From the first utopian impulse of Plato's Republic to today's global border controls and public space surveillance systems, there has always been a tyrannical aspect to the organisation of society and the regulation of its spaces. Tyranny takes many forms, from the rigid barriers of military zones to the subtle ways in which landscape is used to 'naturalise' power. What are these forms and how do they function at different scales, in different cultures, and at different times in history? How are designers and other disciplines complicit in the manifestation of these varying forms of tyranny and how have they been able to subvert such political and ideological structures?

Text in English and German. The architect and photographer Rolf Reiner Maria Borchard, who is professor of design principles at the Muthesius-Hochschule in Kiel, has chosen seven of the most beautiful gardens and photographed them during several trips, always in spring, in other words at a time when the garden architecture has not yet been overwhelmed by the vegetation, and so can make the best possible impact in the image. His trained eye for the way architecture is embedded in the landscape means that he has found striking and convincing images, steeped in the harmony of the gardens.

Shaping the Postwar Landscape is the latest contribution to the Cultural Landscape Foundation's well-known reference project, Pioneers of American Landscape Design, the first volume of which appeared nearly a quarter of a century ago. The present collection features profiles of seventy-two important figures, including landscape architects, architects, planners, artists, horticulturists, and educators. The volume focuses principally on individuals whose careers reached their height during the period between the end of World War II and the American Bicentennial. In that postwar era, landscape architects played an important part in the revitalization of American cities, introducing new typologies for public spaces in the civic realm. Among these were parks that capped freeways, plazas and gardens atop buildings, promenades on revitalized waterfronts, ""vest pocket"" parks on tiny urban plots and derelict sites, and pedestrian-friendly downtown malls. Practitioners were also active on the new suburban frontier, their influence extending as far as Levittown and mobile-home communities. They created new outdoor living environments tailored to the California climate, and their work shaped landscaped in the American South, East, West, and Heartland. At a time when interest in midcentury architecture is flourishing, Shaping the Postwar Landscape offers a substantial parallel contribution to the field of landscape studies. It belongs not only on the bookshelves of serious students and scholars but in the office of every landscape architect sensitive to significant works of the recent past.

This book offers a comprehensive introduction to the planning and implementation of this special kind of garden, taking the concrete planning process as its guide. From design fundamentals and concept development with different typology variants all the way to the choice of materials, the various construction principles, and building services, all subjects relevant to planning are comprehensively presented. The planning information is illustrated with numerous international examples, with projects ranging from a "green wall" as interior design element and private house gardens in Australia, New Zealand, and Germany all the way to award - winning ecological office buildings in the USA and the Netherlands, an old - age home in Sweden, and an indoor park in Canada.

DOLOMITI is the first of a collection of annual books on the Dolomites, with a different look and more attentive than of the traditional iconography of these places, recently UNESCO heritage. A look, result of crossing work of the photography, architecture and urbanism wich explain, together, research on the alpine landscape in the Atelier Around Dolomites, established at the University of Trento in cooperation with other European Schools of Architecture. This first volume consists of the original images of the photographer Gregor Sailer and a series of texts that describe the various steps from the UNESCO nomination, to the nature of the Dolomites, until the first studies undertaken on this fascinating natural complex. "Geoscape" is a summary that best represents the dolomitic area, the result of a unique cross between geography and geology to defining the landscape, but also alluding to a new way of addressing the knowledge and the design for the contexts of particular sensitivity.

Boundless Russia, humble yet full of hidden grandeur-such visions of "the motherland" became crucial markers of Russian national identity. This Meager Nature is the first full-length study to trace the cultural construction of Russia's landscape during the nineteenth century, showing how artistic and literary representations of nature reflected and shaped Russians' ideas about themselves and their nation. In the early 1800s, Russians commonly accepted the European judgment that their land lacked aesthetic value. That view changed with the outpouring of literary and artistic creativity that followed the century's political upheavals. Artists such as Aleksei Savrasov, Fedor Vasil'ev, Ivan Shishkin, and Nikolai Nekrasov turned to their native land and revealed the power of grey skies, vast open fields, and simple birch forests. Russians came to embrace their land's modest beauty, which represented strength and hidden depths. The historical creation of Russia's sense of place resulted not so much from its citizens' encounters with their environment, Ely argues, as from their long-term struggle to distinguish Russia from Europe. The humble beauty of the Russian land served to assert the genuineness of Russia against the inauthenticity of western Europe. For those who embraced it, the "meager" beauty of the landscape provided a powerful means for experiencing and expressing Russian national identity.

Spanning four continents and six countries, this book introduces "new art landscapes" that fuse architecture, the reuse of found structures, environmentalism, and artistic experimentation. Through words and pictures, readers explore six institutions - Olympic Sculpture Park, Seattle, USA; Raketenstation Hombroich, near Neuss, Germany; Benesse Art Site in Naoshima, Japan; Inhotim, near Belo Horizonte, Brazil; Jardin Botanico, Culiacan, Mexico; and Grand Traiano Art Complex, Grottaferrata, Italy - dedicated to the experience of culture and nature. Integrating vegetation and non-linear sequences of spaces, the sites offer multiple experiences enticing the visitor to circulate between and within buildings. Iwan Baan, one of today's most influential architectural photographers, thoughtfully documents each project. In addition to his stunning images, the sites are depicted with architects' plans and sketches, historical photographs, and maquettes and sketches by key installation artists. Raymund Ryan's insightful essay discusses important historical precedents and considers the defining characteristics of "new art landscapes" through descriptions of each of the projects. Brian O'Doherty offers an artist's critical perspective, while Marc Treib situates the projects in the history of landscape design Architects under consideration include such established masters as Tadao Ando and Alvaro Siza Vieira as well as emerging practices such as Tatiana Bilbao and Johnston Marklee.

The Prussian gardens in Berlin, Potsdam and elsewhere in Brandenburg: for the first time, texts and photographs present an overall view of all the gardens and parks created under the Hohenzollerns over a period of more than three centuries. Only the cross-genre collaborative effort of garden designers, gardeners, architects, scenographers, sculptors, painters, and creative rulers, the most prominent of whom were Frederick II and Frederick William IV, made it possible "to turn the environs of Berlin and Potsdam step by step into a garden", as Frederick William IV put it in 1840. Figures such as David Garmatter, Friedrich Christian Glume, Simeon Godeau, Georg Wenzeslaus von Knobelsdorff, Peter Joseph Lenne, Antoine Pesne, Prince Hermann von Puckler-Muskau, Georg Potente, Karl Friedrich Schinkel, the Sello brothers, and Antoine Watteau -- picked from a whole cornucopia of names -- indicate the spectrum of artistic forces that created the Prussian garden realm. Impatient with his royal client, who had once again cut his funding, Lenne alluded to the high standard of princely landscape art: "Your Majesty still does not understand how ingenious my idea is". The present volume is an attempt to examine the "ingeniousness of the idea" specifically inherent in the gardens of the Hohenzollerns in Prussia.

Text in English & German. Chaos and anarchy represent the opposite pole to an ordered life. Nothing works any more, everything is devastated, everything is falling apart. City walls, buildings that once afforded protection, have fallen victim to the excesses of armed conflict. Infernal threats, ambushes, fiery rain and other catastrophes were described even in the Bible. Pillaging and plunder were part of everyday life in the Middle Ages. Cruel deeds familiar from the Bible, or those described by other people or experienced personally, inspired painters in the transitional period from the Middle Ages to the Renaissance, and were picked out as a central theme in their pictures. In the 18th century it became fashionable to build artificial ruins in parks and landscape gardens. Ruins became an image of human inadequacy in the attempt to come to terms with nature. 18th century landscape painters used ruin motifs in order to suggest the mysterious magic of pain, the sadness of beauty, to viewers. In the first half of the last century the world had to endure two wars that costs millions of people their lives and reduced many cities to rubble. Countless ruins remained. Few of them have survived. Overgrown with grass, ivy and Virginia creeper they now tower up out of the landscape like many others from various epochs bearing witness to those who see them of the vanity of human endeavour, of transience, of death; filling them with horror, but at the same time exuding a feeling of gloom and sadness, of melancholy. In this book, the author delivers a detailed assessment of ruins as a phenomenon in architecture, landscape design, fine art, film and the media. The result is an extraordinarily intense contribution to the theme of transience.

The HOK Design Annual 2019 highlights this leading global design firm's most exceptional recent work in architecture, interior design, planning, and urban design. The projects featured demonstrate the intersection between HOK's thought leadership in specialty areas - including aviation + transportation, healthcare, science + technology, sports, sustainable design and workplace - and its firm-wide commitment to research and design excellence. Geographically diverse, these projects represent a variety of scales and are technically advanced examples of how design can bring significant benefits to clients and the people who experience these spaces. The HOK Design Annual 2019 is a valuable global trends reference source for design professionals, students, and architecture enthusiasts. It provides insight into the creative process of the design teams creating society's next generation of buildings.

The new industry standard on landscape architectural detailing

Detailing for Landscape Architects takes the reader on an educational journey across three major areas of landscape architectural detailing--aesthetics, function, and constructibility--to demonstrate how powerful design patterns can transform thematic ideas into awe-inspiring built realities. Richly illustrated examples accompany concise discussions of a varied blend of landscape design/detailing issues such as water movement, soil environments, articulating structures and construction assemblies, life cycle costing, sustainability, health and safety, and more. This book approaches the subject of detailing in a systematic manner, and provides a balanced framework for design and workmanship that conveys the essence of the built landscape.

Detailing for Landscape Architects shows how details can:

Reinforce design ideas through the continuity and discontinuity of patterns

Actively contribute to the overall form or geometry of the design

Be designed to be durable and flexible while enhancing the entire design

Gracefully accommodate the natural growth and change of plant materials

Anticipate maintenance needs to minimize future disruptions

Maximize their cost effectiveness through understanding their function while designing to meet those functions

Including chapters that apply detail patterns to the design of an urban plaza, a roof deck, and a residence, Detailing for Landscape Architects offers guidance on solving specific technical requirements, while preserving and enhancing the visual qualities that celebrate innovation, and carry forth a timeless quality of building.

Collage and Architecture remains an invaluable resource for students and practitioners as the first book to cover collage as a tool for analysis and design in architecture. Since entering the contemporary art world over a century ago, collage has profoundly influenced artists and architects throughout the twentieth century and into the twenty-first. In Collage and Architecture, Jennifer A.E. Shields explores its influence, using the artworks and built projects of leading artists and architects, such as Mies van der Rohe, Daniel Libeskind, and Teddy Cruz to illustrate the diversity of collage techniques. This new edition includes: A stronger focus on contemporary practices, including digital methods New designers and architects, including Marshall Brown, WAI Architecture Think Tank, and Tatiana Bilbao, bringing their methods and work to life An expanded global and diverse perspective of architecture as collage Collage is an important instrument for analysis and design. Through its 290 color images, this book shows how this versatile medium can be adapted and transformed in your own work.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996.

A place comes into existence through the depth of relationships that underwrite a physical location with layers of sedimented names. In Place Matters scholars and artists conduct varied forms of place-based inquiry to demonstrate why place matters. Lavishly illustrated, the volume brings into conversation photographic projects and essays that revitalize the study of landscape. Contributors engage the study of place through an approach that Jonathan Bordo and Blake Fitzpatrick call critical topography: the way that we understand critical thought to range over a place, or how thought and symbolic forms invent place through text and image as if initiated by an X marking the spot. Critical topography's tasks are to mediate and to diminish the gap between representation and referent, to be both in the world and about the world; to ask what place is this, what are its names, where am I, how and with what responsibilities may I be here? Chapters map the deep cultural, environmental, and political histories of singular places, interrogating the charged relation between history, place, and power and identifying the territorial imperatives of place making in such sites as Colonus, Mont Sainte-Victoire, Chomolungma/Everest, Hiroshima, Fort Qu'Appelle, Donetsk airport, and the island of Lesbos. With contributions from the renowned artists Hamish Fulton and Edward Burtynsky, the Swedish poet Jesper Svenbro, and others, the collection examines profound shifts in place-based thinking as it relates to the history of art, the anthropocene and nuclear ruin, borders and global migration, residential schools, the pandemic, and sites of refuge. In his prologue W.J.T. Mitchell writes: "Places, like feasts, are moveable. They can be erased and forgotten, lost in space, or maintained and rebuilt. Both their appearance and disappearance, their making and unmaking, are the work of critical topography." Global in scope, Canadian in spirit, and grounded in singular sites, Place Matters presents critical topography as an approach to analyze, interpret, and reflect on place.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996.

Constantijn Huygens was a poet, composer and connoisseur of art and the classics. He was also secretary and confidant to three princes of Orange for 62 years. Hofwijck was also the place where Constantijn's son Christiaan spent a significant part of his life. Christiaan Huygens was a member of the Royal Society of London for the Improvement of Natural Knowledge and became one of the greatest inventors and scientists. At the end of his life, at Hofwijck, he wrote Cosmotheoros, his magnum opus on the universe. At Huygens's Hofwijck we look at the seventeenth century through the eyes of these two versatile men. With Constantijn and Christiaan, the story is about literature, art, music, politics, the House of Orange, science and life at a seventeenth-century country estate.

Children’s gardens are magical places where kids can interact with plants, see where food and fibers grow, and experience the role of birds, butterflies, and bees in nature. These gardens do more than just expose youngsters to outdoor environments, they also provide marvelous teaching opportunities for them to visit a small plot, care for vegetables and flowers, and interact in creative spaces designed to stimulate all five senses.  In The Magic of Children’s Gardens, landscape architect Lolly Tai provides the primary goals, concepts and key considerations for designing outdoor spaces that are attractive to and suitable for children especially in urban environments. Tai presents inspiring ideas for creating children’s green spaces by examining nearly twentycase studies, including the Chicago Botanic Gardens and  Longwood Gardens in Kennett Square, PA. The Magic of Children’s Gardens features hundreds of comprehensive drawings and gorgeous photographs of successful children’s outdoor environments, detailed explanations of the design process, and the criteria needed to create attractive and pleasing gardens for children to augment their physical, mental, and emotional development. Exposing youth to well-planned outdoor environments promotes our next generation of environmental stewards. The Magic of Children's Gardens offers practitioners a guide to designing these valued spaces.

This book focuses on the philosophical, artistic, and scientific forces that impacted on the humanist of the late Medieval and Renaissance period, profuse in the exchange of ideas and discovery, behind much of which was the impact of Dante’s Divine Comedy with a message which continues to reverberate through the centuries. What has also persisted is the perpetual tension between science, religion, and design because of their perceived contradictions. The book explores how we might gain inspiration and motivation to embrace a consistent artistry and sense of exploration in the face of an ever-expanding knowledge-based frontier.