Increasingly, we live in an environment of our own making: a 'world as design' over the natural world. For more than half of the global population, this environment is also thoroughly urban. But what does a global urban condition mean for the human condition? How does the design of the city and the urban process, in response to the issues and challenges of the Anthropocene, produce new ethical categories, shape new moral identities and relations, and bring about consequences that are also morally significant? In other words, how does the urban shape the ethical-and in what ways? Conversely, how can ethics reveal relations and realities of the urban that often go unnoticed? This book marks the first systematic study of the city through the ethical perspective in the context of the Anthropocene. Six emergent urban conditions are examined, namely, precarity, propinquity, conflict, serendipity, fear and the urban commons.

This book explores new forms and modalities of relations between people and space that increasingly affect the life of the city. The investigation takes as its starting point the idea that in contemporary societies the loss of our relationship with place is a symptom of a breakdown in the relationship between ethics and aesthetics. This in turn has caused a crisis not only in taste, but also in our sense of beauty, our aesthetic instinct, and our moral values. It has also led to the loss of our engagement with the landscape, which is essential for cities to function.

The authors argue that new, fertile forms of interaction between people and space are now happening in what they call the intermediate space, at the border of urban normality and those parts of a city where citizens experiment with unconventional social practices. This new interaction engenders a collective conscience, giving a new and productive vigor to the actions of individuals and also their relations with their environment.

These new relations emerge only after we abandon what is called the therapeutic illusion of space, which still exists today, and which binds in a deterministic manner the quality of civitas, the associative life of people in the city, to the quality of urban space. Projects for the city should, instead, have as their keystone the notion of social action as a return to a critical perspective, to a courageous acceptance of social responsibility, at the same time as seeking the generative structures of urban life in which civitas and urbs again acknowledge each other.

Labyrinths are found in rock, mosaics and turf all over the world, and seem to have been known to magicians from very ancient times. In the traditional designs no choices are offered to the seekers, the path simply delivering the walker to the centre in a certain way. But what does it mean? Can you really get lost in a maze? What have gremlins got to do with it all? And the Minotaur? This tiny book of graphic beginnings, endings and lanes in between is a beautiful and thought-provoking guide to this fascinating subject. WOODEN BOOKS are small but packed with information. "Fascinating" FINANCIAL TIMES. "Beautiful" LONDON REVIEW OF BOOKS. "Rich and Artful" THE LANCET. "Genuinely mind-expanding" FORTEAN TIMES. "Excellent" NEW SCIENTIST. "Stunning" NEW YORK TIMES. Small books, big ideas.

In this wonderfully original and intensely personal--yet deeply analytical--work, Dr. Carli Coetzee argues in favor of difference and disagreement as legitimate forms of activism to bring about social change both inside and outside the teaching environment. She begins by defining "accentedness" as the process of actively working towards the ending of apartheid by being aware of the legacies of the past, without attempting to gloss over the conflicts and violence that may exist under the surface. Having established this, she examines the concept of "accent" in a broad educational context, analyzing it, not only as an accent of speech, but also an attitude, a stance against being understood--yet a way of teaching that requires teacher and pupil to understand each other's contexts. The book draws on seminal recent South African literature to illustrate a new way of reading and to theorize this teacher-student relationship. The ideas presented about the relationships created by the use of language to convey knowledge, particularly in translation, are evocative, thought-provoking, and even challenging at times. "Accented Futures" marks a significant and important contribution to research on identity in post-apartheid South Africa, as well as to the fields of education and translation studies.

A ravishing celebration of landscape, its iridescent beauty and its potential to comfort, awe and mesmerise. Landskipping explores the different ways in which we have, throughout the ages, responded to the land, beginning in the eighteenth century when artists first started to paint English scenery, and the Lakes, as well as Snowdon, began to attract a new kind of visitor, the landscape tourist. Meanwhile, at the same time, an entirely different band of people, the agricultural improvers, also travelled the land, looking at it in terms of its usefulness as well as its beauty. What emerges as universal then and now is a place's capacity to frame and define our experience. Moving from the rolling hills of Dorset to the peaks of the Scottish Highlands, this is an exquisite and compelling book, written by Anna Pavord with zest, passion and deep understanding.

This book is a textbook for Urban/Community Forestry courses and a handbook for Shade Tree Commissions, tree wardens, State and National Forestry Services, and professional societies. It is the most complete text in this field because it addresses both culture and management, and the chapters have been written by experts who are active practitioners. The book provides observations and examples relevant to every urban center in the U.S. and elsewhere.

This volume provides an in-depth historical overview of graphic and visual communication styles, techniques, and outputs from key landscape architects over the past century. Representing Landscapes: One Hundred Years of Visual Communication offers a detailed account of how past and present landscape architects and practitioners have harnessed the power of visualization to frame and situate their designs within the larger cultural, social, ecological, and political milieux. The fifth book in the Representing Landscapes series, the presentations contained within each of the 25 chapters of this work are not merely drawings and illustrations but are rather graphic touchstones whose past and current influence shapes how landscape architects think and operate within the profession. This collected volume of essays gathers notable landscape historians, scholars, and designers to offer their insights on how the landscape has been presented and charts the development and use of new technologies and contemporary theory to reveal the conceptual power of the living medium of the larger landscape. Richly detailed with over 220 colour and black and white illustrations from some of the discipline's best-known landscape architects and designers, this work is a 'must-have' for those studying contemporary landscape design or those fascinated by the profession's history.

This book approaches the realisation of digital terrain and landscape data through clear and practical examples. From data provision and the creation of revealing analyses to realistic depictions for presentation purposes, the reader is led through the world of digital 3-D graphics. The authors deep knowledge of the scientific fundamentals and many years of experience in 3-D visualization enable them to lead the reader through a complex subject and shed light on previously murky virtual landscapes.

Italian gardens vary widely according to their historical date and geographic location. This collection approaches Italian gardens of all periods, from the middle ages to modern times, and it ranges widely throughout the peninsula, from Genoa to Sicily, the Veneto to Liguria, and Ferrara to Florence. The authors are a distinguished group of Italian, American, English and German scholars, with different backgrounds in art history, literature, architecture, planning, and cultural history. The explorations of the subject from these different perspectives illuminate not only their own disciplines, but are concerned to make many fresh connections between garden art and the politics of nationalism, between the art of gardens and urban infrastructure, between cultural movements like freemasonry and site planning, between design and planting materials. The book offers therefore a narrative of the garden by selecting ten high points of its history, which are introduced with a consideration by the volume editor of the fresh challenges to contemporary Italian garden history.

The World of Andre Le Notre Thierry Mariage. Translated by Graham Larkin "A stimulating effort to contextualize Le Notre's career and to relate the 'French formal garden' to the cultural and political environment of Louis XIV's reign."--"French History" "This ambitious book is intellectually significant, well researched, and cogently presented. . . . Excellent."--"Geographical Reviews" "A substantial contribution to the study of seventeenth-century French garden practice."--"Landscape Architecture" The gardens of Versailles--along with the name of their chief creator, Andre Le Notre (1613-1700)--have become synonymous with the French style of "formal" garden. This style in its turn would succumb to another "national" mode, the English school of naturalistic and picturesque landscapes. But as Thierry Mariage makes clear, the garden style that Le Notre brought to perfection need not be seen in opposition to the later "English" one. Rather, he claims, they represent two points along a continuum that exists between the natural and cultural worlds. Published originally in Belgium as "L'univers de Le Nostre," Mariage's examination of Le Notre moves beyond traditional art historical documentation and appreciation into a realm of interpretation. He situates Le Notre's garden art in a complex social and cultural world, where the practices of land management, surveying techniques and hydrology, military practice, and both scientific and literary perspectives on land use and experience brought into being a unique form of landscape architecture. His analysis opens up the fashion in which design techniques and garden philosophy are shaped by material culture. Thierry Mariage is Architect for National and Historical Monuments, in charge of Versailles Museum, Park, and Gardens. Graham Larkin is Curator of European and American Art at the National Gallery of Canada. Penn Studies in Landscape Architecture 1998 168 pages 7 x 10 38 illus. ISBN 978-0-8122-2136-7 Paper $26.50s 17.50 World Rights Architecture Short copy: Mariage's examination of Andre Le Notre moves beyond traditional art historical documentation and appreciation into a realm of interpretation. He situates Le Notre garden art in a complex social and cultural world.

The past decade has witnessed a remarkable resurgence in the intellectual interplay between geography and the humanities in both academic and public circles. The metaphors and concepts of geography now permeate literature, philosophy, and the arts. Concepts such as space, place, landscape, mapping and territory have become pervasive as conceptual frameworks and core metaphors in recent publications by humanities scholars and well-known writers.

Envisioning Landscapes, Making Worlds contains over 25 contributions from leading scholars who have engaged this vital intellectual project from various perspectives, both inside and outside of the field of geography. The book is divided into four sections representing different modes of examining the depth and complexity of human meaning invested in maps, attached to landscapes, and embedded in the spaces and places of modern life. The topics covered range widely and include interpretations of space, place, and landscape in literature and the visual arts, philosophical reflections on geographical knowledge, cultural imagination in scientific exploration and travel accounts, and expanded geographical understanding through digital and participatory methodologies. The clashing and blending of cultures caused by globalization and the new technologies that profoundly alter human environmental experience suggest new geographical narratives and representations that are explored here by a multidisciplinary group of authors.

This book is essential reading for students, scholars, and interested general readers seeking to understand the new synergies and creative interplay emerging from this broad intellectual engagement with meaning and geographic experience.

In 1789, Jedidiah Morse described Newport and its environs as the “Eden of America” in the First Geography of the United States. In the nineteenth century landscape architects such as Frederick Law Olmsted created dramatic gardens by the sea for his wealthy clients, and artists from John Frederick Kensett to Henry James and Thornton Wilder celebrated the city as a verdant paradise in painting, poetry, and prose. America’s Eden: Newport Landscapes through the Ages builds on the city’s iconic reputation as a centuries-old paradise, and establishes Newport as a cultural landscape of national significance. The comprehensive history from European settlement to the present day is illustrated by a treasure trove of rare period maps, paintings and photographs by prominent artists, and drawings and sketches by leading designers. Ten chapters discuss topography, geology, and climate; the history of the city from the early days of colonial New England, through the Gilded Age estates, to the 21st century. A chapter on Living Legends emphasises the importance of Newport’s historic trees. The book serves as a critical resource guide encompassing landscape architecture, fine art, tree and plant propagation, and the conservation of natural sites. A rich story of art, history, design and horticulture awaits readers among the gardens, gazebos and trees of Newport.

An evocative chronicle of the power of solitude in the natural world I’m often asked, but have no idea why I chose Iceland, why I first started going, why I still go. In truth I believe Iceland chose me.—from the introduction Contemporary artist Roni Horn first visited Iceland in 1975 at the age of nineteen, and since then, the island’s treeless expanse has had an enduring hold on Horn’s creative work. Through a series of remarkable and poetic reflections, vignettes, episodes, and illustrated essays, Island Zombie distills the artist’s lifelong experience of Iceland’s natural environment. Together, these pieces offer an unforgettable exploration of the indefinable and inescapable force of remote, elemental places, and provide a sustained look at how an island and its atmosphere can take possession of the innermost self. Island Zombie is a meditation on being present. It vividly conveys Horn’s experiences, from the deeply profound to the joyful and absurd. Through powerful evocations of the changing weather and other natural phenomena—the violence of the wind, the often aggressive birds, the imposing influence of glaciers, and the ubiquitous presence of water in all its variety—we come to understand the author’s abiding need for Iceland, a place uniquely essential to Horn’s creative and spiritual life. The dramatic surroundings provoke examinations of self-sufficiency and isolation, and these ruminations summon a range of cultural companions, including El Greco, Emily Dickinson, Judy Garland, Wallace Stevens, Edgar Allan Poe, William Morris, and Rachel Carson. While brilliantly portraying nature’s sublime energy, Horn also confronts issues of consumption, destruction, and loss, as the industrial and man-made encroach on Icelandic wilderness. Filled with musings on a secluded region that perpetually encourages a sense of discovery, Island Zombie illuminates a wild and beautiful Iceland that remains essential and new.

This intimate glimpse into the private sketchbooks of the world's leading landscape and garden designers reveals a dazzling array of insights and ideas that will inspire the amateur and practitioner alike. Thirty-seven international designers carefully selected by the design critic behind the Chelsea Fringe have opened their sketchbooks specially for this publication. Featuring hundreds of drawings and illustrations as diverse as their creators, Landscape and Garden Design Sketchbooksis a continual source of inspiration for planting, design elements, colour schemes and materials, encouraging weekend gardeners, design professionals and students to draw their ideas by hand.

Our understandings of the landscapes around us are constantly changing. How we interact with, manage and value these spaces is important, as it helps us to ensure we live in attractive, functional and sustainable places. Green Infrastructure planning is the current 'go-to' approach in landscape planning that incorporates human-environmental interactions, understandings of ecology and how socio-cultural factors influence our use of parks, gardens and waterways. This book explores several interpretations of Green Infrastructure bringing together case studies of policy, practice, ecological change and community understandings of landscape. Focusing on how planning policy shapes our interactions with the landscape, as individuals and communities, the book discusses what works and what needs to be improved. It examines how environmental management can promote more sustainable approaches to landscape protection ensuring that water resources and ecological communities are not harmed by development. It also asks what the economic and community values of Green Infrastructure are to illustrate how different social, ecological and political factors influence how our landscapes are managed. The central message of the book focusses on the promotion of multi-functional nature within urban landscapes that helps people, the economy and the environment to meet the challenges of population, infrastructure and economic change. The chapters in this book were origianally published as a special issue in Landscape Research.

Through close readings of individual serials and books and archival work on the publication history of the Gardener's Magazine (1826-44) Sarah Dewis examines the significant contributions John and Jane Webb Loudon made to the gardening press and democratic discourse. Vilified during their lifetimes by some sections of the press, the Loudons were key players in the democratization of print media and the development of the printed image. Both offered women readers a cultural alternative to the predominantly literary and classical culture of the educated English elite. In addition, they were innovatory in emphasizing the value of scientific knowledge and the acquisition of taste as a means of eroding class difference. As well as the Gardener's Magazine, Dewis focuses on the lavish eight-volume Arboretum et Fruticetum Britannicum (1838), an encyclopaedia of trees and shrubs, and On the Laying Out, Planting, and Managing of Cemeteries (1843), arguing that John Loudon was a radical activist who reconfigured gardens in the public sphere as a landscape of enlightenment and as a means of social cohesion. Her book is important in placing the Loudons' publications in the context of the history of the book, media history, garden history, urban social history, history of education, nineteenth-century radicalism and women's journalism.

Landscape designers have long understood the use of plants to provide beauty, aesthetic pleasure and visual stimulation while supporting a broad range of functional goals. However, the potential for plants in the landscape to elicit human involvement and provide mental stimulation and restoration is much less well understood. This book meshes the art of planting design with an understanding of how humans respond to natural environments. Beginning with an understanding of human needs, preferences and responses to landscape, the author interprets the ways in which an understanding of the human-environment interaction can inform planting design. Many of the principles and techniques that may be used in planting design are beautifully illustrated in full colour with examples by leading landscape architects and designers from the United Kingdom, Europe, North America and Asia, including: Andrea Cochran, Andrea Cochran Landscape Architecture, San Francisco, CA Design Workshop Inc. Richard Hartlage, Land Morphology, Seattle, WA Shunmyo Masuno, Japan Landscape Consultants Ltd., Yokohama Piet Oudolf, Hummelo, The Netherlands Melody Redekop, Vancouver Christine Ten Eyck, Ten Eyck Landscape Architects Inc., Austin, TX Kongjian Yu, Turenscape Ltd., Beijing. The book stimulates thought, provides new direction and assists the reader to find their own unique design voice. Because there are many valid processes and intentions for landscape design, the book is not intended to be overly prescriptive. Rather than presenting a strict design method and accompanying set of rules, Planting Design provides information, insight and inspiration as a basis for developing the individual designer's own expression in this most challenging of art forms.

One of the functions of Louis XIV's Versailles was to provide a setting for the receptions of ambassadors, heads of state, and other visiting dignitaries who conducted diplomatic and political business with France. These activities became particularly important after Versailles was proclaimed the new seat of the monarchy and government in 1682."Diplomatic Tours in the Gardens of Versailles Under Louis XIV" is the first book to examine how the vast gardens of Versailles were used for these diplomatic receptions during the reign of the Sun King (1661-1715). The gardens were the final mise en scene of an elaborate ritual, which included the housing of the foreigners in Paris, their journey to Versailles, and their official audience with the king in the palace. A showcase for the achievements of royal artists, landscape architects, and hydraulic engineers, the gardens were soon regarded as one of the wonders of the modern world, proclaiming the wealth, power, and artistic taste of France and the French monarchy.The diplomatic tours were programmed every step of the way, with trained guides leading their guests on prescribed itineraries. Beginning in 1689, the king himself drafted a series of comprehensive itineraries, collectively called the "Maniere de montrer les jardins de Versailles," for the use of his guides (a newly discovered version of the "Maniere" appears for the first time in this book). These itineraries changed over the years in concert with modifications and additions to the gardens, attesting to a constant search for an ideal itinerary--a subtheme of "Diplomatic Tours."

Medici Gardens: From Making to Design challenges the common assumption that such gardens as Trebbio, Cafaggiolo, Careggi, and Fiesole were the products of an established design practice whereby one client commissioned one architect or artist. The book reverses the usual belief that a garden is the practical application of theoretical principles extracted from garden treatises, and suggests that, in the case of the gardens in Florence, garden making preceded its theoretical articulation. Drawing from Medici tax returns, inventories, and correspondence, Raffaella Fabiani Giannetto examines the transformation of these gardens from functional and pleasurable kitchen gardens to symbols of political power and family prestige. The Medici gardens of the fifteenth century were the result both of everyday living and of a poetic activity that was influenced by cultural expectations and societal demands. Crossing disciplinary boundaries, the author compares the making of actual gardens to that of the literary pleasances described by Petrarch, Boccaccio, and Ficino. Although the fictional gardens appear "designed" in that their place within literary works is carefully thought through, their actual counterparts are the product of a modus operandi, indebted to horticultural knowledge handed down from one generation to another in a slowly evolving tradition.

The Singing Crane Garden in northwest Beijing has a history dense with classical artistic vision, educational experimentation, political struggle, and tragic suffering. Built by the Manchu prince Mianyu in the mid-nineteenth century, the garden was intended to serve as a refuge from the clutter of daily life near the Forbidden City. In 1860, during the Anglo-French war in China, the garden was destroyed. One hundred years later, in the 1960s, the garden served as the "ox pens," where dissident university professors were imprisoned during the Cultural Revolution. Peaceful Western involvement began in 1986, when ground was broken for the Arthur Sackler Museum of Art and Archaeology. Completed in 1993, the museum and the Jillian Sackler Sculpture Garden stand on the same grounds today. In Place and Memory in the Singing Crane Garden, Vera Schwarcz gives voice to this richly layered corner of China's cultural landscape. Drawing upon a range of sources from poetry to painting, Schwarcz retells the garden's complex history in her own poetic and personal voice. In her exploration of cultural survival, trauma, memory, and place, she reveals how the garden becomes a vehicle for reflection about history and language. Encyclopedic in conception and artistic in execution, Place and Memory in the Singing Crane Garden is a powerful work that shows how memory and ruins can revive the spirit of individuals and cultures alike.

The Open Access version of this book, available at https://doi.org/10.4324/9780429290626, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license. Large-scale migration from rural to urban areas, and between countries, affects sustainable development at local, national, and regional levels. To strengthen urban and rural resilience to global challenges, Sustainable Development Goals Connectivity Dilemma: Land and Geospatial Information for Urban and Rural Resilience, brings together leading international geospatial experts to analyze the role of land and geospatial data infrastructures and services for achieving the United Nations' Sustainable Development Goals (SDGs). While the goals outlined in the 2030 Agenda have been longstanding aspirations worldwide, the complexity and connectivity between social, economic, environmental, and governance challenges are changing with large-scale urbanization and population growth. Structured in 5 parts, the themes and objectives of the book are in line with the critical challenges, gaps, and opportunities raised at all UN-GGIM events and UN-GGIM Academic Network forums. Through the different perspectives of scholars, industry actors, and policy-makers, this book provides interdisciplinary analysis and multisectoral expertise on the interconnection between the SDGs, geospatial information, and urban and rural resilience. Sustainable Development Goals Connectivity Dilemma: Land and Geospatial Information for Urban and Rural Resilience is an essential reference for researchers, industry professionals, and postgraduate students in fields such as geomatics, land administration, urban planning, GIS, and sustainable development. It will also prove a vital resource for environmental protection specialists, government practitioners, UN-GGIM delegates, and geospatial and land administration agencies. Features: Introduces a holistic and new approach to sustainable development Brings together social, economic, and environmental dimensions of sustainability Highlights the significance and the role of geospatial information in sustainable development Examines urban and rural interdependencies in the context of strengthening resilience Written by experts with diverse academic and professional backgrounds who examine connectivity and develop strategic pathways

Elemental Architecture presents a new and refreshing approach to sustainable architectural practice. Going beyond the standard performance-based and quantitative sustainable measures, it incorporates a broader framework of considerations, including the more poetic and noetic possibilities of environmental design. The book is structured around the ancient Greek and medieval alchemists' system of the Five Temperaments: fire, earth, air, water, and ether. Phillip James Tabb examines how these elements produce both positive and negative environmental forces which have an impact on architectural design - from drinking water and fresh air to torrential floods and tornados. He shows how responding to or enhancing these forces can help us to create a more sustainable, healthy, and purposeful architecture. To illustrate this, each chapter draws on seminal contemporary works of architecture, from Peter Zumthor's Bruder-Klaus Field Chapel to Frank Lloyd Wright's masterpiece at Fallingwater. These examples are accompanied by over a hundred high-quality illustrations. Expanding the discussion of sustainability to include phenomenological as well as qualitative considerations, Elemental Architecture is ideal for students and researchers with an interest in sustainable architecture and architectural theory.

Elemental Architecture presents a new and refreshing approach to sustainable architectural practice. Going beyond the standard performance-based and quantitative sustainable measures, it incorporates a broader framework of considerations, including the more poetic and noetic possibilities of environmental design. The book is structured around the ancient Greek and medieval alchemists' system of the Five Temperaments: fire, earth, air, water, and ether. Phillip James Tabb examines how these elements produce both positive and negative environmental forces which have an impact on architectural design - from drinking water and fresh air to torrential floods and tornados. He shows how responding to or enhancing these forces can help us to create a more sustainable, healthy, and purposeful architecture. To illustrate this, each chapter draws on seminal contemporary works of architecture, from Peter Zumthor's Bruder-Klaus Field Chapel to Frank Lloyd Wright's masterpiece at Fallingwater. These examples are accompanied by over a hundred high-quality illustrations. Expanding the discussion of sustainability to include phenomenological as well as qualitative considerations, Elemental Architecture is ideal for students and researchers with an interest in sustainable architecture and architectural theory.

How can we achieve and promote well-being? Drawing on examples from the arts, humanities and design, this book brings together work from a wide range of areas to reveal the unique ways in which different disciplines approach the universal goal of supporting well-being. Pathways to Well-Being in Design recognises that the distinction between academics and practitioners often becomes blurred, where, when working together, a fusion of thoughts and ideas takes place and provides a powerful platform for dialogue. Providing new insights into the approaches and issues associated with promoting well-being, the book's multi-disciplinary coverage invites readers to consider these ideas within the framework of their own work. The book's 12 chapters are authored by academics who are involved in practice or are working with practitioners and features real world case studies which cover a range of situations, circumstances, environments, and social groups. Pathways to Well-Being in Design responds to those wishing to enquire further about well-being, taking the reader through different circumstances to consider approaches, discussing practice and theory, real world and virtual world considerations. This book is essential reading for anyone seeking to understand well-being, including students and professionals in architecture, landscape architecture, urban planning, design and health sciences.

This book addresses the question 'Why draw?' by examining the various dynamic relationships between media, process, thought and environment. Highly illustrated, the book brings together authors from the fields of architecture, landscape architecture and art and demonstrates that designing through drawing is fundamentally different from designing on a screen.