From the stone blade and the fire stick to the latest algorithms of genetic code, we shape our world through the act of design. With its roots in the Renaissance notion disegno, design is the ability not only to make something, but also to conceive of its invention and reflect on its meaning. Whether we valorise it as the democratisation of design or critique it as the perversion of the commodity fetish, designed things are now ubiquitous. Not only things but entire systems must now be designed and objects reconceived and redesigned as mere moments in unfathomably complex ecological flows. The planet itself, and even space beyond, is now presented as a design problem. What does landscape architecture bring to the broader culture of design? What lessons can be learned from other disciplines at the cutting edge of design? What role does design play in a time of transformative technological change? In LA+ Design we move beyond the designed outcome to explore the myths, methods, meanings, and futures of design. Engineer and physicist Adrian Bejan outlines his constructal theory, which predicts natural design and its evolution in engineering, scientific, and social systems. Design researchers Craig Bremner + Paul Rodgers take us through an A Z of design ecology. Architects Lizzie Yarina + Claudia Bode open our eyes to new ways of seeing things through subject-object relations. Jenni Zell explores life as a woman landscape architect through a Kafkaesque lens. Daniel Pittman interviews MoMA's curator of architecture and design, Paola Antonelli. Architect David Salomon explores methods of using data as both fact and fiction. Christopher Marcinkoski interviews Anthony Dunne + Fiona Raby (Dunne + Raby) to discuss how their practice continuously redefines the role of design in society. Thomas Oles challenges stereotypes of landscape architecture s professional identity. Richard Weller discusses the terrarium as the ultimate design experiment. Dane Carlson goes deep into the culture of Nepal s hinterlands to explore new modes and geographies for landscape architecture beyond the first world. Through LA's signage, anthropologist Keith Murphy shows how different groups of people interact with and give meaning to the landscapes they inhabit. Interviewed by Colin Curley, architect Andrés Jaque (Office for Political Innovation) discusses the role of technology and agency of architecture in society today. Game designer Colleen Macklin shows how public space can be redefined and subverted through the agency of play. Javier Arpa interviews urban design guru Winy Maas (MVRDV, The Why Factory) to discuss his views on the future of design and design education. Experimental psychologist Thomas Jacobsen describes current neurological research into the subjectivity of beauty. Landscape architect James Corner talks about the evolution of the profession of landscape architecture in a wide-ranging interview.

This book explores the moving qualities of mountains by utilising theories, ideas and processes which contribute to a larger understanding of these geological forms. In highlighting the fluid attributes of mountains the authors offer an alternative to the traditional approach of the sciences and the humanities, which address mountains as static geological or geographical features. The essays in this collection posit that movement impacts the relationship between society and mountains - travelling landscape objects, constructing design and artistic translations, climbing and experiencing changing atmospheres and the different ways of seeing from mountain peaks - and that physical, intellectual and spiritual motion is integral to their understanding. This innovative collection will be of great interest to scholars of geography, art, architecture, history, theology and philosophy.

Doing research is an essential element of almost all programmes in planning studies as well as related areas such as geography and urban studies, from undergraduate, through Masters to doctoral programmes. While most texts on such research emphasise methodologies, this book is unique in addressing how theoretical frameworks and perspectives can inform research activity. Providing both a concise introduction to a wide range of such theories and detailed engagement with cases of planning research, it provides the reader with the insights necessary to conduct theory-informed research. It offers an understanding of how the choice of a theoretical framework has implications for the focus of the research, the precise research questions addressed and the methodologies that will be most effective in answering those questions. Through practical advice and published examples it will support planning researchers in doing stronger, more widely-applicable research, which answers key questions about planning systems and their role within our societies.

The studio and residential building at Wuhrstrasse 8/10 in Zurich is a unique place: Commissioned by the Painters & Sculptors Cooperative Zurich, founded in 1948, eminent Swiss architect Ernst Gisel (1922–2021) designed this ensemble of buildings comprising 8 apartments and twelve artist studios in 1953. Thus, a utopia of self-organised working and living space became reality. Since then, 54 artists have left their mark on the artistic and cultural life of Zurich and Switzerland from their home on Wuhrstrasse 8/10. This book recounts the history of this extraordinary structure, illustrated with archival plans and documents as well as new and historic photographs. It also examines the political and social dimension of the Wuhrstrasse model and its international impact. Further essays explore how the lives and works of the resident artists are interwoven with contemporary events, and address the artist studio as both an idealised myth and as a real place of work. In inserts created especially for the book, eleven Zurich-based artists, all members of the cooperative themselves, respond to the exemplary model that is the “Atelierhaus.”

Since the first edition was published in 1992, Nick Robinson's The Planting Design Handbook has been widely used as a definitive text on landscape architecture courses throughout the world. It remains one of the few titles written by a practicing landscape architect and educator who is also a horticulturalist and accomplished plantsman, and which deals with the application of planting design on a large scale in landscape architecture and urban design projects. The Planting Design Handbook is distinctive for its elegant integration of an ecological approach with an understanding of visual and spatial composition. It emphasizes the role of vegetation layers and designed plant communities in complex and diverse plant assemblages for all kinds of sites and uses. This expanded and comprehensively updated third edition still provides a complete examination of principles and practice of design for public, institutional and private landscapes. It takes account of developments in theory and practice, especially in the use of perennials, and reflects a variety of media and approaches current in landscape architecture and design. All chapters have been revised and re-written to ensure updated references and new references have been added. Many new photographs of planting and projects around the world have been included, with examples of current professional drawings to illustrate the design process. It is generously illustrated, including a colour section and the beautifully detailed line drawings of the Chinese architect and painter Jia-Hua Wu.

This book focuses on Luis Frois, a 16th-century Portuguese Jesuit and chronicler, who recorded his impressions of Japanese gardens, cities and building practices, tea-drinking rituals, Japan's unification efforts, cultural traditions, and the many differences between Europe and Japan in remarkable manuscripts almost lost to time. This research also draws on other Portuguese descriptions from contemporary sources spanning the years 1543 - 1597, later validated by Japanese history and iconography. Importantly, explorer Jorge Alvares recorded his experiences of discovery, prompting St. Francis Xavier to visit Japan in 1549, thus ushering in the "Christian Century" in Japan. During this long period of accord and reciprocal curiosity, the Portuguese wrote in excess of 1500 pages of letters to European Jesuits that detail their impressions of the island nation-not to mention their observations of powerful public figures such as Oda Nobunaga, Toyotomi Hideyoshi, and Sen no Rikyu. In addition to examining these letters, the authors translated and researched early descriptions of 23 gardens in Kyoto and Nara and 9 important cities-later visited by the authors, sketched, photographed and compared with the imagery painted on 16th-century Japanese screens. However, the data gathered for this project was found mainly within five large volumes of Frois' Historia do Japao (2500 pages) and his Treaty on Contradictions-two incomparable anthropological works that were unpublished until the mid-20th century for reasons detailed herein. His volumes continue to be explored for their insightful observations of places, cultural practices, and the formidable historical figures with whom he interacted. Thus, this book examines the world's first globalization efforts that resulted in profitable commerce, the introduction of Portuguese firearms that changed Japan's history, scientific advances, religious expansion, and many artistic exchanges that have endured the centuries.

Built environments are complex, emergent, systemic, and require contextual analysis. They should be understood before reconsidering how professionals and researchers of the built environment are educated and trained to reduce the gap between knowledge, practice and real-world circumstances. There is an urgent need to rethink the role of policy makers, researchers, practitioners and laypeople in the construction, renovation and reuse of the built environment in order to deal with numerous environmental/ecological, economic/financial and social/ethical challenges of providing a habitat for current and future generations in a world of continual change. These challenges are too complex to be dealt with only by one discipline or profession. Combinations of different types of knowledge, knowing in praxis and tacit knowledge are needed. This book presents and illustrates recent innovative contributions with case studies focusing on five strategic domains and the interrelations between them. These transdisciplinary contributions apply concepts, methods and tools that facilitate convergence and concerted action between participants collaborating in policy definition and project implementation. The methods and tools include experiments in living-labs, prototypes on site and virtual simulations, as well as participatory approaches including citizen science, the development of alternative scenarios, and visioning plausible futures.

Engendering Cities examines the contemporary research, policy, and practice of designing for gender in urban spaces. Gender matters in city design, yet despite legislative mandates across the globe to provide equal access to services for men and women alike, these issues are still often overlooked or inadequately addressed. This book looks at critical aspects of contemporary cities regarding gender, including topics such as transport, housing, public health, education, caring, infrastructure, as well as issues which are rarely addressed in planning, design, and policy, such as the importance of toilets for education and clothes washers for freeing-up time. In the first section, a number of chapters in the book assess past, current, and projected conditions in cities vis-a-vis gender issues and needs. In the second section, the book assesses existing policy, planning, and design efforts to improve women's and men's concerns in urban living. Finally, the book proposes changes to existing policies and practices in urban planning and design, including its thinking (theory) and norms (ethics). The book applies the current scholarship on theory and practice related to gender in a planning context, elaborating on some critical community-focused reflections on gender and design. It will be key reading for scholars and students of planning, architecture, design, gender studies, sociology, anthropology, geography, and political science. It will also be of interest to practitioners and policy makers, providing discussion of emerging topics in the field.

Water is far too valuable of a resource to be disposed as a waste. Working Water presents the work of Denver landscape architecture firm Wenk Associates, highlighting their projects that treat stormwater, and the infrastructure that controls it, as a resource that supports functioning natural systems and enhanced urban open space. Built projects illustrate how stormwater runoff can be directed to support an intimate private garden, to the large-scale redevelopment of derelict industrial lands in Milwaukee organised around a stormwater park and open space system. Planning projects range from a plan for a surface stormwater system developed incrementally for a redeveloping urban district in central Denver, to a multi-generational plan for restoration of the Los Angeles River that will require profound changes in stormwater management policies and practice for full implementation. The final chapter describes the challenges, strategies, and lessons learned over the firm's 37-year history as part of implementing new approaches to infrastructure design that can withstand the test of time.

Originally published in 1963. The English Landed Estate in the Nineteeth Century: Its Administration deals principally with the administration of large landed estates during the years from 1830 to 1870. The book also throws new light on the work of the Inclosure Commissioners, who, as a department of the central government, supervised agricultural improvements made by landowners who borrowed from the government and from land companies. Author David Spring argues that the British government intervened in agriculture much more than is commonly thought. In describing the hierarchy of estate management, Spring relies, wherever possible, on hitherto unused family papers and estate documents. Especially important is his material on the Dukes of Bedford and on the domestic economy and financial position of the Russell Family. The chapter titled "The Landowner," based on the seventh Duke of Bedford's correspondence with his agent, is a case study of a single estate and provides insight into the workings of a great landowner's mind. The remaining chapters, dealing with lawyers, land agents, and the Inclosure Commissioners, include other individual portraits. Among these are Christopher Haedy, the Duke of Bedford's chief agent; James Loch, king of estate agents in nineteenth-century England; Henry Morton, the Earl of Durham's land agent; and William Blamire and James Caird, two of the Inclosure Commissioners.

The site designer's guide to SketchUp's powerful modeling capabilities SketchUp for Site Design is the definitive guide to SketchUp for landscape architects and other site design professionals. Step-by-step tutorials walk you through basic to advanced processes, with expert guidance toward best practices, customization, organization, and presentation. This new second edition has been revised to align with the latest software updates, with detailed instruction on using the newest terrain modeling tools and the newly available extensions and plug-ins. All graphics have been updated to reflect the current SketchUp interface and menus, and the third part of the book includes all-new content featuring the use of new grade and terrain extensions. Developed around the needs of intermediate professional users and their workflows, this book provides practical all-around coaching on using SketchUp specifically for modeling site plans. SketchUp was designed for usability, with the needs of the architect, industrial designer, and engineers at center stage. This book shows you how the software's powerful terrain and grade functions make it an ideal tool for site designers, and how to seamlessly integrate it into your workflow for more efficient design and comprehensive planning. * Master the SketchUp basics, navigation, components, and scripts * Turn 2D sketches into 3D models with volume, color, and material * Create detailed site plans, custom furnishings, gradings, and architecture * Learn sandbox tools, organization strategies, and model presentation tips SketchUp has undergone major changes since the publication of this guide's first edition, with its sale to Trimble Navigation bringing about a number of revisions and the availability of more immediately useful features. SketchUp for Site Design shows you how to harness the power of this newly expanded feature set to smooth and optimize the site design workflow.

Climb a mountain and experience the landscape. Try to grasp its holistic nature. Do not climb alone, but with others and share your experience. Be sure the ways of seeing the landscape will be very different. We experience the landscape with all senses as a complex, dynamic and hierarchically structured whole. The landscape is tangible out there and simultaneously a mental reality. Several perspectives are obvious because of language, culture and background. Many disciplines developed to study the landscape focussing on specific interest groups and applications. Gradually the holistic way of seeing became lost. This book explores the different perspectives on the landscape in relation to its holistic nature. We start from its multiple linguistic meanings and a comprehensive overview of the development of landscape research from its geographical origins to the wide variety of today's specialised disciplines and interest groups. Understanding the different perspectives on the landscapes and bringing them together is essential in transdisciplinary approaches where the landscape is the integrating concept.

Increasingly, we live in an environment of our own making: a 'world as design' over the natural world. For more than half of the global population, this environment is also thoroughly urban. But what does a global urban condition mean for the human condition? How does the design of the city and the urban process, in response to the issues and challenges of the Anthropocene, produce new ethical categories, shape new moral identities and relations, and bring about consequences that are also morally significant? In other words, how does the urban shape the ethical-and in what ways? Conversely, how can ethics reveal relations and realities of the urban that often go unnoticed? This book marks the first systematic study of the city through the ethical perspective in the context of the Anthropocene. Six emergent urban conditions are examined, namely, precarity, propinquity, conflict, serendipity, fear and the urban commons.

This book includes papers presented at the 6th Arte-Polis International Conference. The theme of the conference was "Imagining Experiences: Creative Tourism and the Making of Place", and the book brings together studies based on lessons-learned, research and critical reviews related to creative tourism and reflections on placemaking. Covering a broad range of topics, including cultural and experiential perceptions of landscape, sustainable design, urban and rural planning, traditional and vernacular environment, public realm, thematic tourism, as well as heritage preservation and management, it discusses how issues of tourism shape our understanding of and discourse on architecture and landscapes. The book serves as an invitation to more participatory and polyphonic dialogues in the field of architecture, art and planning.

The new student edition of the definitive reference on landscape architecture
Landscape Architectural Graphic Standards, Student Edition is a condensed treatment of the authoritative Landscape Architectural Graphic Standards, Professional Edition. Designed to give students the critical information they require, this is an essential reference for anyone studying landscape architecture and design.
Formatted to meet the serious student's needs, the content in this Student Edition reflects topics covered in accredited landscape architectural programs, making it an excellent choice for a required text in landscape architecture, landscape design, horticulture, architecture, and planning and urban design programs. Students will gain an understanding of all the critical material they need for the core classes required by all curriculums, including:
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Construction documentation
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Site planning
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Professional practice
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Site grading and earthwork
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Construction principles
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Water supply and management
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Pavement and structures in the landscape
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Parks and recreational spaces
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Soils, asphalt, concrete, masonry, metals, wood, and recreational surfaces
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Evaluating the environmental and human health impacts of materials

Like Landscape Architectural Graphic Standards, this Student Edition provides essential specification and detailing information on the fundamentals of landscape architecture, including sustainable design principles, planting (including green roofs), stormwater management, and wetlands constuction and evaluation. In addition, expert advice guides readers through important considerations such as material life cycle analysis, environmental impacts, site security, hazard control, environmental restoration and remediation, and accessibility.
Visit the Companion web site: wiley.com/go/landscapearchitecturalgraphicstandards

This book approaches the concept of geo-architecture from the perspective of functions of architectures by analyzing the cases of traditional Chinese houses and tombs as well as palaces and places of worship. Houses and tombs, the 'Yang' dwellings and 'Yin' dwellings of human beings in traditional Chinese interpretation, are the two types of architectures that reveal the wisdom with which different ethnic groups adapted to different geographic environments at different times throughout the long history. Palaces are connected with various religious architectures throughout the Chinese history. The connection between imperial power and religion, along with its geographic and cultural connotations, are implicated in the pattern and layout of religious and imperial architectures. This book is the second of a 4-volume book series. The series develops the innovative concept of "geo-architecture" by exploring the myriad influences of natural, human and historical factors upon architecture. These influences are considered in three categories, namely, interaction between architecture and nature, interaction between architecture and its human users and change in architecture over time--each category serves as a lens. Augmenting these lenses is the Time-Person-Place concept applied different geographic. The analysis ultimately focuses on two aspects: geographic influence on architecture and architectural response to geography. The over 1000 pictures of case architectures enriches the study with stunning and unique visual angles. "This unprecedented work will be a unique and valuable contribution to the literature. Integrating as it does the disciplines of architecture, landscape architecture, and geography, Wang Fang's voice is original, compelling, and will be much appreciated by English-speaking readers (and inside China, too, I can only imagine.)"Stephen M Ervin Assistant Dean Graduate School of Design, Harvard University July 2nd, 2013 "One reason for why there would be interest is because her research would fill some significant gaps in the literature.What is novel about Dr. Wang's series is that she further extends this intellectual project of looking at Chinese architecture through Chinese eyes, by taking it one provocative step further."Annette M. Kim Associate Professor Department of Urban Studies and Planning, M.I.T. July 1st, 2013

This book analyzes forms of architectures within the frame concept of geo-architecture, and looks into the interaction of architecture and its environment. It starts by discussing the collisions between architecture and geography, humanity, as well as other architectures and reflects on the ancient Chinese notion of emotional relief and expression through natural landscape. It then studies important transportation and scenic routes, like pavilions, towers, clan halls and villages within architectural systems. It also discusses the forms of geographic integration and isolation expressed through architecture, which reflects their historical and cultural context.This book is the first of a 4-volume book series. The series develops the innovative concept of "geo-architecture" by exploring the myriad influences of natural, human and historical factors upon architecture. These influences are considered in three categories, namely, interaction between architecture and nature, interaction between architecture and its human users and change in architecture over time--each category serves as a lens. Augmenting these lenses is the Time-Person-Place concept applied different geographic. The analysis ultimately focuses on two aspects: geographic influence on architecture and architectural response to geography. The over 1000 pictures of case architectures enriches the study with stunning and unique visual angles. "This unprecedented work will be a unique and valuable contribution to the literature. Integrating as it does the disciplines of architecture, landscape architecture, and geography, Wang Fang's voice is original, compelling, and will be much appreciated by English-speaking readers (and inside China, too, I can only imagine.)" Stephen M Ervin Assistant Dean Graduate School of Design, Harvard University July 2nd, 2013 "One reason for why there would be interest is because her research would fill some significant gaps in the literature.What is novel about Dr. Wang's series is that she further extends this intellectual project of looking at Chinese architecture through Chinese eyes, by taking it one provocative step further."Annette M. Kim Associate Professor Department of Urban Studies and Planning, M.I.T. July 1st, 2013

This book is aimed at readers and researchers who are interested in Chinese garden architecture, the rise and fall of Yuanming Yuan and the history of the Qing dynasty. It is the first comprehensive study of the palatial garden complex in a Western language, and is amply illustrated with photographs and original drawings. Young-tsu Wong's engaging writing style brings "the garden of perfect brightness" to life as he leads readers on a grand tour of its architecture and history.

This book explores the concept of geo-architecture by analyzing the ways architectures are related to the local geography, including mingling or contrasting with surrounding landscape, adapting to mountainous or aquatic terrain, and selection of construction materials. Architectures build with such skillfully contrived strategies and techniques have become live exhibit of folk customs and served to record in profound detail the long history of mankind's recognition of nature. The combined effect is such that the architecture grows out of the surrounding natural and human environment. This book is the third of a 4-volume book series. The series develops the innovative concept of "geo-architecture" by exploring the myriad influences of natural, human and historical factors upon architecture. These influences are considered in three categories, namely, interaction between architecture and nature, interaction between architecture and its human users and change in architecture over time--each category serves as a lens. Augmenting these lenses is the Time-Person-Place concept applied different geographic. The analysis ultimately focuses on two aspects: geographic influence on architecture and architectural response to geography. The over 1000 pictures of case architectures enriches the study with stunning and unique visual angles. "This unprecedented work will be a unique and valuable contribution to the literature. Integrating as it does the disciplines of architecture, landscape architecture, and geography, Wang Fang's voice is original, compelling, and will be much appreciated by English-speaking readers (and inside China, too, I can only imagine.)"Stephen M Ervin Assistant Dean Graduate School of Design, Harvard University July 2nd, 2013 "One reason for why there would be interest is because her research would fill some significant gaps in the literature.What is novel about Dr. Wang's series is that she further extends this intellectual project of looking at Chinese architecture through Chinese eyes, by taking it one provocative step further."Annette M. Kim Associate Professor Department of Urban Studies and Planning, M.I.T. July 1st, 2013

In this multi-authored book, senior practitioners and researchers offer an international overview of landscape character approaches for those working in research, policy and practice relating to landscape. Over the last three decades, European practice in landscape has moved from a narrow, if relatively straightforward, focus on natural beauty or scenery to a much broader concept of landscape character constructed through human perception, and transcending any of its individual elements. Methods, tools and techniques have been developed to give practical meaning to this idea of landscape character. The two main methods, Landscape Character Assessment (LCA) and Historic Landscape Characterisation (HLC) were applied first in the United Kingdom, but other methods are in use elsewhere in Europe, and beyond, to achieve similar ends. This book explores why different approaches exist, the extent to which disciplinary or cultural specificities in different countries affect approaches to land management and landscape planning, and highlights areas for reciprocal learning and knowledge transfer. Contributors to the book focus on examples of European countries - such as Sweden, Turkey and Portugal - that have adopted and extended UK-style landscape characterisation, but also on countries with their own distinctive approaches that have developed from different conceptual roots, as in Germany, France and the Netherlands. The collection is completed by chapters looking at landscape approaches based on non-European concepts of landscape in North America, Australia and New Zealand. This book has an introductory price of GBP125/$205 which will last until 3 months after publication - after this time it will revert to GBP140/$225.

Elwes takes a journey through the twin histories of landscape art and experimental moving image and discovers how they coalesce in the work of artists from the 1970s to the present day. Drawing on a wide geographical sampling, Elwes considers issues that have preoccupied film and video artists over the years, ranging from ecology, gender, race, performativity, conflict, colonialism and our relationship to the nonhuman creatures with whom we share our world. The book is informed by the belief that artists can provide an embodied, emotional response to landscape, which is an essential driver in the urgent task of combating the environmental crisis we now face. The book comprises a series of essays that explore how the moving image mediates our relationship to and understanding of landscapes. The focus is on artists' film and video and draws on work from the 1970s to the present day. Early chapters map the theoretical terrain for both landscape and artists' moving image creating a foundation for the chapters that follow devoted to practice. These address themes of identity politics, performativity and animals and examine examples of British 'weather-blown films' and work from around the world including Indigenous Australian film landscapes. The book offers an informed, personal view of the subject and threaded through the narrative is a concern with the environment and the vexed question of whether an appreciation of nature's aesthetics undermines a commitment to ecology. The book is written in a clear, engaging style and is enlivened by Elwes's own experiences as a video artist, writer and curator, and the primary material she draws on derived from conversations with fellow practitioners across the years. As a practitioner, Elwes was a key figure in the early phases of video art in the UK as well as a curator and critic. She was professor of moving image art at the University of the Arts London; and is founding editor of the Moving Image Review & Art Journal (MIRAJ) This book will appeal to students, undergraduate and post-graduate, Ph.D. candidates, researchers, practitioners, teachers and lecturers and a general readership of interested gallery-going public.

Small-scale urban greening projects are changing the urban landscape, shifting our experience and understanding of greenspaces in our cities. This book argues that including power dynamics, symbolism, and aesthetics in our understanding of the human relationship to urban nature can help us create places that nurture ecological and human health and promote successful and equitable urban communities. Using an interdisciplinary approach to current research debates and new comparative case studies on community perceptions of these urban greening projects and policies, this book explores how small-scale urban greening projects can impact our sense of place, health, creativity, and concentration while also being part of a successful urban greening program. Arguing that wildness, emotion, and sense of place are key components of our human-nature relationship, this book will be of interest to designers, academics, and policy makers.

Universally, the production, maintenance and management of housing have been, and continue to be, market-based activities. Nevertheless, since the mid-twentieth century virtually all governments, socialist and liberal alike, have perceived the need to intervene in urban housing markets in support of low-income households who are denied access to the established (private sector) housing market by their lack of financial resources. Housing in Developing Cities examines the range of strategic policy alternatives that have been employed by state housing agencies to this end. They range from public sector entry into the urban housing market through the direct construction of ('conventional') 'public housing' that is let or transferred to low-income beneficiaries at sub-market rates, to the provision of financial supports (subsidies) and non-financial incentives to private sector producers and consumers of urban housing, and to the administration of ('non-conventional') programmes of social, technical and legislative supports that enable the production, maintenance and management of socially acceptable housing at prices and costs that are affordable to low-income urban households and communities. It concludes with a brief review of the direction that public housing policies have been taking at the start of the 21st century and reflects on 'where next', making a distinction between 'public housing' and 'social housing' strategies and how they can be combined in a 'partnership' paradigm for the 21st century.

Monsters, grotesque creatures, and giants were frequently depicted in Italian Renaissance landscape design, yet they have rarely been studied. Their ubiquity indicates that gardens of the period conveyed darker, more disturbing themes than has been acknowledged. In The Monster in the Garden, Luke Morgan argues that the monster is a key figure in Renaissance culture. Monsters were ciphers for contemporary anxieties about normative social life and identity. Drawing on sixteenth-century medical, legal, and scientific texts, as well as recent scholarship on monstrosity, abnormality, and difference in early modern Europe, he considers the garden within a broader framework of inquiry. Developing a new conceptual model of Renaissance landscape design, Morgan argues that the presence of monsters was not incidental but an essential feature of the experience of gardens.