A history and tour of this exceptionally beautiful designed landscape in North Yorkshire. Dubbed "the Wonder of the North" in 1732, the National Trust's Fountains Abbey and Studley Royal Estate (now a World Heritage Site) encompasses one of the largest, most magnificent and beautiful designed landscapes ever created. This richly illustrated volume charts the landscape's history from the first arrival of prehistoric hunters, via medieval monasticism, the Dissolution of the monasteries, eighteenth-century aestheticism and scandal, and the first ages of mass tourism, to the present day. At the heart of the story lies the rise and fall of England's largest Cistercian monastery and how that shaped the origins of the Aislabie family's breathtaking gardens. Their Studley Royalwas at the forefront of every emergent landscape gardening fashion between 1670 and 1800. The book also describes the dramatic history of the family and the monumental scale of their achievements in this field, extending over many dozens of square miles of North Yorkshire - far beyond the limits of the garden as it is seen today (reduced to serve the more limited needs of Victorian day-trippers). The Wonder of the North brings social and garden history together with archaeology to reveal Fountains Abbey and Studley Royal - too often seen as "just" a ruined medieval monastery - as one of the world's greatest artistic creations. Mark Newman has been the National Trust's archaeological adviser for Fountains Abbey and Studley Royal estate since 1988. He was also resident there, living in Fountains Hall from 1988-1995.

This book offers a comprehensive introduction to the planning and implementation of this special kind of garden, taking the concrete planning process as its guide. From design fundamentals and concept development with different typology variants all the way to the choice of materials, the various construction principles, and building services, all subjects relevant to planning are comprehensively presented. The planning information is illustrated with numerous international examples, with projects ranging from a "green wall" as interior design element and private house gardens in Australia, New Zealand, and Germany all the way to award - winning ecological office buildings in the USA and the Netherlands, an old - age home in Sweden, and an indoor park in Canada.

Garden design began in West Asia and spread through Europe. This book tells how, in the British Isles, it flourished to an extraordinary degree. Following the historical method in Tom Turner's books on Asian gardens (2010) and European gardens (2011), it uses almost 1000 colour photographs, plans and style diagrams to provide a word and image history of garden design. Individual chapters cover the Celtic, Roman, Medieval, Renaissance, Baroque, Neoclassical, Romantic, Arts and Crafts, Modern and Postmodern periods. Additional information about the gardens in the book is available on the Gardenvisit.com website, which the author edits http://www.gardenvisit.com/history_theory/british_gardens_companion

The unique convergence of architecture and landscape found on the Bernina Pass inspired Swiss photographer Guido Baselgia to create a visual epic. The result is a one-of-a-kind presentation of the new road maintenance base near Bernina Pass, designed by renowned Swiss firm Bearth & Deplazes Architekten, in a seemingly arctic winter landscape. Baselgia explored the territory along the road and railway line with his analogue camera. His images also draw a connection between the existing infrastructures for traffic and energy production - built over the course of the landscape's industrialisation and continued development since the late 19th century - to the architecture of the new maintenance base. A concavely curved shield wall topped by a round tower is all that is visible of this vast, purely functional, and largely underground space. The shield wall cuts a segment from the existing topography and thereby encloses a courtyard along with an area of the surrounding landscape. The tower refuses direct encoding - until entering the camera obscura at its very top, which connects photography, architecture, and landscape to reveal that this place is about insights and not outlooks. The book features a selection of Guido Baselgia's striking photographs and reproductions of camera obscura images from the tower in outstanding duotone reproduction and documents Bearth & Deplazes' architecture through concise texts, images, and selected plans. Text in English, German and Italian.

Garden design and usage has been a feature of human civilisation as far back as Neolithic times, when the first gardens began to be used for residential, horticultural and sacred tasks. Tom Turner follows the entire history of the European garden from its prehistoric roots right up to the present day in this beautifully illustrated book.

European Gardens is divided into ten periods of history and garden development, detailing the advancement of land usage for over 10,000 years. Some of the topics covered in this comprehensive book include the Egyptian gardens of the Pharaohs, the castle gardens of medieval times, eclectic gardens of the nineteenth century and abstract gardens of the last 100 years. The geographical scope of this book covers the whole of the European continent, and touches the garden designs of North Africa and the Middle East.

Tom Turner is a skilled landscape architect and garden historian, who supports his engaging writing with his own detailed plans and diagrams. European Gardens also features almost 1,000 colour photographs from across the continent allowing the reader to see for themselves how the design and structure of gardens has developed over time.

A companion to the Asian Gardens book, published by Routledge in 2010, European Gardens is a development of the original Garden History book from 2004.

Wer entscheidet uber Allokation, Art und Mass von Buroimmobilienentwicklungen, und wie konnen Stadte, private Quartiers- und Flachenentwickler die Standortentscheidungen der Projektentwickler und Investoren beeinflussen? Aus der Perspektive der Neuen Institutionenokonomik untersucht Christoph Meyer zum Alten Borgloh die Transaktionen von Buroprojektentwicklungen auf ihre Kosten, Risiken und Rahmenbedingungen sowie deren Einfluss auf die Investitionsentscheidungen. Darauf aufbauend analysiert der Autor, wie mithilfe des Institutional Design die Transaktionskosten gesenkt und Investitionsanreize generiert werden konnen. Aus den Ergebnissen konnen Quartiersentwickler und Kommunen Ansatze ableiten, wie Entwicklungsareale fur Investoren und Projektentwickler attraktiver gestaltet und stadtebauliche Instrumente effizienter genutzt werden konnen. Projektentwicklern und Investoren wird aufgezeigt, bei welchen Aktivitaten die umfangreichen Transaktionskosten entstehen und wie diese reduziert werden konnen."

Using a rich assortment of illustrations and biographical sketches, Peter Martin relates the experiences of colonial gardeners who shaped the natural beauty of Virginia's wilderness into varied displays of elegance. He shows that ornamental gardening was a scientific, aesthetic, and cultural enterprise that thoroughly engaged some of the leading figures of the period, including the British governors at Williamsburg and the great plantation owners George Washington, Thomas Jefferson, William Byrd, and John Custis. In presenting accounts of their gardening efforts, Martin reveals the intricacies of colonial garden design, plant searches, experimentation, and the problems in adapting European landscaping ideas to local climate. These writings also bring to life the social and commercial interaction between Williamsburg and the plantations, together with early American ideas about cultured living. While placing Virginia's gardening in the larger context of the colonial South, Martin tells a very human story of how this art both influenced and reflected the quality of colonial life. As Virginia grew economically and culturally, the garden became a projection of the gardener's personal identity, as exemplified by the endeavors of Washington and Jefferson at Mount Vernon and Monticello. In order to recapture the gardens as they existed in colonial times, Martin brings together paintings, drawings, and the findings of modern archaeological excavations. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The Only Comprehensive Guide to Brick Specifically for Landscape Architects "Nothing remarkable about a brick, is there? A brick is a brick so far as most people are concerned. And it is not a very beautiful thing, is it? But what you can do with it!" —Frank Lloyd Wright Brick was one of the first manufactured building materials. Today, it continues to be one of the most popular building materials in the world, thanks to its unparalleled versatility, durability, warmth, and aesthetic richness. And nowhere are these attributes more evident than in the designed landscape. Brick in the Landscape gives you the information you need to exploit brick’s full potential in your design work. The first and only complete guide to the properties, use, selection, and installation of brick written from the landscape architect’s perspective, it is destined to become a staple in your practice. Brick in the Landscape provides full, detailed coverage of all relevant technical aspects of brick, including materials and properties, finishes and bonds, classifications and shapes. It also familiarizes you with virtually all known bricklaying and masonry methods and techniques, including numerous all-but-forgotten, yet still viable, techniques. At the same time, Brick in the Landscape is an enduring source of inspiration and ideas. Generously supplemented with more than 100 photographs illustrating various building systems as well as both common and innovative applications of brick in landscape design, it will awaken you to the nearly unlimited potential of brick to enhance your designs. Brick in the Landscape is an indispensable tool for landscape architects, landscape designers, and architects who provide site-planning services.

Jens Jensen was one of America's greatest landscape designers and conservationists. Using native plants and "fitting" designs, he advocated that our gardens, parks, roads, playgrounds, and cities should be harmonious with nature and its ecological processes--a belief that was to become a major theme of modern American landscape design. In "Jens Jensen: Maker of Natural Parks and Gardens," Robert E. Grese draws on Jensen's writings and plans, interviews with people who knew him, and analyses of his projects to present a clear picture of Jensen's efforts to enhance and preserve "native" landscapes.

Laurie Olin shares his insights into seemingly ordinary elements of these places, and how they intersect with our individual lives and experiences. An expert treatise on a niche topic, Olin's analysis of the importance of public seating goes beyond their aesthetic or comfort value. He explores how public seating influences our social conduct, our role as citizens, and our establishment of place and community.

Bridges touch all our lives - every day we are likely to cross a bridge, or go under one. How many of us stop to consider how the bridge stands up and what sort of people designed and built something so strong? Bridge building is a magnificent example of the practical and every day use of science. However, the story of bridges goes beyond science and technology, and involves issues relating to artistic and cultural development. After all, bridges are built by people, for people. Bridges can be icons for whole cities; just consider New York's Brooklyn Bridge, London's Tower Bridge, and Sydney's Harbour Bridge. Such bridges can be considered functional public art, as they have the power to delight or be an eyesore. David Blockley explains how to read a bridge, in all its different forms, design, and construction, and the way the forces flow through arches and beams. He combines the engineering of how bridges stand up with the cultural, aesthetic, and historical importance they hold. Drawing on examples of particular bridges from around the world, he also looks in detail at the risk engineers take when building bridges, and examines why things sometimes go wrong.

The latest edition of the University of Virginia School of Architecture's design journal, LUNCH 15 turns to the concept of Thickness and considers what possibilities lie in poche, thick description, thin assemblies, and in the many layers of the built environment. The issue considers Thickness in four sections: "Places" navigates the ways we understand the spaces in which we live and work. "Materials" delaminates the building blocks of our world and how we know them. "Representation" traces the many forms and layers of communication through which we see or that might obscure our vision. Finally, "Relations" follows threads that bind. In a world operating between the thick and thin of it, how will your lines be drawn?

Landscaping is a critical element in improving both the function and appearance of rainwater recycling and stormwater management practices. Designing landscaped areas to soak up rainfall runoff from building and paved areas helps protect water quality in local creeks and waterways. These landscape designs reduce polluted runoff and help prevent creek erosion. As the runoff flows over vegetation and soil in the landscaped area, the water percolates into the ground and pollutants are filtered out or broken down by the soil and plants. As Mike Breedlove, landscape architect and head of Breedlove Land Planning in Conyers, GA, likes to say, "The role of the landscape architect is to successfully marry mankind to nature." His statement is even more succinct than the description used by the American Society of Landscape Architects (ASLA), which highlights how landscape architects use a comprehensive working knowledge of architecture, civil engineering, and urban planning to "design aesthetic and practical relationships with the land." This integrative function of landscape architecture makes the profession seem a natural spawning ground for the innovation needed to successfully meet the considerable challenges posed by stormwater-related pollution and erosion. Fencing or hiding stormwater facilities out of view not only loses the opportunity to create an aesthetically pleasing site design, but also sends the message that stormwater is an attractive nuisance. Furthermore, constructing rain parks is becoming an essential part for urban landscape planning.

Foreword by Michael Sadgrove, Dean of Durham Cathedral 2003-2015 "Generations of painters have sought new pictorial songs to sing in depicting Durham and its great Cathedral. I was no different in this respect, until I became aware of the infinite variations endowed upon these historic structures by the ever-changing world they inhabit. This book contains some of my songs, but there are many more yet to sing." Award-winning artist Stuart Fisher is considered to be one of the most talented painters of architectural landscapes in Northern England. Mostly Durham contains 75 of his beautiful watercolour paintings and drawings from around the historic city of Durham and beyond.

LA+ WILD explores the concept of WILD and its role in design, large-scale habitat and species conservation, scientific research, the human psyche, and aesthetics. This issue of LA+ includes contributions drawn from disciplines as diverse as evolutionary ecology, biology, visual arts, bioengineering, landscape architecture, planning, architecture, climatology, environmental history, philosophy, and literature. It features essays by Timothy Mousseau and Anders Moller, Timothy Morton, Paul Carter, Richard Weller, Julian Raxworthy, Emma Marris, Stefan Rahmstorf, Stephen Pyne, Nina-Marie Lister, and Orkan Telhan, among others. It also includes a review of the New York s Rebuild by Design competition, and interviews with eminent ecologists Richard T.T. Forman and Daniel Janzen. The feature artist for this issue is Viennese bio-artist Sonja Baumel. LA+ (Landscape Architecture Plus) Journal from the University of Pennsylvania School of Design is the first truly interdisciplinary journal of landscape architecture. Within its pages you hear not only from designers, but also from historians, artists, lawyers, ecologists, planners, scientists, philosophers, and many more besides. LA+ aims to reveal connections and build collaborations between landscape architecture/urban design and other disciplines by exploring each issue's theme from multiple perspectives. The journal features a range of contribution types including essays, interviews, design criticism, graphic features, illustrations, and short-form pieces designed to provoke and inspire readers. LA+ Journal brings you a rich collection of contemporary thinkers and designers in two lavishly illustrated issues annually."

Within the human-machine collaborations cultivated in the digital age, crafts and materials are playing an increasingly important role in forming various ways of matter aggregation for architecture. Based on the pedagogical exploration of the design studio-Matter Aggregation at UVA, the book seeks new values of wood craft for contemporary architectural design, by introducing digital design and robotic fabrication techniques into the design process for timber building. The book integrates explorations of traditional crafts with digital fabrication technique, establishing a digital crafting as a new field for contemporary practice. The book explores the computational mechanisms and diagrammatic grammar within these craft-based aggregation systems, paying close attention to geometrical configurations, material effects and fabrication details and take advantage of these qualities to produce a unique spatiality.

Two Journeys is the firsat comprehensive monograph on the work of Michael Webb, an artist who is also a trained architect and who operates at the intersection of the two disciplines. He is widely known for creatively exploring the boundaries of drawing techniques, specifically perspectival projection. Webb's aspirations for and re-conceptions of both built and natural environments are revealed between a twenty-year study on perspective projection that utilizes as its subjects the Regatta Course at Henley-on-Thames in England, and early work, some of which was done in conjunction with Archigram, an avant-garde group concerned with theorizing and critiquing architecture which formed during the 1960s at the Architectural Association in London. The publication connects nearly sixty years of the artist's work into a continuously evolving narrative about the relationship between architecture, the automobile, and landscape. Webb's work investigates these relationships using notions of time, space, and speed, and analogue drawing tools such as pencil and collage, which are often rendered later in oil paint. The book features over 150 drawings: artistic works rooted in analytical thinking and structured around architectural elements and notational systems.