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Books > Arts & Architecture > Architecture > Landscape art & architecture > General
A beautifully illustrated history of the world famous landscape garden at Stourhead, created by generations of the Hoare banking dynasty. Cross the south lawn at Stourhead and descend through the ancient and rare trees. Soon you will see a great lake appear, decorated with classical temples and arched bridge that lunges to the other side of the water. Continue on and you will find a mystical, jagged grotto; a gothic hideaway; gods, muses and saints. This is how Henry Hoare - known as Henry the Magnificent - would have approached the garden he designed with Henry Flitcroft. Did he imagine himself as a journeying Aeneas, or was he recreating a Claud Lorrain landscape? This is the first history - in colour - of a unique landscape created by generations of the Hoare banking family. It follows its evolution, describing how flights of folly, individual flair and tastes, combined with careful stewardship, have formed a national treasure and one of the finest example of the English landscape garden. The book includes a foreword by James Stourton and newly commissioned photography by renowned garden photographer Marianne Majerus.
This publication collects many unpublished material from Otl Aicher, a legendary figure in contemporary design. The eighty unpublished drawings of the Metro Bilbao corporate image project stand out, a commission resulting from his friendship with Norman Foster. In these pages you will also be able to discover the creation processes of other famous works by Aicher, such as those of Braun, the Munich Olympics '72, Bulthaup or Isny Allgau, as well as unpublished materials from his architecture projects for Rotis, an old agricultural complex which became a place of residence and work.
A visual journey through the history of landscape design For thousands of years, people have altered the meaning of space by reshaping nature. As an art form, these architectural landscape creations are stamped with societal imprints unique to their environment and place in time. "Illustrated History of Landscape Design" takes an optical sweep of the iconic landscapes constructed throughout the ages. Organized by century and geographic region, this highly visual reference uses hundreds of masterful pen-and-ink drawings to show how historical context and cultural connections can illuminate today's design possibilities. This guide includes: Storyboards, case studies, and visual narratives to portray spaces Plan, section, and elevation drawings of key spaces Summaries of design concepts, principles, and vocabularies Historic and contemporary works of art that illuminate a specific era Descriptions of how the landscape has been shaped over time in response to human need Directing both students and practitioners along a visually stimulating timeline, "Illustrated History of Landscape Design" is a valuable educational tool as well as an endless source ofinspiration.
This title features a stunning array of residential design, from a simple cottage on a remote island to a luxurious home set in a spectacular landscape. The private homes featured in Paradise Found boast a rich variety of different architecture and interior styles, but they all share a similar spirit. Fusing traditional European design with Asian, African, and Caribbean influences, the resulting unique homes reflect a keen sense of style. Featuring full colour photography, Paradise Found visits a selection of glorious houses and hideaways that are guaranteed to enchant and inspire.
How can we achieve and promote well-being? Drawing on examples from the arts, humanities and design, this book brings together work from a wide range of areas to reveal the unique ways in which different disciplines approach the universal goal of supporting well-being. Pathways to Well-Being in Design recognises that the distinction between academics and practitioners often becomes blurred, where, when working together, a fusion of thoughts and ideas takes place and provides a powerful platform for dialogue. Providing new insights into the approaches and issues associated with promoting well-being, the book's multi-disciplinary coverage invites readers to consider these ideas within the framework of their own work. The book's 12 chapters are authored by academics who are involved in practice or are working with practitioners and features real world case studies which cover a range of situations, circumstances, environments, and social groups. Pathways to Well-Being in Design responds to those wishing to enquire further about well-being, taking the reader through different circumstances to consider approaches, discussing practice and theory, real world and virtual world considerations. This book is essential reading for anyone seeking to understand well-being, including students and professionals in architecture, landscape architecture, urban planning, design and health sciences.
Ornamental Lakes traces the history of lakes in England, from their appearance in the early eighteenth century, through their development in the 1750s, and finally to their decline in the nineteenth century. Aside from the natural lakes in the Lake District, the bodies of water we see in England today are man-made, primarily intended to ornament the landscapes of the upper classes. Through detailed research, author Wendy Bishop argues that, contrary to accepted thinking, the development of lakes led to the dissolution of formal landscapes rather than following changes in landscape design. Providing a comprehensive overview of lakes in England, including data on who made these lakes, how, and when, it additionally covers fishponds, water gardens, cascades and reservoirs. Richly illustrated and accompanied by case studies across the region, this book offers new insights in landscape history for students, researchers and those interested in how landscapes evolve.
Site analysis is the key to a well-designed project. In fact, the careful and complete analysis of a site and its surrounding context can lead to better development proposals, smoother design implementation, and, ultimately, higher quality built environments. This carefully conceived book is the first to detail each crucial step in the site analysis and planning process, from site selection through design development. It shows how these activities are integrated to arrive at a site plan that successfully balances the needs of the client and other stakeholders with the site's suitability for the intended land uses. With more than 130 illustrations, this book includes many outstanding examples of maps and site plans created by leading land planning firms. It offers guidance on: * Site identification, evaluation, and selection * Site inventories of physical, biological, and cultural attributes * Land use suitability analysis using Geographic Information Systems (GIS) * Concept planning and design development * Graphic communication with clients, government agencies, and other stakeholders Filled with need-to-know information on the entire land planning and design process, Site Analysis is a vital addition to the library of students and professionals in landscape architecture, urban design and planning, and related areas. This book will fill a void in the academic market by offering a comprehensive introduction to all stages of the site analysis process. The Second Edition of Site Analysis will detail each phase of the land planning and site design process, explain the influence of site and contextual conditions conditions on land use development and conservation decisions. It will also provide a valuable resource for professionals seeking design solutions for successful land use. Content from this book is available as an online continuing professional education course at http://www.wiley.com/WileyCDA/Section/id-320255.html#sustainable-site . WileyCPE courses are available on demand, 24 hours a day, and are approved by the American Institute of Architects.
Since the first edition was published in 1992, Nick Robinson's The Planting Design Handbook has been widely used as a definitive text on landscape architecture courses throughout the world. It remains one of the few titles written by a practicing landscape architect and educator who is also a horticulturalist and accomplished plantsman, and which deals with the application of planting design on a large scale in landscape architecture and urban design projects. The Planting Design Handbook is distinctive for its elegant integration of an ecological approach with an understanding of visual and spatial composition. It emphasizes the role of vegetation layers and designed plant communities in complex and diverse plant assemblages for all kinds of sites and uses. This expanded and comprehensively updated third edition still provides a complete examination of principles and practice of design for public, institutional and private landscapes. It takes account of developments in theory and practice, especially in the use of perennials, and reflects a variety of media and approaches current in landscape architecture and design. All chapters have been revised and re-written to ensure updated references and new references have been added. Many new photographs of planting and projects around the world have been included, with examples of current professional drawings to illustrate the design process. It is generously illustrated, including a colour section and the beautifully detailed line drawings of the Chinese architect and painter Jia-Hua Wu.
This text contains the essence of Thomas Church's design philosophy, as well as practical advice. It is illustrated by site plans and photographs of some of the 2000 gardens that Church designed during his career.;Called "the last great traditional designer and the first great modern designer", Church was one of the central figures in the development of the modern Californian garden. For the first time, West Coast designers based their work not on imitation of East Coast traditions, but on climatic, landscape and lifestyle characteristics unique to California and the West. Church viewed the garden as a logical extension of the house, with one extending naturally into the other.
This volume presents the discipline 's best thinking on sustainability in written, drawn, and built form, drawing on over fifteen years of peer-reviewed essays and national design awards published by the Association of Collegiate Schools of Architecture (ACSA). Providing a primer on sustainability, useful to teachers and students alike, the selected essays address a broad range of issues. Combined with design projects that highlight issues holistically, they promote an understanding of the principles of sustainability and further the integration of sustainable methods into architectural projects. Using essays that alternately revise and clarify twentieth century architectural thinking, The Green Braid places sustainability at the centre of excellent architectural design. No other volume addresses sustainability within the context of architectural history, theory, pedagogy and design, making this book an ideal source for architects in framing their practices, and therefore their architectural production, in a sustainable manner.
Ecology of Fire-Dependent Ecosystems is brimming with intriguing ecological stories of how life has evolved with and diversified within the varied fire regimes that are experienced on earth. Moreover, the book places itself as a communication between students, fire scientists, and fire fighters, and each of these groups will find some familiar ground, and some challenging aspects in this text: something which ultimately will help to bring us closer together and enrich our different approaches to understanding and managing our changing planet. -- Sally Archibald, Professor, University of the Witwatersrand, Johannesburg, South Africa Most textbooks are as dry as kindling and about as much fun to sink your teeth into. This is not that kind of textbook. Devan Allen McGranahan and Carissa L. Wonkka have taken a complex topic and somehow managed to synthesize it into a comprehensive, yet digestible form. This is a book you can read cover to cover - I know, I did it. As a result, I took an enlightening journey through the history and fundamentals of fire and its role in the natural and human world, ending with a thoughtful review of the evolving relationship between humans and wildland fire. -- Chris Helzer, Nebraska Director of Science, The Nature Conservancy, and author of The Prairie Ecologist blog Ecology of Fire-Dependent Ecosystems: Wildland Fire Science, Policy, and Management is intended for use in upper-level courses in fire ecology and wildland fire management and as a reference for researchers, managers, and other professionals involved with wildland fire science, practice, and policy. The book helps guide students and scientists to design and conduct robust wildland fire research projects and critically interpret and apply fire science in any management, education, or policy situation. It emphasizes variability in wildland fire as an ecological regime and provides tools for students, researchers, and managers to assess and connect fire environment and fire behaviour to fire effects. Fire has not only shaped social and ecological communities but pushed ecosystems beyond previous boundaries, yet understanding the nature and effects of fire as an ecological disturbance has been slow, hampered by the complexity of the dynamic interactions between vegetation and climate and the fear of the destruction fire can bring. This book will help those who study, manage, and use wildland fire to develop new answers and novel solutions, based on an understanding of how fire functions in natural and social environments. It reviews literature, synthesizes concepts, and identifies research gaps and policy needs. The text also explores the interaction of fire and human culture, demonstrating how fire policy can be made adaptable to cultural and socio-ecological objectives.
Design-Build provides everything you need to know about how to embark on a design-build project within a studio or professional practice setting. Design-build models have increased across academic programs worldwide, allowing students to address the real-world challenges of working in the community using a participatory design process. In practice, they offer a full partnership between the designer and builder to elevate design concepts and reduce project costs. Written by an experienced practitioner and educator, this book offers contextual background on the development of the design-build model in pedagogy and practice, guidance from inception to conclusion for classroom and field usage, discussions on the shift to community-engaged design and inspirational examples from international case studies. Illustrated in full color throughout, it looks at structuring a design-build firm, best-practice, efficiency and the limitations of design-build as a practice model. This is the fundamental guidebook for those interested in developing or working for a design-build professional practice, academics leading design-build programs and students interested in social and environmental justice, education, and practice through a design-build model.
In this multi-authored book, senior practitioners and researchers offer an international overview of landscape character approaches for those working in research, policy and practice relating to landscape. Over the last three decades, European practice in landscape has moved from a narrow, if relatively straightforward, focus on natural beauty or scenery to a much broader concept of landscape character constructed through human perception, and transcending any of its individual elements. Methods, tools and techniques have been developed to give practical meaning to this idea of landscape character. The two main methods, Landscape Character Assessment (LCA) and Historic Landscape Characterisation (HLC) were applied first in the United Kingdom, but other methods are in use elsewhere in Europe, and beyond, to achieve similar ends. This book explores why different approaches exist, the extent to which disciplinary or cultural specificities in different countries affect approaches to land management and landscape planning, and highlights areas for reciprocal learning and knowledge transfer. Contributors to the book focus on examples of European countries - such as Sweden, Turkey and Portugal - that have adopted and extended UK-style landscape characterisation, but also on countries with their own distinctive approaches that have developed from different conceptual roots, as in Germany, France and the Netherlands. The collection is completed by chapters looking at landscape approaches based on non-European concepts of landscape in North America, Australia and New Zealand. This book has an introductory price of GBP125/$205 which will last until 3 months after publication - after this time it will revert to GBP140/$225.
Acetate film, an exhaust fan, lollipops, a bicycle, paper and pens-in Group Efforts: Changing Public Space, vital voices in art and design use everyday objects to transform surroundings in remarkable ways. An illustrated chronicle of projects organized by the Graduate School of Architecture, Planning and Preservation at Columbia University in collaboration with Elastic City, this volume contains interviews with Todd Shalom and Hayal Pozanti, who assemble new shapes from Manhattan's West Village streetscape; Greta Hansen, Kyung Jae Kim, and Adam Koogler, who host spontaneous political forums in a pavilion built with plastic and blown air; and Karen Finley, who detourns Columbus Circle into an urban-scale mandala of resistance, reparation, and discovery. An incisive essay by designer and cultural historian Mabel O. Wilson positions these creative occupations alongside recent acts of protest.
This book is oriented on testing and developing the neopragmatic approach of horizontal geographies, in which we follow approaches of natural sciences, social sciences, and cultural studies. Regional focus is thereby put on a rapidly changing elemental space and its social representations, characterized by unstable and not well-defined hybridities: coastal Louisiana. This region is highly dynamic: the Mississippi River in particular, with its extensive sediments, has shifted the coastal fringe of present-day Louisiana into the Gulf of Mexico. This land gain is contrasted by natural processes, but also by processes resultant of human intervention which cause marine encroachment. A complex interplay of different aspects is directly and indirectly leading to coastal land loss which makes the question of how to describe emerging hybrid spaces virulent and highlights the limits of a positivist understanding of boundaries that is also physically geographical. In the neopragmatic tradition, positivist research findings will be framed in social constructivist terms and supplemented by phenomenological approaches to Louisiana's coastal space, thus suggesting the need for and potentials of horizontal geographic integration of different theoretical and methodological approaches as well as researcher perspectives and data bases.
A definitive intellectual history of landscape urbanism It has become conventional to think of urbanism and landscape as opposing one another-or to think of landscape as merely providing temporary relief from urban life as shaped by buildings and infrastructure. But, driven in part by environmental concerns, landscape has recently emerged as a model and medium for the city, with some theorists arguing that landscape architects are the urbanists of our age. In Landscape as Urbanism, one of the field's pioneers presents a powerful case for rethinking the city through landscape. Charles Waldheim traces the roots of landscape as a form of urbanism from its origins in the Renaissance through the twentieth century. Growing out of progressive architectural culture and populist environmentalism, the concept was further informed by the nineteenth-century invention of landscape architecture as a "new art" charged with reconciling the design of the industrial city with its ecological and social conditions. In the late twentieth and early twenty-first centuries, as urban planning shifted from design to social science, and as urban design committed to neotraditional models of town planning, landscape urbanism emerged to fill a void at the heart of the contemporary urban project. Generously illustrated, Landscape as Urbanism examines works from around the world by designers ranging from Ludwig Hilberseimer, Andrea Branzi, and Frank Lloyd Wright to James Corner, Adriaan Geuze, and Michael Van Valkenburgh. The result is the definitive account of an emerging field that is likely to influence the design of cities for decades to come.
The Kent coastal strip of Dungeness is a unique environment. Harshly vulnerable to the elements yet protected from inland development, it has enticed many architects, artists, photographers and creative thinkers, including of course renowned artist and film-maker Derek Jarman. Its exposed position makes it an extreme place - a viewing station for the shifting sea, the passing clouds and the changing seasons. Design writer Dominic Bradbury is your guide to this border landscape both natural and manmade, from shingle beaches to black houses. Dungeness is a crucible for exciting architecture; the local vernacular includes fishermen's cottages, lighthouses and ex-industrial structures. This mix has attracted leading architects including Rodic Davidson, Fiona Naylor and Brian Johnson, Simon Conder, Guy Holloway and others to complete projects in the area. The book includes sixteen stunning case studies of homes both converted from non-domestic buildings and exciting new builds.
Doing research is an essential element of almost all programmes in planning studies as well as related areas such as geography and urban studies, from undergraduate, through Masters to doctoral programmes. While most texts on such research emphasise methodologies, this book is unique in addressing how theoretical frameworks and perspectives can inform research activity. Providing both a concise introduction to a wide range of such theories and detailed engagement with cases of planning research, it provides the reader with the insights necessary to conduct theory-informed research. It offers an understanding of how the choice of a theoretical framework has implications for the focus of the research, the precise research questions addressed and the methodologies that will be most effective in answering those questions. Through practical advice and published examples it will support planning researchers in doing stronger, more widely-applicable research, which answers key questions about planning systems and their role within our societies.
Introduction to Environmental Impact Assessment provides students and practitioners with a clearly structured overview of the subject, as well as critical analysis and support for further studies. Written by three authors with extensive research, training and practical experience in EIA (Environmental Impact Assessment), the book covers the latest EIA legislation, guidance and good practice. This edition updates essential information on: the evolving nature of EIA Although the book s focus is on the UK and the EU, the principles and techniques it describes are applicable internationally. With colour images and a new modern design, the book provides an essential introduction to EIA for undergraduate and postgraduate students on planning courses, as well as those studying environmental management and policy, environmental sciences, geography and the built environment. Planners, developers, community groups and decision-makers in government and business will also welcome the book as an effective way to get to grips with this important and evolving subject that affects a wide range of development projects.
This book provides extensive information on craftsmen-built houses in China. Though some inroads have been made in studying this folk custom, this work represents the first comprehensive and systematic monograph. The book examines the topic at the two main levels of "history" and "theory". Combining historical textual research, contemporary textual research, and field study, the book presents systematic information on the folk custom of craftsmen-built houses in China. At the level of theoretical research, it puts forward some original opinions on the major theoretical issues, such as the folk custom of religious belief, the boundary between superstition and religion, and the relationship between oral literature and ritual. The book provides a guide to help readers systematically understand the folk custom of craftsmen-built houses in China. Sharing valuable insights into Chinese architectural history, as well as religious studies, cultural anthropology, and folklore, it will appeal to researchers in the fields of folklore, cultural anthropology, and architecture and can also serve as a popular science book for understanding Chinese architectural culture. |
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