Offers a new approach to landscape perception.This book is an extended photographic essay about topographic features of the landscape. It integrates philosophical approaches to landscape perception with anthropological studies of the significance of the landscape in small-scale societies. This perspective is used to examine the relationship between prehistoric sites and their topographic settings. The author argues that the architecture of Neolithic stone tombs acts as a kind of camera lens focussing attention on landscape features such as rock outcrops, river valleys, mountain spurs in their immediate surroundings. These monuments played an active role in socializing the landscape and creating meaning in it.A Phenomenology of Landscape is unusual in that it links two types of publishing which have remained distinct in archaeology: books with atmospheric photographs of monuments with a minimum of text and no interpretation; and the academic text in which words provide a substitute for visual imagery. Attractively illustrated with many photographs and diagrams, it will appeal to anyone interested in prehistoric monuments and landscape as well as students and specialists in archaeology, anthropology and human geography.

"Show me any civilization that believes that reality exists only because man can perceive it, that the cosmos was erected to support man on its pinnacle, that man is exclusively divine, and then I will predict the nature of his cities and its landscapes, the hot dog stands, the neon shill, the ticky-tacky houses, the sterile core, the mined and ravaged countryside. This is the image of anthropocentric man. He seeks not unity with nature but conquest, yet unity he finds, when his arrogance and ignorance are stilled and he lies dead under the greensward." Ian L. McHarg Multiply and Subdue the Earth, 1969

"No living American has done more to usher the gentle science of ecology out of oblivion and into mainstream thought than Ian McHarg—a teacher, philosopher, designer, and activist who changed the way we view and shape our environment." From the foreword by Stewart L. Udall

Published in cooperation with the Center for American Places, Harrisonburg, Virginia

A Quest for Life is the autobiography of a man who stands alongside Rachel Carson, Lewis Mumford, and Aldo Leopold as one of the giants of the environmental movement. In a robust and singular voice, Ian McHarg recounts the story of a life that has foreshadowed and eventually shaped environmental consciousness in the twentieth century. Along the way we meet prominent figures in the environmental movement, the design fields, and the government, from Walter Gropius to Lady Bird Johnson, all presented in rich and telling anecdotes.

Early in A Quest for Life McHarg presents us with an arresting image. Describing the view from his boyhood home on the outskirts of Glasgow, he tells us that in one direction he could see the industrial miasma of smokestacks, tenements, and treeless streets, and, in another, the glories of the Scottish countryside. "I was born and bred," he writes, "on a fulcrum with two poles, city and countryside." Confronted with such a stark contrast, the man who was to become "the founder of ecological planning" began at an early age to turn literally from inhumane urban development and toward the beauty and power of Nature.

Each chapter of this book illuminates key stages in McHarg's life and in the evolution of his environmental awareness. We see him as a youth standing on a hillside beside the impressive Donald Wintersgill who, with the wave of his cane, lays out an entire village complete with lakes and forests, and thus introduces the astonished McHarg to the profession of landscape architecture.

In some of the bloodiest battles of the Second World War he witnesses the magnitude of human destructive capability. Later, when he faces a crisis of conscience over his religious training and its exhortation to gain dominion over life and subdue the earth, he begins to develop a deep spiritual appreciation for the sanctity of Nature itself. His training as a designer and planner in the Modernist Bauhaus tradition, with its neglect of the environment; his bouts with tuberculosis that showed him the link between public health and city planning; his famous "Man—The Planetary Disease" speech before powerful industrialists—all stand as emblematic of battles that are still being fought today.

A Quest for Life also chronicles the many triumphs in McHarg's career. It offers fresh insight into the revolutionary design method behind his groundbreaking book, Design with Nature, and explores the development of geographical information systems. We learn firsthand about his work on the celebrated regional plans for Denver and the Twin Cities, as well as the Woodlands new town project. His most enduring contribution, however, may prove to be his four decades of teaching at the University of Pennsylvania. Through the generations of landscape architects, designers, and planners he taught there, his influence has spread around the world and into the future.

As the compelling, first-person story of a remarkable individual who not only manned the barricades against environmental destruction, but helped lay the foundation for the barricades themselves, A Quest for Life is must reading for landscape architects, designers, conservationists, planners, and others concerned with the preservation of our communities and the natural environment.

"Through the Garden Gate" is a collection of 144 of the popular weekly articles that Elizabeth Lawrence wrote for "The Charlotte Observer" from 1957 to 1971. With those columns, a delightful blend of gardening lore, horticultural expertise, and personal adventures, Lawrence inspired thousands of southern gardeners.
" A] fine contribution to the green-thumb genre."--"Publishers Weekly"

Alternating discursive accounts with fictional vignettes that recreate time and place, this book skillfully integrates the history of French gardens with the modern history of ideas.Denise Le Dantec is a poet and Professor of Philosophy at the Centre National d'Enseignement a "istance, Paris. Jean-Pierre Le Dantec is a Professor in the School of Architecture at the University of Paris La-Villette."

Why do modern cities, suburbs, and industrial and farming landscapes all tend to look alike despite their regional settings? In this generously illustrated and provocative book, a landscape architect argues that the monotony of the modern landscape is a reflection of indifference on the part of society to the diversity inherent in ecological systems and in human communities. In case studies drawn from all parts of the world-Turkey and Hong Kong to northern England and Edinburgh, to Kentucky and Oregon, to Ontario and Manitoba-Michael Hough shows how build environments work and what designers can do to maintain the clearly identifiable differences between one place and another.

This text contains papers presented at a conference organized by the RCME and the Garden History Society. The book examines the vanished parks of various periods, and explores a broad range of themes. These include the merits of different fieldwork techniques, the preservation of pre-emparkment features, the use and re-use of garden and parkland landscapes, and the changes wrought in different chronological periods at both regional and national level.

The new edition of this textbook provides an overview of design principles and techniques for using plants aesthetically and functionally in landscaping. Unique to this book are discussions on using a microcomputer for selecting plants, preparing cost estimates and writing specifications. More than 200 photographs, drawings and sketches highlight numerous graphic techniques for planting plans.

In this imaginative and generously illustrated book, Tadahiko Higuchi applies a methodology to landscape that is similar to that developed by Kevin Lynch for investigating the extent to which urban settings are legible and "imageable" to their inhabitants. He identifies features such as landmarks, boundaries, paths, and nodes that enable people moving through a landscape to piece together a reliable mental map of their surroundings, beginning with major structural elements and filling in with successively finer detail.Tadahiko Higuchi is Associate Professor of Environmental Engineering at Yamanashi University.

Civilized man has been prone to conjure up a maxim or saying to reflect the prevailing philosophy of the day. Two of those familiar favorites readily apply to the world famous Blue Ridge Parkway, ""Beauty is in the eye of the beholder"" and ""A thing of beauty is a joy forever."" Harley E. Jolley explores the parkway through the history if its landscape architecture.

Elizabeth Lawrence occupies a secure place in the pantheon of twentieth-century gardening writers that includes Gertrude Jekyll and Vita Sackville-West of Great Britain and Katherine S. White of the United States. Her books, such as A Southern Garden (1942) and The Little Bulbs (1957), remain in print, continuing to win praise from criticis and to delight an ever-widening circle of readers. In Gardening for Love, Lawrence reveals another world of garden writing, the world of the rural women of the South with whom she corresponded extensively from the late 1950s into the mid-1970s in responce to their advertisements for herbs and ornamental perennials in several market bulletins (published by state departments of agriculture for the benefit of farmers). It was Eudora Welty who awakened Elizabeth Lawrence's interest in this fascinating topic by putting her name on the mailing list of The Mississippi Market Bulletin, a twice-monthly collection of classified advertisements founded in 1928 and still published today. Lawrence soon discovered market bulletins from the Carolinas and other Southern states, as well as similar bulletins published privately in the North. She began ordering plants from the bulletins, and there ensued a lively exchange of letters wit the women who sold them. Gardening for Love is Lawrence's exploration of this little-known side of American horticulture and her affectionate tribute to country people who shared her passion for plants. Drawing on the letters she received, sometimes a great many of them from the same persons over many years, she delves into traditional plant lore, herbal remedies, odd and often highly poetic vernacular plant names peculiar to particular regions of the South, and the herb collectors of the mountains of the Carolinas and Georgia. She focuses primarily on the Southeast and the Deep South, but her wide knowledge of both literature and botany gives Gardening for Love a dimension that transcends the category of regional writing.

Die vorliegende Arbeit befasst sich mit der Fragestellung "Wie lasst sich landschaftsbezogenes Wohlbefinden in der raumlichen Planung greifbar machen?". In den Voruberlegungen werden Grundlagen des Wahrnehmens und Erlebens von Landschaft, sowie der Landschaftstheorie zusammengestellt und systematisch aufbereitet. Weiterhin werden die Begriffe Landschaft, Gesundheit, Wohlbefinden und Erholung inhaltlich gefasst und theoretische Wechselbezuge dargestellt. Anschliessend werden unterschiedliche Moeglichkeiten zur Ermittlung von menschlichen Emotionen im Raum vorgestellt. Dabei handelt es sich um innovative Formate der Raumforschung, wie spaziergangs- oder fotografiebasierte Forschungsmethoden und etablierte Instrumente der Psychologie, wie Emotionsfrageboegen. Diese werden systematisch aufbereitet, um Vorteile bzw. Herausforderungen aufzuzeigen. Danach wird ein Forschungsdesign entwickelt und in konkreten Untersuchungsgebieten zur Anwendung gebracht. Es entstehen empirische Daten zu menschlichem Wohlbefinden in diversen Erholungsgebieten, welche systematisch ausgewertet und zusammengefuhrt werden. Zugehoerige Ergebnisse werden auf kreativem Wege visualisiert und in Form von Diagrammen, Fotos sowie Karten prasentiert. Das Buch richtet sich sowohl an Wissenschaftler*innen und Planer*innen als auch an naturbegeisterte Personen und Menschen, welche Landschaft zu Erholungszwecken aufsuchen.

The contemporary debate on landscape is no longer an exclusive idiolect; it has expanded into a relentless babel. The field is glutted with an ever-increasing number of articles, collective works and conventions. Once marginal, landscape has now become central, even essential to philosophy and geography. Its significance within sociological, anthropological and archaeological theories has also strengthened exponentially, making it the rising star of academia. This book acknowledges the importance of eco-theory to contemporary thought, exploring the limits of its study as well as the new horizons it opens up.

Horticulture has remained far behind in understanding of botanical principles. Recent phylogenetic (DNA-based) reorganization of higher plants has revolutionized taxonomic treatments of all biological entities, even when morphology does not completely agree with their organization. This book is an example of applying principals of botanical phylogenetic taxonomy to assemble genera, species, and cultivars of 200 vascular plant families of ferns, gymnosperms, and angiosperms that are cultivated for enhancement of human living space; homes, gardens, and parks. The emphases are on cultivated species but examples of some plants are often shown in the wild and in landscapes. In providing descriptions, it is assumed that students and other interested individuals have no background in general botany (plant characteristics), or nomenclature. Fundamental features of all plant groups discussed are fully illustrated by original watercolor drawings or photographs.  Discussion of the families is grounded on recent botanical phylogenetic treatments, which is based on common ancestry (monophyly). Of course, phylogenetic taxonomy is not a new concept, and was originally based on morphological characteristics; it is the DNA-based phylogeny that has revolutionized modern biological classifications. In practical terms, this book represents the horticultural treatment that corresponds to phylogenetic-based botanical taxonomy, to which is added cultigens and cultivated genera and species. Hence, the harmony between horticultural and botanical taxonomy.  This book covers phylogenetic-based taxonomy of Angiosperms (Eudicots). A companion volume covers Ferns, Gymnosperms, and Angiosperms (Monocots). 

Technology is the practice and activity of making, as well as the tools that enable that making. It is also the realm of ideas behind those endeavors, the expanse of technical knowledge and expertise. At once material, intellectual, active, and social, technology is the purposeful organization of human effort to alter and shape the environment. Gardens, like other designed landscapes, are products of a range of technologies; their layout, construction, and maintenance would by unthinkable without technology. This title examines the shaping and visualization of the landscape; the development of horticultural technologies; the construction of landscape through hydraulics, labour, and infra-structure; and the effect of emerging technologies on the experience of landscape.

As climate, culture, and technology evolve and become increasingly unpredictable, architecture's stasis becomes more incongruous. Werewolf explores an emerging but under-investigated branch of architecture that embraces the transformation of form, performance, and the responsiveness to environments and context. These ideas are studied through architectural precedents and framed by critical essays by Jesse Reiser, Greg Lynn, Jimenez Lai, Spyros Papapetros, Kari Weil, as well as the editors. The shift from passive buildings to reactive structures is now imperative, as climate change and political turmoil exacerbate the unpredictability of environments. Werewolf expands on the architect's agency to critically address political, social, and environmental unrest. Revealing the cunning and agile ways in which architecture can negotiate rather than resist change, this book departs from the fixed Vitruvian man and uses the figure of the werewolf to propose a model where changes of state, mutation, and decomposition are conceptually fundamental.

The essay in this volume reflects upon two key attributes of the ephemeral city of the Kumbh Mela and the lessons we can extrapolate from it for architecture, urban design, and planning in the contemporary world. 400 colour

Over nearly six decades of practice, Robert Royston (1918-2008) shaped the postwar Bay Area landscape with visionary designs for public spaces. Early in his career, Royston conceived of the "landscape matrix," a system of interconnected parks, plazas, and parkways that he hoped could bring order and amenity to rapidly developing suburbs. The idea would inform his work on more than two thousand projects as diverse as school grounds, new towns, transit corridors, and housing tracts. As an apprentice of Thomas Church, Royston gained experience with residential gardens that influenced his early designs for public parks. At a time when neighborhood parks were typically limited to playing fields and stock playground equipment, Royston created imaginative facilities for the American family, offering activities for people of all ages. Royston, Hanamoto & Mayes, founded in 1958, grew to become one of the nation's most influential corporate firms. With his collaborative approach, Royston designed landscapes that set a high standard of inclusivity and environmental awareness. In addition to the many beloved places he created, his perceptive humanism, which passed down to his students, is Royston's enduring legacy.

J. B. Jackson transformed forever how Americans understand their landscape, a concept he defined as land shaped by human presence. In the first major biography of the greatest pioneer in landscape studies, Helen Horowitz shares with us a man who focused on what he regarded as the essential American landscape, the everyday places of the countryside and city, exploring them as texts that reveal important truths about society and culture, present and past. In Jackson's words, landscape is "history made visible." After a varied life of traveling, writing, sketching, ranch labor, and significant service in army intelligence in World War II, Jackson moved to New Mexico and single-handedly created the magazine Landscape. As it grew under his direction throughout the 1950s and 1960s, Landscape attracted a wide range of Contributors. Jackson became a man in demand as a lecturer and, beginning in the late 1960s, he established the field of landscape studies at Berkeley, Harvard, and elsewhere, mentoring many who later became important architects, planners, and scholars. Horowitz brings this singular person to life, revealing how Jackson changed our perception of the landscape and, through friendship as well as his writings, profoundly influenced the lives of many, including her own.

The history of gardens in antiquity is characterized by a rich mix of cultures interacting throughout Europe, Africa and Asia. This period - from the sixth century BCE to the sixth century CE - was foundational to the later periods of garden history. The emergence of advanced horticultural techniques, sustained regional and international trade routes, and centralized power structures promoted the development of highly sophisticated garden culture in both private and public contexts. New evidence derived from archaeology and fresh analysis of literary and visual sources revises our perspective, reminding us that these garden cultures were varied and diverse, yet connected through ritual, trade, conquest, and cultural practices in ways we are only beginning to define. A Cultural History of Gardens in Antiquity presents an overview of the period with essays on issues of design, types of gardens, planting, use and reception, issue of meaning, verbal and visual representations of gardens, and the relationship of gardens to the larger landscape.

The intense social and environmental fervour that arose in the 1960s and 1970s in response to assaults on the planet's life support systems, degradation of communities, and socio-economic inequality unleashed revolutionary change at all levels of society. Out of the turmoil of that era, community-based ecological design emerged as a powerful creative force for reshaping the commons, bringing people together, and forming ecologically sustainable relationships with the environment. The stories in this book reveal how the revolution has played out in reconceiving public places in the landscape of every-day life in northern California. The text focuses on the broad human, social, environmental, and cultural aspects of place-making to create liveable, inclusive, sustainable, and treasured spaces. The aesthetic experience of each place is revealed through photos, diagrams, sketches, and plans. Success stories like these offer hope, so sorely needed, for dealing with the seemingly insurmountable current assaults on earth's life support systems.

Landscape architecture and architecture are two fields that exist in close proximity to one another. Some have argued that the two are, in fact, one field. Others maintain that the disciplines are distinct. These designations are a subject of continual debate by theorists and practitioners alike. Here, David Leatherbarrow offers an entirely new way of thinking of architecture and landscape architecture. Moving beyond partisan arguments, he shows how the two disciplines rely upon one another to form a single framework of cultural meaning. Leatherbarrow redefines landscape architecture and architecture as topographical arts, the shared task of which is to accommodate and express the patterns of our lives. Topography, in his view, incorporates terrain, built and unbuilt, but also traces of practical affairs, by means of which culture preserves and renews its typical situations and institutions. This rigorous argument is supported by nearly 100 illustrations, as well as examples of topography from the sixteenth, eighteenth, and nineteenth centuries, through the heroic period of early modernism, to more recent offerings. A number of these studies revise existing accounts of decisive moments in the history of these disciplines, particularly the birth of the informal garden, the emergence of continuous space in the landscapes and architecture of the modern period, and the new significance of landform or earthwork in contemporary architecture. For readers not directly involved with either of these professions, this book shows how over the centuries our lives have been shaped and enriched by landscape and architecture. Topographical Stories provides a new paradigm for theorizing and practicing landscape and architecture.

With its incorporation into architecture on a grand scale during the long nineteenth century, steel forever changed the way we perceive and inhabit buildings. In this book, Peter H. Christensen shows that even as architects and engineers were harnessing steel’s incredible properties, steel itself was busy transforming the natural world. Precious Metal explores this quintessentially modernist material—not for the heroic structural innovations it facilitated but for a deeper understanding of the role it played in the steady change of the earth. Focusing on the formative years of the architectural steel economy and on the corporate history of German steel titans Krupp and Thyssen, Christensen investigates the ecological interrelationship of artificial and natural habitats, mediated by steel. He traces steel through six distinct phases: birth, formation, display, dispersal, construction, and return. By following the life of steel from the collection of raw minerals to the distribution and disposal of finished products, Christensen challenges the traditional narrative that steel was simply the primary material responsible for architectural modernism. Based on the premise that building materials are as much a part of the natural world as they are of a building, this groundbreaking book rewrites an important chapter of architectural history. It will be welcomed by specialists in architectural history, nineteenth-century studies, environmental history, German studies, modernist studies, and the Anthropocene.

The Irish architecture firm DFLA (Dermot Foley Landscape Architects) is known for pushing the boundaries of landscape architecture. While the studio's previous practice has been characterized by detail-oriented observation and spatial intervention, its latest projects, collected in this publication, are devoted to the question of the influence of time. Engagements with issues such as the circular economy and ecology have recently led DFLA to artistic approaches to environmental science. Created in Ireland and beyond, the works speak to themes of perception, craft, neglect, and imperfection. The book includes both illustrated concepts and realized landscape architecture. It reflects the studio's complex approach and its successes to date.

Die Beitrage dieses Bandes untersuchen den Sinn und Zweck der Praxis von Landschaftsarchitekten, die bei der Gestaltung einer bewohnbaren Welt eine bedeutsame Rolle spielen. Diese Praxis ist in lebensweltliche, kulturelle und soziale Rahmenbedingungen eingebunden. Theorie hat zum einen dieser soziokulturellen Eingebundenheit der Praxis Rechnung zu tragen. Theorie hat sich aber auch auf ihren wissenschaftstheoretischen Status innerhalb der Wissenschaften und Disziplinen zu beziehen, um eine unnoetige praxisferne Verwissenschaftlichung zu vermeiden. Insofern reflektiert die Landschaftsarchitekturtheorie die Bedingungen ihres eigenen Gelingens wie auch die Bedingungen fur gelingende Praxis. Die Beitrage dieses Bandes tragen zum besseren Verstandnis von Praxis wie Theorie fur die Praxis der Landschaftsarchitektur bei. Der Herausgeber Dr. Karsten Berr ist an der Universitat Vechta tatig.