Expanding urbanization along Florida's coastlines has resulted in increased construction of individual residences, condominiums, and commercial establishments. This surge in construction has produced a concomitant need and demand for landscaping to solve not only a esthetic but functional problems in design. Unfortunately, there are many environmental stresses present in these are as which predispose plant material s to decline and eventual death. Perhaps the most commonly thought of stress is salinity---both soil and foliar related. Yet it should be understood that the specific salt tolerance of a given plant is related to its ability to withstand not only salinity but a number of other environmental stresses. There are a number of adverse qualities of coastal soils which contribute to poor success in establishing landscape plants. Coastal soils are generally: high in excess soluble salts, alkaline in pH, and sandy with poor nutrient and water holding capacity. Excess soluble salts result from a multiplicity of causes: inundation of coastal soils with saline or brackish water; salt water intrusion in to the fresh water aquifer and subsequent upward movement of salts by evaporation; irrigation with water of poor quality (saline); and overfertilization combined with poor watering practices. Contents: Introduction Trees Palms Shrubs Dwarf Shrubs, Groundcovers and Vines Appendix References Index

The latest in public space designs from around the globe by some of the most experimental international designers and architects working today. "The topic of this book, un-volumetic architecture is the search for creative alternatives to the overly volumetric shape making obsessions of international architecture today and a promising goal for the 21st Century." - James Wines This book examines an important selection of the most important and experimental contemporary designs for public spaces throughout the world and offers a critical reflection of the theme of "unvolumetric architecture" proposed by the designers and theoreticians featured in the book. The series of the selected projects moves from earthworks and environmental interventions to surface design, land marks, events, barriers, canopies and shelters, technical equipment, micro-architecture and the most traditional urban design and involves some of the most prominent international designers including Acconci studio, Shigeru Ban, Eduard Bru, Manuel de Sola Morales, Odille Decq, Diler and Scofidio, Nougichi Isamo, Toyo Ito, Wes Jones, Kengo Kuma, Torres& La Pena, Mary Miss, N!Studio, NL architects, Oma, Site, Italo Rota, Sauerbruch & Hutton, Venturi Scott Brown. The book includes an introductory essay by Denise Scott Brown as well as essays by Wes Jones, Pippo Ciorra, Kengo Kuma, Arie Graafland, Enrico Morteo, James Wines, Bernardo Secchi and Ilhyun Kim.

This book delightfully conveys the pleasures of ecological landscaping. Field and Forest: A Guide to Native Landscapes for Gardeners and Naturalists is for those readers who enjoy plants and want to know more about our native plant communities, how they relate to one another, and what each of us can do to help preserve and restore them. Field and Forest: A Guide to Native Landscapes for Gardeners and Naturalists, originally published in 1992, features an entire section, five chapters, on ecological landscaping. Jane Scott discusses how to recreate native plant communities in your own garden and how to look to nature for garden design ideas. She also includes lots of practical, down-to-earth advice on maintaining a natural garden, as well as things to watch out for when buying native plants from nurseries. Another helpful section focuses on the names and classifications of plants, to help the naturalist identify species encountered on neighborhood strolls and countryside hikes. This book will not only make such excursions more rewarding, it will help you to recreate what you see in your own backyard. Field and Forest: A Guide to Native Landscapes for Gardeners and Naturalists is a companion to field guides, a reference and a charming book to browse through all year round. It is illustrated with one hundred of the author's lovely line drawings. "Overall, the book is well written and is filled with delightful illustrations drawn by the author. Reading it will make a walk through the woods or fields a new and rewarding experience." The Conservationist "A wonderful resource for nature lovers and gardeners is finally back in print. Field and Forest: A Guide to Native Landscapes for Gardeners and Naturalists by Jane Scott is both inspirational and instructive, teaching gardeners how to capture the essence of natural landscapes in their gardens. This book is a classic." North American Native Plant Society Newsletter Fall 2002 Jane Scott is the author of five previous books. Her articles have appeared in major gardening journals and she writes a monthly newspaper column called Woodland Diary. Her horticultural achievements have won her several awards.

Prairie Dunes Country Club is an oddity. It sits in the heartland of America, but is considered by many to have the characteristics of a seaside links golf course. Its original designer, Perry Maxwell, was a banker. Its construction was begun in 1937, but it wasn't fully completed until 20 years later. Yet, Prairie Dunes is one of the best golf courses in the world. In 2003, Golf Digest placed it at No. 25 in its annual "Top 100 Courses in America" list.

"Perry Maxwell's Prairie Dunes," by Mal Elliott, is the remarkable story of how this remarkable golf course came to be. Vintage photos, historical text, and beautiful full-color photography by John Johnson take the reader through every stage of development of this historic course -- site of the 2002 U.S. Women's Open.

Pragtige foto's verskaf inspirasie vir elke smaak en daar is idees vir onder meer tuinpaadjies, buite sitplekke, die swembad area, patios, daktuine en waterverfraaings.

Rural Pennsylvania's landscapes are evocative, richly textured testimonies to the lives and skills of generations of builders--architects as well as local builders and craft workers. Farmhouses and barns, silos and fences, even field patterns attest to how residents over the years have had a sense of place that was not only functional but also comfortable and aesthetically appropriate for the time. From Sugar Camps to Star Barns tells the story of one such place, a landscape that evolved in southwestern Pennsylvania's Somerset County.

Sally McMurry traces the rural life and landscape of Somerset County as it evolved from the earliest settlement days. Eighteenth-century residents were a forest people, living on sparsely built farmsteads and making free use of the heavily forested landscape. The makeshift sugar camp typified their hardscrabble lives. In the nineteenth century, the people of this area turned to farming. Prompted by the ''market revolution'' that had come to Somerset County, they pursued a highly varied agriculture, combining a subsistence base with robust production of commodities shipped to distant cities. Their landscape reflected this combination of the local and the cosmopolitan--a combination that reached its full expression in the distinctive two-story banked farmhouse with double-decker porch, flanked by a substantial Pennsylvania barn.

The twentieth century brought a more industrialized agriculture to Somerset County. But the shift to profit-and-loss farming also meant the accentuation of landscape elements specific to market products. The magnificent ''star barns'' of this era overshadowed the houses, and ancillary structures, such as ''peepy houses'' and silos, spoke to the pressures of efficiency and mass production. The subsequent rise of coal mining helped to stimulate this trend, both by supplying local markets and by creating an incentive for farmers to visually distinguish their landscapes from those of the coal-patch towns.

Illustrated with over 100 photographs, maps, drawings, and diagrams, From Sugar Camps to Star Barns demonstrates how much we can learn about the economy and culture of a particular place simply by being attentive to the built landscape.

Noted for its magnificent architecture and extraordinary history, the Yuanming Yuan is China's most famous imperial garden. The complex was begun in the early 18th century, and construction continued over the next 150 years. Chinese historians, and many Chinese in general, view the garden as the paramount achievement of Chinese architecture and landscape design. This text provides a comprehensive study of the palatial garden complex and a tour of its architecture and history. Wong begins by inspecting the garden's physical appearance and its architectural elements. He discusses the origin and evolution of these structures and the aesthetics of their design and arrangement. He refers throughout to maps and original models of individual buildings and other existing gardens of the Ming-Qing period, including the well-preserved Yihe Yuan and the Chengde Summer Mountain Retreat in Rehe. The book also explores the activities and daily life of the royal household.

In a brilliant collaboration between writer and subject, the bestselling author of Home and City Life illuminates Frederick Law Olmsted's role as a major cultural figure and a man at the epicenter of nineteenth-century American history.

We know Olmsted through the physical legacy of his stunning landscapes -- among them, New York's Central Park, California's Stanford University campus, Boston's Back Bay Fens, Illinois's Riverside community, Asheville's Biltmore Estate, and Louisville's park system. He was a landscape architect before that profession was founded, designed the first large suburban community in the United States, foresaw the need for national parks, and devised one of the country's first regional plans.

Olmsted's contemporaries knew a man of even more extraordinarily diverse talents. Born in 1822, he traveled to China on a merchant ship at the age of twenty-one. He cofounded The Nation magazine and was an early voice against slavery. He wrote books about the South and about his exploration of the Texas frontier. He managed California's largest gold mine and, during the Civil War, served as general secretary to the United States Sanitary Commission, the precursor of the Red Cross.

Olmsted was both ruthlessly pragmatic and a visionary. To create Central Park, he managed thousands of employees who moved millions of cubic yards of stone and earth and planted over 300,000 trees and shrubs. In laying it out, "we determined to think of no results to be realized in less than forty years," he told his son, Rick. "I have all my life been considering distant effects and always sacrificing immediate success and applause to that of the future." To this day, Olmsted's ideas about people, nature, and society are expressed across the nation -- above all, in his parks, so essential to the civilized life of our cities.

Rybczynski's passion for his subject and his understanding of Olmsted's immense complexity and accomplishments make this book a triumphant work. In A Clearing in the Distance, the story of a great nineteenth-century American becomes an intellectual adventure.

How does knowledge of everyday environments foster deeper understanding of both past and present cultural life? In this book authorities in social history, architectural history, American studies, cultural geography, and landscape architecture explore aspects of the emergent field of cultural landscape studies, demonstrating the value of investigating the many meanings of ordinary settings. While traditional studies in this field have been of rural life, most of the authors in this collection take on urban subjects, and with them the challenging issues of power, class, race, ethnicity, subculture, and cultural opposition. There is a chapter by J.B. Jackson, the field's foremost proponent and exemplar, on the nature of the vernacular house and the garage. Some of the other contributors include James Borchert on the social stratification of Cleveland suburbs; Rina Swentzell on a comparison of native and federal environments on the Santa Clara Pueblo in New Mexico; Reuben Rainey on the Gettysburg battlefield; Dolores Hayden on the potentials of ethnic landscape documentation; and Denis Cosgrove on spectacle and society. Still other authors Wilbur Zelinsky, Richard Walker, Dell Upton, David Lowenthal, Jay Appleton, and Robert Riley-explore the problems and potentials of vision and space as sources of social interpretation. The book also includes a historical review of recent trends in the field of landscape studies and an annotated bibliography.

Bringing together scholarship in diverse fields - including architecture, geography, folklore, anthropology, and urban studies - the seventeen essays in this volume confirm the transformations now occurring in the study of vernacular architecture. Moving away from a single vision of vernacular architecture that consisted only of old, rural, handmade structures built in traditional forms and materials for everyday use, scholars are exploring a wider variety of forms and landscapes - from company towns to grand expositions. Drawn from two conferences of the Vernacular Architecture Forum - one held in Charleston in 1994, the other in Ottawa in 1995 - these essays address a broad range of topics.

". . . as we anticipate the world of the twenty-first century, landscape architecture is at a crossroads. If the discipline embraces ecological design and planning, then it has a leadership role in contemporary society throughout the world. If landscape architecture, however, turns inward and ignores its larger responsibility to the public good, then it will become marginalized and less relevant." —George F. Thompson and Frederick R. Steiner.

The essays contained in this book are written by a cross section of the most respected teachers and prac-titioners of landscape design from around the globe. Ecological Design and Planning offers a unique opportunity to learn about the latest thinking and practices in the art and science of ecological landscape design from such leading lights as Michael Laurie, Carol Franklin, Laurie Olin, Elizabeth Meyer, Mark Johnson, and Ian McHarg.

The common thread that runs through these essays is the authors' conviction that the growing rift in landscape design—ecology vs. aesthetics—is an artificial one. Each author expresses abiding concern for the ecological preservation and enhancement of the site, while demonstrating clearly—with both words and pictures—that the best designs are those that harmonize aesthetic form and ecological function. Ecological Design and Planning is a source of ideas and inspiration for landscape architects and planners, architects, and all those who understand the importance of designing with nature.

"It is high time that we citizens of the world begin to understand that our situation on earth is not one in which nature must rule over culture, or culture over nature, as if one can separate the two in the first place. It is high time to reflect upon the geographies and landscape histories of the past throughout the world so that we can bring forward—again—the concept that only by designing and planning with nature and culture can we begin to heal the landscapes and places of everyday existence—urban, rural, and wild—in environmental and aesthetic terms. 'God's own junkyard' need not continue to dominate our public landscapes, nor our own backyards and city streets." —George F. Thompson and Frederick R. Steiner

New essays by: James Corner, Carol Franklin, Mark Johnson, Michael Laurie, Ian L. McHarg, Elizabeth Meyer, Forster Ndubisi, Laurie Olin, Claire Reiniger, Sally Shauman, Meto Voom, and Joan Hirschman Woodward.

Photographs by Steve Martino

Offers a new approach to landscape perception.This book is an extended photographic essay about topographic features of the landscape. It integrates philosophical approaches to landscape perception with anthropological studies of the significance of the landscape in small-scale societies. This perspective is used to examine the relationship between prehistoric sites and their topographic settings. The author argues that the architecture of Neolithic stone tombs acts as a kind of camera lens focussing attention on landscape features such as rock outcrops, river valleys, mountain spurs in their immediate surroundings. These monuments played an active role in socializing the landscape and creating meaning in it.A Phenomenology of Landscape is unusual in that it links two types of publishing which have remained distinct in archaeology: books with atmospheric photographs of monuments with a minimum of text and no interpretation; and the academic text in which words provide a substitute for visual imagery. Attractively illustrated with many photographs and diagrams, it will appeal to anyone interested in prehistoric monuments and landscape as well as students and specialists in archaeology, anthropology and human geography.

"Show me any civilization that believes that reality exists only because man can perceive it, that the cosmos was erected to support man on its pinnacle, that man is exclusively divine, and then I will predict the nature of his cities and its landscapes, the hot dog stands, the neon shill, the ticky-tacky houses, the sterile core, the mined and ravaged countryside. This is the image of anthropocentric man. He seeks not unity with nature but conquest, yet unity he finds, when his arrogance and ignorance are stilled and he lies dead under the greensward." Ian L. McHarg Multiply and Subdue the Earth, 1969

"No living American has done more to usher the gentle science of ecology out of oblivion and into mainstream thought than Ian McHarg—a teacher, philosopher, designer, and activist who changed the way we view and shape our environment." From the foreword by Stewart L. Udall

Published in cooperation with the Center for American Places, Harrisonburg, Virginia

A Quest for Life is the autobiography of a man who stands alongside Rachel Carson, Lewis Mumford, and Aldo Leopold as one of the giants of the environmental movement. In a robust and singular voice, Ian McHarg recounts the story of a life that has foreshadowed and eventually shaped environmental consciousness in the twentieth century. Along the way we meet prominent figures in the environmental movement, the design fields, and the government, from Walter Gropius to Lady Bird Johnson, all presented in rich and telling anecdotes.

Early in A Quest for Life McHarg presents us with an arresting image. Describing the view from his boyhood home on the outskirts of Glasgow, he tells us that in one direction he could see the industrial miasma of smokestacks, tenements, and treeless streets, and, in another, the glories of the Scottish countryside. "I was born and bred," he writes, "on a fulcrum with two poles, city and countryside." Confronted with such a stark contrast, the man who was to become "the founder of ecological planning" began at an early age to turn literally from inhumane urban development and toward the beauty and power of Nature.

Each chapter of this book illuminates key stages in McHarg's life and in the evolution of his environmental awareness. We see him as a youth standing on a hillside beside the impressive Donald Wintersgill who, with the wave of his cane, lays out an entire village complete with lakes and forests, and thus introduces the astonished McHarg to the profession of landscape architecture.

In some of the bloodiest battles of the Second World War he witnesses the magnitude of human destructive capability. Later, when he faces a crisis of conscience over his religious training and its exhortation to gain dominion over life and subdue the earth, he begins to develop a deep spiritual appreciation for the sanctity of Nature itself. His training as a designer and planner in the Modernist Bauhaus tradition, with its neglect of the environment; his bouts with tuberculosis that showed him the link between public health and city planning; his famous "Man—The Planetary Disease" speech before powerful industrialists—all stand as emblematic of battles that are still being fought today.

A Quest for Life also chronicles the many triumphs in McHarg's career. It offers fresh insight into the revolutionary design method behind his groundbreaking book, Design with Nature, and explores the development of geographical information systems. We learn firsthand about his work on the celebrated regional plans for Denver and the Twin Cities, as well as the Woodlands new town project. His most enduring contribution, however, may prove to be his four decades of teaching at the University of Pennsylvania. Through the generations of landscape architects, designers, and planners he taught there, his influence has spread around the world and into the future.

As the compelling, first-person story of a remarkable individual who not only manned the barricades against environmental destruction, but helped lay the foundation for the barricades themselves, A Quest for Life is must reading for landscape architects, designers, conservationists, planners, and others concerned with the preservation of our communities and the natural environment.

"Through the Garden Gate" is a collection of 144 of the popular weekly articles that Elizabeth Lawrence wrote for "The Charlotte Observer" from 1957 to 1971. With those columns, a delightful blend of gardening lore, horticultural expertise, and personal adventures, Lawrence inspired thousands of southern gardeners.
" A] fine contribution to the green-thumb genre."--"Publishers Weekly"

Alternating discursive accounts with fictional vignettes that recreate time and place, this book skillfully integrates the history of French gardens with the modern history of ideas.Denise Le Dantec is a poet and Professor of Philosophy at the Centre National d'Enseignement a "istance, Paris. Jean-Pierre Le Dantec is a Professor in the School of Architecture at the University of Paris La-Villette."

Why do modern cities, suburbs, and industrial and farming landscapes all tend to look alike despite their regional settings? In this generously illustrated and provocative book, a landscape architect argues that the monotony of the modern landscape is a reflection of indifference on the part of society to the diversity inherent in ecological systems and in human communities. In case studies drawn from all parts of the world-Turkey and Hong Kong to northern England and Edinburgh, to Kentucky and Oregon, to Ontario and Manitoba-Michael Hough shows how build environments work and what designers can do to maintain the clearly identifiable differences between one place and another.

"This book will be extremely useful for gardeners, nurserymen, extension agents, students, and others interested in woody landscape plants of the Deep South. . . . The text contains much information based on first-hand observations of the authors in a personal style that is most attractive. The Table of Horticultural Characteristics and Landscape Planning Aids is a welcome addition."--Dr. Frederick G. Meyer, National Arboretum, Washington, D.C.

"Woody Ornamentals" will take its place alongside the spade and trowel as an indispensable gardening tool for plant lovers in the Deep South. No other book offers such complete information about trees, shrubs, woody vines, and ground covers for USDA Zone 8, an area beginning at the Texas-Mexico border and cutting a wide swath across the Deep South.
When David Rogers retired after a life's work in botany and returned to his native Deep South, he discovered that many new cultivated plants and rare species from all over the world had been introduced into the gardens and landscapes. This comprehensive work also identifies the native flora that contribute handsome, hardy plants to residential landscaping, the many subtropical trees and shrubs that do not grow in more northerly gardens, and the fruit-bearing trees such as mandarin orange, sand pear, and new varieties of apple.
The plants are listed alphabetically in the book by their generic name. General information about the plants--their appearance, growth and habit, with details about geographic origin, environmental requirements, and special features--appears in easy-to-read prose. For those who designate plants by their common name, an index to the common names references the generic name, and an additional index references the family, genus, and species. Photographs of unusual species and 174 beautiful, detailed line drawings supplement the text. Extensive tables of horticultural characteristics and landscape planning aids provide an overview of each species in the categories of large, medium, and small trees, shrubs, woody vines, and woody ground covers.

The new edition of this textbook provides an overview of design principles and techniques for using plants aesthetically and functionally in landscaping. Unique to this book are discussions on using a microcomputer for selecting plants, preparing cost estimates and writing specifications. More than 200 photographs, drawings and sketches highlight numerous graphic techniques for planting plans.

This text contains papers presented at a conference organized by the RCME and the Garden History Society. The book examines the vanished parks of various periods, and explores a broad range of themes. These include the merits of different fieldwork techniques, the preservation of pre-emparkment features, the use and re-use of garden and parkland landscapes, and the changes wrought in different chronological periods at both regional and national level.

A place comes into existence through the depth of relationships that underwrite a physical location with layers of sedimented names. In Place Matters scholars and artists conduct varied forms of place-based inquiry to demonstrate why place matters. Lavishly illustrated, the volume brings into conversation photographic projects and essays that revitalize the study of landscape. Contributors engage the study of place through an approach that Jonathan Bordo and Blake Fitzpatrick call critical topography: the way that we understand critical thought to range over a place, or how thought and symbolic forms invent place through text and image as if initiated by an X marking the spot. Critical topography's tasks are to mediate and to diminish the gap between representation and referent, to be both in the world and about the world; to ask what place is this, what are its names, where am I, how and with what responsibilities may I be here? Chapters map the deep cultural, environmental, and political histories of singular places, interrogating the charged relation between history, place, and power and identifying the territorial imperatives of place making in such sites as Colonus, Mont Sainte-Victoire, Chomolungma/Everest, Hiroshima, Fort Qu'Appelle, Donetsk airport, and the island of Lesbos. With contributions from the renowned artists Hamish Fulton and Edward Burtynsky, the Swedish poet Jesper Svenbro, and others, the collection examines profound shifts in place-based thinking as it relates to the history of art, the anthropocene and nuclear ruin, borders and global migration, residential schools, the pandemic, and sites of refuge. In his prologue W.J.T. Mitchell writes: "Places, like feasts, are moveable. They can be erased and forgotten, lost in space, or maintained and rebuilt. Both their appearance and disappearance, their making and unmaking, are the work of critical topography." Global in scope, Canadian in spirit, and grounded in singular sites, Place Matters presents critical topography as an approach to analyze, interpret, and reflect on place.

In this imaginative and generously illustrated book, Tadahiko Higuchi applies a methodology to landscape that is similar to that developed by Kevin Lynch for investigating the extent to which urban settings are legible and "imageable" to their inhabitants. He identifies features such as landmarks, boundaries, paths, and nodes that enable people moving through a landscape to piece together a reliable mental map of their surroundings, beginning with major structural elements and filling in with successively finer detail.Tadahiko Higuchi is Associate Professor of Environmental Engineering at Yamanashi University.

Among the most beloved sites at the Getty Center, the Central Garden has aroused intense interest from the moment artist Robert Irwin was awarded the commission. First published in 2002, 'Robert Irwin Getty Garden' is comprised of a series of discussions between noted author Lawrence Weschler and Irwin, providing a lively account of what Irwin has playfully termed "a sculpture in the form of a garden aspiring to be art." The text revolves around four garden walks: extended conversations in which the artist explains the critical choices he made - from plant materials to steel - in the creation of a living work of art that has helped to redefine what a modern garden can and should be. This updated edition features new photography of the Central Garden in a smaller, more accessible format.

Elizabeth Lawrence occupies a secure place in the pantheon of twentieth-century gardening writers that includes Gertrude Jekyll and Vita Sackville-West of Great Britain and Katherine S. White of the United States. Her books, such as A Southern Garden (1942) and The Little Bulbs (1957), remain in print, continuing to win praise from criticis and to delight an ever-widening circle of readers. In Gardening for Love, Lawrence reveals another world of garden writing, the world of the rural women of the South with whom she corresponded extensively from the late 1950s into the mid-1970s in responce to their advertisements for herbs and ornamental perennials in several market bulletins (published by state departments of agriculture for the benefit of farmers). It was Eudora Welty who awakened Elizabeth Lawrence's interest in this fascinating topic by putting her name on the mailing list of The Mississippi Market Bulletin, a twice-monthly collection of classified advertisements founded in 1928 and still published today. Lawrence soon discovered market bulletins from the Carolinas and other Southern states, as well as similar bulletins published privately in the North. She began ordering plants from the bulletins, and there ensued a lively exchange of letters wit the women who sold them. Gardening for Love is Lawrence's exploration of this little-known side of American horticulture and her affectionate tribute to country people who shared her passion for plants. Drawing on the letters she received, sometimes a great many of them from the same persons over many years, she delves into traditional plant lore, herbal remedies, odd and often highly poetic vernacular plant names peculiar to particular regions of the South, and the herb collectors of the mountains of the Carolinas and Georgia. She focuses primarily on the Southeast and the Deep South, but her wide knowledge of both literature and botany gives Gardening for Love a dimension that transcends the category of regional writing.

Civilized man has been prone to conjure up a maxim or saying to reflect the prevailing philosophy of the day. Two of those familiar favorites readily apply to the world famous Blue Ridge Parkway, ""Beauty is in the eye of the beholder"" and ""A thing of beauty is a joy forever."" Harley E. Jolley explores the parkway through the history if its landscape architecture.

This important new work--the first of its kind--focuses on the distribution patterns of landscape elements or ecosystems; the flows of animals, plants, energy, mineral nutrients and water; and the ecological changes in the landscape over time. Includes over 1,200 references from current ecology, geography, forestry, and wildlife biologcy literature.