The son of a watercolour artist, William Gershom Collingwood (1854-1932) studied at University College, Oxford where he met John Ruskin, whose secretary he later became and with whom he shared a wide range of interests. Collingwood travelled extensively, sketching as he went, and after studying at the Slade School of Art, moved to the Lake District where he wrote extensively about the Lakes, Icelandic sagas and Norse mythology, as well as publishing a biography on Ruskin in 1893. He was an accomplished artist, founding the Lake Artists Society in 1904 and serving as Professor of Fine Art at the University of Reading from 1905-11. His interest in art and Scandinavia prompted his research into the Pre-Norman Crosses of Cumbria and the North of England. In 1927 he published 'Northumbrian Crosses of the Pre-Norman Age', illustrated with his own drawings. He was also an accomplished musician, climber, swimmer and walker. His son was the noted archaeologist (a leading authority on Roman Britain), philosopher and historian R. G. Collingwood. This well researched biography provides a comprehensive account of the life and works of a nineteenth century polymath whose story should be better known.

Follies in America examines historicized garden buildings, known as "follies," from the nation's founding through the American centennial celebration in 1876. In a period of increasing nationalism, follies-such as temples, summerhouses, towers, and ruins-brought a range of European architectural styles to the United States. By imprinting the land with symbols of European culture, landscape gardeners brought their idea of civilization to the American wilderness. Kerry Dean Carso's interdisciplinary approach in Follies in America examines both buildings and their counterparts in literature and art, demonstrating that follies provide a window into major themes in nineteenth-century American culture, including tensions between Jeffersonian agrarianism and urban life, the ascendancy of middle-class tourism, and gentility and social class aspirations.

Tokyo's seemingly endless sea of buildings has grown incrementally over the past centuries, leading to an urban condition that is both coherent and contradictory at the same time. The understanding of Tokyo as a continuous and interdependent urban complex is a much-neglected perspective in previous readings of the city. An attachment to the land, strong civic commitment, and a deep appreciation of the immaterial has produced a nested megastructure of smaller communities. These places have all evolved in a related way, briefly and temporarily disrupted by earthquakes and a devastating war. Over time, a set of distinct urban patterns emerged through centralisation processes, the "manshon urbanisation", the relocation of various types of manufacturing, and other developments. What might appear homogeneous in composition and rhythm is in fact a configuration of distinctly different spaces, created by the routines of everyday life that make the district of Shinjuku different from Shimokitazawa or Kitamoto. This book not only provides the first comprehensive reading of the many urbanisation processes shaping Tokyo today, but also seeks an entirely new approach for looking at megacity regions: through their differences, and the way those differences are produced in the course of everyday life.

How has American cinema engaged with the rapid transformation of cities and urban culture since the 1960s? And what role have films and film industries played in shaping and mediating the "postindustrial" city? This collection argues that cinema and cities have become increasingly intertwined in the era of neoliberalism, urban branding, and accelerated gentrification. Examining a wide range of films from Hollywood blockbusters to indie cinema, it considers the complex, evolving relationship between moving image cultures and the spaces, policies, and politics of US cities from New York, Los Angeles, and Boston to Detroit, Oakland, and Baltimore. The contributors address questions of narrative, genre, and style alongside the urban contexts of production, exhibition, and reception, discussing films including The Friends of Eddie Coyle (1973), Cruising (1980), Desperately Seeking Susan (1985), King of New York (1990), Inception (2010), Frances Ha (2012), Fruitvale Station (2013), Only Lovers Left Alive (2013), and Doctor Strange (2016).

Designing Future Cities for Wellbeing draws on original research that brings together dimensions of cities we know have a bearing on our health and wellbeing - including transportation, housing, energy, and foodways - and illustrates the role of design in delivering cities in the future that can enhance our health and wellbeing. It aims to demonstrate that cities are a complex interplay of these various dimensions that both shape and are shaped by existing and emerging city structures, governance, design, and planning. Explaining how to consider these interconnecting dimensions in the way in which professionals and citizens think about and design the city for future generations' health and wellbeing, therefore, is key. The chapters draw on UK case and research examples and make comparison to international cities and examples. This book will be of great interest to researchers and students in planning, public policy, public health, and design.