A stunning new look at the Tuileries Garden and its importance to the history of art and landscape architectureThe Tuileries Garden is a masterpiece of garden design and one of the world's most iconic public art spaces. Designed for Louis XIV by landscape architect Andre Le Notre, it served the now-destroyed Tuileries Palace. It was opened to the public in 1667, becoming one of the first public gardens in Europe. The garden has always been a place for Parisians to convene, celebrate, and promenade, and art has played an important role throughout its history. Monumental sculptures give the garden the air of an outdoor museum, and the garden's beautiful backdrop has inspired artists from Edouard Manet to Andre Kertesz. The Art of the Louvre's Tuileries Garden brings together 100 works of art, including paintings and sculptures, as well as documentary photographs, prints, and models illuminating the garden's rich history. Beautifully illustrated essays by leading scholars of art and garden studies highlight the significance of the Tuileries Garden to works of art from the past 300 years and reaffirm its importance to the history of landscape architecture. Published in association with the High Museum of Art Exhibition Schedule: High Museum of Art (11/03/13-01/19/14) Toledo Museum of Art (02/13/14-05/11/14) Portland Art Museum (06/14/14-09/21/14)

Artist Simon Harmer creates delightful and distinctive line drawings of our famous landmarks and landscape. In 'A Line Around England' he travels from Hadrian's Wall to Cornwall's coast and his illustrations capture everything from Stonehenge to Blackpool Tower. Each drawing is accompanied by a short text illuminating some quirky and interesting facts about the site.

Cognitive sciences that aim at establishing scientific and explicit interpretations can diversify approaches to exploring users' feelings and experiences of a specific environment. For example, people's emotions and feelings change with their environment, closely related to people's sensory processes and brain wiring, personal experiences, and visiting purposes, etc., can be understood as a prompt intuitive response. Environmental information and responses are processed very fast to support quick decision making in relation to people's survival and benefits. Environmental Psychology explains the environmental types people prefer and why certain environments make people feel, for example, anxious or excited. Understanding people's emotional responses to the environment facilitates, or "nudges" (a term usually used in the inter-discipline of Psychology and Behavioural Economics), users to act or make choices as desired. Moreover, research on attention in cognitive sciences can also inform designers: by controlling the spatial elements and intangible elements (such as light and sound) to minimise environmental disturbance or noise, users' attention can be directed to specific elements, element combinations or series. During this process, users' specific emotional memories or symbolic implications are activated, which augments desired feelings and experiences. This issue explores the mechanism of how landscape design affects users' feelings, experiences, and behaviours, as well as usability, by introducing theories, knowledge, and research methods and findings in Cognitive sciences, psychology, neurobiology, and computer science, so as to support landscape architects' decision making.

Graphic Design in Urban Environments introduces the idea of a category of designed graphic objects that significantly contribute to the functioning of urban systems. These elements, smaller than buildings, are generally understood by urban designers to comprise such phenomena as sculpture, clock towers, banners, signs, large screens, the portrayal of images on buildings through "smart screens," and other examples of what urban designers call "urban objects."The graphic object as it is defined here also refers to a range of familiar things invariably named in the literature as maps, street numbers, route signs, bus placards, signs, architectural communication, commercial vernacular, outdoor publicity, lettering, banners, screens, traffic and direction signs and street furniture. One can also add markings of a sports pitch, lighting, bollards, even red carpets or well dressings. By looking at the environment, and design and deconstructing form and context relationships, the defining properties and configurational patterns that make up graphic objects are shown in this book to link the smallest graphic detail (e.g. the number 16) to larger symbolic statements (e.g. the Empire State Building). From a professional design practice perspective, a cross section through type, typographic, graphic and urban design will provide a framework for considering the design transition between alphabets, writing systems, images (in the broadest sense) and environments.

The reconstructed Berliner Schloss in the heart of the German capital is both a monument of Baroque architecture and a vital new cultural building in the city. The art history, architecture and sculpture of the palace's masterful facades by Andreas Schluter are brought to life here in words and pictures. The Berliner Schloss marks the reinstatement of the point of reference for the urban plan of the historical centre of the capital: through the Baroque masterpiece by Andreas Schluter the boulevard Unter den Linden and the historic buildings of the Lustgarten acquire once more a meaningful interconnection. Most of the authors are involved in this major project. They explain with the help of the impressive photographs by Leo Seidel the fascinating construction process, the imagery of the Baroque sandstone facade, the technology and the craftsmanship behind its reconstruction as well as the architectural concept of the building.

The History of Landscape Design in 100 Gardens explores the key moments in garden design. Through profiles of 100 of the most influential gardens, Linda Chisholm explores how social, political, and economic influences shaped garden design principles. The book is organised chronologically and by theme, starting with the medieval garden Alhambra and ending with the modern naturalism of the Lurie Garden. Sumptuously illustrated, The History of Landscape Design in 100 Gardens is for garden designers and landscape architects, design students, and gardening enthusiasts interested in garden history.

Leberecht Migge (1881-1935) was one of the most innovative landscape architects of the early 20th century. With work ranging from large urban parks to housing settlements with allotment gardens, he sought to create functional green spaces that would not only meet the environmental challenges of the industrial metropolis but also improve the social conditions of modern life. The nationalistic rhetoric of 'Garden Culture of the Twentieth Century' marks it as a political tract of the late Kaiserreich, and its deep influence within the Siedlung communities of the Weimar era attests to its lasting cultural impact.

Elwes takes a journey through the twin histories of landscape art and experimental moving image and discovers how they coalesce in the work of artists from the 1970s to the present day. Drawing on a wide geographical sampling, Elwes considers issues that have preoccupied film and video artists over the years, ranging from ecology, gender, race, performativity, conflict, colonialism and our relationship to the nonhuman creatures with whom we share our world. The book is informed by the belief that artists can provide an embodied, emotional response to landscape, which is an essential driver in the urgent task of combating the environmental crisis we now face. The book comprises a series of essays that explore how the moving image mediates our relationship to and understanding of landscapes. The focus is on artists' film and video and draws on work from the 1970s to the present day. Early chapters map the theoretical terrain for both landscape and artists' moving image creating a foundation for the chapters that follow devoted to practice. These address themes of identity politics, performativity and animals and examine examples of British 'weather-blown films' and work from around the world including Indigenous Australian film landscapes. The book offers an informed, personal view of the subject and threaded through the narrative is a concern with the environment and the vexed question of whether an appreciation of nature's aesthetics undermines a commitment to ecology. The book is written in a clear, engaging style and is enlivened by Elwes's own experiences as a video artist, writer and curator, and the primary material she draws on derived from conversations with fellow practitioners across the years. As a practitioner, Elwes was a key figure in the early phases of video art in the UK as well as a curator and critic. She was professor of moving image art at the University of the Arts London; and is founding editor of the Moving Image Review & Art Journal (MIRAJ) This book will appeal to students, undergraduate and post-graduate, Ph.D. candidates, researchers, practitioners, teachers and lecturers and a general readership of interested gallery-going public.

Written in a clear, accessible style, this book presents the fundamental aspects of soil science for landscape architects and professionals in related fields. Emphasis is placed on those topics of particular interest to this audience, among them erosion, irrigation, fertility and nutrients, diagnosis of plant disorders, engineering aspects, and the use of soil surveys. The book should also find some course use in departments of landscape architecture and agronomy. Serious gardeners might find it of interest as well.

To Design Landscape sets out a distinctively practical philosophy of design, in accessible format. Based on the notion that landscape design is a form-based craft addressing environmental processes and utility, Dee establishes a framework for approaching such craft with modesty and ingenuity, using the concept of "aesthetics of thrift". Employing numerous case studies-as diverse as Hellerup Rose Garden in Denmark; Bloedel Reserve, Bainbridge Island, USA; Rousham Gardens, Oxfordshire, UK and Tofuku-ji, in Kyoto, Japan - to illustrate her ideas, the book is a beautiful portfolio of Dee's drawings, which are both evocative and to the point. The book begins with a 'Foundations' section, which sets out the basis of the approach. 'Principles' chapters then elaborate eleven significant considerations applicable to any design project, regardless of context and scale. Following on, 'Strategies' chapters reinforce the principles, and suggest further ways of designing, adaptable to different conditions. Dee ends with a focus on 'Elements', case studies and verb lists providing sources for the designer to consider how the components - vegetation, water, terrain, structures, soils, weather, and the sky - might be engaged, mediated and joined. Catherine Dee's book is for all those who would craft landscape, from the gardener, to the professional landscape architect, to the student of design

Gardens of Court and Country provides the first comprehensive overview of the development of the English formal garden from 1630 to 1730. Often overshadowed by the English landscape garden that became fashionable later in the 18th century, English formal gardens of the 17th century displayed important design innovations that reflected a broad rethinking of how gardens functioned within society. With insights into how the Protestant nobility planned and used their formal gardens, the domestication of the lawn, and the transformation of gardens into large rustic parks, David Jacques explores the ways forecourts, flower gardens, bowling greens, cascades, and more were created and reimagined over time. This handsome volume includes 300 illustrations - including plans, engravings, and paintings - that bring lost and forgotten gardens back to life. Published in association with the Paul Mellon Centre for Studies in British Art

Winner of the 2022 Society of Economic Botany's Daniel F. Austin Award A Cultural History of Plants presents a global exploration of how plants have shaped human culture. Covering the last 12,000 years, it is the definitive history of how we have cultivated, traded, classified, and altered plants and how, in turn, plants have influenced our ideas of luxury and wealth, health and well-being, art and architecture. Chapter titles are identical across each of the volumes. This gives the choice of reading about a specific period in one of the volumes, or following a theme across history by reading the relevant chapter in each of the six. The themes (and chapter titles) are: Plants as Staple Foods; Plants as Luxury Foods; Trade and Exploration; Plant Technology and Science; Plants and Medicine; Plants in Culture; Plants as Natural Ornaments; The Representation of Plants. The six volumes cover: 1 - Antiquity (10,000 BCE to 500 CE); 2 - Post-Classical Era (500 to 1400); 3 - Early Modern Era (1400 to 1650); 4 - the Seventeenth and Eighteenth Centuries (1650 to 1800); 5 - the Nineteenth Century(1800 to 1920); 6 - Modern Era (1920 to the present). The page extent for the pack is 1744pp. Each volume opens with Notes on Contributors and an Introduction and concludes with Notes, Bibliography, and an Index. The Cultural Histories Series A Cultural History of Plants is part of The Cultural Histories Series. Titles are available both as printed hardcover sets for libraries needing just one subject or preferring a one-off purchase and tangible reference for their shelves, or as part of a fully-searchable digital library available to institutions by annual subscription or on perpetual access (see www.bloomsburyculturalhistory.com).

Poor design and wasted funding characterize today's American playgrounds. A range of factors--including a litigious culture, overzealous safety guidelines, and an ethos of risk aversion--have created uniform and unimaginative playgrounds. These spaces fail to nurture the development of children or promote playgrounds as an active component in enlivening community space.
Solomon's book demonstrates how to alter the status quo by allying data with design. Recent information from the behavioral sciences indicates that kids need to take risks; experience failure but also have a chance to succeed and master difficult tasks; learn to plan and solve problems; exercise self-control; and develop friendships. Solomon illustrates how architects and landscape architects (most of whom work in Europe and Japan) have already addressed these needs with strong, successful playground designs. These innovative spaces, many of which are more multifunctional and cost effective than traditional playgrounds, are both sustainable and welcoming. Having become vibrant hubs within their neighborhoods, these play sites are models for anyone designing or commissioning an urban area for children and their families.
The Science of Play, a clarion call to use playground design to deepen the American commitment to public space, will interest architects, landscape architects, urban policy makers, city managers, local politicians, and parents.

Within the human-machine collaborations cultivated in the digital age, crafts and materials are playing an increasingly important role in forming various ways of matter aggregation for architecture. Based on the pedagogical exploration of the design studio-Matter Aggregation at UVA, the book seeks new values of wood craft for contemporary architectural design, by introducing digital design and robotic fabrication techniques into the design process for timber building. The book integrates explorations of traditional crafts with digital fabrication technique, establishing a digital crafting as a new field for contemporary practice. The book explores the computational mechanisms and diagrammatic grammar within these craft-based aggregation systems, paying close attention to geometrical configurations, material effects and fabrication details and take advantage of these qualities to produce a unique spatiality.