Containing over 6,000 entries from Aalto to Zwinger and written in a clear and concise style, this authoritative dictionary covers architectural history in detail, from ancient times to the present day. It also includes concise biographies of hundreds of architects from history (excluding living persons), from Sir Francis Bacon and Imhotep to Liang Ssu-ch'eng and Francis Inigo Thomas. The text is complemented by over 260 beautiful and meticulous line drawings, labelled cross-sections, and diagrams. These include precise drawings of typical building features, making it easy for readers to identify particular period styles. This third edition of The Oxford Dictionary of Architecture has been extensively revised and expanded, with over 900 new entries including hundreds of definitions of garden and landscape terms such as Baroque garden, floral clock, hortus conclusus, and Zen garden-design. Each entry is followed by a mini-bibliography, with suggestions for further reading. With clear descriptions providing in-depth analysis, it is invaluable for students, professional architects, art historians, and anyone interested in architecture and garden design, and provides a fascinating wealth of information for the general reader.

Lucius Burckhardt (1925-2003) taught architectural theory at Kassel University and, in the 1980s, coined the term "Promenadology" or the science of Strollology and developed this into a complex and far-sighted planning and design discipline. Given that "the landscape" as an idea only exists in our heads, Burckhardt's writings (and drawings) are not so much concerned with beautiful vistas, but focus instead on the multi-faceted interaction a simple walk-taker has with his environment. To those who observe the environment with their eyes wide open, interesting questions will arise again and again; for example, why "city" and "country" can no longer be separated so easily in the face of progressive urbanization. Or why we consider a viaduct to be beautiful, but a nuclear power station an intrusion. And also, why gardens are works of art and should therefore be appraised as such. This book contains 28 texts by the design and planning critic, for the first time in English, with the focus on landscapes, gardens as an art form and the science of strollology.

Houses and gardens created in America between 1860 and 1917 were ""modern"" manifestations of nineteenth century art, science, and industry, conveying cultural values in their form, function, style, and materials. Now Increasing public interest in the restoration of nineteenth-century properties has provoked curiosity about their physical surroundings. While many buildings from the period survive intact, their landscape and garden settings, in most cases, have long since disappeared. Natural cycles of growth and decay, together with manmade changes, have left only remnants of the historic landscape - a dilapidated fence post, the arching canopy of a venerable tree, some persistent spring bulbs at a dooryard, Based on a careful study of historic photographs from museums, libraries, archives, and private collections, Gardens of the Gilded Age explains the history, design, and social function of ornamental gardens and homegrounds in New York State during the latter parts of the nineteenth century. As early as 1820, New York State had become the nation's leader in population, foreign and domestic commerce, transportation, banking, and manufacturing. New York also took the lead in influencing the rest of the nation in the theory and practice of horticulture and landscape gardening. The more than one hundred photographs featured in Gardens of the Gilded Age were not selected for their aesthetic quality alone, or for their uniqueness. While including magnificent proprieties such as Sonnenberg, Lorenzo, and Box Hill, many show ordinary gardens which reflect the character of common people in the art and craft of garden making. Taken together, these garden photographs provide a new perspective on American customs in landscape gardening from 1860 to 1917.

Climate change poses challenges for human survival and societal development, including frequent urban disasters such as high wave and urban waterlogging, as well as extreme weather events such as sea level rise, floods, tropical storm, wide-range drought, and high temperature in polar regions. Contributed in part by reducing greenhouse gas emission, and also by the means of improving local resilience, the international community have been working on mitigating the uncertain impact of climate change. Against the backdrop of carbon reduction policy such as Carbon Emission Peak and Carbon Neutrality proposed by Chinese government, regional sustainable progress inevitably calls for resilient strategies for human settlements that address local issues upon climate change adaption and resilience theories. Since the impact of climate change on human settlements, risk and resilience assessment methods, and spatial and technological strategies have already broadly studied by international academia, more attention should be taken into research on spatial planning, urban design, landscape design, innovative engineering, emerging technology application, and interdisciplinary perspective to strive to realize the goals of peaking carbon emissions and achieving carbon neutrality. To this end, this issue expects to discuss the resilient strategies adaptive to climate change for improve human settlements at varied scales. Introducing international perspectives, LA Frontiers encourages the bridging the latest research outcome with application and practice.

Planting design is, rather obviously, a complex topic, spanning as it does art, science, social need, and morality - especially during these days of increasing planetary environmental threat. Although certainly not denying the importance of scientifically appropriate practices, the symposium "The Aesthetics of [Contemporary] Planting Design" addressed planting design today, proposing a renewed concern for the cultural and aesthetic aspects of the landscapes that result. This book, which has been developed from the original presentations at the symposium, presents the thoughts of a select international group of landscape architects and historians who discuss the subject of planting design through the lens of their own work as well as the work of others, both contemporary and historical. They suggest that, as in real estate, the most important factor in selecting plants is "location, location, location." Certainly the Californian situation is far more forgiving than the aridity and other restrictive environmental conditions endemic to the Sonoran desert, or the frost and short growing seasons of Nordic lands that direct Scandinavian landscape architects to rely on native birches, pines, rowan, and moss. Most of us would agree that there are plants sensible for each climatic zone. Addressing environmental conditions is but the first step in the equation, however. There are also the issues of combination and composition.