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Books > Arts & Architecture > Performing arts > Films, cinema > General
The novel and the film are two modes of representation based on
different aesthetic tools, but both are capable of articulating
narrative discourses. In "Spanish Film and the Postwar Novel,"
author Norberto Minguez-Arranz offers a comparative analysis of the
methods and mechanisms with which the novel and the film build
their stories. A theoretical framework that that puts into
perspective such concepts as specificity, representation, and point
of view gives way to a comparative study of five Spanish postwar
novels and their respective film adaptations: "The Family of
Pascual Duarte," "Time of Silence," "The Hive," "El Bosque
Animado," and "Nuevas Amistades."
Revealing the existence of cinematic features of the novel and
literary features of the cinema, the author examines the ways in
which this interdependence has become a permanent aspect of both
arts, with mutual influences and a great deal of nonexclusivity of
properties. By using this particular time and place as his locus of
analytical thought, Minguez-Arranz provides an invaluable
examination of two of this century's major creative forms.
Responding to a lack of studies on the film festival's role in the
production of cultural memory, this book explores different
parameters through which film festivals shape our reception and
memories of films. By focusing on two Asian American film
festivals, this book analyzes the frames of memory that festivals
create for their films, constructed through and circulated by the
various festival media. It further establishes that festival
locations-both cities and screening venues-play a significant role
in shaping our experience of films. Finally, it shows that
festivals produce performances which help guide audiences towards
certain readings and direct the film's role as a memory object.
Bringing together film festival studies and memory studies, 'Asian
American Film Festivals' offers a mixed-methods approach with which
to explore the film festival phenomenon, thus shedding light on the
complex dynamics of frames, locations, and performances shaping the
festival's memory practices. It also draws attention to the
understudied genre of Asian American film festivals, showing how
these festivals actively engage in constructing and performing a
minority group's collective identity and memory.
Beginning in the 1930s, men and a handful of women came from
India's many communities-Marathi, Parsi, Goan, North Indian, and
many others--to Mumbai to work in an industry that constituted in
the words of some, "the original fusion music." They worked as
composers, arrangers, assistants, and studio performers in one of
the most distinctive popular music and popular film cultures on the
planet. Today, the songs played by Mumbai's studio musicians are
known throughout India and the Indian diaspora under the popular
name "Bollywood," but the musicians themselves remain, in their own
words, "behind the curtain"--the anonymous and unseen performers of
one of the world's most celebrated popular music genres.
Now, Gregory D. Booth offers a compelling account of the Bollywood
film music industry from the perspective of the musicians who both
experienced and shaped its history. In a rare insider's look at the
process of musical production from the late 1940s to the mid 1990s,
before the advent of digital recording technologies, Booth explains
who these unknown musicians were and how they came to join the film
music industry. On the basis of a fascinating set of first-hand
accounts from the musicians themselves, he reveals how the
day-to-day circumstances of technology and finance shaped both the
songs and the careers of their creator and performers. Booth also
unfolds the technological, cultural, and industrial developments
that led to the enormous studio orchestras of the 1960s-90s as well
as the factors which ultimately led to their demise in contemporary
India.
Featuring an extensive companion website with video interviews
with the musicians themselves, Behind the Curtain is apowerful,
ground-level view of this globally important music industry.
The definitive account of the motion picture phenomenon, E.T. the
Extra-Terrestrial: The Ultimate Visual History is a must-have for
fans of the beloved Steven Spielberg classic. Documenting the
complete history of E.T., the book explores Spielberg's initial
inspiration for the story, the challenging shoot, and the
record-breaking success, as well as the film's endurance, examining
the merchandising it inspired and the reasons E.T. holds a
permanent place in the hearts of movie fans the world over. E.T.
the Extra-Terrestrial: The Ultimate Visual History features
exclusive interviews with key members of the creative team,
including cast and crew. Filled with visual treasures, the book
also includes rare and never-before-seen imagery from the Amblin
Entertainment archives, including on-set photography, concept art,
and storyboards, plus a wealth of removable insert items, such as
annotated script pages, studio memos, preliminary sketches, and
more. The perfect tribute to a film that defines movie magic, E.T.
the Extra-Terrestrial: The Ultimate Visual History is the final
word on a modern masterpiece.
'It is a Lord of the Flies parable with Bhagwan as lord. The book
is a fascinating social history, with many celebrities, from Diana
Ross to Prince Charles. - Helen Rumbelow, The Times This is the
story of a Englishman who gave up a job in journalism to spend
fourteen years with the controversial Indian mystic Osho, also
known as Bhagwan Shree Rajneesh and frequently referred to as 'the
sex guru'. His guru was always controversial with his teachings on
sex and spirituality, rumours of orgies and because he owned
ninety-three Rolls Royces. Early in 1976, Subhuti travelled to
India to meet Rajneesh in his ashram in Pune, became initiated as
his disciple and immediately began to have mystical experiences,
which he attributed to the powerful energy field surrounding the
guru. He stayed for six months, participating in the ashram's
notorious Encounter Group and other therapies designed to release
suppressed emotions and awaken sexual energy Subhuti would stay to
live and work on his master's ashrams for fourteen years, first as
his press officer in Pune, India, then as editor of the community's
weekly newspaper when Bhagwan and his followers shifted to Oregon,
USA, and built a whole new town on the massive Big Muddy Ranch.
There Subhuti was a first-hand witness to the scandals and
hullabaloo that accompanied the guru, including tales of broken
bones in no-holds-barred therapy groups and Tantra groups that
encouraged total sexual freedom, and the increasing hostility with
the locals which would lead to Bhagwan's attempt to flee America,
his arrest and imprisonment. . He was on the Oregon Ranch when
Rajneesh's secretary, Ma Anand Sheela, plotted against rival
cliques within the ashram as well as a range of murderous crimes
against state and federal officials which feature in hit Netflix
series Wild Wild Country. Yet, amidst it all, Subhuti could see the
profound revolution in spirituality that Bhagwan was creating,
leaving a lasting impact on our ideas about society, religion,
meditation and personal transformation. According to the author's
understanding, it was the controversy itself, plus Bhagwan's
refusal to tread the path of a spiritual saint, that became the
stepping stone to a new vision of what it means to be a spiritual
seeker.
Philosophy, Myth and Epic Cinema looks at the power of cinema in
creating ideas that inspire our culture. Sylvie Magerstadt
discusses the relationship between art, illusion and reality, a
theme that has been part of philosophical debate for centuries. She
argues that with the increase in use of digital technologies in
modern cinema, this debate has entered a new phase. She discusses
the notion of illusions as a system of stories and values that
inspire a culture similar to other grand narratives, such as
mythology or religion. Cinema thus becomes the postmodern
"mythmaking machine" par excellence in a world that finds it
increasingly difficult to create unifying concepts and positive
illusions that can inspire and give hope. The author draws on the
work of Friedrich Nietzsche, Siegfried Kracauer, and Gilles Deleuze
to demonstrate the relevance of continental philosophy to a reading
of mainstream Hollywood cinema. The book argues that our longing
for illusion is particularly strong in times of crisis, illustrated
through an exploration of the recent revival of historic and epic
myths in Hollywood cinema, including films such as Troy, The Lord
of the Rings Trilogy, and Clash of the Titans.
This book traces the history of 'girls' aesthetics,' where adult
Japanese women create art works about 'girls' that resist
motherhood, from the modern to the contemporary period and their
manifestation in Japanese women's theatrical and dance performance
and visual arts including manga, film, and installation arts.
Director Steven Spielberg's Jurassic Park unleashed an island of
awe-inspiring dinosaurs, captivating audiences worldwide. Grossing
over $900 million worldwide, the film ushered in a whole new age of
digital visual effects and would go on to enthrall generations of
moviegoers. The most comprehensive book about the Jurassic Park
trilogy to date, Jurassic Park: The Ultimate Visual History begins
with an in-depth account of the making of Spielberg's original
film, including rare and never-before-seen imagery and exclusive
interviews with key creatives. Readers will then unearth the full
history of the trilogy, from The Lost World: Jurassic Park to
Jurassic Park III, through unprecedented access to the creative
process behind the films. Fans will also find a fascinating look at
the wider world of the saga, including video games, toys, comics,
and more, exploring the lasting legacy of the movies and their
influence on pop culture. Jurassic Park: The Ultimate Visual
History will be the last word on the most epic saga in movie
history-the definitive behind-the-scenes book that fans have been
waiting for.
"Soundies" were the granddaddies of music videos: single-song
musical movies that played in special jukeboxes during the 1940s.
Some of the biggest musical stars (and stars of the future)
appeared in these films: Louis Armstrong, Spike Jones, Liberace,
Fats Waller, Stan Kenton, Cab Calloway, and many others. Thanks to
Soundies, hundreds of unique musical performances were photographed
for posterity. These mini-musicals were originally nothing more
than a ten-cent novelty. Today, to film and music fans, they're a
priceless part of history. Scott MacGillivray and Ted Okuda,
authors of the landmark resource book "The Soundies Distributing
Corporation of America," now offer this revised and expanded guide
to the Soundies musicals. This all-new book picks up where the
original left off: more than 1800 titles are classified by
performer, title, and date-many with new, individual annotations
and all with new cross-references for easy reading and
consultation. There is also a historical account of the prolific
Soundies production companies, a look at Soundies' many competitors
and descendants (including telescriptions and Scopitones), a
checklist of the dozens of Soundies home-movie editions, and a
listing of alternate titles to help collectors identify the films
more easily. All in one handy volume: "The Soundies Book."
The language of Hollywood resonates beyond the stage and screen
because it often has inherent drama-or comedic effect. This volume
contains a combination of approximately 100 expertly researched
essays on words, phrases and idioms made famous by Hollywood along
with the stories behind 30 or so of the most iconic-and ultimately
often used-quotes from films. There are also sidebars that focus on
other ways the entertainment world has changed language. For
instance, stories behind stars whose names have been used for
drinks (hello, Shirley Temple) or roses (there are ones named after
Elizabeth Taylor and Judy Garland, among others). And, a sidebar on
William Shakespeare's unique contribution to the English language.
With films such as "Muriel's Wedding" and "The Adventures of
Priscilla, Queen of the Desert" finding recent success in American
theaters, Australian cinema has never been as popular in North
America as it is today. This new study argues that post-1970
Australian film is best described not as exhibiting phenomenal
variety but as focused on a conception of heroism characterized by
the love of freedom, the resentment of authority, and attachment to
the land, along with anti-intellectualism, fatalism, and occasional
sexism. Tracing these themes through one hundred films, Scheckels
explores the ways in which they are reflected through depictions of
men, women, aboriginals, and youth, with each demographic group
posing its own unique generic and cultural questions.
Including films both elite and popular, excellent and flawed,
"Celluloid Heroes Down Under" offers film-by-film discussions in
seven chapters, making the volume both a highly readable study of a
particular cinema and superb reference guide for its readers.
Unlike previous studies of the nation's film output, Sheckels's
work presents its subject not as a miscellaneous collection but as
a focused endeavor, a cohesive and undervalued component of world
cinema.
Will we ever get tired of watching Cher navigate Beverly Hills high
school and discover true love in the movie Clueless? As if! Written
by Amy Heckerling and starring Alicia Silverstone, Clueless is an
enduring comedy classic that remains one of the most streamed
movies on Netflix, Amazon, and iTunes even twenty years after its
release. Inspired by Jane Austen's Emma, Cluelessis an everlasting
pop culture staple. In the first book of its kind, Jen Chaney has
compiled an oral history of the making of this iconic film using
recollections and insights collected from key cast and crew members
involved in the making of this endlessly quotable,
ahead-of-its-time production. Get a behind-the-scenes look at how
Emma influenced Heckerling to write the script, how the stars were
cast into each of their roles, what was involved in creating the
costumes, sets, and soundtrack, and much more. This wonderful
twentieth anniversary commemoration includes never-before-seen
photos, original call sheets, casting notes, and production diary
extracts. With supplemental critical insights by the author and
other notable movie experts about why Clueless continues to impact
pop culture, As If!will leave fans new and old totally buggin' as
they understand why this beloved film is timeless.
As the popularity of the genre increases and special effects are
pushed to greater extremes of terror and cruelty, more and more
people have begun to wonder, what is the attraction of horror
films? Do they have any socially redeeming features? Rockett offers
some surprising and provocative answers to these questions in his
analysis of the cinema of cruelty. First commenting on our
fascination with experiences that transcend the world of ordinary
reality, he looks at film as a means of expressing the dark side of
human nature. Next, he examines the essential ingredients that go
into the making of a horror film, the variations that are found
within the genre, and the links between the best horror cinema and
Artaud's Theatre of Cruelty. Echoing Artaud, Rockett argues that
human beings are attracted to horror in films because of an
unconscious craving for a reality in which the demonic supernatural
acts as a living whirlwind, devouring the darkness and bringing
viewers closer to the transcendence they are actually seeking. The
final chapter shows how the finest works in the horror genre
achieve this underlying aim. He discusses filmmakers such as Roman
Polanski, who have been able to provide the realism and artistic
quality that contemporary audiences demand while preserving the
ambiguity and terror necessary to experience the power of
transcendent force. Rockett's skillful and imaginative exploration
of the subject will be appreciated by scholars and general readers
concerned with popular culture, film, literature, drama, and
contemporary social issues.
1000-PIECE PUZZLE: Piece together the world of James Bond in this
exciting jigsaw inspired by the iconic films. The perfect challenge
for dedicated James Bond fans, lovers of cinema - or anyone who
enjoys a good puzzle. FIND THE CHARACTERS: Featuring a cast of
original Bonds, villains and supporting characters to spot as you
race through shuttle launches and underwater lairs to island
retreats and casinos. INCLUDES A PULL-OUT POSTER: With information
about the featured characters, gadgets, locations and scenes on an
illustrated poster bursting with 007 facts. SCREEN-FREE FUN: From
one of the world's leading publishers of books and gifts on the
creative arts. Laurence King works with the world's best
illustrators, designers, artists and photographers to create
beautiful books and gifts which are acclaimed for their
inventiveness, beautiful design and authoritative texts.
SUBSTANTIAL JIGSAW: Completed puzzle measures 48.5 x 68 cm (19 x 27
in.). "THE WORLD OF..." JIGSAWS are a fun way of celebrating the
works of creative greats. Also available in the series: The World
of Shakespeare, The World of Sherlock Holmes, The World of Jane
Austen Welcome to The World of James Bond, MI6's most famous Secret
Service agent. As you piece together this action-packed puzzle,
spot some of the ground-breaking gadgets, breath-taking stunts and
eccentric adversaries that make Bond films so iconic. Find your way
through the scene with the help of a poster bursting with 007
knowledge.
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