A visual journey through the history of landscape design

For thousands of years, people have altered the meaning of space by reshaping nature. As an art form, these architectural landscape creations are stamped with societal imprints unique to their environment and place in time.

"Illustrated History of Landscape Design" takes an optical sweep of the iconic landscapes constructed throughout the ages. Organized by century and geographic region, this highly visual reference uses hundreds of masterful pen-and-ink drawings to show how historical context and cultural connections can illuminate today's design possibilities.

This guide includes:

Storyboards, case studies, and visual narratives to portray spaces

Plan, section, and elevation drawings of key spaces

Summaries of design concepts, principles, and vocabularies

Historic and contemporary works of art that illuminate a specific era

Descriptions of how the landscape has been shaped over time in response to human need

Directing both students and practitioners along a visually stimulating timeline, "Illustrated History of Landscape Design" is a valuable educational tool as well as an endless source ofinspiration.

Horticulture has remained far behind in understanding of botanical principles. Recent phylogenetic (DNA-based) reorganization of higher plants has revolutionized taxonomic treatments of all biological entities, even when morphology does not completely agree with their organization. This book is an example of applying principals of botanical phylogenetic taxonomy to assemble genera, species, and cultivars of 200 vascular plant families of ferns, gymnosperms, and angiosperms that are cultivated for enhancement of human living space; homes, gardens, and parks. The emphases are on cultivated species but examples of some plants are often shown in the wild and in landscapes. In providing descriptions, it is assumed that students and other interested individuals have no background in general botany (plant characteristics), or nomenclature. Fundamental features of all plant groups discussed are fully illustrated by original watercolor drawings or photographs. Discussion of the families is grounded on recent botanical phylogenetic treatments, which is based on common ancestry (monophyly). Of course, phylogenetic taxonomy is not a new concept, and was originally based on morphological characteristics; it is the DNA-based phylogeny that has revolutionized modern biological classifications. In practical terms, this book represents the horticultural treatment that corresponds to phylogenetic-based botanical taxonomy, to which is added cultigens and cultivated genera and species. Hence, the harmony between horticultural and botanical taxonomy. This book covers phylogenetic-based taxonomy of Ferns, Gymnosperms, and Angiosperms (Monocots). A companion volume covers Angiosperms (Eudicots).

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996.

The son of a watercolour artist, William Gershom Collingwood (1854-1932) studied at University College, Oxford where he met John Ruskin, whose secretary he later became and with whom he shared a wide range of interests. Collingwood travelled extensively, sketching as he went, and after studying at the Slade School of Art, moved to the Lake District where he wrote extensively about the Lakes, Icelandic sagas and Norse mythology, as well as publishing a biography on Ruskin in 1893. He was an accomplished artist, founding the Lake Artists Society in 1904 and serving as Professor of Fine Art at the University of Reading from 1905-11. His interest in art and Scandinavia prompted his research into the Pre-Norman Crosses of Cumbria and the North of England. In 1927 he published 'Northumbrian Crosses of the Pre-Norman Age', illustrated with his own drawings. He was also an accomplished musician, climber, swimmer and walker. His son was the noted archaeologist (a leading authority on Roman Britain), philosopher and historian R. G. Collingwood. This well researched biography provides a comprehensive account of the life and works of a nineteenth century polymath whose story should be better known.

Dieser Buchtitel ist Teil des Digitalisierungsprojekts Springer Book Archives mit Publikationen, die seit den Anfangen des Verlags von 1842 erschienen sind. Der Verlag stellt mit diesem Archiv Quellen fur die historische wie auch die disziplingeschichtliche Forschung zur Verfugung, die jeweils im historischen Kontext betrachtet werden mussen. Dieser Titel erschien in der Zeit vor 1945 und wird daher in seiner zeittypischen politisch-ideologischen Ausrichtung vom Verlag nicht beworben.

Follies in America examines historicized garden buildings, known as "follies," from the nation's founding through the American centennial celebration in 1876. In a period of increasing nationalism, follies-such as temples, summerhouses, towers, and ruins-brought a range of European architectural styles to the United States. By imprinting the land with symbols of European culture, landscape gardeners brought their idea of civilization to the American wilderness. Kerry Dean Carso's interdisciplinary approach in Follies in America examines both buildings and their counterparts in literature and art, demonstrating that follies provide a window into major themes in nineteenth-century American culture, including tensions between Jeffersonian agrarianism and urban life, the ascendancy of middle-class tourism, and gentility and social class aspirations.