Delving into all aspects of designing and maintaining unique interior landscapes, this colorfully illustrated book demonstrates how to realize landscapes for a variety of different interiors, from private homes to corporate office buildings, and in styles ranging from naturalistic to abstract. Photographic examples of the authors own designs and the natural materials that inspired them show how to construct an infrastructure and select the right plants for different design themes, including jungles, deserts, gardens, seasonal pieces, and sanctuaries and memorials. A plant index is also included."

Planting design is, rather obviously, a complex topic, spanning as it does art, science, social need, and morality - especially during these days of increasing planetary environmental threat. Although certainly not denying the importance of scientifically appropriate practices, the symposium "The Aesthetics of [Contemporary] Planting Design" addressed planting design today, proposing a renewed concern for the cultural and aesthetic aspects of the landscapes that result. This book, which has been developed from the original presentations at the symposium, presents the thoughts of a select international group of landscape architects and historians who discuss the subject of planting design through the lens of their own work as well as the work of others, both contemporary and historical. They suggest that, as in real estate, the most important factor in selecting plants is "location, location, location." Certainly the Californian situation is far more forgiving than the aridity and other restrictive environmental conditions endemic to the Sonoran desert, or the frost and short growing seasons of Nordic lands that direct Scandinavian landscape architects to rely on native birches, pines, rowan, and moss. Most of us would agree that there are plants sensible for each climatic zone. Addressing environmental conditions is but the first step in the equation, however. There are also the issues of combination and composition.

The question "Do black landscapes matter?" cuts deep to the core of American history. From the plantations of slavery to contemporary segregated cities, from freedman villages to northern migrations for freedom, the nation's landscape bears the detritus of diverse origins. Black landscapes matter because they tell the truth. In this vital new collection, acclaimed landscape designer and public artist Walter Hood assembles a group of notable landscape architecture and planning professionals and scholars to probe how race, memory, and meaning intersect in the American landscape.Essayists examine a variety of U.S. places - ranging from New Orleans and Charlotte to Milwaukee and DetroitaEURO"exposing racism endemic in the built environment and acknowledging the widespread erasure of black geographies and cultural landscapes. Through a combination of case studies, critiques, and calls to action, contributors reveal the deficient, normative portrayals of landscape that affect communities of color and question how public design and preservation efforts can support people in these places. In a culture where historical omissions and specious narratives routinely provoke disinvestment in minority communities, creative solutions by designers, planners, artists, and residents are necessary to activate them in novel ways. Black people have built and shaped the American landscape in ways that can never be fully known. Black Landscapes Matter is a timely and necessary reminder that without recognizing and reconciling these histories and spaces, America's past and future cannot be understood.

For over 350 years Parisians have designed and preserved phenomenal public outdoor spaces. In this book Jacqueline Widmar Stewart follows the fine-spun threads of the parklands tapestry in greater Paris. Identification of various hallmarks of premiere park-building eras imbues individual parks with multi-dimensional qualities and allows readers to experience these grand green places in the way Parisians do. Multiple layers of elements and themes are woven into the fabric of French parks. Reaching back as far as its Roman heritage, vestiges of the history of Paris are apparent in virtually all its parks, regardless of size. Even the balanced distribution of green spaces throughout the city reflects a major 19th-century city-planning epoch and is still carried forward in current park development. A number of French parks and gardens from the 17th century initially belonged to royal estates but now welcome public visits -- it should be noted that the Tuileries first opened its gates to the public in 1667. Thoughtfully designed and meticulously tailored to needs of the time, others have covered unsightly urban blight with splendor, and have converted industrial sites to recreational usage while maintaining cultural ties with the past. Many marvels beckon all who enter Paris' magical spheres: a several-kilometer-long landscaped promenade above busy streets; a modern garden suspended above a major train station; the Parc de la Villette with its grand red architectural curiosities of form and motion; a midisland allee in the Seine; newly created marshlands now home to mallard ducklings; clouds of fragrance from rose-descendants of Josephine Bonaparte's original collection; not one, but two gardens of the quintessential sculptor, Auguste Rodin.

The complete-and-ready reference for establishing, managing, and running a successful and sustainable, profitable public garden

As unique museums with living collections of plants, public gardens offer visitors aesthetically beautiful landscapes combined with educational programming and scientific research that promote the value and understanding of plants. In the twenty-first century, public gardens are in the forefront of organizations and institutions committed to promoting the conservation of plants and their habitats, developing sustainable practices that support the environment, and providing green spaces where our increasingly stressed and urbanized citizens can reconnect with the natural world. It is critically important that such institutions have trained, knowledgeable staff members. Because of its comprehensive examination of public gardens, "Public Garden Management" is the ideal guide for staff members at public gardens, anyone considering a career in public gardens, groups starting a botanical garden or arboretum, and students discovering how these complex institutions work.

"Public Garden Management" is an all-in-one professional reference and textbook that clearly shows how to develop, establish, manage, and maintain a sustainable--both economically and environmentally--public garden. Offering practical coverage of relevant topics, along with useful tools for reinforcing study, this insightful and forward-thinking guide is:

Copublished by the American Public Gardens Association

Written by a panel of leading experts in the field

Filled with dozens of case studies that are real-world illustrations of the principles explored in the text

Illustrated throughout with line drawings, figures, and photographs that assist in conveying critical information

Students and professionals will benefit greatly from the management principles outlined in this book, helping them establish and maintain new and existing public gardens that engage, inspire, and connect with their communities.

Written in a clear, accessible style, this book presents the fundamental aspects of soil science for landscape architects and professionals in related fields. Emphasis is placed on those topics of particular interest to this audience, among them erosion, irrigation, fertility and nutrients, diagnosis of plant disorders, engineering aspects, and the use of soil surveys. The book should also find some course use in departments of landscape architecture and agronomy. Serious gardeners might find it of interest as well.

From Timur's tent in Samarqand to Shah 'Abbas's palace in Isfahan and Humayun's tomb in Delhi, the pavilion has been an integral part of Persianate gardens since its earliest appearance at the Achaemenid garden in Pasargadae in the sixth century BC. Here, Mohammad Gharipour places both the garden and the pavilion within their historical, literary and artistic contexts, emphasizing the importance of the pavilion, which has hitherto been overlooked in the study of Iranian historical architecture. Starting with an examination of the depictions and representations of gardens in religious texts, Gharipour analyses how the idea of the garden developed from the model of pre-Islamic gardens in Achaemenid and Sassanian Persia to its mentions in the Zoroastrian text of Aban Yasht and on to its central role as paradise in the Qur'an. Continuing on with an exploration of gardens and pavilions in Persian poetry, Gharipour offers in-depth analysis of their literal and metaphorical values. It is in the poetry of major Persian poets such as Ferdowsi, Naser Khosrow, Sa'di, Rumi and Hafez that Gharipour finds that whilst gardens are praised for their spiritual values, they also contain significant symbolic worth in terms of temporal wealth and power. Persian Gardens and Pavilions then goes onto examine the garden and the pavilion as reflected in Persian miniature painting, sculpture and carpets, as well as accounts of travelers to Persia. With masters such as Bizhad representing daily life as well as the more mystical prose and poetry in, for example, Sa'di's Bustan (The Orchard) and Golestan (The Rose Garden), the garden and the pavilion can be seen to have crucial semiotic significance and cultural meanings. But in addition to this, they also point to historical patterns of patronage and ownership which were of central importance in the diplomatic and social life of the royal courts of Persia. Gharipour thereby highlights the metaphorical, spiritual, symbolic and religious aspects of gardens, as well as their more materialistic and economic functions. This book reaches back through Persia's rich history to explore the material and psychological relationships between human beings, pavilions and gardens, and will be a valuable resource for Art History, Architecture and Iranian Studies.

Using a rich assortment of illustrations and biographical sketches, Peter Martin relates the experiences of colonial gardeners who shaped the natural beauty of Virginia's wilderness into varied displays of elegance. He shows that ornamental gardening was a scientific, aesthetic, and cultural enterprise that thoroughly engaged some of the leading figures of the period, including the British governors at Williamsburg and the great plantation owners George Washington, Thomas Jefferson, William Byrd, and John Custis. In presenting accounts of their gardening efforts, Martin reveals the intricacies of colonial garden design, plant searches, experimentation, and the problems in adapting European landscaping ideas to local climate. These writings also bring to life the social and commercial interaction between Williamsburg and the plantations, together with early American ideas about cultured living. While placing Virginia's gardening in the larger context of the colonial South, Martin tells a very human story of how this art both influenced and reflected the quality of colonial life. As Virginia grew economically and culturally, the garden became a projection of the gardener's personal identity, as exemplified by the endeavors of Washington and Jefferson at Mount Vernon and Monticello. In order to recapture the gardens as they existed in colonial times, Martin brings together paintings, drawings, and the findings of modern archaeological excavations. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Peter J. Schmitt describes the many ways in which America's urban middle class became involved with nature from the turn of the century to shortly after World War I, and he assess the influence of the "Arcadian myth" on American culture. With sympathy and gentle irony, he surveys the manifestations of the American love affair with the country: summer camps, the beginnings of wildlie protection and the conservation crusade, landscaped cemeteris, "Christian ornithology," and wilderness novels. The Arcadian drive reflected urban values, as the city-dweller sought virtue in nature. Landscape gardening, country clubs, national parks, and scenic turnoffs imposed the industrial ethic of order, neatness, and regularity on natural landscaps. Nature study and anthropomorphic animal stories taught moral values to children.

Poor design and wasted funding characterize today's American playgrounds. A range of factors--including a litigious culture, overzealous safety guidelines, and an ethos of risk aversion--have created uniform and unimaginative playgrounds. These spaces fail to nurture the development of children or promote playgrounds as an active component in enlivening community space.
Solomon's book demonstrates how to alter the status quo by allying data with design. Recent information from the behavioral sciences indicates that kids need to take risks; experience failure but also have a chance to succeed and master difficult tasks; learn to plan and solve problems; exercise self-control; and develop friendships. Solomon illustrates how architects and landscape architects (most of whom work in Europe and Japan) have already addressed these needs with strong, successful playground designs. These innovative spaces, many of which are more multifunctional and cost effective than traditional playgrounds, are both sustainable and welcoming. Having become vibrant hubs within their neighborhoods, these play sites are models for anyone designing or commissioning an urban area for children and their families.
The Science of Play, a clarion call to use playground design to deepen the American commitment to public space, will interest architects, landscape architects, urban policy makers, city managers, local politicians, and parents.

Here, for students and practitioners of landscape architecture, architecture, and planning, is a single resource for seminal theoretical texts in the field. Essential for understanding the specific connections that have been made between landscape and social, cultural, and political structures, "Theory in Landscape Architecture" reminds readers that the discipline of landscape architecture can be both practical and formally challenging. Covering the past fifty years of theory, this primer makes an important contribution to a student's emerging professional ethics.

Since the turn of the millennium, there has been a burgeoning interest in, and literature of, both landscape studies and food studies. Landscape describes places as relationships and processes. Landscapes create people's identities and guide their actions and their preferences, while at the same time are shaped by the actions and forces of people. Food, as currency, medium, and sustenance, is a fundamental part of those landscape relationships. This volume brings together over fifty contributors from around the world in forty profoundly interdisciplinary chapters. Chapter authors represent an astonishing range of disciplines, from agronomy, anthropology, archaeology, conservation, countryside management, cultural studies, ecology, ethics, geography, heritage studies, landscape architecture, landscape management and planning, literature, urban design and architecture. Both food studies and landscape studies defy comprehension from the perspective of a single discipline, and thus such a range is both necessary and enriching. The Routledge Handbook of Landscape and Food is intended as a first port of call for scholars and researchers seeking to undertake new work at the many intersections of landscape and food. Each chapter provides an authoritative overview, a broad range of pertinent readings and references, and seeks to identify areas where new research is needed-though these may also be identified in the many fertile areas in which subjects and chapters overlap within the book.

Issue 14 of LA+ Journal brings you the results of the LA+ CREATURE international design ideas competition, which explored how we can use design to achieve a more symbiotic existence with other creatures. The competition brief asked entrants to choose a nonhuman client and design something - a place, a structure, a product, a process, a system - to improve its life and increase human-nonhuman empathy. As well as showcasing the award-winning designs and a comprehensive Salon des Refuses, LA+ CREATURE features an essay by Lori Gruen (author of Critical Terms for Animal Studies) and interviews with jurors Timothy Morton, Kate Orff, Jennifer Wolch, Andrew Grant, Chris Reed, and Farre Nixon.

In its history of over a hundred of years, landscape architecture has developed many ideas, concepts, methods, and models. In this issue, LA Frontiers focuses on prototype studies by examining those traceable and repeatable landscape theories, methodologies, and pedagogies, and introducing the knowledge from allied disciplines to inspire knowledge innovation, with a particular highlight on the prototypes adaptive to future uncertainties. It hopes to extend the disciplinary horizon and enrich the fruition of disciplinary growth, and to provide designers and scholars with prospective design thoughts and more resilient working methods. This issue explores the following aspects: First, prototyping process, or test planning process, which is characterised for the test-planning-design process and has been widely applied in the fields of computer sciences and industrial design but still being less explored in landscape architecture. This process emphasises the multi-disciplinary collaboration and test procedure before design, which would improve the communication efficiency among professionals from different fields. Second, reflection and innovation on classic theories and models in landscape planning and design, such as Ian McHarg's Map Overlay and Carl Steinitz's Six Steps model. Third, research-based design, including design research or competitions with clear goals and boundary conditions which help designers comprehend the essence and implications of design and encourage disciplinary innovation. And fourth, inductive and empirical pedagogies to inspire forward-looking design ideas and working methods.

This professional reference tool combines basic concepts of hydrology with the latest applications for landscape architecture and site engineering—including effective, eco-friendly, and people-friendly design methods for:

• Wetlands construction
• Groundwater recharge
• Infiltration
• Porous pavements
• Stream restoration
• Water harvesting

Stormwater management is an essential component of all landscape architecture and site engineering projects. Introduction to Stormwater helps solve environmental problems that arise in the process of planning, implementing, and evaluating the built environment.

This useful guide is of singular importance to landscape architects, civil engineers, architects, wetlands scientists, and other environmental professionals who must comply with ever-changing government regulations. Concepts such as drainage, runoff quality, and drought control are presented in an easy-to-learn, nontechnical format, using case studies drawn from all regions of the United States. Over 200 charts, tables, photographs, and examples aid in conceptualization and calculations. Each chapter contains exercises to ensure that the user acquires applied skills essential to professional licensure exams and practice in the field, as well as information on related software.

This is the ironic story of how Italian Renaissance and Baroque gardens encouraged the preservation of the American wilderness and ultimately fostered the creation of the world's first national park system. Told via Mitchell's sometimes disastrous and humorous travels - from the gardens of southern Italy up through Tuscany and the lake island gardens - the book is filled with history, folklore, myths, and legends of Western Europe, including a detailed history of the labyrinth, a common element in Renaissance gardens. In his attempt to understand the Italian garden in detail, Mitchell set out to create one on his own property - with a labyrinth.

As old as a roadway that was once a Native trail, as new as the suburban subdivisions spreading across the American countryside, the cultural landscape is endlessly changing. The study of cultural landscapes--a far more recent development--has also undergone great changes, ever broadening, deepening, and refining our understanding of the intricate webs of social and ecological spaces that help to define human groups and their activities. "Everyday America "surveys the widening conceptions and applications of cultural landscape writing in the United States and, in doing so, offers a clear and compelling view of the state of cultural landscape studies today.
These essays--by distinguished journalists, historians, cultural geographers, architects, landscape architects, and planners--constitute a critical evaluation of the field's theoretical assumptions, and of the work of John Brinckerhoff Jackson, the pivotal figure in the emergence of cultural landscape studies. At the same time, they present exemplary studies of twentieth-century landscapes, from the turn-of-the-century American downtown to the corporate campus and the mini-mall. Assessing the field's accomplishments and shortcomings, offering insights into teaching the subject, and charting new directions for its future development, "Everyday America" is an eloquent statement of the meaning, value, and potential of the close study of human environments as they embody, reflect, and reveal American culture.

Graduate of the Royal Botanic Gardens, Kew, Chartered Landscape Architect, MBA and Barrister, Gordon Rowland Fraser draws upon 30 years of project management, professional practice and teaching experience to provide an uncomplicated and intuitive guide to the business aspects of the landscape profession. An indispensable reference for seasoned professionals, the book will enable the student or novice practitioner to turn their drawing board inspiration into reality without being overwhelmed or afraid of overseeing the implementation of their proposals. Guided by the Landscape Institute's 2013 Pathway to Chartership syllabus, this structured, step-by-step, narrative guide sets out the documentation commonly used within the landscape profession and makes accessible a logical and sequential understanding of contractual relationships; procurement strategies; processes of preparing client estimates and obtaining competitive quotations; of preparing contract documentation and administering formal contracts; general concepts of law as they relate to land management and the landscape profession; of business administration, market appraisal and positioning; and of the landscape consultant's appointment. As an understanding of professional practice is intrinsic to all Landscape Institute accredited courses, this is an essential text for every landscape architecture student during their education and their subsequent journey into professional practice. Those undertaking Garden Design Diplomas will similarly find the book invaluable as they venture into the world of creativity and commerce, while the seasoned practitioner will find it a comprehensive point of reference to add to their bookshelf.

Garden design began in West Asia and spread through Europe. This book tells how, in the British Isles, it flourished to an extraordinary degree. Following the historical method in Tom Turner's books on Asian gardens (2010) and European gardens (2011), it uses almost 1000 colour photographs, plans and style diagrams to provide a word and image history of garden design. Individual chapters cover the Celtic, Roman, Medieval, Renaissance, Baroque, Neoclassical, Romantic, Arts and Crafts, Modern and Postmodern periods. Additional information about the gardens in the book is available on the Gardenvisit.com website, which the author edits http://www.gardenvisit.com/history_theory/british_gardens_companion

The unique convergence of architecture and landscape found on the Bernina Pass inspired Swiss photographer Guido Baselgia to create a visual epic. The result is a one-of-a-kind presentation of the new road maintenance base near Bernina Pass, designed by renowned Swiss firm Bearth & Deplazes Architekten, in a seemingly arctic winter landscape. Baselgia explored the territory along the road and railway line with his analogue camera. His images also draw a connection between the existing infrastructures for traffic and energy production - built over the course of the landscape's industrialisation and continued development since the late 19th century - to the architecture of the new maintenance base. A concavely curved shield wall topped by a round tower is all that is visible of this vast, purely functional, and largely underground space. The shield wall cuts a segment from the existing topography and thereby encloses a courtyard along with an area of the surrounding landscape. The tower refuses direct encoding - until entering the camera obscura at its very top, which connects photography, architecture, and landscape to reveal that this place is about insights and not outlooks. The book features a selection of Guido Baselgia's striking photographs and reproductions of camera obscura images from the tower in outstanding duotone reproduction and documents Bearth & Deplazes' architecture through concise texts, images, and selected plans. Text in English, German and Italian.