Drawing on first-hand accounts of action research in the Americas, Africa, and Asia, The Heart of Community Engagement illustrates the transformative learning journeys of exemplary catalysts for community-based change. Practitioners' stories of community engagement for social justice in the Global South elucidate the moments of insight and transformation that deepened their practice: how to deal with uncertainty, recognize their own blind spots, become aware of what is emergent and possible in the moment, and weave an inclusive bond of love, respect, and purpose. Each successive narrative adds a deeper level of understanding of the inner practice of community engagement. The stories illuminate the reflective, or inner, practice of the outside change agent, whether a planner, designer, participatory action researcher, or community development practitioner. From a shantytown in South Africa, to a rural community in India, or an informal settlement in peri-urban Mexico, the stories focus attention on the greatest leverage point for change that we, as engaged practitioners, have: our own self-awareness. By the end of the book, the practitioners are not only aware of their own conditioned beliefs and assumptions, but have opened their minds and hearts to the complex and dynamic patterns of emergent change that is possible. This book serves as a much-needed reader of practice stories to help instructors and students find the words, concepts, and examples to talk about their own subjective experience of community engagement practice. The book applies some of the leading-edge concepts from organizational development and leadership studies to the fields of planning, design, and community engagement practice. Key concepts include the deep dive of sensing the social field, seeing the whole, and presencing the emergent future. The book also provides a creative bridge between participatory action research and design thinking: user-based design, rapid prototyping, and learning from doing.

James Shirley Hibberd (1825 90) was a journalist and horticultural writer who worked as a bookseller before devoting his time to researching and lecturing and publishing on gardening. An active member of the Royal Horticultural Society, he edited several gardening magazines including Floral World, and his writing was widely enjoyed and respected. This book, first published in 1856, is Hibberd's carefully researched and practical guide to decorating the home and garden. Hibberd explains the practical aspects of garden design, the pleasures of bee-keeping, and how to construct a pond or aquarium. Full of useful advice on everything from preserving cut flowers to the ideal species of bird to keep in an aviary, this is a charming and enjoyable manual for the Victorian gardener which was very popular in its time, and remains a useful source for the cultural historian as well as an entertaining treat for the general reader.

Recipient of 2019 John Brinckerhoff Jackson Book Prize, Foundation for Landscape Studies 2021 On the Brinck Book Award Winner "Burle Marx created a new and modern grammar for international landscape design." -Lauro Cavalcanti, quoted in the New York Times "The real creator of the modern garden." -American Institute of Architects Presenting the first English translation of Burle Marx's "depositions," this volume highlights the environmental advocacy of a preeminent Brazilian landscape architect who advised and challenged the country's military dictatorship. Roberto Burle Marx (1909-1994) is internationally known as one of the preeminent modernist landscape architects. He designed renowned public landscapes in Brazil, beginning with small plazas in Recife in the 1930s and culminating with large public parks in the early 1960s, most significantly the Parque do Flamengo in Rio de Janeiro. Depositions explores a pivotal moment in Burle Marx's career-the years in which he served as a member of the Federal Cultural Council created by the military dictatorship in the mid-1960s. Despite the inherent conflict and risk in working with the military regime, Burle Marx boldly used his position to advocate for the protection of the unique Brazilian landscape, becoming a prophetic voice of caution against the regime's policies of rapid development and resource exploitation. Depositions presents the first English translation of eighteen environmental position pieces that Burle Marx wrote for the journal Cultura , a publication of the Brazilian Ministry of Education and Culture, from 1967 through 1973. Catherine Seavitt Nordenson introduces and contextualizes the depositions by analyzing their historical and political contexts, as well as by presenting pertinent examples of Burle Marx's earlier public projects, which enables a comprehensive reading of the texts. Addressing deforestation, the establishment of national parks, the place of commemorative sculpture, and the unique history of the Brazilian cultural landscape, Depositions offers new insight into Burle Marx's outstanding landscape oeuvre and elucidates his transition from prolific designer to prescient counselor.

Landscape architects rely on images to explore ideas and to communicate them to others. Their designs range from large-scale master plans and strategic visions, through to specific vegetation and precise construction details. Concepts and creative solutions are developed, refined, and explained on paper. This handbook focuses on areas which, even in the age of digital media, remain foundations of the profession: drawing, graphics, and projections. Both instructional and inspirational, it covers the basics of landscape architectural representation in an easy-to-understand way, encouraging readers to sketch and develop their own graphic language and style. Also showcased in this book are many examples from landscape architecture offices worldwide, offering practical help and ideas. Key thematic areas include: Introduction to drawing tools, applications and effects Symbols in different scales, styles, and abstraction levels Basic principles for presentation, layout, and lettering Fundamentals of orthographic and parallel projections Drawing in contemporary landscape architecture practice

"Places of Power: Political Economies of Landscape Change" asks how politics and economics transform the landscapes we inhabit. This volume explores the connections between political economy and landscape change through a series of conceptual essays and case studies. In so doing, it speaks to a broad readership of landscape architects, geographers, and related fields of social and environmental research. The book consists of an introductory essay with nine chapters commissioned from leading geographers, landscape architects, political scientists, and economists, and a concluding essay on implications for future landscape inquiry and design.

The book is organized in three major sections. Part one, titled Landscapes of Struggle, Possibility, and Prosperity, includes a chapter on new axioms for reading the landscape followed by two chapters that read processes of economic development and distress in mountain landscapes of the U.S. and South America. Part Two on Political and Economic Driving Forces of Landscape Change includes two chapters each on political driving forces (political constructs and institutions) and economic driving forces (environmental economics and global financial markets). Part Three, titled Integrative Landscape Change compares innovative rural landscape policies in Europe and the U.S., and draws implications for future landscape inquiry, planning, and design.

This elegant Fourth Edition of Chip Sullivan's classic Drawing the Landscape shows how to use drawing as a path towards understanding the natural and built environment. It offers guidance for tapping into and exploring personal creative potential and helps readers master the essential principles, tools, and techniques required to prepare professional graphic representations in landscape architecture and architecture. It illustrates how to create a wide range of graphic representations using step-by-step tutorials, exercises and hundreds of samples.

A textbook for the required course on professional practice in all accredited degree programs in landscape architecture. Covers essential areas of professional practice from marketing to project management, legal issues and technical specifications. Guides readers through planning a successful career in this field.

One of the foremost objectives of landscape architectural design is to impart an organizational order in the landscape. Heavily illustrated, this enlightening book introduces the basic elements and principles of design, and then explores the spatial language used to organize and shape landscape architectural design. With more than five hundred hand-rendered graphics and over 150 photographs, this book offers students, professionals and life-long learners a complete introduction to the visual language that is the underpinning of landscape architectural design.

Warren H. Manning's (1860-1938) national practice comprised more than sixteen hundred landscape design and planning projects throughout North America, from small home grounds to estates, cemeteries, college campuses, parks and park systems, and new industrial towns. Manning approached his design and planning projects from an environmental perspective, conceptualising projects as components of larger regional (in some cases, national) systems, a method that contrasted sharply with those of his stylistically oriented colleagues. In this regard, as in many others, Manning had been influenced by his years with the Olmsted rm, where the foundations of his resource-based approach to design were forged. Manning's overlay map methods, later adopted by the renowned landscape architect Ian McHarg, provided the basis for computer mapping software in widespread use today. One of the eleven founders of the American Society of Landscape Architects, Manning also ran one of the nation's largest offices, where he trained several influential designers, including Fletcher Steele, A. D. Taylor, Charles Gillette, and Dan Kiley. After Manning's death, his reputation slipped into obscurity. Contributors to the Warren H. Manning Research Project have worked more than a decade to assess current conditions of his built projects and to compile a richly illustrated compendium of site essays that illuminate the range, scope, and significance of Manning's notable career with specially commissioned photographs by Carol Betsch.

Universities are more than engines propelling us into a bold new future. They are also living history. A college campus serves as a repository for the memories of countless students, staff, and faculty who have passed through its halls. The history of a university resides not just in its archives but also in the place itself?the walkways and bridges, the libraries and classrooms, the gardens and creeks winding their way across campus. To think of Emory as place, as Hauk invites you to do, is not only to consider its geography and its architecture (the lay of the land and the built-up spaces its people inhabit) but also to imagine how the external, constructed world can cultivate an internal world of wonder and purpose and responsibility?in short, how a landscape creates meaning. Emory as Place offers physical, though mute, evidence of how landscape and population have shaped each other over decades of debate about architecture, curriculum, and resources. More than that, the physical development of the place mirrors the university's awareness of itself as an arena of tension between the past and the future?even between the past and the present, between what the university has been and what it now purports or intends to be, through its spaces. Most of all, thinking of Emory as place suggests a way to get at the core meaning of an institution as large, diverse, complex, and tentacled as a modern research university.

Italian gardens vary widely according to their historical date and geographic location. This collection approaches Italian gardens of all periods, from the middle ages to modern times, and it ranges widely throughout the peninsula, from Genoa to Sicily, the Veneto to Liguria, and Ferrara to Florence. The authors are a distinguished group of Italian, American, English and German scholars, with different backgrounds in art history, literature, architecture, planning, and cultural history. The explorations of the subject from these different perspectives illuminate not only their own disciplines, but are concerned to make many fresh connections between garden art and the politics of nationalism, between the art of gardens and urban infrastructure, between cultural movements like freemasonry and site planning, between design and planting materials. The book offers therefore a narrative of the garden by selecting ten high points of its history, which are introduced with a consideration by the volume editor of the fresh challenges to contemporary Italian garden history.

Using ten landscape architectural projects on three continents, Landscapes and Gardens presents the case for green landscapes and public gardens in the city. The authors discuss, through short essays, their approach to public open space, green landscapes, and human-scaled gardens. Highlighting strategies for the design of public landscapes and gardens, the use of appropriate materials and plant species, and how site and climate influence the final design, Landscapes and Gardens is a lush collection of beautiful images of gardens, big and small, providing inspiration for those who love parks, gardens, and gardening. Long focused on the importance of public space, and specifically green public space, the authors recognize landscape as the primary wish by the public. As programmed elements come and go, the landscape is there for the long term, and can adjust to the changing uses of our public space. Within the landscape, the garden offers meaning as it ties back to the cultural, the natural, and the agricultural. Like the landscapes they inhabit, public gardens must be robust. The design must be bold and simple, retaining the qualities of the garden that we enjoy so much colors, plant structures, textures, and seasonal changes that delight. The landscapes and gardens included the book provide examples of strategies by which the balance of robustness and richness can be achieved in gardens set within public parks in the city. The themes employed by Hargreaves Associates promote the garden as a critical element of the public park and cultural landscape, creating public gardens that provide a direct personal connection to nature, quiet respite, and rich inspiration."

Richmond Park is the largest Royal Park in London, covering an area of 2,500 acres. From its heights there is an uninterrupted view of St Paul's Cathedral, 12 miles away. The royal connections to this park probably go back further than any of the others, beginning with Edward I in the thirteenth century, when the area was known as the Manor of Sheen. The name was changed to Richmond during Henry VII's reign. In 1625 Charles I brought his court to Richmond Palace to escape the plague in London and turned it into a park for red and fallow deer. His decision, in 1637, to enclose the land was not popular with the local residents, but he did allow pedestrians the right of way. To this day the walls remain. In 1847 Pembroke Lodge became the home of the then Prime Minister, Lord John Russell, and was later the childhood home of his grandson, Bertrand Russell. However, Richmond Park emerges from its historical record as a place that has seen many changes in fabric and detail and yet remains the embodiment of a medieval deer park. It is a palimpsest, retaining subtle clues to each period in its history.

"Mike Alewitz's art has given eloquent voice to the aspirations of working people throughout the world."
--Martin Sheen

The most prolific U.S. labor muralist since the 1940s, Alewitz illuminates the hidden spaces where connections between the U.S. workforce and its extended relatives across the planet are to be found.

Insurgent Images contains murals for the Teamsters, the Oil Chemical and Atomic Workers, the Communications Workers, United Electrical Workers, the United Farm Workers, as well as the Highlander Folk School and other labor institutions. Other works respond to dramatic events such as the 1984 strike of P-9 workers in Austin, Minnesota, the 1991 rebellion in Los Angeles, and the tragedy at Chernobyl. Altogether, this collection presents an inspiring artistic reading of our epoch.

This diverse new collection of essays, written by scholars, practitioners, and public-land managers, considers the history of public park design, as well as the parks themselves as repositories of cultural values.

In exploring the role design has played in these public spaces, the contributors look not only at noticeably planned, often urban, landscapes such as Central Park or Boston's Back Bay Fens but also at parks such as Yosemite with naturally occurring scenic qualities, which require less development. The essays present design as encompassing not simply a park's appearance--its buildings and landscape features--but also its functions, how it delivers a culturally significant experience to visitors.

Much park design has been fed into or organized by systems promoting preservation (the National Park Service being only the most obvious example), and many of this book's contributors stress park design's relationship to preservation, as Americans have become aware of a natural heritage they identify with strongly and want to experience. Other essays treat such engaging topics as European influences on early American parks, the peculiar nature of U.S. regional parks, the effect of the automobile on the outdoor recreational experience, and--in an international context--parks and national identity.

ContributorsTal Alon-Mozes, Israel Institute of Technology * Catherin Bull, University of Melbourne * Theodore Catton, University of Montana * Esther da Costa Meyer, Princeton University * Timothy Davis, U.S. National Park Service * Elizabeth Flint Engle, Western Center for Historic Preservation, Grand Teton National Park * Christine Madrid French, independent scholar * Heidi Hohmann, Iowa State University * John Dixon Hunt, University of Pennsylvania * Brian Katen, Virginia Tech * Richard Longstreth, George Washington University * Neil M. Maher, New Jersey Institute of Technology * Catharina Nolin, Stockholm University * Nicole Porter, University of Nottingham * Elizabeth Barlow Rogers, Foundation for Landscape Studies * Katherine Solomonson, University of Minnesota * Lucienne Thys- enocak, Koc University, Istanbul"

A comprehensive, clearly structured and readable overview of the subject, Introduction to Environmental Impact Assessment has established itself as the leading introduction to EIA worldwide. This fifth edition is a major update reflecting many significant changes in EIA procedures, process, practice and prospects over the last decade. In particular, it includes:

a much more international dimension, drawing on EIA activities worldwide;

an up-to-date coverage of the revised EU EIA Directive and its implementation;

the associated update of contemporary UK procedures and practice;

best practice on evolving methods in the EIA process;　

a rich array of UK and many international case studies;

a new coverage of emerging EIA impact topics, including equality/deprivation; culture; resettlement; climate change; ecosystem services; and risk, resilience and cumulative impacts;

an appraisal of some next steps in the EIA process, including a more effective and proportionate EIA; the impact of technological change; the changing interpretation of the project; project implementation, monitoring and adaptive management; and moves towards a more integrated impact assessment. Together, these topics act as a kind of action list for future EIA;

the development of SEA legislation and practice in the UK, EU and worldwide; and

a set of appendices containing key legislation and an EIS review framework.

It is also makes full use of colour illustrations and chapter questions for discussion. Written by two authors with extensive research, training and consultancy experience of EIA, this book brings together the most up-to-date information from many sources.

Introduction to Environmental Impact Assessment 5th Edition provides a complete, and critical, introductory text that also supports further studies. Students in undergraduate and postgraduate planning programmes will find it essential as a course text, as will students of environmental management/policy, environmental sciences/studies, geography and built environment. Key stakeholders involved in assessment activities – planners, developers, community groups, pressure groups and decision-makers in government and business – will also welcome this latest edition as a very effective means of getting to grips with the many facets of this important and evolving subject that affects a widening range of development projects.

Table of Contents

PART 1. Principles and procedures Chapter 1. Introduction and principlesChapter 2. US origins and worldwide development Chapter 3. EU and UK agency and legislative contexts PART 2. Process Chapter 4. Starting up: early stages Chapter 5. Impact prediction, evaluation, mitigation and enhancement Chapter 6. Participation, presentation and review Chapter 7. Monitoring and auditing: after the decision PART 3. Practice Chapter 8. UK practice Chapter 9. EIA practice worldwide PART 4. Prospects Chapter 10. EIA impact areas, current and emerging Chapter 11. EIA next steps: effectiveness and efficiency of the process Chapter 12. Widening the scope: strategic environmental assessment

Graphic Design in Urban Environments introduces the idea of a category of designed graphic objects that significantly contribute to the functioning of urban systems. These elements, smaller than buildings, are generally understood by urban designers to comprise such phenomena as sculpture, clock towers, banners, signs, large screens, the portrayal of images on buildings through "smart screens," and other examples of what urban designers call "urban objects."The graphic object as it is defined here also refers to a range of familiar things invariably named in the literature as maps, street numbers, route signs, bus placards, signs, architectural communication, commercial vernacular, outdoor publicity, lettering, banners, screens, traffic and direction signs and street furniture. One can also add markings of a sports pitch, lighting, bollards, even red carpets or well dressings. By looking at the environment, and design and deconstructing form and context relationships, the defining properties and configurational patterns that make up graphic objects are shown in this book to link the smallest graphic detail (e.g. the number 16) to larger symbolic statements (e.g. the Empire State Building). From a professional design practice perspective, a cross section through type, typographic, graphic and urban design will provide a framework for considering the design transition between alphabets, writing systems, images (in the broadest sense) and environments.

Frederick Law Olmsted relocated from New York to the Boston area in the early 1880s. With the help of his stepson and partner, John Charles Olmsted, his professional office grew to become the first of its kind: a modern landscape architecture practice with park, subdivision, campus, residential, and other landscape design projects throughout the country. During the period covered in this volume, Olmsted and his partners, apprentices, and staff designed the exceptional park system of Boston and Brookline-including the Back Bay Fens, Franklin Park, and the Muddy River Improvement. Olmsted also designed parks for New York City, Rochester, Buffalo, and Detroit and created his most significant campus plans for Stanford University and the Lawrenceville School. The grounds of the U.S. Capitol were completed with the addition of the grand marble terraces that he designed as the transition to his surrounding landscape. Many of Olmsted's most important private commissions belong to these years. He began his work at Biltmore, the vast estate of George Washington Vanderbilt, and designed Rough Point at Newport, Rhode Island, and several other estates for members of the Vanderbilt family. Olmsted wrote more frequently on the subject of landscape design during these years than in any comparable period. He would never provide a definitive treatise or textbook on landscape architecture, but the articles presented in this volume contain some of his most mature and powerful statements on the practice of landscape architecture.

Urban Design Methods is a manual for reconciling contemporary approaches with increasingly complex demands in the shaping of urban living spaces. Architects and landscape architects, as well as city, regional, and landscape planners, often find that they are unable to do modern projects justice with their specialist skills alone. Cooperative approaches are needed to deal with both the complexity of raising questions and the growing number of affected parties who need to be involved. Urban design - understood as an inter- and transdisciplinary field at the interface of architecture, city and regional planning, landscape architecture, sociology, and the diverse stakeholders involved in any project - requires a compendium of adaptable methods to dissolve the boundaries between theory and praxis and between natural and social systems. For the first time, this book collects a broad spectrum of methods intended to support urban designers in deciphering the contexts in which they work, and help them attain a greater individual professional understanding. It clearly outlines the range of challenges and the constantly evolving areas of activity.

Modern Urban Landscapes is a significant contribution to the conversation on sustainable landscape design, providing energy efficient models and water saving landscape ideas. There are many factors that would help realise energy efficient landscapes, including (but not limited to) the use of energy saving lamps, such as LED; the integration and adoption of renewable energy, including solar-powered and wind-powered landscape lighting; energy-efficient landscape design, particularly through the correct placement and selection of shade trees, and the creation of wind breaks. This book shows techniques for creating landscapes that also save water, for example by choosing correct planting materials; reducing stormwater run-off through the use of bio-swales, rain gardens and green roofs and walls; reducing water usage in landscapes through best-practice water-wise garden techniques, including irrigation using gray water. Permeable paving materials can also help to reduce stormwater runoff and allow rainwater to infiltrate into the ground and replenish groundwater rather than run into surface water systems.

Designing gardens, parks and landscapes requires a holistic approach. It also requires extensive specialist knowledge. In courses and manuals the generalist or in-depth levels are frequently under-represented, or the attempted comprehensive view becomes too complex. "Landscape for Architects" now offers a fundamental reference work which is as comprehensive as it is practical and as holistic as it is detailed. Created in cooperation with the Architecture Department of Braunschweig Technical University, Landscape for Architects addresses the aspects of landscape architecture: "questions" are raised with abstract schematic drawings, and possible "answers" are illustrated with analytical drawings of case studies from the 20th and 21st centuries in order to inspire the reader's own creativity and to support the design process. The entire field of landscape design is dealt with in individual thematic volumes. The numbers of pages in the volumes differ, adding up to a total of more than 1,000 pages in five volumes, published with clear color marking as the "green block". Each volume fully covers the respective subject and can be used on its own-compact and user-friendly. The illustrations are uniformly structured, with the guiding idea on the left-hand side and the associated drawing on the right-hand side. The drawings demonstrate how design concepts can be illustrated, and the three-language format provides an international vocabulary of design.

Treating New York City as an open-air museum, Thomas E. Rinaldi captures the brilliant glow of surviving early- and mid-twentieth-century neon signs, those iconic elements of the cityscape now in danger of disappearing. This visual tour features two hundred signs, identified by location, with information on their manufacture, date of creation, and the businesses that commissioned them. In a generously illustrated introduction, drawing on documents including rare period trade publications, Rinaldi recounts the development of signage and the technological evolution of neon and examines its role in the streets of New York, in America s cultural identity, and in our collective consciousness. New Yorkers and visitors to the city, neon-sign enthusiasts, and those interested in signs and historic advertising generally, as well as design professionals, serious historians, and casual students of the city, will want this colorful book, which comes at a critical moment when the disappearance of the original signs has inspired a growing interest in neon."

Just as there is love at first sight between people, Vaclav Cilek writes, there can be love at first sight between a person and a place. A landscape is more than a location, it is one party in a relationship-even when the spirit of a certain setting is not perceptible to those who visit. But whether we travel to experience rapture or excitement, to discover truth and beauty, or to be dazzled, we search for the essence of faraway landscapes to gain perspective on our own place within the world. To Breathe with Birds delves into the imaginative and emotional bonds we form with landscapes and how human existence-a recent development, geologically speaking-shapes and is shaped by a sense of place. In subtle and lyrical prose, renowned geologist and author Vaclav Cilek explores topics from the history of asphalt to the spirits we imagine in trees, from geodiversity to the mathematics of snowflakes. Weaving earth science and environmentalism together with memoir and myth, his chapters visit resonant locations from India to Massachusetts, though most are deeply rooted in the river-laced, war-scarred landscape of Cilek's Czech homeland. These reflections are accompanied by Morna Livingston's evocative photographs, which capture the beauty and strangeness of natural and human-made forms. The first book-length appearance of Cilek's work in English translation, To Breathe with Birds offers insightful perspectives on the symbolism of landscapes as we struggle to conserve and protect the depleted earth.

What makes a garden regionally appropriate? Fifteen private gardens designed by leading landscape architects answer that question for Northern California by directly addressing the climate, landscape, and culture they inhabit. Whether small or large, urban or rural, luxurious or low budget, these resilient outdoor spaces are finely attuned to the area's microclimates and the indoor-outdoor lifestyle for which Northern California is known. They make use of local building materials and craftspeople and offer their owners a unique emotional connection to nature. Firmly planted in time and place, the projects, complete with plans, define not so much a style as an experience and thrive with little effort from their owners.