This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996.

This book focuses on the philosophical, artistic, and scientific forces that impacted on the humanist of the late Medieval and Renaissance period, profuse in the exchange of ideas and discovery, behind much of which was the impact of Dante’s Divine Comedy with a message which continues to reverberate through the centuries. What has also persisted is the perpetual tension between science, religion, and design because of their perceived contradictions. The book explores how we might gain inspiration and motivation to embrace a consistent artistry and sense of exploration in the face of an ever-expanding knowledge-based frontier.

This is a book about contemporary Swedish landscape architecture, reflected through the work of the country's leading landscape designer Thorbjorn Andersson. Three essays by international writers open the book, elaborating on the concepts of Nature, Site, and Restraint. The essays are followed by the project section, including photographs, drawings, and descriptions. The projects are in the public realm; mainly squares and parks in Sweden. Swedish landscape architecture stands firm in the world, directed towards social use and careful design. Sweden has developed a tradition built on human values, selective design, and an urge to work in a resourceful way. The book covers a selection of recent projects by Thorbjoern Andersson, who is one main interpreter of contemporary Swedish landscape design. Essays are by Annemarie Lund of Denmark, critic, editor and author, Marc Treib, professor emeritus of UC Berkeley and prolific author, and Udo Weilacher, chair of Landscape department at TU Munich and author.

Houses and gardens created in America between 1860 and 1917 were ""modern"" manifestations of nineteenth century art, science, and industry, conveying cultural values in their form, function, style, and materials. Now Increasing public interest in the restoration of nineteenth-century properties has provoked curiosity about their physical surroundings. While many buildings from the period survive intact, their landscape and garden settings, in most cases, have long since disappeared. Natural cycles of growth and decay, together with manmade changes, have left only remnants of the historic landscape - a dilapidated fence post, the arching canopy of a venerable tree, some persistent spring bulbs at a dooryard, Based on a careful study of historic photographs from museums, libraries, archives, and private collections, Gardens of the Gilded Age explains the history, design, and social function of ornamental gardens and homegrounds in New York State during the latter parts of the nineteenth century. As early as 1820, New York State had become the nation's leader in population, foreign and domestic commerce, transportation, banking, and manufacturing. New York also took the lead in influencing the rest of the nation in the theory and practice of horticulture and landscape gardening. The more than one hundred photographs featured in Gardens of the Gilded Age were not selected for their aesthetic quality alone, or for their uniqueness. While including magnificent proprieties such as Sonnenberg, Lorenzo, and Box Hill, many show ordinary gardens which reflect the character of common people in the art and craft of garden making. Taken together, these garden photographs provide a new perspective on American customs in landscape gardening from 1860 to 1917.

Richly illustrated with beautiful photographs and drawings, Collett-Zarzycki: The Tailored Home provides a thoughtful and comprehensive account of how this atelier has built an extraordinary portfolio of residential work over the last 30 years. From London town houses to Tuscan retreats to new build vacation homes on the French Riviera, Collett-Zarzycki’s work encompasses architecture, interiors and landscape design, with an emphasis on refined spaces, crafted materials and bespoke furniture. This rare capacity to span the entire spectrum of design has given rise to homes of great cohesion and charm, as well as originality and individuality. With backgrounds in the art world and engineering, as well as formative years in both Africa and the UK, Anthony Collett and Andrzej Zarzycki bring a wealth of experience to bear upon projects that are defined by their unique sense of character, developed in response to site, setting and the considered needs of their clients. Whether the commission is for a penthouse interior, a town house reinvention, or a new build country or coastal home, there are common themes to their work, with an emphasis on craft, materiality, attention to detail and timeless elegance, fusing contemporary living with Neoclassical, Arts & Crafts and Modernist influences. The book offers insights into the influences and inspiration behind the firm’s work, into founding partners Collett and Zarzycki’s unique collaborative working practices, their ability to work across a range of forms and scales and their use of contemporary artisan craftsmen in the bespoke fixtures, fittings and furniture which are integral to many of their projects.

Good housing. Easy transit. Food access. Green spaces. Gathering places. Everybody wants to live in a healthy neighborhood. Bridging the gap between research and practice, it maps out ways for cities and towns to help their residents thrive in placed designed for living well, approaching health from every side - physical mental, and social.

Memory Landscapes of the Inka Carved Outcrops: From Past to Present presents a comprehensive analysis of the carved rocks the Inka created in the Andean highlands during the fifteenth and early sixteenth centuries. It provides an overview of Inka history, a detailed analysis of the techniques and styles of carving, and five comprehensive case studies. It opens in the Inka capital, Cusco, one of the two locations where the geometric style of Inka carving was authored by the ninth ruler Pachakuti Inka Yupanki. The following chapters move to the origin places on the Island of the Sun in Lake Titicaca and at Pumaurqu, southwest of Cusco, where the Inka constructed the emergence of the first members of their dynasty from sacred rock outcrops. The final case studies focus upon the royal estates of Machu Picchu and Chinchero. Machu Picchu is the second site where Pachakuti appears to have authored the geometric style. Chinchero was built by his son, Thupa Inka Yupanki, who adopted his father's strategy of rock carving and associated political messages. The methodology used in this book reconstructs relational networks between the sculpted outcrops, the land and people and examines how such networks have changed over time. The primary focus documents the specific political context of Inka carved rocks expanded into the performance of a stone ideology, which set Inka stone cults decidedly apart from earlier and later agricultural as well as ritual uses of empowered stones. When the Inka state formed in the mid-fifteenth century, carved rocks were used to mark local territories in and around Cusco. In the process of imperial expansion, selected outcrops were sculpted in peripheral regions to map Inka presence and showcase the cultivated and ordered geography of the state.