction of open space elements and the use of plants. For landscape architects and architects it is an indispensable guide to correct and professional execution planning as well as to preparing solid and well-thought-out requests for proposal. Constructing Landscape is divided into two sections, Materials and Surfaces and Building Construction and Building Elements. The first section provides an overview of the various building materials of landscape architecture and their specific characteristics. It also explains the qualities of surfaces and the different approaches to treating them. The second section begins with an introductory chapter explaining the principles of statics, the connections of load-bearing elements, and the various approaches to anchoring building compo-nents and supporting structures. The subsequent chapters use drawings and text to present the constructional principles and techniques associated with the various building elements. Each chapter concludes with a collection of sample projects, illustrated with photographs and technical drawings.

In its history of over a hundred of years, landscape architecture has developed many ideas, concepts, methods, and models. In this issue, LA Frontiers focuses on prototype studies by examining those traceable and repeatable landscape theories, methodologies, and pedagogies, and introducing the knowledge from allied disciplines to inspire knowledge innovation, with a particular highlight on the prototypes adaptive to future uncertainties. It hopes to extend the disciplinary horizon and enrich the fruition of disciplinary growth, and to provide designers and scholars with prospective design thoughts and more resilient working methods. This issue explores the following aspects: First, prototyping process, or test planning process, which is characterised for the test-planning-design process and has been widely applied in the fields of computer sciences and industrial design but still being less explored in landscape architecture. This process emphasises the multi-disciplinary collaboration and test procedure before design, which would improve the communication efficiency among professionals from different fields. Second, reflection and innovation on classic theories and models in landscape planning and design, such as Ian McHarg's Map Overlay and Carl Steinitz's Six Steps model. Third, research-based design, including design research or competitions with clear goals and boundary conditions which help designers comprehend the essence and implications of design and encourage disciplinary innovation. And fourth, inductive and empirical pedagogies to inspire forward-looking design ideas and working methods.

Issue 14 of LA+ Journal brings you the results of the LA+ CREATURE international design ideas competition, which explored how we can use design to achieve a more symbiotic existence with other creatures. The competition brief asked entrants to choose a nonhuman client and design something - a place, a structure, a product, a process, a system - to improve its life and increase human-nonhuman empathy. As well as showcasing the award-winning designs and a comprehensive Salon des Refuses, LA+ CREATURE features an essay by Lori Gruen (author of Critical Terms for Animal Studies) and interviews with jurors Timothy Morton, Kate Orff, Jennifer Wolch, Andrew Grant, Chris Reed, and Farre Nixon.

This celebration of the style, design, and joy that pools bring to us brims with over 200 glamorous photographs. It is organized by swimming pool design from glimmering infinity pools with a view of the ocean to dramatic cascading waterfall pools and those in lush garden settings. Ranging from beautifully landscaped backyards to dramatic beaches and tropical paradise surroundings, the stunning pool locales show creative examples of pools as architecture and organic forms. In the mix are seductive pools owned by such celebrities as Cher and Dianne Keaton and leading designers Bunny Williams and Carolyne Roehm, as well as masterpieces by famed architects Frank Lloyd Wright, Richard Neutra, and Luis Barragan. Splash concludes with a section on poolside elements, from tiled steps, patterned surfaces, and Jacuzzis to pool houses with outdoor showers, landscaping, furnishings, and much more. Every example evokes the enduring and irresistible appeal of the swimming pool.