Monsters, grotesque creatures, and giants were frequently depicted in Italian Renaissance landscape design, yet they have rarely been studied. Their ubiquity indicates that gardens of the period conveyed darker, more disturbing themes than has been acknowledged. In The Monster in the Garden, Luke Morgan argues that the monster is a key figure in Renaissance culture. Monsters were ciphers for contemporary anxieties about normative social life and identity. Drawing on sixteenth-century medical, legal, and scientific texts, as well as recent scholarship on monstrosity, abnormality, and difference in early modern Europe, he considers the garden within a broader framework of inquiry. Developing a new conceptual model of Renaissance landscape design, Morgan argues that the presence of monsters was not incidental but an essential feature of the experience of gardens.

Celebrated landscape architect Gilles Clement may be best known for his public parks in Paris, including the Parc Andre Citroen and the garden of the Musee du Quai Branly, but he describes himself as a gardener. To care for and cultivate a plot of land, a capable gardener must observe in order to act and work with, rather than against, the natural ecosystem of the garden. In this sense, he suggests, we should think of the entire planet as a garden, and ourselves as its keepers, responsible for the care of its complexity and diversity of life. "The Planetary Garden" is an environmental manifesto that outlines Clement's interpretation of the laws that govern the natural world and the principles that should guide our stewardship of the global garden of Earth. These are among the tenets of a humanist ecology, which posits that the natural world and humankind cannot be understood as separate from one another. This philosophy forms a thread that is woven through the accompanying essays of this volume: "Life, Constantly Inventive: Reflections of a Humanist Ecologist" and "The Wisdom of the Gardener." Brought together and translated into English for the first time, these three texts make a powerful statement about the nature of the world and humanity's place within it.

Have you ever dreamed of starting your own landscaping business? Have you been hesitant to put your plans into action? This comprehensive guide contains all the necessary tools and strategies you need to successfully launch and grow your business. Using a friendly, entertaining approach, Owen E. Dell shares his experiences and down-to-earth advice on every aspect of setting up and running a thriving home-based landscaping business. He shows you how to purchase the right tools, estimate start-up costs, price services, and stay profitable once in business. From painless recordkeeping to cost-efficient management techniques, Dell's step-by-step methods are practical, innovative, and easy to understand. Special features and workbook pages include: - Business Plan Worksheet - Material and Labor Records - Cost Worksheets - Tips on social media, SEO, and making the Internet work for you - Profit-and-Loss Worksheet

Between 1937 and 1938, garden designer Christopher Tunnard published a series of articles in the British Architectural Review that rejected the prevailing English landscape style. Inspired by the principles of Modernist art and Japanese aesthetics, Tunnard called for a "new technique" in garden design that emphasized an integration of form and purpose. "The functional garden avoids the extremes both of the sentimental expressionism of the wild garden and the intellectual classicism of the 'formal' garden," he wrote; "it embodies rather a spirit of rationalism and through an aesthetic and practical ordering of its units provides a friendly and hospitable milieu for rest and recreation." Tunnard's magazine pieces were republished in book form as Gardens in the Modern Landscape in 1938, and a revised second edition was issued a decade later. Taken together, these articles constituted a manifesto for the modern garden, its influence evident in the work of such figures as Lawrence Halprin, Philip Johnson, and Edward Larrabee Barnes. Long out of print, the book is here reissued in a facsimile of the 1948 edition, accompanied by a contextualizing foreword by John Dixon Hunt. Gardens in the Modern Landscape heralded a sea change in the evolution of twentieth-century design, and it also anticipated questions of urban sprawl, historic preservation, and the dynamic between the natural and built environments. Available once more to students, practitioners, and connoisseurs, it stands as a historical document and an invitation to continued innovative thought about landscape architecture.

Energy Overlays provides a glimpse into our post - carbon future where energy infrastructure is seamlessly woven into the fabric of our cities as works of public art. Fifty designs use a variety of renewable energy technologies to arrive at innovative site - specific solutions. Power plants of the future will be the perfect place to have a picnic! On the foreshore of St Kilda with the skyline of Melbourne as a backdrop rises a new kind of power plant - one that merges renewable energy production with leisure , recreation, and education. Energy Overlays provides a roadmap to our sustainable future with essays about the energy transition and beautiful renderings and diagrams of more than fifty designs. The result is a city where the infrastructures that power our world are designed to be reflections of culture, where public parks provide clean electricity to the city grid, and where the art that makes our lives more vibrant and interesting is also part of the solution to climate change.

Bauernhauser pragen die Identitat der Allgauer Kulturlandschaft seit Jahrhunderten. Die Zukunft bauerlicher Hofstellen ist jedoch durch den Strukturwandel der Landwirtschaft bedroht, mit den Bauten droht die Kulturlandschaft zu verschwinden. Die Publikation Weiter|Nutzen zeigt rund zwanzig besonders interessante Projekte, in denen die Altbausubstanz landwirtschaftlicher Gebaude auf vorbildliche Weise zu neuem Leben erweckt wurde. Damit sollen Eigentumer|innen und potentielle Bauherr|inn|en angeregt werden, mit dem sensiblen Erhalt ihrer Hoefe einen Beitrag zum authentischen Gesamterscheinungsbild der Region zu leisten. Gegliedert werden die hochwertig fotografierten und gestalteten Prasentationen der Projekte nach spezifischen Landschaftsbildern des Allgaus. Speziell fur die Buchpublikation von Studierenden der Hochschule Augsburg erstellte Planunterlagen erlauben einen guten Vergleich vor und nach der Umbauphase der jeweiligen Hofstellen. Begleitend eroertern eine Historikerin, Architekt|innen, Landschaftsplaner, Museumsleiter und ein ehemaliger Kreisbaumeister Entwicklung und Perspektive der Baukultur, Typologie und Sanierungsmoeglichkeiten. Das unterstreicht die Betrachtung der jeweiligen Falle, die in einer Synopse mit Projektdaten verglichen werden. Ein Fachteil gibt abschliessend konkrete praktische Ratschlage zum Umbau. Zudem ist eine Bildstrecke mit historischen Fotografien eingewoben, die einen Einblick in vergangene Zeiten der Allgauer Kulturlandschaft gewahrt.

`Identity is tied to place. The environment is not the backdrop; it is woven through our identity.’ So writes Chris Rose in her introduction to this insightful collection on the mutually enriching relationship possible between psychogeography and psychotherapy. The book invites an interdisciplinary, reflective and at times poetic exploration of place as an integral feature of personhood, from the sauntering of the 19th century flâneur to today’s urban activism. Chapters range across diverse topics – gendered and embodied response to place and space, home and attachment, map-making, mindfulness in the city, outdoor group analytic therapy, the interplay between our internal and external landscapes, displacement from one country and cityscape to another, and the role of the urban therapist. These ground-breaking chapters offer new insights into our deep-rooted resonance with the landscapes we inhabit and contexts we construct. The book is illustrated throughout with original artwork by urban sketchers.

Population increases, advances in technology and the continued trend towards inner-city migration have transformed the traditional city of spaces into the modern city of objects. This has necessitated alternative spatial and technological solutions to replenish those environments that were once so intrinsic to society's day-to-day interactions and communal activities. This book considers skycourts and skygardens as 'alternative social spaces' that form part of a broader multi-level urban infrastructure - seeking to make good the loss of open space within the built environment. Jason Pomeroy begins the discussion with the decline of the public realm, and how the semi-public realm has been incorporated into a spatial hierarchy that supports the primary figurative spaces on the ground or, in their absence, creates them in the sky. He then considers skycourts and skygardens in terms of the social, cultural, economic, environmental, technological and spatial benefits that they provide to the urban habitat. Pomeroy concludes by advocating a new hybrid that can harness the social characteristics of the public domain, but be placed within buildings as an alternative communal space for the 21st century. Using graphics and full colour images throughout, the author explores 40 current and forthcoming skycourt and skygarden projects from around the world, including the Shard (London), Marina Bay Sands (Singapore), the Shanghai Tower (China) and the Lotte Tower (South Korea).

In this book Gayle Souter-Brown explores the social, economic and environmental benefits of developing greenspace for health and well-being. She examines the evidence behind the positive effects of designed landscapes, and explains effective methods and approaches which can be put into practice by those seeking to reduce costs and add value through outdoor spaces. Using principles from sensory, therapeutic and healing gardens, Souter-Brown focuses on landscape's ability to affect health, education and economic outcomes. Already valued within healthcare environments, these design guidelines for public and private spaces extend the benefits throughout our towns and cities. Covering design for school grounds to public parks, public housing to gardens for stressed executives, this richly illustrated text builds the case to justify inclusion of a designed outdoor area in project budgets. With case studies from the US, UK, Africa, Asia, Australasia and Europe, it is an international, inspirational and valuable tool for those interested in landscapes that provide real benefits to their users.

Summers at the Vauxhall pleasure garden in London brought diverse entertainments to a diverse public. Picturesque walks and arbors offered a pastoral retreat from the city, while at the same time the garden's attractions indulged distinctly urban tastes for fashion, novelty, and sociability. High- and low-born alike were free to walk the paths; the proximity to strangers and the danger of dark walks were as thrilling to visitors as the fountains and fireworks. Vauxhall was the venue that made the careers of composers, inspired novelists, and showcased the work of artists. Scoundrels, sudden downpours, and extortionate ham prices notwithstanding, Vauxhall became a must-see destination for both Londoners and tourists. Before long, there were Vauxhalls across Britain and America, from York to New York, Norwich to New Orleans. This edited volume provides the first book-length study of the attractions and interactions of the pleasure garden, from the opening of Vauxhall in the seventeenth century to the amusement parks of the early twentieth. Nine essays explore the mutual influences of human behavior and design: landscape, painting, sculpture, and even transient elements such as lighting and music tacitly informed visitors how to move within the space, what to wear, how to behave, and where they might transgress. The Pleasure Garden, from Vauxhall to Coney Island draws together the work of musicologists, art historians, and scholars of urban studies and landscape design to unfold a cultural history of pleasure gardens, from the entertainments they offered to the anxieties of social difference they provoked.

This textbook on the Green City examines urban nature as an ideal, provider of services and conceptual urban design approach. It answers important contemporary questions that arise about the ecological and cultural interactions, development and structure, and ecological performance of urban nature worldwide. The book explains what urban nature is, how it came to be, and how it evolved in the context of the natural and cultural conditions of its sites. It also describes what constitutes urban biodiversity and the role of differentiated urban nature in the Green City concept. Theories of urban development and ecology are linked to practical applications of urban planning and illustrated with many case studies and examples. The great potentials of urban nature are shown in detail. In order to cope with or mitigate problems in the city, a targeted urban nature management adapted to the specific conditions of the different types of urban nature is needed, which includes nature conservation as well as nature design, always keeping in mind the relation to the urban dwellers. The textbook is especially addressed to students and teachers of urban planning, ecology, geography, social sciences as well as practitioners of urban design and nature conservation. This book is a translation of the original German 1st edition Die Grune Stadt by Jurgen Breuste, published by Springer-Verlag GmbH Germany, part of Springer Nature in 2019. The translation was done with the help of artificial intelligence (machine translation by the service DeepL.com). A subsequent human revision was done by the author primarily in terms of content and scientific terms, so that the book will read stylistically differently from a conventional translation but without loss of messages. Springer Nature works continuously to further the development of tools for the production of books and on the related technologies to support the authors.

Inspired by the architects' tradition of passing on experience in conversation form, this paperback book provides insights into the ideas, methods, and memories of one of Europe's most innovative landscape architects. In twelve concise conversations, Vogt inquires into the meaning of landscape architecture in the context of the worldwide urbanization process, and tries to define this young discipline's position. To this day, our concept of landscape appears to be influenced by an Arcadian ideal. Only when landscapes are understood on several levels, as the product of natural, cultural, and social processes, can atmospheric and living urban landscapes appropriate to the specific situation be created. Gunther Vogt sees landscape architecture decidedly as part of a city, given its close relationship to topography, architecture, and infrastructure. Gunther Vogt is a landscape architect and owner of Vogt Landscape Architects Zurich, with branch offices in Munich, Berlin, and London. Since 2005, he is a professor for landscape architecture at ETH Zurich. Current work includes public realm and streetscape designs for the athletes' village for the Olympic Games in London 2012, now known as East Village."

The volume is a collection of thoughts, passages, research and projects that regard the emerging question of public space. The square and its evolution takes us, from a place of urban and human relationships to a place of different collective activities in the contemporary city. This analysis can teach one to read not only the design experience and the diffusion of new models, but also the changes in the aesthetic experience of public space, in its socio-urban and architectural implications, and in its relationships between horizontal space (i.e. the square) and vertical space (the building).

The gardens of Versailles are perhaps the most famous in the world. Seemingly open to the horizon, their scale is monumental. Their grand east-west axis celebrates the Sun King, even as they offer an expression of the scientific spirit of the age in their geometrical layout and exploitation of the optical properties of reflecting water. The original park design, realized by Andre Le Notre, a few advisers, and Louis XIV himself--author of "The Way to Present the Gardens of Versailles"--remains largely intact. Yet Louis XV made his own original contribution to the gardens at the Trianon, where later still Richard Mique and Hubert Robert designed the English garden and the delightful village beloved by Marie Antoinette.Michel Baridon traces the history of the gardens from their inception through three centuries of their history. He stresses the cultural importance of the landscape, provides a chronology to show the stages of its growth, and discusses the contemporary challenges posed by its conservation and historical interpretation. Beautifully illustrated with archival images and commissioned photographs, "A History of the Gardens of Versailles" provides visitors and enthusiasts with a guide to these legendary grounds.

Western admirers have long seen the Islamic garden as an earthly reflection of the paradise said to await the faithful. However, such simplification, Ruggles contends, denies the sophistication and diversity of the art form. Islamic Gardens and Landscapes immerses the reader in the world of the architects of the great gardens of the Islamic world, from medieval Morocco to contemporary India. Just as Islamic culture is historically dense, sophisticated, and complex, so too is the history of its built landscapes. Islamic gardens began from the practical need to organize the surrounding space of human civilization, tame nature, enhance the earth's yield, and create a legible map on which to distribute natural resources. Ruggles follows the evolution of these early farming efforts to their aristocratic apex in famous formal gardens of the Alhambra in Spain and the Taj Mahal in Agra. Whether in a humble city home or a royal courtyard, the garden has several defining characteristics, which Ruggles discusses. Most notable is an enclosed space divided into four equal parts surrounding a central design element. The traditional Islamic garden is inwardly focused, usually surrounded by buildings or in the form of a courtyard. Water provides a counterpoint to the portioned green sections. Ranging across poetry, court documents, agronomy manuals, and early garden representations, and richly illustrated with pictures and site plans, Islamic Gardens and Landscapes is a book of impressive scope sure to interest scholars and enthusiasts alike.

Drawing on first-hand accounts of action research in the Americas, Africa, and Asia, The Heart of Community Engagement illustrates the transformative learning journeys of exemplary catalysts for community-based change. Practitioners' stories of community engagement for social justice in the Global South elucidate the moments of insight and transformation that deepened their practice: how to deal with uncertainty, recognize their own blind spots, become aware of what is emergent and possible in the moment, and weave an inclusive bond of love, respect, and purpose. Each successive narrative adds a deeper level of understanding of the inner practice of community engagement. The stories illuminate the reflective, or inner, practice of the outside change agent, whether a planner, designer, participatory action researcher, or community development practitioner. From a shantytown in South Africa, to a rural community in India, or an informal settlement in peri-urban Mexico, the stories focus attention on the greatest leverage point for change that we, as engaged practitioners, have: our own self-awareness. By the end of the book, the practitioners are not only aware of their own conditioned beliefs and assumptions, but have opened their minds and hearts to the complex and dynamic patterns of emergent change that is possible. This book serves as a much-needed reader of practice stories to help instructors and students find the words, concepts, and examples to talk about their own subjective experience of community engagement practice. The book applies some of the leading-edge concepts from organizational development and leadership studies to the fields of planning, design, and community engagement practice. Key concepts include the deep dive of sensing the social field, seeing the whole, and presencing the emergent future. The book also provides a creative bridge between participatory action research and design thinking: user-based design, rapid prototyping, and learning from doing.

"Places of Power: Political Economies of Landscape Change" asks how politics and economics transform the landscapes we inhabit. This volume explores the connections between political economy and landscape change through a series of conceptual essays and case studies. In so doing, it speaks to a broad readership of landscape architects, geographers, and related fields of social and environmental research. The book consists of an introductory essay with nine chapters commissioned from leading geographers, landscape architects, political scientists, and economists, and a concluding essay on implications for future landscape inquiry and design.

The book is organized in three major sections. Part one, titled Landscapes of Struggle, Possibility, and Prosperity, includes a chapter on new axioms for reading the landscape followed by two chapters that read processes of economic development and distress in mountain landscapes of the U.S. and South America. Part Two on Political and Economic Driving Forces of Landscape Change includes two chapters each on political driving forces (political constructs and institutions) and economic driving forces (environmental economics and global financial markets). Part Three, titled Integrative Landscape Change compares innovative rural landscape policies in Europe and the U.S., and draws implications for future landscape inquiry, planning, and design.

Warren H. Manning's (1860-1938) national practice comprised more than sixteen hundred landscape design and planning projects throughout North America, from small home grounds to estates, cemeteries, college campuses, parks and park systems, and new industrial towns. Manning approached his design and planning projects from an environmental perspective, conceptualising projects as components of larger regional (in some cases, national) systems, a method that contrasted sharply with those of his stylistically oriented colleagues. In this regard, as in many others, Manning had been influenced by his years with the Olmsted rm, where the foundations of his resource-based approach to design were forged. Manning's overlay map methods, later adopted by the renowned landscape architect Ian McHarg, provided the basis for computer mapping software in widespread use today. One of the eleven founders of the American Society of Landscape Architects, Manning also ran one of the nation's largest offices, where he trained several influential designers, including Fletcher Steele, A. D. Taylor, Charles Gillette, and Dan Kiley. After Manning's death, his reputation slipped into obscurity. Contributors to the Warren H. Manning Research Project have worked more than a decade to assess current conditions of his built projects and to compile a richly illustrated compendium of site essays that illuminate the range, scope, and significance of Manning's notable career with specially commissioned photographs by Carol Betsch.

Borderwall as Architecture is an artistic and intellectual hand grenade of a book, and a timely re-examination of what the physical barrier that divides the United States of America from the United Mexican States is and could be. It is both a protest against the wall and a projection about its future. Through a series of propositions suggesting that the nearly seven hundred miles of wall is an opportunity for economic and social development along the border that encourages its conceptual and physical dismantling, the book takes readers on a journey along a wall that cuts through a "third nation"-the Divided States of America. On the way the transformative effects of the wall on people, animals, and the natural and built landscape are exposed and interrogated through the story of people who, on both sides of the border, transform the wall, challenging its existence in remarkably creative ways. Coupled with these real-life accounts are counterproposals for the wall, created by Rael's studio, that reimagine, hyperbolize, or question the wall and its construction, cost, performance, and meaning. Rael proposes that despite the intended use of the wall, which is to keep people out and away, the wall is instead an attractor, engaging both sides in a common dialogue. Included is a collection of reflections on the wall and its consequences by leading experts Michael Dear, Norma Iglesias-Prieto, Marcello Di Cintio, and Teddy Cruz.

Greenhouses fuse together cultures and countries under one glass roof. In their debut book, photographers India Hobson and Magnus Edmondson take you on a worldwide journey through their favourite botanical spaces.

The Haarkon Greenhouse Tour began as a self-initiated adventure in Oxford s botanic garden four years ago. Since then, Magnus and India have visited countless locations in the UK, Europe, America, Asia and beyond in search of dream glasshouses and greenhouses, capturing dramatic palm houses, tropical hothouses and private potting sheds along the way.

Divided into seven thematic chapters History, Specimen, Community, Research, Pleasure, Hobbyist and Architecture the featured spaces in Glasshouse / Greenhouse are depicted via a series of photo-essays that draw out the style, plant collections and character of each space.

This volume presents the discipline's best thinking on sustainability in written, drawn, and built form, drawing on over fifteen years of peer-reviewed essays and national design awards published by the Association of Collegiate Schools of Architecture (ACSA). Providing a primer on sustainability, useful to teachers and students alike, the selected essays address a broad range of issues. Combined with design projects that highlight issues holistically, they promote an understanding of the principles of sustainability and further the integration of sustainable methods into architectural projects. Using essays that alternately revise and clarify twentieth century architectural thinking, The Green Braid places sustainability at the centre of excellent architectural design. No other volume addresses sustainability within the context of architectural history, theory, pedagogy and design, making this book an ideal source for architects in framing their practices, and therefore their architectural production, in a sustainable manner.

Using ten landscape architectural projects on three continents, Landscapes and Gardens presents the case for green landscapes and public gardens in the city. The authors discuss, through short essays, their approach to public open space, green landscapes, and human-scaled gardens. Highlighting strategies for the design of public landscapes and gardens, the use of appropriate materials and plant species, and how site and climate influence the final design, Landscapes and Gardens is a lush collection of beautiful images of gardens, big and small, providing inspiration for those who love parks, gardens, and gardening. Long focused on the importance of public space, and specifically green public space, the authors recognize landscape as the primary wish by the public. As programmed elements come and go, the landscape is there for the long term, and can adjust to the changing uses of our public space. Within the landscape, the garden offers meaning as it ties back to the cultural, the natural, and the agricultural. Like the landscapes they inhabit, public gardens must be robust. The design must be bold and simple, retaining the qualities of the garden that we enjoy so much colors, plant structures, textures, and seasonal changes that delight. The landscapes and gardens included the book provide examples of strategies by which the balance of robustness and richness can be achieved in gardens set within public parks in the city. The themes employed by Hargreaves Associates promote the garden as a critical element of the public park and cultural landscape, creating public gardens that provide a direct personal connection to nature, quiet respite, and rich inspiration."

Richmond Park is the largest Royal Park in London, covering an area of 2,500 acres. From its heights there is an uninterrupted view of St Paul's Cathedral, 12 miles away. The royal connections to this park probably go back further than any of the others, beginning with Edward I in the thirteenth century, when the area was known as the Manor of Sheen. The name was changed to Richmond during Henry VII's reign. In 1625 Charles I brought his court to Richmond Palace to escape the plague in London and turned it into a park for red and fallow deer. His decision, in 1637, to enclose the land was not popular with the local residents, but he did allow pedestrians the right of way. To this day the walls remain. In 1847 Pembroke Lodge became the home of the then Prime Minister, Lord John Russell, and was later the childhood home of his grandson, Bertrand Russell. However, Richmond Park emerges from its historical record as a place that has seen many changes in fabric and detail and yet remains the embodiment of a medieval deer park. It is a palimpsest, retaining subtle clues to each period in its history.