This book is specifically designed for those interested in creating natural swimming pools. It covers all stages, from understanding the system, management, excavation, lining, walling, plumbing, electrical, planting, structures, and last but not least, the maintenance, to ensure a successful project. Comprehensive information is presented in an easy to understand style with many illustrations showing methods of building. These are supported by the helpful inclusion of detailed scaled drawings, a plant guide with hardiness zones, and other useful information. The techniques will provide confidence to tackle the project and on completion give a huge sense of satisfaction and many hours of enjoyment.

In 1789, Jedidiah Morse described Newport and its environs as the “Eden of America� in the First Geography of the United States. In the nineteenth century landscape architects such as Frederick Law Olmsted created dramatic gardens by the sea for his wealthy clients, and artists from John Frederick Kensett to Henry James and Thornton Wilder celebrated the city as a verdant paradise in painting, poetry, and prose. America’s Eden: Newport Landscapes through the Ages builds on the city’s iconic reputation as a centuries-old paradise, and establishes Newport as a cultural landscape of national significance. The comprehensive history from European settlement to the present day is illustrated by a treasure trove of rare period maps, paintings and photographs by prominent artists, and drawings and sketches by leading designers. Ten chapters discuss topography, geology, and climate; the history of the city from the early days of colonial New England, through the Gilded Age estates, to the 21st century. A chapter on Living Legends emphasises the importance of Newport’s historic trees. The book serves as a critical resource guide encompassing landscape architecture, fine art, tree and plant propagation, and the conservation of natural sites. A rich story of art, history, design and horticulture awaits readers among the gardens, gazebos and trees of Newport.

"Over the years I have watched the physical and emotional evolution of JDDA's work and it is truly evident in this monograph. I have marveled at the consistent quest for refinement and sophistication and admired their ever-evolving and maturing palette. In all their landscapes they respect the elements and the integrity of nature, as well as embellishing the space with their own particular style. They create a joyous juxtaposition between the sophisticated architectural elements and the reassuringly organic mood of the planting, with the occasional sculptural addition. The joy of walking within a JDDA landscape affords us both a mental and physical calm. The evolution of the body of work is an inspiration to us all." From the Foreword, by David Harber This stunningly illustrated monograph represents the evolution of James Doyle Design Associates (JDDA), its thought processes, and the exciting ever-changing world of landscape architecture. For JDDA, the path of its design work is reflective of a new generation of landscape architects. A connection with nature is in demand now more than ever, whether the space is urban or rural, grand or intimate. JDDA believes that the art and practice of designing the outdoor environment should not be devoid of a respect for nature and its impact on change and growth. This work reflects the intersection of nature and art; the juxtaposition of the designed and the natural; with bold, contemporary, dynamic gestures in the form of sculptural plant material, innovative hardscaping and an infusion of landscape art. JDDA cares about the world we live in and that our landscapes have the power to become our sanctuaries, to be uplifting, relaxing and thought provoking, with an appreciation for nature.

This comprehensive and authoritative guide offers an evidence-based overview of healing gardens and therapeutic landscapes from planning to post-occupancy evaluation. It provides general guidelines for designers and other stakeholders in a variety of projects, as well as patient-specific guidelines covering twelve categories ranging from burn patients, psychiatric patients, to hospice and Alzheimer's patients, among others. Sections on participatory design and funding offer valuable guidance to the entire team, not just designers, while a planting and maintenance chapter gives critical information to ensure that safety, longevity, and budgetary concerns are addressed.

Site, Sight, Insight presents twelve essays by John Dixon Hunt, the leading theorist and historian of landscape architecture. The collection's common theme is a focus on sites, how we see them and what we derive from that looking. Acknowledging that even the most modest landscape encounter has validity, Hunt contends that the more one knows about a site and one's own sight of it (an awareness of how one is seeing), the greater the insight. Employing the concepts, tropes, and rhetorical methods of literary analysis, he addresses the problem of how to discuss, understand, and appreciate places that are experienced through all the senses, over time and through space. Hunt questions our intellectual and aesthetic understanding of gardens and designed landscapes and asks how these sites affect us emotionally. Do gardens have meaning? When we visit a fine garden or designed landscape, we experience a unique work of great complexity in purpose, which has been executed over a number of years-a work that, occasionally, achieves beauty. While direct experience is fundamental, Hunt demonstrates how the ways in which gardens and landscapes are communicated in word and image can be equally important. He returns frequently to a cluster of key sites and writings on which he has based much of his thinking about garden-making and its role in landscape architecture: the gardens of Rousham in Oxfordshire; Thomas Whately's Observations on Modern Gardening (1770); William Gilpin's dialogues on Stowe (1747); Alexander Pope's meditation on genius loci; the Desert de Retz; Paolo Burgi's Cardada; and the designs by Bernard Lassus and Ian Hamilton Finlay.

Communicating Sustainability is a book of evidence-based strategies for making sustainability vivid, accessible, and comprehensible. To do this, it brings together research from a range of specialties including cognitive psychology, visual perception, communication studies, environmental design, interpretive exhibit design, interpretive signage, wayfinding, storytelling, courtroom litigation, information graphics, and graphic design to illustrate not only what approaches are effective but why they work as they do. The topic of sustainability is vast and complex. It interconnects multiple dimensions of human culture and the biosphere and involves a myriad of systems and processes, many of which are too large, too small, too fast, or too slow to see. Many people find verbal explanations about all of this too abstract or too complicated to understand, and for most people the concepts of sustainability are regarded as quirky, peripheral, and not essential to everyday life. Yet the challenges of sustainability concern the very survival of most species of life on Earth, including the human species. In order for life as we know it to survive and thrive into the future, sustainability must become broadly understood-by everyone, not just activists or specialists. This book offers tools to help make complex systems and nuanced, abstract ideas concrete and comprehensible to the broadest range of people. The goal of communication, and of this book, is to build understanding.

This book addresses the question 'Why draw?' by examining the various dynamic relationships between media, process, thought and environment. Highly illustrated, the book brings together authors from the fields of architecture, landscape architecture and art and demonstrates that designing through drawing is fundamentally different from designing on a screen.

Visual Communication for Architects and Designers teaches you the art of designing a concise, clear, compelling and effective visual and verbal presentation. Margaret Fletcher has developed a reference manual of best practices that gives you the necessary tools to present your work in the best way possible. It includes an impressive 750 presentation examples by over 180 designers from 24 countries in North America, South America, Europe, the Middle East, Asia, Oceania and Africa. This book offers actionable advice to solve a variety of complex presentation challenges. You will learn how to: Understand differences in communication design, representation design and presentation design and know how to use these skills to your advantage; Structure the visual and verbal argument in your presentation; Design your presentation layouts, architectural competitions, boards and digital presentations; Manage issues related to the presentation of architectural and design ideas; Present yourself professionally. Your ability to communicate your design ideas to others is an invaluable and important skill. Visual Communication for Architects and Designers shows you how to develop and implement these skills and gain command of your presentations.

Human beings have been transforming Mediterranean landscapes into art for at least thirty thousand years. Today's artists, sculptors, designers, architects and gardeners explore age-old vernacular materials, skills and sites to produce extraordinary landscape art that affirms an ideal of partnership with nature while celebrating layers of living in this multifaceted region. Each work observes the logic of place as determined by climate, geology, flora and fauna, architecture and land use. Illustrated with hundreds of exceptional photographs by award- winning photographer Clive Nichols, and drawing on nearly forty years of exploration by Louisa Jones, this book offers a fresh vision of the Mediterranean, past and future, linking cultural diversity and natural balance as discovered in its gardens, landscape design, literature, art and architecture.

As different parts of the globe deal with the challenges of coastal settlements in the Anthropcene landscape of increasing uncertainty, the methods of design offer new strategies for developing and testing solutions. These complex problems require collaboration across disciplines, with scientists, planners, engineers, designers, and others able to work together in finding new ways of living in coastal and changing landscapes. Sustainable Coastal Design and Planning is an outstanding collection of essays by leading practitioners and academics from across the globe on design and planning for coastal resilience in the face of climate change. It thoroughly explores the questions of coastal change at different scales and provides international case studies that illustrate diverse strategies in different geographies and cultures. Taken as a whole, they canvas a broad palette of approaches and techniques for engaging these complex problems. Divided in two parts, this book focuses on how to develop solutions through multidisciplinary design thinking and informs all stakeholders on specific methods and practices that will be needed to work effectively in this dynamic space.

After beginning his career as an architect in London, Calvert Vaux (1824-1895) came to the Hudson River valley in 1850 at the invitation of Andrew Jackson Downing, the reform-minded writer on houses and gardens. As Downing's partner, and after Downing's death in 1852, Vaux designed country and suburban dwellings that were remarkable for their well-conceived plans and their sensitive rapport with nature. By 1857, the year he published his book Villas and Cottages, Vaux had moved to New York City. There he asked Frederick Law Olmsted to join him in preparing a design for Central Park. He spent the next 38 years defending and refining their vision of Central Park as a work of art. After the Civil War, he and Olmsted led the nascent American park movement with their designs for parks and parkways in Brooklyn, Buffalo, and many other American cities. Apart from undertakings with Olmsted, Vaux cultivated a distinguished architectural practice. Among his clients were the artist Frederic Church, whose dream house, Olana, he helped create; and the reform politician Samuel Tilden, whose residence on New York's Gramercy Park remains one of the country's outstanding Victorian buildings. A pioneering advocate for apartment houses in American cities, Vaux designed buildings that mirrored the advance of urbanization in America, including early model housing for the poor. He planned the original portions of the Metropolitan Museum of Art and the American Museum of Natural History and conceived a stunning proposal for a vast iron and glass building to house the Centennial Exhibition in Philadelphia. Especially notable are the many bridges and other charming structures that he designed for Central Park. Vaux considered the Park's Terrace, decorated by J. W. Mould, as his greatest achievement. An active participant in the cultural and intellectual life of New York, Vaux was an idealist who regarded himself as an artist and a professional. And while much has been written on Olmsted, comparatively little has been published about Vaux. The first in-depth account of Vaux's career, Country, Park, and City should be of great interest to historians of art, architecture, and urbanism, as well as preservationists and other readers interested in New York City's past and America's first parks.

For every element that we design in the landscape, there is a corresponding grading concept, and how these concepts are drawn together is what creates a site grading plan. This study guide explores these concepts in detail to help you learn how to grade with confidence in preparation for the Grading, Drainage and Construction Documentation section of the Landscape Architecture Registration Examination (LARE). This updated second edition is designed as a textbook for the landscape architecture student, a study guide for the professional studying for the LARE, and a refresher for licensed landscape architects. New to this edition: * Additional illustrations and explanations for grading plane surfaces and warped planes, swales, berms, retention ponds, and drain inlets; * Additional illustrations and explanations for grading paths, ramp landings, ramp/stair combinations and retaining walls; * A section on landscape and built element combinations, highlighting grading techniques for parking lots, culverts and sloping berms; * A section on landscape grading standards, recognizing soil cut and fill, determining pipe cover, finding FFE, and horizontal and vertical curves; * Updated information about the computer-based LARE test; * All sections updated to comply with current ADA guidelines; * An appendix highlighting metric standards and guidelines for accessibility design in Canada and the UK. With 223 original illustrations to aid the reader in understanding the grading concepts, including 32 end-of-chapter exercises and solutions to practice the concepts introduced in each chapter, and 10 grading vignettes that combine different concepts into more robust exercises, mimicking the difficulty level of questions on the LARE, this book is your comprehensive guide to landscape grading.

Over the last decade, mazes have been making the newspaper headlines and there has been a worldwide explosion in their construction. Not only in the form of traditional turf mazes of medieval times and hedge mazes, but modern mazes made in a wide variety of new materials including bricks, mirrors and water jets. Even enormous maize mazes which are cut out of fields of growing corn and which last for a single summer season. This book traces the history of the maze in all its forms and uses a mixture of photographs and drawingsto offer a fascinating insight into them.

Riverscapes are the main arteries of the world's largest cities, and have, for millennia, been the lifeblood of the urban communities that have developed around them. These human settlements - given life through the space of the local waterscape - soon developed into ritualised spaces that sought to harness the dynamism of the watercourse and create the local architectural landscape. Theorised via a sophisticated understanding of history, space, culture, and ecology, this collection of wonderful and deliberately wide-ranging case studies, from Early Modern Italy to the contemporary Bengal Delta, investigates the culture of human interaction with rivers and the nature of urban topography. Riverine explores the ways in which architecture and urban planning have imbued cultural landscapes with ritual and structural meaning.

Constructing the Persuasive Portfolio helps you learn the art of designing a compelling and effective architectural portfolio. Margaret Fletcher categorizes the architectural portfolio design process into a step-by-step method that you can manage and understand. The full-color book includes 400 portfolio examples from 55 designers, along with more than 50 diagrams, and a set of 48 design actions that are marked throughout. You will learn how to: -Identify your readership -Collect, document, and catalog your work -Organize your portfolio -Visually structure your portfolio -Design your layout -Manage both printed and digital portfolio formats As your ultimate persuasive tool, your portfolio is the single most important design exercise of your academic and professional career. Constructing the Persuasive Portfolio shows you everything you need to know to create your portfolio and is the only portfolio design book you will ever need!

The Routledge Companion to Critical Approaches to Contemporary Architecture convenes a wide array of critical voices from architecture, art history, urbanism, geography, anthropology, media and performance studies, computer science, bio-engineering, environmental studies, and sociology that help us understand the meaning and significance of global architecture of the twenty-first century. New chapters by 36 contributors illustrated with over 140 black-and-white images are assembled in six parts concerning both real and virtual spaces: design, materiality, alterity, technologies, cityscapes, and practice.

1. Clarity. The book makes fairly complex ideas accessible to a first-year university architectural design student or first year graduate urban design student. These ideas just happen to be the ones that are at the core of all design processes and are often never explained or introduced to students. 2. Currency. The book's content is part of a cultural shift in education that moves design pedagogy to understanding cognitive processes connected to shape-making rather than formal design centred on object creation (addresses causes rather than symptoms). 3. Persistence. At the same time, the information in the book does not have an expiration date - this is persistence and foundational knowledge that sits at the base of all educational instruction in formal design. 4. Integration. The book makes no distinction between meaning and interpretation. The same skills that humans use to understand our environment are those that are used to design the environment. This book introduces persistent ways that humans interpret the environment

In this book the author explores the sociological foundations of domestic design in eighteenth-century France, the acknowledged leader of domestic architecture in this period. Focusing on the Place Vendôme, which was developed by the financiers of Paris, she examines the representational strategies and dilemmas of French elites, which were crucial to the formation of a French mode of design. Through analyses of social distinctions and ambitions, Ziskin explores the manner in which the dwellings of the Place Vendôme embodied beliefs about the nature of society and the appropriate relations among social groups.

The Urban Parks Programme, financed by the Heritage Lottery Fund, has sparked a new enthusiasm for the regeneration of Britain's parks. This unique reference book gives a valuable overview of all the elements of public park design. It emphasizes our parks' diversity and richness, and offers practical guidance as to their renovation and future care. It is essential reading for all those involved in the design, upkeep and regeneration of public parks.

This book examines the three principal value systems which influence landscape architectural practice: the aesthetic, the social and the environmental and seeks to discover the role that the profession should be playing now and for the future. The book integrates an investigation of historical sources with contemporary research into the beliefs and values of practitioners. The book raises questions such as: should landscape architecture aspire to the status of an art form? What is the relationship between aesthetics and ecology? Does landscape architecture have a social mission?

Much has been written about London's terraced houses with their simple dignity, their economical use of space, and their sense of comfort and human scale. Yet the small gardens that lie before or behind the houses in this great city have until now been overlooked. In this groundbreaking account of the development of the private garden in London, eminent garden historian Todd Longstaffe-Gowan provides a delightful remedy to the oversight. Recognizing the contribution of modest domestic gardens to the texture of eighteenth-and early nineteenth-century London, Longstaffe-Gowan explores in full detail the small gardens, their owners, and their significance to the development of the metropolis. Some two hundred illustrations enhance this rich and fascinating discussion.

Town gardening was conventionally maligned as a trifling pursuit conducted within inhospitable and infertile enclosures. This view changed during the eighteenth century as middle class Londoners found in gardening activities an outlet for personal enjoyment and expression. This book describes how gardening affected the lives of many, becoming part of the ritual of the daily round and gratifying material aspirations.

If a local college gives a city planner tickets to a sold-out football game, is it wrong to take them - even if the planner pays? Should a planning consultant bid on a project that has a clearly unrealistic timeframe? Can a planning director moonlight for another agency? For practicing planners, potential ethics violations abound, and the eye of public scrutiny never blinks. Planners need a guide, and now they have it: the first guidebook based on the current revision of the AICP (American Institute of Certified Planners) Code of Ethics and Professional Conduct. The Ethical Planning Practitioner presents 76 scenarios, all real-life dilemmas based on the code's rules of conduct. Each scenario comes with tools to help planners explore the answers on their own, in a training session, or in a classroom. When you buy the guide through APA, you get something more: a recording author Jerry Weitz, FAICP, made with former AICP President Dwight Merriam, FAICP. Together they review three short videos, talk about the ethical situations they represent, and suggest the actions planners could take. The recording comes with a PowerPoint presentation that makes it a powerful teaching aid. This vital handbook looks at everyday ethics the way planners need to see them, in black, white, and shades of gray - but most of all, clearly. The Ethical Practicing Planner will not only instruct but inspire planners to strengthen the public's trust.

Small-scale urban greening projects are changing the urban landscape, shifting our experience and understanding of greenspaces in our cities. This book argues that including power dynamics, symbolism, and aesthetics in our understanding of the human relationship to urban nature can help us create places that nurture ecological and human health and promote successful and equitable urban communities. Using an interdisciplinary approach to current research debates and new comparative case studies on community perceptions of these urban greening projects and policies, this book explores how small-scale urban greening projects can impact our sense of place, health, creativity, and concentration while also being part of a successful urban greening program. Arguing that wildness, emotion, and sense of place are key components of our human-nature relationship, this book will be of interest to designers, academics, and policy makers.