There are three standard methods to visually represent a building: the plan, elevation, and section. The section drawing is a vertical slice of a building, depicting the relationships between interior and exterior as well as any level changes. While the section can serve as merely a functional drawing for construction, it can also be an exciting, revelatory drawing that can artfully depict a building, landscape, or object. Throughout history, many individuals have used the cross section as a tool to create, explore, or investigate. Visual Discoveries: A Collection of Sections is an image-forward book that is devoted to showcasing notable section drawings throughout history and demonstrating that the section drawing, while having roots in architecture, has spread to many other professions and disciplines. These professions include medicine, transportation, product design, geology, and landscape architecture. Some of the greatest thinkers and inventors in history like Leonardo da Vinci, Charles Darwin, and Robert Fulton, have created remarkable section drawings for their investigations, research, and work.

A photographic study of the land that served as the main testing site for American nuclear devices for four decades More nuclear bombs have been detonated in America than in any other country in the world. Between 1951 and 1992, the Nevada National Security Test Site was the primary location for these activities, withstanding more than a thousand nuclear tests that left swaths of the American Southwest resembling the moon. In The Nevada Test Site, renowned American photographer Emmet Gowin (b. 1941) presents staggering aerial photographs of this powerfully evocative place. Gowin remains the only photographer granted official and sustained access to the Nevada Test Site. For this book, he has revisited his original negatives, made in 1996 and 1997, and fully three-quarters of the images featured here have never been published before. These images show blast areas where sand has been transformed to glass, valleys pockmarked with hundreds of craters, trenches that protected soldiers from blasts, areas used to bury radioactive waste, and debris left behind following tests conducted as deep as five thousand feet below the Earth's surface. Together, these stunning, unsettling views unveil environmental travesties on a grand scale. An essay by Gowin delves into the history of his work at the site, including his decade-long efforts to secure entry, the photographic equipment and techniques employed, and what the images mean to him today. With a foreword by photographer and writer Robert Adams, The Nevada Test Site stands as a testament to the harms we inflict on our surroundings, the importance of bearing witness, and the possibilities for aesthetic redemption and a more hopeful future.

Explanations for what makes one landscape scene preferred over another - formalistic, cultural and ecological - continue to be generated by landscape architects and land managers, philosophers and psychologists.This is needed for planning in the countryside and the protection of natural scenery, yet agreement still eludes us. This book does not favour any particular theory, but critiques the many theories seen over the last half-century. It informs readers of the main lines of argument so that they can make up their own minds. Part one, on post-war aesthetics, examines ideas about the unconscious, holism, overarching 'metanarratives', and the search for objectivity. Part two describes the consequences on the 'cultural turn' in that period, giving rise to new theories taking the human as reference. Cultural geography, cultural landscapes, changes in methods of assessment and some new ideas on landscape design are set in this context. Ecocentrism proposed a very different approach. The final part looks into the philosophical input, expanding upon 'environmental aesthetics'. It concludes with a more down-to-earth analysis of 'satisfactions' from immediate formal qualities, the sublime, meanings, and beauty. The balanced, didactic approach taken will make this a standard text for all those in teaching and in landscape practice.