The statesman and reformer James Oglethorpe was a significant figure in the philosophical and political landscape of eighteenth-century British America. His social contributions--all informed by Enlightenment ideals--included prison reform, the founding of the Georgia colony on behalf of the "worthy poor," and stirring the founders of the abolitionist movement. He also developed the famous ward design for the city of Savannah, a design that became one of the most important planning innovations in American history. Multilayered and connecting the urban core to peripheral garden and farm lots, the Oglethorpe Plan was intended by its author to both exhibit and foster his utopian ideas of agrarian equality.

In his new book, the professional planner Thomas D. Wilson reconsiders the Oglethorpe Plan, revealing that Oglethorpe was a more dynamic force in urban planning than has generally been supposed. In essence, claims Wilson, the Oglethorpe Plan offers a portrait of the Enlightenment, and embodies all of the major themes of that era, including science, humanism, and secularism. The vibrancy of the ideas behind its conception invites an exploration of the plan's enduring qualities. In addition to surveying historical context and intellectual origins, this book aims to rescue Oglethorpe's work from its relegation to the status of a living museum in a revered historic district, and to demonstrate instead how modern-day town planners might employ its principles. Unique in its exclusive focus on the topic and written in a clear and readable style, "The Oglethorpe Plan "explores this design as a bridge between New Urbanism and other more naturally evolving and socially engaged modes of urban development.

Containing over 6,000 entries from Aalto to Zwinger and written in a clear and concise style, this authoritative dictionary covers architectural history in detail, from ancient times to the present day. It also includes concise biographies of hundreds of architects from history (excluding living persons), from Sir Francis Bacon and Imhotep to Liang Ssu-ch'eng and Francis Inigo Thomas. The text is complemented by over 260 beautiful and meticulous line drawings, labelled cross-sections, and diagrams. These include precise drawings of typical building features, making it easy for readers to identify particular period styles. This third edition of The Oxford Dictionary of Architecture has been extensively revised and expanded, with over 900 new entries including hundreds of definitions of garden and landscape terms such as Baroque garden, floral clock, hortus conclusus, and Zen garden-design. Each entry is followed by a mini-bibliography, with suggestions for further reading. The full bibliography to the first edition (previously only available online) has also been fully updated and expanded, and incorporated into this new edition. This is an essential work of reference for anyone with an interest in architectural and garden history. With clear descriptions providing in-depth analysis, it is invaluable for students, professional architects, art historians, and anyone interested in architecture and garden design, and provides a fascinating wealth of information for the general reader.

Tokyo's seemingly endless sea of buildings has grown incrementally over the past centuries, leading to an urban condition that is both coherent and contradictory at the same time. The understanding of Tokyo as a continuous and interdependent urban complex is a much-neglected perspective in previous readings of the city. An attachment to the land, strong civic commitment, and a deep appreciation of the immaterial has produced a nested megastructure of smaller communities. These places have all evolved in a related way, briefly and temporarily disrupted by earthquakes and a devastating war. Over time, a set of distinct urban patterns emerged through centralisation processes, the "manshon urbanisation", the relocation of various types of manufacturing, and other developments. What might appear homogeneous in composition and rhythm is in fact a configuration of distinctly different spaces, created by the routines of everyday life that make the district of Shinjuku different from Shimokitazawa or Kitamoto. This book not only provides the first comprehensive reading of the many urbanisation processes shaping Tokyo today, but also seeks an entirely new approach for looking at megacity regions: through their differences, and the way those differences are produced in the course of everyday life.

A conversation between an artist and a gardener in the California border-landscape about creation, change, and loss. An intertextual, fictionalized narrative weaves together several years of Mexican artist Erick Meyenberg's observations, research, video recordings, and paintings based on logbooks kept by gardener Chris Shea. Meyenberg's conversations with Shea about his ephemeral landscape infer the change and loss inherent in human life and propels the deep emotional intelligence of this bilingual book as it reflects on time, creation, and the inspiration of the natural world. Shea's remarkable, nuanced, and delicate language for color is reflected in Meyenberg's layered appreciation for the garden Shea tended until the end of his life. Eloisa Haudenschild, Director of inSite, commissioned Meyenberg's project with Shea for haudenschildGarage in La Jolla, California, and enlisted curator Ruth Estevez, the text's author. For more information about the project see the haudenschildGarage website or DoppelHouse.com. Note: This book has two parts, one in English, one in Spanish.

This study assessed the nature of historical archaeological resources within New River Gorge National River (NERI) and Gauley River National Recreation Area (GARI). The study documented the location, condition and research potential of a sample of historical archaeological sites within NERI and GARI; conducted limited exploratory archaeological investigations of representative historic sites; created sites descriptions, maps and summarized other data relating to these sites; and identified research questions that these historic and other historic resources located in NERI and GARI have the potential to address.

Systematic, scientific research to locate, evaluate and document archeological resources on National Park System lands.

This Systemwide Archeological Inventory Program (SAIP) is intended to provide a framework for systematic, scientific research that locates, evaluates, and documents archeological resources. The importance of the SAIP is that it emphasizes research within a cultural resources management framework. The purpose, structure, and requirements of the SAIP have been published and each NPS region is required to develop a regional plan to implement this program. This document represents the plan for the Midwest Region.

Humphry Repton (1752-1818) ambitiously styled himself Capability Brown's successor: the century's next great improver of landed property. With his rare combination of skills - he was a talented topographical sketcher with a unique ability to judge the shifting needs of his patrons - over thirty years Repton amassed an incredible four hundred commissions; his famous Red Books, illustrated to help clients visualise the potential of their properties, did much to encourage the appreciation of landscape aesthetics, especially among the rising middle classes. With colourful illustrations and detailed site investigations, this book traces Repton's landscape designs from Picturesque wildernesses like Blaise Castle to the progressive Gardenesque style of Endsleigh in Devon. It is both a perfect visitor's guide to the gardens and an introduction to the theory of Repton's work.

'Nature' and the 'city' have most often functioned as opposites within Western culture, a dichotomy that has been reinforced (and sometimes challenged) by religious images. Bohannon argues here that cities and natural environments, however, are both connected and continually affected by one another. He shows how such connections become overt during natural disasters, which disrupt the narratives people use to make sense of the world,including especially religious narratives, and make them more visible. This book offers both a theoretical exploration of the intersection of the city, nature, and religion, as well as a sociological analysis of the 1997 flood in Grand Forks, ND, USA. This case study shows how religious factors have influenced how the relationship between nature and the city is perceived, and in particular have helped to justify the urban control of nature. The narratives found in Grand Forks also reveal a broader understanding of the nature of Western cities, highlighting the potent and ethically-rich intersections between religion, cities and nature.

SEARCHING FOR THE HEART OF SACRED SPACE is about Landscape, Buddhism and Awakening - spoken in the same breath. The author personally explores ways of being in sacred landscapes, foundations for designing the contemplative garden. The book candidly reveals a path of transformation. Discovering the riches of the woods in Finland, the author investigates the natural environment for local government in Upstate New York and USAID in Nepal. He begins to taste the meaning of a spiritual home. Mentored by Tom Johnson at Cornell University, he designs a Tibetan Buddhist meditation centre, one of the first in North America. During a private audience, H. H. the Dalai Lama questions the basis for the design. Firmly linking the design of landscape to a spiritual path, the author questions, - "What is the truth of design? How deep would I go to draw inspiration? How deeply am I willing to know myself in order to design sacred landscape?" His search for the heart of sacred space points to an astounding historical connection between Kyoto's temple gardens and Pretapuri in Western Tibet, one of Buddhism's twenty-four sacred tantric sites. Guided by Zasep Tulku Rinpoche, he dissects the reference, an old Japanese garden-making text designating the first stones set upright in the landscape - 8,631 stones on the Tibetan Plateau guarded by the Eight Naga Kings. He makes a pilgrimage to Pretapuri, a landscape charged with the power of spiritual agreement between pilgrims and deities, revealed as three layers of discourse. External explanations enrich physical descriptions with tales told by rivers and terraces about the meaning of life. Internal explanations relate stories and legends investing a place with subtle attributes accorded to a sacred landscape. Secret explanations present a landscape produced by the power of the Six Perfections, graced by the purity and wisdom of Buddhas and Bodhisattvas, corresponding to a structured pattern of focal points of energy and subtle channels. As a landscape architect and Buddhist, the author personally speaks with these provocative landscapes and the historical characters who previously addressed their mysteries, calling extensive textual references into the discussion. By disarming the feral conditions left by others, and awakening to the perfection and beauty of sacred landscapes, he uncovers profound tools for designing gardens for contemplation. Discovering layers of subtlety enhanced with hand-drawn maps and sketches in this book, you may never look at landscape the same way again; instead, seeing the world unbound wonder and reverence - naked - in silence ... and the unbearable lightness of space.

Panama - Architecture Urban Art Texture, is a book of illustrations showcasing the multi-cultural lifestyle of the country of Panama; photographer Claudio Santini uses the magic of his camera to capture the interesting urban-essence of the old streets of Casco Viejo, the modernity of the new architecture of Panama City, as well as the suburban expression of the relinquished town of Colon. The colorful texture of these subjects powerfully evokes an abstract image of creative energy.

How a forgotten environmental tradition of the pre-Civil War era may prove powerfully useful to us now Perhaps America's best environmental idea was not the national park but the garden cemetery, a use of space that quickly gained popularity in the mid-nineteenth century. Such spaces of repose brought key elements of the countryside into rapidly expanding cities, making nature accessible to all and serving to remind visitors of the natural cycles of life. In this unique interdisciplinary blend of historical narrative, cultural criticism, and poignant memoir, Aaron Sachs argues that American cemeteries embody a forgotten landscape tradition that has much to teach us in our current moment of environmental crisis. Until the trauma of the Civil War, many Americans sought to shape society into what they thought of as an Arcadia-not an Eden where fruit simply fell off the tree, but a public garden that depended on an ethic of communal care, and whose sense of beauty and repose related directly to an acknowledgement of mortality and limitation. Sachs explores the notion of Arcadia in the works of nineteenth-century nature writers, novelists, painters, horticulturists, landscape architects, and city planners, and holds up for comparison the twenty-first century's-and his own-tendency toward denial of both death and environmental limits. His far-reaching insights suggest new possibilities for the environmental movement today and new ways of understanding American history.

This Cultural Landscape Report draws together the varied knowledge of the physical history and current condition of the Preserve landscape into a synthetic document that suggests appropriate means for implementing the overarching management approach laid out in the GMP.

The purpose of the plan was to identify: The program and types of uses that would be accommodated in the historic buildings that would generate adequate revenue for building rehabilitation and preservation; Improvements to facilitate public uses, including new construction and removal of buildings, landscape treatments, trails, parking, circulation, and locations and patterns of use; Waterfront improvements; Opportunities for habitat restoration; and An approach to the protection, rehabilitation and maintenance of historic and natural resources.

Women have practiced as landscape architects for over a century, since the founding of the practice as a profession in the United States in the 1890s. They came to landscape architecture as gardeners, garden designers, horticulturalists, and fine artists. They simultaneously shaped the profession while reflecting contemporary practice. It is all the more surprising, then, that the history of women in American landscape design has received relatively little attention. Thaisa Way corrects this oversight in "Unbounded Practice: Women and Landscape Architecture in the Early Twentieth Century. "Describing design practice in landscape architecture during the first half of the twentieth century, the book serves as a narrative both of women--such as Beatrix Jones Farrand, Marian Cruger Coffin, Annette Hoyt Flanders, Ellen Biddle Shipman, Martha Brookes Hutcheson, and Marjorie Sewell Cautley--and of the practice as it became a profession.

Winner of a 2008 David R. Coffin Publication Grant, awarded by the Foundation for Landscape Studies

This book reflects the way in which the city interacts with the sacred in all its many guises, with religion and the human search for meaning in life. As the process of urbanization of society is accelerating thus giving an increasing importance to cities and the 'metropolis', it is relevant to investigate the social or cultural cohesion that these urban agglomerations manifest. Religion is keenly observed as witnessing a growth, crucially impacting cultural and political dynamics, as well as determining the emergence of new sacred symbols and their inscription in urban spaces worldwide. The sacred has become an important category of a new interpretation of social and cultural transformation processes. From a unique broader perspective, the volume focuses on the relationship between the city and the sacred. Taking a multidisciplinary approach, combining the expertise of philosophers, historians, architects, social geographers, sociologists and anthropologists, it draws a nuanced picture of the different layers of religion, of the sacred and its diverse forms within the city, with examples from Europe, South America and the Caribbean, and Africa.

A real life story of one woman's passion for the mountains of the Lake District. Her story captures the essence and beauty of the fells with humour and sel-deprecation, taking you on a journey through the realities of fell-walking and what the guide books do not tell you.

The Cultural Landscape Report (CLR) serves as the primary treatment document for cultural landscapes and the primary tool for managing those landscapes. It provides treatment guidance within the context of the site's history and significance, extant features and historic character, and current planning objectives and management goals. This report, the second volume of the CLR, includes overall treatment strategies for the site as well as direct treatment actions that are needed to ensure the long-term protection, preservation, and continued use of the landscape. Although ongoing park and volunteer efforts have succeeded in protecting and preserving many of the essential elements of the historic landscape, they have been operating without a comprehensive plan for managing the landscape as a whole. Volume 2 provides a comprehensive plan under the umbrella of the broader goals established in the park's General Management Plan.