Constructing Landscape is a systematic introduction to technical and constructional open space planning, with all the relevant topics, from the most common materials and surfaces to the construction of open space elements and the use of plants. For landscape architects and architects it is an indispensable guide to correct and professional execution planning as well as to preparing solid and well-thought-out requests for proposal. Constructing Landscape is divided into two sections, Materials and Surfaces and Building Construction and Building Elements. The first section provides an overview of the various building materials of landscape architecture and their specific characteristics. It also explains the qualities of surfaces and the different approaches to treating them. The second section begins with an introductory chapter explaining the principles of statics, the connections of load-bearing elements, and the various approaches to anchoring building compo-nents and supporting structures. The subsequent chapters use drawings and text to present the constructional principles and techniques associated with the various building elements. Each chapter concludes with a collection of sample projects, illustrated with photographs and technical drawings.

In its history of over a hundred of years, landscape architecture has developed many ideas, concepts, methods, and models. In this issue, LA Frontiers focuses on prototype studies by examining those traceable and repeatable landscape theories, methodologies, and pedagogies, and introducing the knowledge from allied disciplines to inspire knowledge innovation, with a particular highlight on the prototypes adaptive to future uncertainties. It hopes to extend the disciplinary horizon and enrich the fruition of disciplinary growth, and to provide designers and scholars with prospective design thoughts and more resilient working methods. This issue explores the following aspects: First, prototyping process, or test planning process, which is characterised for the test-planning-design process and has been widely applied in the fields of computer sciences and industrial design but still being less explored in landscape architecture. This process emphasises the multi-disciplinary collaboration and test procedure before design, which would improve the communication efficiency among professionals from different fields. Second, reflection and innovation on classic theories and models in landscape planning and design, such as Ian McHarg's Map Overlay and Carl Steinitz's Six Steps model. Third, research-based design, including design research or competitions with clear goals and boundary conditions which help designers comprehend the essence and implications of design and encourage disciplinary innovation. And fourth, inductive and empirical pedagogies to inspire forward-looking design ideas and working methods.

Issue 14 of LA+ Journal brings you the results of the LA+ CREATURE international design ideas competition, which explored how we can use design to achieve a more symbiotic existence with other creatures. The competition brief asked entrants to choose a nonhuman client and design something - a place, a structure, a product, a process, a system - to improve its life and increase human-nonhuman empathy. As well as showcasing the award-winning designs and a comprehensive Salon des Refuses, LA+ CREATURE features an essay by Lori Gruen (author of Critical Terms for Animal Studies) and interviews with jurors Timothy Morton, Kate Orff, Jennifer Wolch, Andrew Grant, Chris Reed, and Farre Nixon.

This celebration of the style, design, and joy that pools bring to us brims with over 200 glamorous photographs. It is organized by swimming pool design from glimmering infinity pools with a view of the ocean to dramatic cascading waterfall pools and those in lush garden settings. Ranging from beautifully landscaped backyards to dramatic beaches and tropical paradise surroundings, the stunning pool locales show creative examples of pools as architecture and organic forms. In the mix are seductive pools owned by such celebrities as Cher and Dianne Keaton and leading designers Bunny Williams and Carolyne Roehm, as well as masterpieces by famed architects Frank Lloyd Wright, Richard Neutra, and Luis Barragan. Splash concludes with a section on poolside elements, from tiled steps, patterned surfaces, and Jacuzzis to pool houses with outdoor showers, landscaping, furnishings, and much more. Every example evokes the enduring and irresistible appeal of the swimming pool.

As old as a roadway that was once a Native trail, as new as the suburban subdivisions spreading across the American countryside, the cultural landscape is endlessly changing. The study of cultural landscapes--a far more recent development--has also undergone great changes, ever broadening, deepening, and refining our understanding of the intricate webs of social and ecological spaces that help to define human groups and their activities. "Everyday America "surveys the widening conceptions and applications of cultural landscape writing in the United States and, in doing so, offers a clear and compelling view of the state of cultural landscape studies today.
These essays--by distinguished journalists, historians, cultural geographers, architects, landscape architects, and planners--constitute a critical evaluation of the field's theoretical assumptions, and of the work of John Brinckerhoff Jackson, the pivotal figure in the emergence of cultural landscape studies. At the same time, they present exemplary studies of twentieth-century landscapes, from the turn-of-the-century American downtown to the corporate campus and the mini-mall. Assessing the field's accomplishments and shortcomings, offering insights into teaching the subject, and charting new directions for its future development, "Everyday America" is an eloquent statement of the meaning, value, and potential of the close study of human environments as they embody, reflect, and reveal American culture.

Graduate of the Royal Botanic Gardens, Kew, Chartered Landscape Architect, MBA and Barrister, Gordon Rowland Fraser draws upon 30 years of project management, professional practice and teaching experience to provide an uncomplicated and intuitive guide to the business aspects of the landscape profession. An indispensable reference for seasoned professionals, the book will enable the student or novice practitioner to turn their drawing board inspiration into reality without being overwhelmed or afraid of overseeing the implementation of their proposals. Guided by the Landscape Institute's 2013 Pathway to Chartership syllabus, this structured, step-by-step, narrative guide sets out the documentation commonly used within the landscape profession and makes accessible a logical and sequential understanding of contractual relationships; procurement strategies; processes of preparing client estimates and obtaining competitive quotations; of preparing contract documentation and administering formal contracts; general concepts of law as they relate to land management and the landscape profession; of business administration, market appraisal and positioning; and of the landscape consultant's appointment. As an understanding of professional practice is intrinsic to all Landscape Institute accredited courses, this is an essential text for every landscape architecture student during their education and their subsequent journey into professional practice. Those undertaking Garden Design Diplomas will similarly find the book invaluable as they venture into the world of creativity and commerce, while the seasoned practitioner will find it a comprehensive point of reference to add to their bookshelf.

Poor design and wasted funding characterize today's American playgrounds. A range of factors--including a litigious culture, overzealous safety guidelines, and an ethos of risk aversion--have created uniform and unimaginative playgrounds. These spaces fail to nurture the development of children or promote playgrounds as an active component in enlivening community space.
Solomon's book demonstrates how to alter the status quo by allying data with design. Recent information from the behavioral sciences indicates that kids need to take risks; experience failure but also have a chance to succeed and master difficult tasks; learn to plan and solve problems; exercise self-control; and develop friendships. Solomon illustrates how architects and landscape architects (most of whom work in Europe and Japan) have already addressed these needs with strong, successful playground designs. These innovative spaces, many of which are more multifunctional and cost effective than traditional playgrounds, are both sustainable and welcoming. Having become vibrant hubs within their neighborhoods, these play sites are models for anyone designing or commissioning an urban area for children and their families.
The Science of Play, a clarion call to use playground design to deepen the American commitment to public space, will interest architects, landscape architects, urban policy makers, city managers, local politicians, and parents.

Garden design began in West Asia and spread through Europe. This book tells how, in the British Isles, it flourished to an extraordinary degree. Following the historical method in Tom Turner's books on Asian gardens (2010) and European gardens (2011), it uses almost 1000 colour photographs, plans and style diagrams to provide a word and image history of garden design. Individual chapters cover the Celtic, Roman, Medieval, Renaissance, Baroque, Neoclassical, Romantic, Arts and Crafts, Modern and Postmodern periods. Additional information about the gardens in the book is available on the Gardenvisit.com website, which the author edits http://www.gardenvisit.com/history_theory/british_gardens_companion

The unique convergence of architecture and landscape found on the Bernina Pass inspired Swiss photographer Guido Baselgia to create a visual epic. The result is a one-of-a-kind presentation of the new road maintenance base near Bernina Pass, designed by renowned Swiss firm Bearth & Deplazes Architekten, in a seemingly arctic winter landscape. Baselgia explored the territory along the road and railway line with his analogue camera. His images also draw a connection between the existing infrastructures for traffic and energy production - built over the course of the landscape's industrialisation and continued development since the late 19th century - to the architecture of the new maintenance base. A concavely curved shield wall topped by a round tower is all that is visible of this vast, purely functional, and largely underground space. The shield wall cuts a segment from the existing topography and thereby encloses a courtyard along with an area of the surrounding landscape. The tower refuses direct encoding - until entering the camera obscura at its very top, which connects photography, architecture, and landscape to reveal that this place is about insights and not outlooks. The book features a selection of Guido Baselgia's striking photographs and reproductions of camera obscura images from the tower in outstanding duotone reproduction and documents Bearth & Deplazes' architecture through concise texts, images, and selected plans. Text in English, German and Italian.

Garden design and usage has been a feature of human civilisation as far back as Neolithic times, when the first gardens began to be used for residential, horticultural and sacred tasks. Tom Turner follows the entire history of the European garden from its prehistoric roots right up to the present day in this beautifully illustrated book.

European Gardens is divided into ten periods of history and garden development, detailing the advancement of land usage for over 10,000 years. Some of the topics covered in this comprehensive book include the Egyptian gardens of the Pharaohs, the castle gardens of medieval times, eclectic gardens of the nineteenth century and abstract gardens of the last 100 years. The geographical scope of this book covers the whole of the European continent, and touches the garden designs of North Africa and the Middle East.

Tom Turner is a skilled landscape architect and garden historian, who supports his engaging writing with his own detailed plans and diagrams. European Gardens also features almost 1,000 colour photographs from across the continent allowing the reader to see for themselves how the design and structure of gardens has developed over time.

A companion to the Asian Gardens book, published by Routledge in 2010, European Gardens is a development of the original Garden History book from 2004.

Wer entscheidet uber Allokation, Art und Mass von Buroimmobilienentwicklungen, und wie konnen Stadte, private Quartiers- und Flachenentwickler die Standortentscheidungen der Projektentwickler und Investoren beeinflussen? Aus der Perspektive der Neuen Institutionenokonomik untersucht Christoph Meyer zum Alten Borgloh die Transaktionen von Buroprojektentwicklungen auf ihre Kosten, Risiken und Rahmenbedingungen sowie deren Einfluss auf die Investitionsentscheidungen. Darauf aufbauend analysiert der Autor, wie mithilfe des Institutional Design die Transaktionskosten gesenkt und Investitionsanreize generiert werden konnen. Aus den Ergebnissen konnen Quartiersentwickler und Kommunen Ansatze ableiten, wie Entwicklungsareale fur Investoren und Projektentwickler attraktiver gestaltet und stadtebauliche Instrumente effizienter genutzt werden konnen. Projektentwicklern und Investoren wird aufgezeigt, bei welchen Aktivitaten die umfangreichen Transaktionskosten entstehen und wie diese reduziert werden konnen."

Two Journeys is the firsat comprehensive monograph on the work of Michael Webb, an artist who is also a trained architect and who operates at the intersection of the two disciplines. He is widely known for creatively exploring the boundaries of drawing techniques, specifically perspectival projection. Webb's aspirations for and re-conceptions of both built and natural environments are revealed between a twenty-year study on perspective projection that utilizes as its subjects the Regatta Course at Henley-on-Thames in England, and early work, some of which was done in conjunction with Archigram, an avant-garde group concerned with theorizing and critiquing architecture which formed during the 1960s at the Architectural Association in London. The publication connects nearly sixty years of the artist's work into a continuously evolving narrative about the relationship between architecture, the automobile, and landscape. Webb's work investigates these relationships using notions of time, space, and speed, and analogue drawing tools such as pencil and collage, which are often rendered later in oil paint. The book features over 150 drawings: artistic works rooted in analytical thinking and structured around architectural elements and notational systems.

Using a rich assortment of illustrations and biographical sketches, Peter Martin relates the experiences of colonial gardeners who shaped the natural beauty of Virginia's wilderness into varied displays of elegance. He shows that ornamental gardening was a scientific, aesthetic, and cultural enterprise that thoroughly engaged some of the leading figures of the period, including the British governors at Williamsburg and the great plantation owners George Washington, Thomas Jefferson, William Byrd, and John Custis. In presenting accounts of their gardening efforts, Martin reveals the intricacies of colonial garden design, plant searches, experimentation, and the problems in adapting European landscaping ideas to local climate. These writings also bring to life the social and commercial interaction between Williamsburg and the plantations, together with early American ideas about cultured living. While placing Virginia's gardening in the larger context of the colonial South, Martin tells a very human story of how this art both influenced and reflected the quality of colonial life. As Virginia grew economically and culturally, the garden became a projection of the gardener's personal identity, as exemplified by the endeavors of Washington and Jefferson at Mount Vernon and Monticello. In order to recapture the gardens as they existed in colonial times, Martin brings together paintings, drawings, and the findings of modern archaeological excavations. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The Only Comprehensive Guide to Brick Specifically for Landscape Architects "Nothing remarkable about a brick, is there? A brick is a brick so far as most people are concerned. And it is not a very beautiful thing, is it? But what you can do with it!" —Frank Lloyd Wright Brick was one of the first manufactured building materials. Today, it continues to be one of the most popular building materials in the world, thanks to its unparalleled versatility, durability, warmth, and aesthetic richness. And nowhere are these attributes more evident than in the designed landscape. Brick in the Landscape gives you the information you need to exploit brick’s full potential in your design work. The first and only complete guide to the properties, use, selection, and installation of brick written from the landscape architect’s perspective, it is destined to become a staple in your practice. Brick in the Landscape provides full, detailed coverage of all relevant technical aspects of brick, including materials and properties, finishes and bonds, classifications and shapes. It also familiarizes you with virtually all known bricklaying and masonry methods and techniques, including numerous all-but-forgotten, yet still viable, techniques. At the same time, Brick in the Landscape is an enduring source of inspiration and ideas. Generously supplemented with more than 100 photographs illustrating various building systems as well as both common and innovative applications of brick in landscape design, it will awaken you to the nearly unlimited potential of brick to enhance your designs. Brick in the Landscape is an indispensable tool for landscape architects, landscape designers, and architects who provide site-planning services.

Jens Jensen was one of America's greatest landscape designers and conservationists. Using native plants and "fitting" designs, he advocated that our gardens, parks, roads, playgrounds, and cities should be harmonious with nature and its ecological processes--a belief that was to become a major theme of modern American landscape design. In "Jens Jensen: Maker of Natural Parks and Gardens," Robert E. Grese draws on Jensen's writings and plans, interviews with people who knew him, and analyses of his projects to present a clear picture of Jensen's efforts to enhance and preserve "native" landscapes.

A history and tour of this exceptionally beautiful designed landscape in North Yorkshire. Dubbed "the Wonder of the North" in 1732, the National Trust's Fountains Abbey and Studley Royal Estate (now a World Heritage Site) encompasses one of the largest, most magnificent and beautiful designed landscapes ever created. This richly illustrated volume charts the landscape's history from the first arrival of prehistoric hunters, via medieval monasticism, the Dissolution of the monasteries, eighteenth-century aestheticism and scandal, and the first ages of mass tourism, to the present day. At the heart of the story lies the rise and fall of England's largest Cistercian monastery and how that shaped the origins of the Aislabie family's breathtaking gardens. Their Studley Royalwas at the forefront of every emergent landscape gardening fashion between 1670 and 1800. The book also describes the dramatic history of the family and the monumental scale of their achievements in this field, extending over many dozens of square miles of North Yorkshire - far beyond the limits of the garden as it is seen today (reduced to serve the more limited needs of Victorian day-trippers). The Wonder of the North brings social and garden history together with archaeology to reveal Fountains Abbey and Studley Royal - too often seen as "just" a ruined medieval monastery - as one of the world's greatest artistic creations. Mark Newman has been the National Trust's archaeological adviser for Fountains Abbey and Studley Royal estate since 1988. He was also resident there, living in Fountains Hall from 1988-1995.

Laurie Olin shares his insights into seemingly ordinary elements of these places, and how they intersect with our individual lives and experiences. An expert treatise on a niche topic, Olin's analysis of the importance of public seating goes beyond their aesthetic or comfort value. He explores how public seating influences our social conduct, our role as citizens, and our establishment of place and community.

The Shape of the Land: Topography & Landscape Architecture - the first book to centre on this subject - presents the contributions of 13 well-known practitioners and academics who discuss the forms and ramifications of reconfiguring terrain. The essays range in content from pre-industrial precedents in the work of Humphry Repton to new digital topographic modelling systems without the use of contour lines, the treatment of waste products to the land art of the American Southwest. Practicing landscape architects focusing on the modelling of topography in the works considering both utility and aesthetics. In all, the book reviews the history, reasons, and results of at least three centuries of topographic interventions, while suggesting pathways into the future - as new technology and new necessities increase the functional demands placed upon landscape architects, while at the same time potentially offering new forms of artistic expression.