This Handbook explores the latest cross-disciplinary research on the inter-relationship between memory studies, place, and identity. In the works of dynamic memory, there is room for multiple stories, versions of the past and place understandings, and often resistance to mainstream narratives. Places may live on long after their physical destruction. This collection provides insights into the significant and diverse role memory plays in our understanding of the world around us, in a variety of spaces and temporalities, and through a variety of disciplinary and professional lenses. Many of the chapters in this Handbook explore place-making, its significance in everyday lives, and its loss. Processes of displacement, where people's place attachments are violently torn asunder, are also considered. Ranging from oral history to forensic anthropology, from folklore studies to cultural geographies and beyond, the chapters in this Handbook reveal multiple and often unexpected facets of the fascinating relationship between place and memory, from the individual to the collective. This is a multi- and intra-disciplinary collection of the latest, most influential approaches to the interwoven and dynamic issues of place and memory. It will be of great use to researchers and academics working across Geography, Tourism, Heritage, Anthropology, Memory Studies, and Archaeology.

Landscape Construction Volume 1 deals with elements of landscape construction which are required to provide enclosure, privacy, demarcation of land, shelter and security. The elements discussed include free-standing brick and stone walls, fences, gates and railings. Fittings and finishes are also covered. Each section describes the materials, construction and constraints relevant to the subject and a large number of detailed figures and photographs supplement the text and help to illustrate the more important aspects. There is also a section on preservation treatment and painting. The current British Standard references are included.

Recent advances in technologies and home-generated renewable energy have made building away from urban and rural infrastructures more practical and affordable than ever. This survey of the world's most innovative off-grid homes reveals the cuttingedge architecture and technology that is enabling us to escape to some of the most extraordinary natural environments on the planet. All of the houses featured in this book are fully, or almost fully, self-sufficient in terms of energy, water and, in some cases, food. Architecture and interior design expert Dominic Bradbury reveals how each architect has made everyday living in these wild and natural settings a rewarding and tempting reality. From snowbound cabins in the far Northern Hemisphere to coastal retreats that can only be accessed by boat, the diverse projects collected here show the innovative ways in which architects and their clients are tackling extreme climates, remoteness and construction challenges to enable a new way of life that is both liberating and sustainable. The imperative to reduce our carbon footprints and refocus on renewable sources of energy is having a profound impact on our domestic lives. This fascinating survey demonstrates that creative architecture, design and technology are redefining the possibilities for leading a truly rewarding and responsible lifestyle.

The act of field sketching allows us to experience the landscape first-hand - rather than reliance upon plans, maps and photographs at a distance, back in the studio. Aimed primarily at landscape architects, Janet Swailes takes the reader on a journey through the art of field sketching, providing guidance and tips to develop skills from those starting out on a design course, to those looking to improve their sketching. Combining techniques from landscape architecture and the craft and sensibilities of arts practice, she invites us to experience sensations directly out in the field to enrich our work: to look closely at the effects of light and weather; understand the lie and shapes of the land through travel and walking; and to consider lines of sight from the inside out as well as outside in. Full colour throughout with examples, checklists and case studies of other sketchers' methods, this is an inspirational book to encourage landscape architects to spend more time in the field and reconnect with the basics of design through drawing practice.

Landscape Construction Volume 1 deals with elements of landscape construction which are required to provide enclosure, privacy, demarcation of land, shelter and security. The elements discussed include free-standing brick and stone walls, fences, gates and railings. Fittings and finishes are also covered. Each section describes the materials, construction and constraints relevant to the subject and a large number of detailed figures and photographs supplement the text and help to illustrate the more important aspects. There is also a section on preservation treatment and painting. The current British Standard references are included.

Emerging Landscapes brings together scholars and practitioners working in a wide range of disciplines within the fields of the built environment and visual arts to explore landscape as an idea, an image, and a material practice in an increasingly globalized world. Drawing on the synergies between the fields of architecture and photography, this collection takes a multidisciplinary approach, combining practice-based research with scholarly essays. It explores and critically reassesses the interface between representation - the imaginary and symbolic shaping of the human environment - and production - the physical and material changes wrought on the land. At a time of environmental crisis and the 'end of nature, 'shifting geopolitical boundaries and economic downturn, Emerging Landscapes reflects on the state of landscape and its future, mapping those practices that creatively address the boundaries between possibility, opportunity and action in imagining and shaping landscape.

As ecology becomes the new engineering, the projection of landscape as infrastructure-the contemporary alignment of the disciplines of landscape architecture, civil engineering, and urban planning- has become pressing. Predominant challenges facing urban regions and territories today-including shifting climates, material flows, and population mobilities, are addressed and strategized here. Responding to the under-performance of master planning and over-exertion of technological systems at the end of twentieth century, this book argues for the strategic design of "infrastructural ecologies," describing a synthetic landscape of living, biophysical systems that operate as urban infrastructures to shape and direct the future of urban economies and cultures into the 21st century. Pierre Belanger is Associate Professor of Landscape Architecture and Co-Director of the Master in Design Studies Program at Harvard University's Graduate School of Design. As part of the Department of Landscape Architecture and the Advansed Studies Program, Belanger teaches and coordinates graduate courses on the convergence of ecology, infrastructure and urbanism in the interrelated fields of design, planning and engineering. Dr. Belanger is author of the 35th edition of the Pamphlet Architecture Series from Princeton Architectural Press, GOING LIVE: from States to Systems (pa35.net), co-editor with Jennifer Sigler of the 39th issue of Harvard Design Magazine, Wet Matter, and co-author of the forthcoming volume ECOLOGIES OF POWER: Mapping Military Geographies & Logistical Landscapes of the U.S. Department of Defense. As a landscape architect and urbanist, he is the recipient of the 2008 Canada Prix de Rome in Architecture and the Curator for the Canada Pavilion ad Canadian Exhibition, "EXTRACTION," at the 2016 Venice Architecture Biennale (extraction.ca).

At a time when architectural and urban studies are moving towards seeking to accept and understand informal neighbourhoods rather than ignoring or eradicating them, the need for experiments on the ground is becoming increasingly urgent. In recent years, a growing number of architects and urban designers have committed themselves to the idea that these settlements are here to stay and require selective intervention in order to achieve better living conditions. This book contributes to the development of new architectural approaches to informal neighbourhoods and to a better understanding of human habitats that relates spatial issues to broader economic and political questions. The contributors analyse feasible and effective practical actions located in Africa, Latin America and India, drawing upon empiric work to contextualise concrete neighbourhoods. Complementing essays explore the deeply intertwined nature of spatial practice, cultural identity and social engagement. A conversation between contributors Julia King, Paulo Moreira, Elisa Silva, AbdouMaliq Simone, and Ines Weizman, moderated by Matthew Barac, rounds out this volume.

Written as an advocacy of melancholy's value as part of landscape experience, this book situates the concept within landscape's aesthetic traditions, and reveals how it is a critical part of ethics and empathy. With a history that extends back to ancient times, melancholy has hovered at the edges of the appreciation of landscape, including the aesthetic exertions of the eighteenth-century. Implicated in the more formal categories of the Sublime and the Picturesque, melancholy captures the subtle condition of beautiful sadness. The book proposes a range of conditions which are conducive to melancholy, and presents examples from each, including: The Void, The Uncanny, Silence, Shadows and Darkness, Aura, Liminality, Fragments, Leavings, Submersion, Weathering and Patina.

Paris has about 600 impasses, cites, villas and squares: streets that come to a dead end - cul-de-sacs, as they used to be called in French and are still called in English. Within the Peripherique, Paris is the most densely populated city in Europe, with more than 20,000 inhabitants per square kilometre. This book depicts about 200 cul-de-sacs from the 1st to the 20th arrondissement for the first time. The photographs offer a glimpse of part of Paris that usually goes unnoticed. Text in English, French, and Dutch.

Few people have difficulty conjuring images of modern Scandinavian design, whose influence over the past century has reached around the world. More difficult for many is imagining the quiet landscapes of the Nordic countries, which range from the flatlands of Denmark to the dramatic mountains and fjords of Norway. These majestic environments, combined with long summer days and light-poor winters, raking light and dense birch forests, have given rise to exceptionally refined examples of garden and landscape design.

This survey presents the best gardens to have been produced in the region over the past ten years. Organized by themes that encapsulate the special ambience and lifestyle of the Scandinavian countries – Simplicity, Silence, Fragility, Nakedness, Attunement, Boldness, Openness and Care – each garden is presented through images and texts explaining its unique aspects and describing its particularly Scandinavian characteristics.

The timelessness of Nordic design has proven itself around the world for many decades. Now it is time for the quality of its gardens and landscapes to come into the light.

The Department of Architecture at ETH Zurich has been researching the integration of robots into the architectural practice, both in design and the fabrication process, for some time. This book-created in collaboration with the chair of Christophe Girot, Gramazio Kohler Research, and Marco Hutter at ETH Zurich's Robotic Systems Lab-is the first to investigate the use of robot-based construction equipment for large-scale soil grading in landscape architecture. As landscapes are continuously changing due to ever-changing environmental conditions, the application of autonomous systems that respond to the environment rather than perform predefined and static earthwork is of particular interest in this field. Robotic Landscapes sheds light on a series of groundbreaking experiments in an interdisciplinary collaboration of landscape design, environmental engineering, and robotics that aims to make landscape architecture sustainable and ecological in the long term.

This book explores the core value of Gulangyu's historical environment, using outstanding universal value and Sino-foreign cultural exchange as the framing aspects, based on the requirements for Gulangyu being recognized as a World Heritage Site. Using the existing historical buildings and sketches as prototypes, the book provides a scholarly discussion on China's modern urban architecture and the ways in which its historical environment has been transformed, especially the reuse of design in its modern urban architecture, explored in six case studies on Gulangyu.

Gathers twenty-eight contributions from transdisciplinary experts across six continents and twenty countries, including USA, UK, Italy, Finland, Mexico, Columbia, Jamaica, Turkey, Japan, Pakistan, India, South Korea, China, Thailand, Australia, South Africa, Argentina, Lithuania, Germany and Canada Features illustrated global case studies with examples of current cultural landscape practices Divided into five thematic parts covering the evolution of cultural landscape practice, current trends, challenges and future progression.

A beautifully illustrated history of the world famous landscape garden at Stourhead, created by generations of the Hoare banking dynasty. Cross the south lawn at Stourhead and descend through the ancient and rare trees. Soon you will see a great lake appear, decorated with classical temples and arched bridge that lunges to the other side of the water. Continue on and you will find a mystical, jagged grotto; a gothic hideaway; gods, muses and saints. This is how Henry Hoare - known as Henry the Magnificent - would have approached the garden he designed with Henry Flitcroft. Did he imagine himself as a journeying Aeneas, or was he recreating a Claud Lorrain landscape? This is the first history - in colour - of a unique landscape created by generations of the Hoare banking family. It follows its evolution, describing how flights of folly, individual flair and tastes, combined with careful stewardship, have formed a national treasure and one of the finest example of the English landscape garden. The book includes a foreword by James Stourton and newly commissioned photography by renowned garden photographer Marianne Majerus.

While historical and protected landscapes have been well studied for years, the cultural significance of ordinary landscapes is now increasingly recognised. This groundbreaking book discusses how contemporary cultural landscapes can be, and are, created and recognised.

The book challenges common concepts of cultural landscapes as protected or special landscapes that include significant buildings or features. Using case studies from around the world it questions the usual measures of judgement related to cultural landscapes and instead focuses on landscapes that are created, planned or simply evolve as a result of changing human cultures, management policy and practice.

Each contribution analyses the geographical and human background of the landscape, and policies and management strategies that impact upon it, and defines the meanings of 'cultural landscape' in its particular context. Taken together they establish a new paradigm in the study of landscapes in all forms."

Phenomenology, Materiality, Cybernetics, Palimpsest, Cyborgs, Landscape Urbanism, Typology, Semiotics, Deconstruction - the minefield of theoretical ideas that students must navigate today can be utterly confusing, and how do these theories translate to the design studio? Landscape Theory in Design introduces theoretical ideas to students without the use of jargon or an assumption of extensive knowledge in other fields, and in doing so, links these ideas to the processes of design. In five thematic chapters Susan Herrington explains: the theoretic groundings of the theory of philosophy, why it matters to design, an example of the theory in a work of landscape architecture from the twentieth and twenty-first centuries, debates surrounding the theory (particularly as they elaborate modern and postmodern thought) and primary readings that can be read as companions to her text. An extensive glossary of theoretical terms also adds a vital contribution to students' comprehension of theories relevant to the design of landscapes and gardens. Covering the design of over 40 landscape architects, architects, and designers in 111 distinct projects from 20 different countries, Landscape Theory in Design is essential reading for any student of the landscape.

Strategies for Landscape Representation discusses a variety of digital and analogue production techniques for the representation of landscape at multiple scales. Careful consideration is required to represent time, and to ensure accuracy of representation and evaluation in the landscape. Written as a guide for making appropriate selection of a wide variety of visualisation tools for students and built environment professionals with an interest in landscape, the book charts emerging technologies and historical contexts whilst also being relevant to landscape legislation such as Building Information Modelling (BIM) and Landscape Assessment. This book is an innovation-driven text that encourages readers to make connections between software, technology and analogue modes. The management, choice and combination of such modes can arguably narrow the unknown of landscape character, address the issues of representing time and change in landscape and engage and represent communities' perceptions and experience of landscape. Showcasing international examples from landscape architecture, planning, urban design and architecture, artists, visualisers, geographers, scientists and model makers, the vitality of making and intrinsic value of representational work in these processes and sites is evidenced. An accompanying companion website provides access to original source files and tutorials totalling over a hundred hours in mapping and GIS, diagrams and notation, photomontage, 3D modelling and 3D printing.

One of the most significant occurrences in the history of design was the creation of the English Landscape Garden. Accounts of its genesis...the surprising structural change from the formal to a seeming informal are numerous. But none has ever been quite convincing and none satisfactorily placed the contributions of Stephen Switzer. Unlike his contemporaries, Switzer - an 18th century author of books on gardening and agricultural improvement - grasped a quite new principle: that the fashionable pursuit of great gardens should be "rural and extensive", rather than merely the ornamentation of a particular part of an estate. Switzer saw that a whole estate could be enjoyed as an aesthetic experience, and by the process of improving its value, could increase wealth. By encouraging improvers to see the garden in his enlarged sense, he opened up the adjoining countryside, the landscape, and made the whole a subject of unified design. Some few followed his advice immediately, such as Bathurst at Cirencester. But it took some time for his ideas to become generally accepted. Could this vision, and its working out in practice between 1710 and 1740 be the very reason for such changes? 300 years after the first volume of his writings began to be published; this book offers a timely critical examination of lessons learned and Switzer's roles. In major influential early works at Castle Howard and Blenheim, and later the more "minor" works such as Spy Park, Leeswood or Rhual, the relationships between these designs and his writings is demonstrated. In doing so, it makes possible major reassessment of the developments, and thus our attitudes to well-known works. It provides an explanation of how he, and his colleagues and contemporaries first made what he had called Ichnographia Rustica, or more familiarly Modern Gardening from the mid-1740s, land later landscape gardens. It reveals an exceptional innovator, who by transforming the philosophical way in which nature was viewed, integrated good design with good farming and horticultural practice for the first time. It raises the issue of the cleavage in thought of the later 18th century, essentially whether the ferme ornee as the mixture of utile and dulci was the perfect designed landscape, or whether this was the enlarged garden with features of "unadorned nature"? The book discusses these considerable and continuing contrary influences on later work, and suggests Switzer has many lessons for how contemporary landscape and garden design ought be perceived and practised.

This book captures ground-breaking attempts to utilise culture in territorial development and regeneration processes in the context of South Africa and our 'new normal' brought by COVID-19, the fourth industrial revolution, and climate change the world over. The importance of culture in rural-urban revitalisation has been underestimated in South Africa and the African continent at large. Despite some cultural initiatives that are still at developmental stages in big cities, such as Johannesburg, eThekwini and Cape Town, there is concern about the absence of sustainable policies and plans to support culture, creativity, and indigenous knowledge at national and municipal levels. Showcasing alternative strategies for making culture central to development, this book discusses opportunities to shift culture and indigenous knowledge from the peripheries and place them at the epicentre of sustainable development and the mainstream of cultural planning, which can then be applied in the contexts of Africa and the Global South. Governmental institutions, research councils, civil society organisations, private sector, and higher education institutions come together in a joint effort to explain the nexus between culture, economic development, rural-urban linkages, grassroots and technological innovations. Culture and Rural-Urban Revitalization in South Africa is an ideal read for those interested in rural and urban planning, cultural policy, indigenous knowledge and smart rural village model.

Memory is seldom explored through the experience of geographically mobile, racialized populations. Whilst the relationships between the political value of landscape and national memory have previously been written through, there has been little mention of postcolonial, 'diasporic' racialized citizens. Using both visual and material culture, this book examines the value of 'landscape and memory' for postcolonial migrants living in Britain. It uses memory to examine how postcolonial citizenship in Britain is experienced - through remembered citizenships of 'other' geographies abroad. By reflecting on the cultural landscapes of British Asian women, the book reveals social-historical narratives about migration, citizenship and belonging. New spaces of memory are presented as mobile and as politically charged with meaning as the more formal spaces of memorialization. The book offers a refiguring of race memory as being critical to English heritage and postcolonial politics and makes an important contribution to the writings on memory, race and landscape.

Self-Regulated Design Learning: A Foundation and Framework for Teaching and Learning Design reframes how educators in architecture, landscape architecture, and other design disciplines think about teaching and learning design. The book weaves together concepts of constructivism, social cognitive theory, and self-regulated learning into a solid theoretical foundation for innovative teaching that emphasizes meaning, memory, problem solving, and mastery. The central goal of self-regulated design learning is making design learnable so that students are encouraged to become active, engaged participants in the design learning process. Key features of the book include: examining the issues, values, and challenges of teaching and learning in design, exploring select educational theories and concepts relevant to design pedagogy, illustrating the pivotal relationships between design learning and self-regulation, and discussing pedagogic techniques that support self-regulated design learning and lead to greater student achievement and performance. Self-Regulated Design Learning: A Foundation and Framework for Teaching and Learning Design provides numerous examples and applications to help design educators understand how to implement the self-regulated design learning methodology in their studios. Through this book, design educators will discover new ways of encouraging meaningful design learning through an advanced approach that is empowering, inspiring, and vital.

"Sustainable Landscaping For Dummies" provides hands-on, how-to instruction for realizing the benefits of a sustainable landscape from selecting sustainable hardscape materials to installing a rainwater catchment system to choosing native plants.

All landscapes are complex systems which are continually changing as a result of relatively simple interactions. This condition of adaption and evolution is called emergence. Related to chaos theory and self-organising systems, emergence highlights the ever changing and developing urban and natural world - and the need to work flexibly within this. Just as an aborist must understand the development and functions of a tree in order to fully understand his actions in relation to it, so must a landscape architect understand the ecological functions of a specific terrain in order to appreciate how the landscape will respond to the conditions he establishes. This bottom-up approach is essential when dealing with the natural environment - and, as Barnett argues, the urban environment. Covering critically the theory behind emergence in landscape architecture, the author also uses practical examples from international landscapes as a key tool in his mission to explain the basis of emergence and how it is essential to our understanding of both urban and natural systems. Ideal for students and educators in landscape architecture, landscape urbanism and architectural theory, this book provides a full discourse on the theory and practice behind emergence in landscape and features full colour images.

This book provides a detailed coverage of the landforms of Planet Earth and the processes that shaped them. The study of these morphologies, some of which formed during past geological periods under environmental conditions very different from those of today, makes it possible to reconstruct the evolution of relief and to infer environmental changes that have involved geological media, the climate, or human activity.

A major advance of Geomorphology in recent decades is the development of techniques that make it possible to quantify morphogenetic processes and rates at which forms change under different environmental conditions. The development of Geochronology, or absolute dating methods, is helping us correct the limitations of relative dating that have prevailed in Geomorphology for many years. The ability to assign numerical ages to both landforms and deposits opens up multiple possibilities for reconstructing the evolution of relief, making correlations, calculating rates, and estimating recurrence periods.

A theme of major concern facing people today is the possible warming of the planet due to the release of greenhouse gases into the environment. Investigations conducted by the scientific community show that this temperature increase is at least partially anthropogenic. Given this more-than-probable cause and effect relationship, the most sensible and prudent path is to design and apply mitigation measures to alleviate this heating that can negatively affect both the natural environment and human society. The information that Geomorphology can provide on the recent past (Historical Geomorphology) may be very useful in making predictions on the activity of these potentially dangerous processes in the future and on the possible effects of environmental changes.

The aim of this book is to provide a general vision of the multiple aspects of Geomorphology and to provide a methodological foundation to approach the study of various branches of geomorphology. To this end, the book contains a basic bibliography that can be used for future research. In addition, applied aspects of Geomorphology are covered at the end of each chapter to provide knowledge of the activities of geomorphologists in the professional world.