It's been more than forty years since the second edition of this landmark guide to the preservation and restoration of gardens and landscapes at historic sites was published. Since the last edition came out, author Rudy Favretti, the nation's foremost authority in this area, has worked on many significant sites including both Monticello and Mount Vernon. New to this edition are: *Personal case studies from the authors' extensive experience in landscape restoration-preservation * An in-depth look complete with color images of the archaeological excavations at Bacon's Castle and Monticello in Virginia *Seventy-three illustrations including eight color photos *An enlarged and comprehensive bibliography *Fully updated and added chapters based on new and emerging information in the field Further, Landscape and Gardens for Historic Buildings covers a wide array of topics including researching and planning, maintaining restored landscapes, identifying authentic flora, and selecting the right historical period, or a series of periods to show the evolution of the historic landscape.

This innovative multidisciplinary study considers the concept of green from multiple perspectives-aesthetic, architectural, environmental, political, and social-in the Kingdom of Bahrain, where green has a long and deep history of appearing cooling, productive, and prosperous-a radical contrast to the hot and hostile desert. Although green is often celebrated in cities as a counter to gray urban environments, green has not always been good for cities. Similarly, manifestation of the color green in arid urban environments is often in direct conflict with the practice of green from an environmental point of view. This paradox is at the heart of the book. In arid environments such as Bahrain, the contradiction becomes extreme and even unsustainable. Based on long-term ethnographic fieldwork, Gareth Doherty explores the landscapes of Bahrain, where green represents a plethora of implicit human values and exists in dialectical tension with other culturally and environmentally significant colors and hues. Explicit in his book is the argument that concepts of color and object are mutually defining and thus a discussion about green becomes a discussion about the creation of space and place.

Das Interesse an Parks und Gartenanlagen, in denen moderne Skulpturen und Natur eine besondere Verbindung eingehen, steigt stetig. Landschaft dient als inspirierendes Ambiente fur Kunstwerke, die ihrerseits die Anlagen beleben und so ein ganz eigenes Spannungsmoment zwischen Kunst und Natur erzeugen. In zweiter Auflage prasentiert der Fuhrer mehr als 90 Parks aus 27 europaischen Landern, neu sind u. a. Finnland, Ungarn und Polen. Zu den prasentierten Anlagen gehoeren Klassiker wie die Fondation Maeght in Saint-Paul de Vence oder das Louisiana Museum in Humlebaek, aber auch spektakulare neue Anlagen wie das Museo Atlantico, der erste Unterwasser-Park Europas vor der Kuste Lanzarotes. Jeder Park und die in ihm ausgestellten Kunstwerke werden mit Fotografien, Planen und Texten vorgestellt.

Stefan Koepfli is one of the most important landscape architects in Switzerland, with projects including the multi-award winning Eulachpark in Winterthur and the factory extension for Baumgartner AG in Cham-Hagendorn. Often, the inspiration for and starting point of his designs are referential experiences and impressions of existing natural environments and landscapes, which are transformed on new ground, thereby becoming poetic expressions. The book impressively reflects in images, plans and texts on 25 of the most important works, from the smallest garden to the large-scale park.

The Middle Ages was a time of great upheaval - the period between the seventh and fourteenth centuries saw great social, political and economic change. The radically distinct cultures of the Christian West, Byzantium, Persian-influenced Islam, and al-Andalus resulted in different responses to the garden arts of antiquity and different attitudes to the natural world and its artful manipulation. Yet these cultures interacted and communicated, trading plants, myths and texts. By the fifteenth century the garden as a cultural phenomenon was immensely sophisticated and a vital element in the way society saw itself and its relation to nature. A Cultural History of Gardens in the Medieval Age presents an overview of the period with essays on issues of design, types of gardens, planting, use and reception, issues of meaning, verbal and visual representation of gardens, and the relationship of gardens to the larger landscape.

The history of the garden in the Renaissance, traced from the late fourteenth century in Italy to the death of Andre Le Notre in 1700 in France, is a story both of dynamism and codification. The period saw the emergence of what would become archetypal elements of the formal garden and the fixing of theory and language of the garden arts. At the same time, newly important sciences, developments in engineering, as well as globalization, historicity, and theories of aesthetics were embraced in the construction of such gardens. The result was the notion of the landscape as something to be labored on, created, and delighted in, that ultimately would become a stage upon which Renaissance cultural politics played out. A Cultural History of Gardens in the Renaissance presents an overview of the period with essays on issues of design, types of gardens, planting, use and reception, issues of meaning, verbal and visual representation of gardens, and the relationship of gardens to the larger landscape.

The Enlightenment raised fundamental questions about what it meant to be human in a truly global world. At the heart of debates about nature, culture and history, the garden offered itself as a practical demonstration, a living experiment, and a site of debate and discourse. The design, planting, experience and representation of contemporary gardens in Europe, China and North America reveal intense contributions to debates on aesthetics, both personal and national politics, and on the shaping of nature. A Cultural History of Gardens in the Age of Enlightenment presents an overview of the period with essays on issues of design, types of gardens, planting, use and reception, issues of meaning, verbal and visual representation of gardens, and the relationship of gardens to the larger landscape.

Landscape architecture and garden-making have witnessed huge changes during the twentieth-century, and the impact of these will continue to be discussed and interpreted in the twenty-first. New materials and responses to different social conditions, along with new attitudes to how gardens are perceived and interpreted and above all the relationship of built work to the larger landscape of territory and society - all have challenged long-held practices of garden-making, even while those same traditions continue to be at the center of both designers and users. A Cultural History of Gardens in the Modern Age presents an overview of the period with essays on issues of design, types of gardens, planting, use and reception, issues of meaning, verbal and visual representation of gardens, and the relationship of gardens to the larger landscape.

Landscape architecture and architecture are two fields that exist in close proximity to one another. Some have argued that the two are, in fact, one field. Others maintain that the disciplines are distinct. These designations are a subject of continual debate by theorists and practitioners alike. Here, David Leatherbarrow offers an entirely new way of thinking of architecture and landscape architecture. Moving beyond partisan arguments, he shows how the two disciplines rely upon one another to form a single framework of cultural meaning. Leatherbarrow redefines landscape architecture and architecture as topographical arts, the shared task of which is to accommodate and express the patterns of our lives. Topography, in his view, incorporates terrain, built and unbuilt, but also traces of practical affairs, by means of which culture preserves and renews its typical situations and institutions. This rigorous argument is supported by nearly 100 illustrations, as well as examples of topography from the sixteenth, eighteenth, and nineteenth centuries, through the heroic period of early modernism, to more recent offerings. A number of these studies revise existing accounts of decisive moments in the history of these disciplines, particularly the birth of the informal garden, the emergence of continuous space in the landscapes and architecture of the modern period, and the new significance of landform or earthwork in contemporary architecture. For readers not directly involved with either of these professions, this book shows how over the centuries our lives have been shaped and enriched by landscape and architecture. Topographical Stories provides a new paradigm for theorizing and practicing landscape and architecture.

In the first collection of published writings of Thomas Affleck (1812-1868), Lake Douglas re-establishes the reputation of a tireless agricultural reformer, entrepreneur, and horticulturist. Affleck's wide range of interests - animal husbandry, agriculture, scientific farming, ornamental horticulture, insects, and hydrology, among others - should afford him a celebrated status in several disciplines; yet until now his immense contributions remained largely unheralded. Steward of the Land remedies this oversight with a broad, annotated selection of Affleck's works, rightfully placing him alongside his better-known contemporaries Andrew Jackson Downing and Frederick Law Olmsted. After immigrating to the United States from Scotland in 1832, Affleck witnessed the burgeoning American expansion and its major advances in agriculture and technology. He worked as a journalist for the influential Western Farmer and Gardener, covering Ohio, Kentucky, and the Mississippi River Valley. Affleck moved to Mississippi in 1842 to manage his new wife's failing plantation; there, he created one of the first commercial nurseries of the South while writing prolifically on numerous agrarian topics for regional periodicals and newspapers. From 1845 to 1865 he edited Affleck's Southern Rural Almanac and Plantation and Garden Calendar, published in New Orleans. Following a postwar move to Brenham, Texas, he published letters and essays about rebuilding that state's livestock herds and rejuvenating its agricultural labor forces. Steward of the Land includes excerpts from dozens of Affleck's articles on subjects ranging from bee keeping to gardening to orchard tending. This valuable single-volume resource reveals Affleck's astonishing breadth of horticultural knowledge and entrepreneurial sagacity, and his role in educating mid-nineteenth-century readers about agricultural products and practices, plant usage, and environmental stewardship. Never before collected or contextualised, Affleck's writings provide a firsthand account of the advancement of agricultural techniques and practices that created a new environmental awareness in America.

Bei der Ausformulierung eines Entwurfskonzeptes in eine realisierbare Planung bewegen sich Landschaftsarchitekten permanent zwischen zwei Betrachtungsebenen: der konkreten Entwurfsaufgabe im Kontext der Planungstypologie wie Park, Spielplatz, Freibad oder Sportanlage und dem einzelnen Planungselement wie Treppen, Rampen, Wege, Einfriedungen, Freiraummoebel etc. Konsequent gibt Landschaft planen dem Planer ein durchdachtes Planungsinstrument an die Hand, in dem sich zwei Hauptteile gegenuber stehen: "Elemente" und "Typologien", zwischen denen der Planer je nach Betrachtungsmassstab flexibel hin und her wechseln kann. Alle planungsrelevanten Informationen werden hierfur detailliert, ubersichtlich und im Zusammenhang prasentiert. Flankiert werden diese beiden Hauptkapitel durch ein Einleitungskapitel, das die Grundlagen und Rahmenbedingungen fur das Entwerfen im Freiraum erlautert, und dem "Nachschlagewerk" am Schluss des Buches, in dem allgemeine Masse und Einheiten, Vorschriften und Normen ubersichtlich zusammengestellt sind.

This richly illustrated, up-to-date guide offers practical coverage of all aspects of lighting design. Written by an award-winning, internationally known lighting designer, it covers lighting practices, materials, and their design applications and offers guidelines for preparing lighting drawings, control and transfer charts, symbol lists, and other technical specifications. This edition provides a new focus on the use of LEDs, as well as new and expanded coverage of renderings Mesopic Vision, and the latest controls approaches and systems.

The Enlightenment raised fundamental quetions about what it meant to be human in a truly global world. At the heart of debates about nature, culture and history, the garden offered itself as a practical demonstration, a living experiment, and a site of debate and discourse. The design, planting, experience and representation of contemporary gardens in Europe, China and North America reveal intense contributions to debates on aesthetics, both personal and national politics, and on the shaping of nature.