The Shape of the Land: Topography & Landscape Architecture - the first book to centre on this subject - presents the contributions of 13 well-known practitioners and academics who discuss the forms and ramifications of reconfiguring terrain. The essays range in content from pre-industrial precedents in the work of Humphry Repton to new digital topographic modelling systems without the use of contour lines, the treatment of waste products to the land art of the American Southwest. Practicing landscape architects focusing on the modelling of topography in the works considering both utility and aesthetics. In all, the book reviews the history, reasons, and results of at least three centuries of topographic interventions, while suggesting pathways into the future - as new technology and new necessities increase the functional demands placed upon landscape architects, while at the same time potentially offering new forms of artistic expression.

Bridges touch all our lives - every day we are likely to cross a bridge, or go under one. How many of us stop to consider how the bridge stands up and what sort of people designed and built something so strong? Bridge building is a magnificent example of the practical and every day use of science. However, the story of bridges goes beyond science and technology, and involves issues relating to artistic and cultural development. After all, bridges are built by people, for people. Bridges can be icons for whole cities; just consider New York's Brooklyn Bridge, London's Tower Bridge, and Sydney's Harbour Bridge. Such bridges can be considered functional public art, as they have the power to delight or be an eyesore. David Blockley explains how to read a bridge, in all its different forms, design, and construction, and the way the forces flow through arches and beams. He combines the engineering of how bridges stand up with the cultural, aesthetic, and historical importance they hold. Drawing on examples of particular bridges from around the world, he also looks in detail at the risk engineers take when building bridges, and examines why things sometimes go wrong.

The latest edition of the University of Virginia School of Architecture's design journal, LUNCH 15 turns to the concept of Thickness and considers what possibilities lie in poche, thick description, thin assemblies, and in the many layers of the built environment. The issue considers Thickness in four sections: "Places" navigates the ways we understand the spaces in which we live and work. "Materials" delaminates the building blocks of our world and how we know them. "Representation" traces the many forms and layers of communication through which we see or that might obscure our vision. Finally, "Relations" follows threads that bind. In a world operating between the thick and thin of it, how will your lines be drawn?

Landscaping is a critical element in improving both the function and appearance of rainwater recycling and stormwater management practices. Designing landscaped areas to soak up rainfall runoff from building and paved areas helps protect water quality in local creeks and waterways. These landscape designs reduce polluted runoff and help prevent creek erosion. As the runoff flows over vegetation and soil in the landscaped area, the water percolates into the ground and pollutants are filtered out or broken down by the soil and plants. As Mike Breedlove, landscape architect and head of Breedlove Land Planning in Conyers, GA, likes to say, "The role of the landscape architect is to successfully marry mankind to nature." His statement is even more succinct than the description used by the American Society of Landscape Architects (ASLA), which highlights how landscape architects use a comprehensive working knowledge of architecture, civil engineering, and urban planning to "design aesthetic and practical relationships with the land." This integrative function of landscape architecture makes the profession seem a natural spawning ground for the innovation needed to successfully meet the considerable challenges posed by stormwater-related pollution and erosion. Fencing or hiding stormwater facilities out of view not only loses the opportunity to create an aesthetically pleasing site design, but also sends the message that stormwater is an attractive nuisance. Furthermore, constructing rain parks is becoming an essential part for urban landscape planning.

LA+ WILD explores the concept of WILD and its role in design, large-scale habitat and species conservation, scientific research, the human psyche, and aesthetics. This issue of LA+ includes contributions drawn from disciplines as diverse as evolutionary ecology, biology, visual arts, bioengineering, landscape architecture, planning, architecture, climatology, environmental history, philosophy, and literature. It features essays by Timothy Mousseau and Anders Moller, Timothy Morton, Paul Carter, Richard Weller, Julian Raxworthy, Emma Marris, Stefan Rahmstorf, Stephen Pyne, Nina-Marie Lister, and Orkan Telhan, among others. It also includes a review of the New York s Rebuild by Design competition, and interviews with eminent ecologists Richard T.T. Forman and Daniel Janzen. The feature artist for this issue is Viennese bio-artist Sonja Baumel. LA+ (Landscape Architecture Plus) Journal from the University of Pennsylvania School of Design is the first truly interdisciplinary journal of landscape architecture. Within its pages you hear not only from designers, but also from historians, artists, lawyers, ecologists, planners, scientists, philosophers, and many more besides. LA+ aims to reveal connections and build collaborations between landscape architecture/urban design and other disciplines by exploring each issue's theme from multiple perspectives. The journal features a range of contribution types including essays, interviews, design criticism, graphic features, illustrations, and short-form pieces designed to provoke and inspire readers. LA+ Journal brings you a rich collection of contemporary thinkers and designers in two lavishly illustrated issues annually."

Within the human-machine collaborations cultivated in the digital age, crafts and materials are playing an increasingly important role in forming various ways of matter aggregation for architecture. Based on the pedagogical exploration of the design studio-Matter Aggregation at UVA, the book seeks new values of wood craft for contemporary architectural design, by introducing digital design and robotic fabrication techniques into the design process for timber building. The book integrates explorations of traditional crafts with digital fabrication technique, establishing a digital crafting as a new field for contemporary practice. The book explores the computational mechanisms and diagrammatic grammar within these craft-based aggregation systems, paying close attention to geometrical configurations, material effects and fabrication details and take advantage of these qualities to produce a unique spatiality.

The History of Landscape Design in 100 Gardens explores the key moments in garden design. Through profiles of 100 of the most influential gardens, Linda Chisholm explores how social, political, and economic influences shaped garden design principles. The book is organised chronologically and by theme, starting with the medieval garden Alhambra and ending with the modern naturalism of the Lurie Garden. Sumptuously illustrated, The History of Landscape Design in 100 Gardens is for garden designers and landscape architects, design students, and gardening enthusiasts interested in garden history.

Natural stone is the new garden “fashion statement.” Stone paths, walls, steps, dry streams (and more) are low maintenance and enhance a homeowner’s property like no other landscape feature. The element of stone in a garden has two important qualities: function and beauty. It also conveys a sense of permanence and place. Since ancient times, stone has been revered for bringing a special “feel” to a garden. In The Spirit of Stone, award-winning designer Jan Johnsen presents a richly photographed, authoritative guide to creative and practical uses for stone in the landscape: steps, paths, garden walls, dry streams, benches, rock gardens, driveways and more. Stone’s practicality is especially appreciated by homeowners concerned with low maintenance, sustainability and water conservation – with the side benefit of enhancing property value. The Spirit of Stone is an essential idea book and how-to for designers, stonemasons, builders, homeowners and DIYers.

"The Living Landscape" is a manifesto, resource, and textbook for architects, landscape architects, environmental planners, students, and others involved in creating human communities. Since its first edition, published in 1990, it has taught its readers how to develop new built environments while conserving natural resources. No other book presents such a comprehensive approach to planning that is rooted in ecology and design. And no other book offers a similar step-by-step method for planning with an emphasis on sustainable development. This second edition of "The Living Landscape" offers Frederick Steiner's design-oriented ecological methods to a new generation of students and professionals.

"The Living Landscape" offers

- a systematic, highly practical approach to landscape planning that maximizes ecological objectives, community service, and citizen participation
- more than 20 challenging case studies that demonstrate how problems were met and overcome, from rural America to large cities
- scores of checklists and step-by-step guides
- hands-on help with practical zoning, land use, and regulatory issues
- coverage of major advances in GIS technology and global sustainability standards
- more than 150 illustrations.

As Steiner emphasizes throughout this book, all of us have a responsibility to the Earth and to our fellow residents on this planet to plan with vision. We are merely visiting this planet, he notes; we should leave good impressions.

How has American cinema engaged with the rapid transformation of cities and urban culture since the 1960s? And what role have films and film industries played in shaping and mediating the "postindustrial" city? This collection argues that cinema and cities have become increasingly intertwined in the era of neoliberalism, urban branding, and accelerated gentrification. Examining a wide range of films from Hollywood blockbusters to indie cinema, it considers the complex, evolving relationship between moving image cultures and the spaces, policies, and politics of US cities from New York, Los Angeles, and Boston to Detroit, Oakland, and Baltimore. The contributors address questions of narrative, genre, and style alongside the urban contexts of production, exhibition, and reception, discussing films including The Friends of Eddie Coyle (1973), Cruising (1980), Desperately Seeking Susan (1985), King of New York (1990), Inception (2010), Frances Ha (2012), Fruitvale Station (2013), Only Lovers Left Alive (2013), and Doctor Strange (2016).

"What does the landscape architect actually do as a designer?" The authors of this book investigate this question, which only seems easy - and address some fundamental ideas about design in landscape architecture: What resources are available for designing open spaces? What role do natural conditions play? What principles are applied? This book identifies and analyses the elements that come together to create landscape architecture. Based on their experience in practice and education, the authors reveal the core components of landscape design. In the introduction to the new edition, Stefan Bernard opens up about the book's origins and reflects on its continuing importance for the design of high-quality outdoor spaces.

Universities are more than engines propelling us into a bold new future. They are also living history. A college campus serves as a repository for the memories of countless students, staff, and faculty who have passed through its halls. The history of a university resides not just in its archives but also in the place itself?the walkways and bridges, the libraries and classrooms, the gardens and creeks winding their way across campus. To think of Emory as place, as Hauk invites you to do, is not only to consider its geography and its architecture (the lay of the land and the built-up spaces its people inhabit) but also to imagine how the external, constructed world can cultivate an internal world of wonder and purpose and responsibility?in short, how a landscape creates meaning. Emory as Place offers physical, though mute, evidence of how landscape and population have shaped each other over decades of debate about architecture, curriculum, and resources. More than that, the physical development of the place mirrors the university's awareness of itself as an arena of tension between the past and the future?even between the past and the present, between what the university has been and what it now purports or intends to be, through its spaces. Most of all, thinking of Emory as place suggests a way to get at the core meaning of an institution as large, diverse, complex, and tentacled as a modern research university.

Landscape and Visual Impact Assessment (LVIA) can be key to planning decisions by identifying the effects of new developments on views and on the landscape itself.

This fully revised edition of the industry standard work on LVIA presents an authoritative statement of the principles of assessment. Offering detailed advice on the process of assessing the landscape and visual effects of developments and their significance, it also includes a new expanded chapter on cumulative effects and updated guidance on presentation.

Written by professionals for professionals, the third edition of this widely respected text provides an essential tool for landscape practitioners, developers, legal advisors and decision-makers. "