Planting design is, rather obviously, a complex topic, spanning as it does art, science, social need, and morality - especially during these days of increasing planetary environmental threat. Although certainly not denying the importance of scientifically appropriate practices, the symposium "The Aesthetics of [Contemporary] Planting Design" addressed planting design today, proposing a renewed concern for the cultural and aesthetic aspects of the landscapes that result. This book, which has been developed from the original presentations at the symposium, presents the thoughts of a select international group of landscape architects and historians who discuss the subject of planting design through the lens of their own work as well as the work of others, both contemporary and historical. They suggest that, as in real estate, the most important factor in selecting plants is "location, location, location." Certainly the Californian situation is far more forgiving than the aridity and other restrictive environmental conditions endemic to the Sonoran desert, or the frost and short growing seasons of Nordic lands that direct Scandinavian landscape architects to rely on native birches, pines, rowan, and moss. Most of us would agree that there are plants sensible for each climatic zone. Addressing environmental conditions is but the first step in the equation, however. There are also the issues of combination and composition.

The essay in this volume reflects upon two key attributes of the ephemeral city of the Kumbh Mela and the lessons we can extrapolate from it for architecture, urban design, and planning in the contemporary world. 400 colour

The history of gardens in antiquity is characterized by a rich mix of cultures interacting throughout Europe, Africa and Asia. This period - from the sixth century BCE to the sixth century CE - was foundational to the later periods of garden history. The emergence of advanced horticultural techniques, sustained regional and international trade routes, and centralized power structures promoted the development of highly sophisticated garden culture in both private and public contexts. New evidence derived from archaeology and fresh analysis of literary and visual sources revises our perspective, reminding us that these garden cultures were varied and diverse, yet connected through ritual, trade, conquest, and cultural practices in ways we are only beginning to define. A Cultural History of Gardens in Antiquity presents an overview of the period with essays on issues of design, types of gardens, planting, use and reception, issue of meaning, verbal and visual representations of gardens, and the relationship of gardens to the larger landscape.

For more than forty years, Munich-based landscape architect Peter Kluska has been guided by the idea of creating immersive experiences through the skillful manipulation of space, and his firm's designs have been the recipients of critical praise and prestigious awards in the field. With "Urban Landscape," Kluska draws on his considerable expertise to present a survey of international urban design. Beginning with an overview of the practical aspects of landscape architecture, he considers a range of topics, including spatial construction, the value of open space, and the critical role of music, nature, and art. Throughout, the essays are accompanied by full-color photographs exemplifying the ideas discussed. Kluska presents a survey of his own firm's impressively diverse body of work, including commissioned works, like the Cabinet Garden in Munich and the 1983 International Horticultural Show, and works conceived for competition--many in collaboration with other renowned landscape architects. The development of urban space is of great importance in shaping the experiences of all who visit or reside there, and "Urban Landscape" will be of interest to students and scholars of landscape architecture, art, and urban planning.

Die Beitrage dieses Bandes untersuchen den Sinn und Zweck der Praxis von Landschaftsarchitekten, die bei der Gestaltung einer bewohnbaren Welt eine bedeutsame Rolle spielen. Diese Praxis ist in lebensweltliche, kulturelle und soziale Rahmenbedingungen eingebunden. Theorie hat zum einen dieser soziokulturellen Eingebundenheit der Praxis Rechnung zu tragen. Theorie hat sich aber auch auf ihren wissenschaftstheoretischen Status innerhalb der Wissenschaften und Disziplinen zu beziehen, um eine unnoetige praxisferne Verwissenschaftlichung zu vermeiden. Insofern reflektiert die Landschaftsarchitekturtheorie die Bedingungen ihres eigenen Gelingens wie auch die Bedingungen fur gelingende Praxis. Die Beitrage dieses Bandes tragen zum besseren Verstandnis von Praxis wie Theorie fur die Praxis der Landschaftsarchitektur bei. Der Herausgeber Dr. Karsten Berr ist an der Universitat Vechta tatig.

Climate change poses challenges for human survival and societal development, including frequent urban disasters such as high wave and urban waterlogging, as well as extreme weather events such as sea level rise, floods, tropical storm, wide-range drought, and high temperature in polar regions. Contributed in part by reducing greenhouse gas emission, and also by the means of improving local resilience, the international community have been working on mitigating the uncertain impact of climate change. Against the backdrop of carbon reduction policy such as Carbon Emission Peak and Carbon Neutrality proposed by Chinese government, regional sustainable progress inevitably calls for resilient strategies for human settlements that address local issues upon climate change adaption and resilience theories. Since the impact of climate change on human settlements, risk and resilience assessment methods, and spatial and technological strategies have already broadly studied by international academia, more attention should be taken into research on spatial planning, urban design, landscape design, innovative engineering, emerging technology application, and interdisciplinary perspective to strive to realize the goals of peaking carbon emissions and achieving carbon neutrality. To this end, this issue expects to discuss the resilient strategies adaptive to climate change for improve human settlements at varied scales. Introducing international perspectives, LA Frontiers encourages the bridging the latest research outcome with application and practice.

Cognitive sciences that aim at establishing scientific and explicit interpretations can diversify approaches to exploring users' feelings and experiences of a specific environment. For example, people's emotions and feelings change with their environment, closely related to people's sensory processes and brain wiring, personal experiences, and visiting purposes, etc., can be understood as a prompt intuitive response. Environmental information and responses are processed very fast to support quick decision making in relation to people's survival and benefits. Environmental Psychology explains the environmental types people prefer and why certain environments make people feel, for example, anxious or excited. Understanding people's emotional responses to the environment facilitates, or "nudges" (a term usually used in the inter-discipline of Psychology and Behavioural Economics), users to act or make choices as desired. Moreover, research on attention in cognitive sciences can also inform designers: by controlling the spatial elements and intangible elements (such as light and sound) to minimise environmental disturbance or noise, users' attention can be directed to specific elements, element combinations or series. During this process, users' specific emotional memories or symbolic implications are activated, which augments desired feelings and experiences. This issue explores the mechanism of how landscape design affects users' feelings, experiences, and behaviours, as well as usability, by introducing theories, knowledge, and research methods and findings in Cognitive sciences, psychology, neurobiology, and computer science, so as to support landscape architects' decision making.

Containing over 6,000 entries from Aalto to Zwinger and written in a clear and concise style, this authoritative dictionary covers architectural history in detail, from ancient times to the present day. It also includes concise biographies of hundreds of architects from history (excluding living persons), from Sir Francis Bacon and Imhotep to Liang Ssu-ch'eng and Francis Inigo Thomas. The text is complemented by over 260 beautiful and meticulous line drawings, labelled cross-sections, and diagrams. These include precise drawings of typical building features, making it easy for readers to identify particular period styles. This third edition of The Oxford Dictionary of Architecture has been extensively revised and expanded, with over 900 new entries including hundreds of definitions of garden and landscape terms such as Baroque garden, floral clock, hortus conclusus, and Zen garden-design. Each entry is followed by a mini-bibliography, with suggestions for further reading. With clear descriptions providing in-depth analysis, it is invaluable for students, professional architects, art historians, and anyone interested in architecture and garden design, and provides a fascinating wealth of information for the general reader.

This is the first study of Renaissance architecture as an immersive, multisensory experience that combines historical analysis with the evidence of first-hand accounts. Questioning the universalizing claims of contemporary architectural phenomenologists, David Karmon emphasizes the infinite variety of meanings produced through human interactions with the built environment. His book draws upon the close study of literary and visual sources to prove that early modern audiences paid sustained attention to the multisensory experience of the buildings and cities in which they lived. Through reconstructing the Renaissance understanding of the senses, we can better gauge how constant interaction with the built environment shaped daily practices and contributed to new forms of understanding. Architecture and the Senses in the Italian Renaissance offers a stimulating new approach to the study of Renaissance architecture and urbanism as a kind of 'experiential trigger' that shaped ways of both thinking and being in the world.

With the International Exhibition of Modern Decorative and Industrial Arts in 1925, Art Deco seduced the world. From New York to Paris, the press celebrated this event which permanently imposes this universal style. Crossing the Atlantic aboard sumptuous liners such as Ile-de-France and Normandy, main French decorators such as Jacques-Emile Ruhlmann, Jean Dunand and Pierre Chareau exhibited in department stores, from New York to Philadelphia. From Mexico to Canada, this enthusiasm is driven by North American architects trained at the School National Museum of Fine Arts in Paris from the beginning of the 20th century, then at the Art Training Center in Meudon and at the Fontainebleau School of Fine Arts, two art schools founded after the First World War world which strengthened the links between the two continents. This book reveals a reciprocal emulation which is illustrated in the architecture and ornamentation of skyscrapers as well as in cinema, fashion, press, sport... Thirty-seven texts and 350 illustrations make it possible to discover the unique links that unite France and America, from the Statue of Liberty by Bartholdi to the Streamline which succeeds Art Deco. Text in French.

Landscript 5 examines Material Culture in landscape architecture theory and design. Designed landscapes are temporal assemblages of extant and introduced materials, constructed and maintained through the efforts of human labor, mediated through non-human forces, and shaped by constantly changing cultural relations. Sites are bounded by property lines, yet their material relationships-from the transport of construction commodities to global water cycles-extend to untold limits. Designed landscapes are models of human-nature relations, at the same time they are human-nature relations, simultaneously representing and actualizing the co-production of the world. Landscript 5 looks at the aesthetic implications and design opportunities engaging landscape's extended Material Culture.

Universities are more than engines propelling us into a bold new future. They are also living history. A college campus serves as a repository for the memories of countless students, staff, and faculty who have passed through its halls. The history of a university resides not just in its archives but also in the place itself?the walkways and bridges, the libraries and classrooms, the gardens and creeks winding their way across campus. To think of Emory as place, as Hauk invites you to do, is not only to consider its geography and its architecture (the lay of the land and the built-up spaces its people inhabit) but also to imagine how the external, constructed world can cultivate an internal world of wonder and purpose and responsibility?in short, how a landscape creates meaning. Emory as Place offers physical, though mute, evidence of how landscape and population have shaped each other over decades of debate about architecture, curriculum, and resources. More than that, the physical development of the place mirrors the university's awareness of itself as an arena of tension between the past and the future?even between the past and the present, between what the university has been and what it now purports or intends to be, through its spaces. Most of all, thinking of Emory as place suggests a way to get at the core meaning of an institution as large, diverse, complex, and tentacled as a modern research university.

Winner of the Australian Institute of Landscape Architects (AILA) National Excellence Award (Research and Communication) 2017 Winner of the AILA VIC Excellence Award (Research and Communication) 2017 Highly Commended (Communication and Presentation) Landscape Institute Awards 2018 Landscape architecture has a pivotal role in ensuring environmental sustainability through design interventions. This book takes a broad look at strategies and completed projects to provide the reader with a strong understanding of the sustainability challenges being faced by designers today, and potential routes to addressing them. The book covers essential concepts of landscape architecture and environmental sustainability, including: - Ecology, multifunctional landscapes and sensitive intervention - Remediation, cleansing and environmental infrastructure - Social sustainability, design activism and healthy landscapes - Food systems, productive landscapes and transportation - Performance ratings, materials and life cycles Through case studies from around the world and interviews with leading landscape architects and practitioners, this book invites discussion about possible future scenarios, relevant theories and project responses in landscape environmental design. With hundreds of color images throughout the book, and additional study material in the companion website, Joshua Zeunert provides an overview of the multidimensional qualities of landscape sustainability.

Ecologies of Prosperity for the Living City is a collection of writings, interviews, and projects exploring themes introduced during the 2016 Woltz Symposium: Novel Synergies, the Instrumental Commons, and Dispersed Concentrations. With new material from speakers Philippe Rahm, Nina-Marie Lister, Marina Alberti, Paola Vigano, Niek Hazendonk, Albert Cuchi, and Jedediah Purdy, the dialogue is framed by a series of seminal texts from the 20th century and reimagines existing urban challenges through exemplary design projects of today. Structured as a reader for students and design practitioners, it promotes urban design as a catalyst for cultural, social, and environmental transformation within cities, towns, communities, institutions, and individuals faced with today's most pressing urban challenges.

Urban riverbanks are attractive locations and highly prized recreational environments. The designs of urban river landscapes must fulfill a broad range of requirements: flood control, open space design, and ecology are as a rule the three dominant themes, and they must often be reconciled within a very restricted space. The river must be understood as a process: governed by changing water levels, shifting seasons, erosion, and sedimentation, the river environment is not a static entity but constantly changing the design must be flexible and take this into account. This book is the product of a multi-year study that subjected more than fifty Western European projects to a comparative analysis. The result is a systematic catalog of effective strategies and innovative design elements. First, designers and planners are given an overview of the broad and varied spectrum of design possibilities. The book s process-oriented approach is especially helpful where the focus is on long-term, sustainable measures. The publication consists of two linked volumes that enable the reader to consult the systematic catalog and the case study section side by side. The easy-to-navigate structure and an extensive glossary provide further guidance, while the work s highly distinctive design makes it visually appealing as well and invites the reader to leaf through and explore it."

"Canyon Gardens" is the long-awaited sequel to "Anasazi Architecture and American Design" (UNM Press). It takes a new look at ancient and modern Puebloan gardening and landscape design approaches.

Part One examines early Puebloan landscapes in detail, including compact gardens and terraces, site planning, the integration of farming and landscape design into settlement complexes, and the unit-courtyard complexes of the Mesa Verde country. It also covers the first meeting of the Ancient Puebloan tradition with Spanish traditions in seventeenth-century New Mexico and the Puebloan uses of plants. New field research is included--recent findings about the Zuni area, the upper Rio Grande country, and the Tompiro and Tiwa canyons and valleys in the Manzano Range.

Part Two looks at the Ancient Puebloan culture's influence today. Chapters here examine the uses of the historic landscape in today's agriculture and horticulture and the impact of governmental regulations on traditional habits of gardening and land use and perception.

Modern architects, site planners, and landscape architects will find these new-found qualities of the Southwestern landscape fascinating and inspirational.

Contributors:
Anthony Anella is an architect, teacher, and writer in Albuquerque, New Mexico.
Kurt Anschuetz is an archaeologist in Santa Fe, New Mexico.
Mary Beath is a writer and artist who has worked in Zuni, New Mexico.
Bruce Bradley is an archeologist and author currently based in Exeter, England.
Carol Brandt is an ethnobotanist in Albuquerque.
Louis A. Hieb is an author and former professor at the University of Washington.
James E. "Jake" Ivey is a historian with the National ParkService in Santa Fe.
Stephen H. Lekson is curator of anthropology at the University of Colorado Museum, Boulder.
Kenneth A. Romig is a landscape historian and landscape architect in Albuquerque.
David E. Stuart is an author and Southwest anthropologist in Albuquerque.
Rina Swentzell is a writer and art and architectural historian and a member of Santa Clara Pueblo, in Santa Fe.

'The rollicking adventures of an English garden designer in Provence' Independent 'Escapist reading-magic' The TimesAlex Dingwall-Main left London with his wife and dog nine years ago for the Luberon region of the South of France. A landscape gardener of international renown he was in search of a challenge - a new climate, a new way of gardening and a new way of life.

This is his account of gardening his way round Provence, and in particular, of attempting to restore the secret garden of M-nerbes. Situated high on the plains of the Luberon region, M-nerbes is a famously beautiful village - but this garden had long been forgotten. It trailed down over seven levels, thick with brambles and hornets' nests, almond blossom and ancient fig trees. It was an archetypal Proven-al garden and for one whole year it dominated Alex Dingwall-Main's life. From distant dreams came growth and disasters, but ultimately, the garden is reclaimed. From truffle dealers to local mayors, film star neighbours to JCB drivers and olive-tree farmers, Alex takes us on a guided tour of an extraordinary area.

Published in hardback with serialisation in The Times and major review and feature coverage, this is the enticing paperback edition of a beautifully written book on plants, people and life. Evocative and inspiring, The Luberon Garden will take you on an unforgettable journey.

For over 50 years between the 1760s and the early 19th century, the pioneers who sailed from Europe to explore the Pacific brought back glimpses of this new world in the form of oil paintings, watercolours and drawings - a sensational view of a part of the world few would ever see. Today these works represent a fascinating and inspiring perspective from the frontier of discovery. It was Sir Joseph Banks, President of the Royal Society, who popularised the placement of professional artists on British ships of exploration. They captured striking and memorable images of everything they encountered: exotic landscapes, beautiful flora and fauna, as well as remarkable portraits of indigenous peoples. These earliest views of the Pacific, particularly Australia, were designed to promote the new world as enticing, to make it seem familiar, to encourage further exploration and, ultimately, British settlement. Drawing on both private and public collections from around the world, this lavish book collects together oil paintings, watercolours, drawings, prints and other documents from those voyages, and presents a unique glimpse into an age where science and art became irrevocably entwined.

Bilingual edition (English/German) / Zweisprachige Ausgabe (deutsch/englisch) The concept of landscape-ness is gaining increasing importance in architecture not least due to the rising threat of climate change. Based on international examples, Margitta Buchert analyzes the potential of architecture for dealing with contemporary challenges, including socio-cultural transformations and questions of lifeworld orientations within the tensions of global networking and local exposure—between natural space and urban space. Which architectural understandings and characteristics flow into architecture and urban projects by introducing the concept of landscape-ness? Which spatial articulating qualities are emphasized? And what sensibilities and capacities are enriched? Dimensions of landscape as nature—however, shaped and reshaped by humans—are in focus, as well as the connection between aesthetics, architecture, ecology, and the city.

This innovative multidisciplinary study considers the concept of green from multiple perspectives-aesthetic, architectural, environmental, political, and social-in the Kingdom of Bahrain, where green has a long and deep history of appearing cooling, productive, and prosperous-a radical contrast to the hot and hostile desert. Although green is often celebrated in cities as a counter to gray urban environments, green has not always been good for cities. Similarly, manifestation of the color green in arid urban environments is often in direct conflict with the practice of green from an environmental point of view. This paradox is at the heart of the book. In arid environments such as Bahrain, the contradiction becomes extreme and even unsustainable. Based on long-term ethnographic fieldwork, Gareth Doherty explores the landscapes of Bahrain, where green represents a plethora of implicit human values and exists in dialectical tension with other culturally and environmentally significant colors and hues. Explicit in his book is the argument that concepts of color and object are mutually defining and thus a discussion about green becomes a discussion about the creation of space and place.

The reconstructed Berliner Schloss in the heart of the German capital is both a monument of Baroque architecture and a vital new cultural building in the city. The art history, architecture and sculpture of the palace's masterful facades by Andreas Schluter are brought to life here in words and pictures. The Berliner Schloss marks the reinstatement of the point of reference for the urban plan of the historical centre of the capital: through the Baroque masterpiece by Andreas Schluter the boulevard Unter den Linden and the historic buildings of the Lustgarten acquire once more a meaningful interconnection. Most of the authors are involved in this major project. They explain with the help of the impressive photographs by Leo Seidel the fascinating construction process, the imagery of the Baroque sandstone facade, the technology and the craftsmanship behind its reconstruction as well as the architectural concept of the building.

The 18th-century phenomenon of the English Landscape Garden was so widespread that even today, when so much has been built over or otherwise changed, one is never far from an example throughout England. Although seemingly natural, the English Landscape Garden was generally the result of considerable contrivance, effort and design skill, the result of `the art that conceals art'. It might involve digging lakes, raising or levelling hills, and planting trees, sometimes in vast numbers. Nature was arranged and shown to best advantage. The English landscape garden took many forms, and the variety of manifestations was and remains remarkable. A great number survive, if sometimes in modified form, and can be visited and appreciated. The book is structured so as to give the background to, and motivation for, creating the landscape garden; to summarise the chronology of its development; to chart the most significant writers and theorists; and to consider the range of the many forms it took. The story of the landscape garden is complex, multi-layered and constantly changing in emphasis for such an apparently simple and straightforward construct. This book will help to uncover some of the richness that lies behind a meaningful part of the environment. The book can be regarded as a companion to the volume already published by Historic England, The English Landscape Garden in Europe.