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Books > Arts & Architecture > Music > Techniques of music > General
Tune in to how music really works Whether you're a student, a
performer, or simply a fan, this book makes music theory easy,
providing you with a friendly guide to the concepts, artistry, and
technical mastery that underlie the production of great music.
You'll quickly become fluent in the fundamentals of knocking out
beats, reading scores, and anticipating where a piece should go,
giving you a deeper perspective on the works of others -- and
bringing an extra dimension to your own. Tracking to a typical
college-level course, Music Theory For Dummies breaks difficult
concepts down to manageable chunks and takes into account every
aspect of musical production and appreciation -- from the
fundamentals of notes and scales to the complexities of expression
and instrument tone color. It also examines the latest teaching
techniques -- all the more important as the study of music, now
shown to provide cognitive and learning benefits for both children
and adults, becomes more prevalent at all levels. Master major and
minor scales, intervals, pitches, and clefs Understand basic
notation, time signals, tempo, dynamics, and navigation Employ
melodies, chords, progressions, and phrases to form music Compose
harmonies and accompanying melodies for voice and instruments
Wherever you want to go musically -- as a writer or performer, or
just as someone who wants to enjoy music to its fullest -- this
approachable guide gives you everything you need to hear!
(Berklee Guide). This in-depth workshop, complete with helpful
diagrams and a practice CD, will help drummers master the art of
brush playing. It features 10 essential concepts, 32 brush
patterns, rhythm table exercises for dexterity, coordination
exercises for time playing, and signature strokes in the styles of
legends like Buddy Rich, Philly Joe Jones, and Elvin Jones. The CD
provides the ultimate practice accompaniment, enabling drummers to
play along with 34 bass groove tracks.
For those who prefer a compact book here's a solution from the
bestselling music learning author Jake Jackson. 20 chords per key,
organised as a chord per page, this is a simple, direct solution
for anyone learning the guitar or needing a quick reminder. Great
for beginners, and for those playing with others needing a
straightforward reference.
Queering Vocal Pedagogy presents a new vision of gender-affirming
vocal music education and richly explores the experiences,
perspectives, and vocal training of trans(gender) and genderqueer
singers. This groundbreaking text weaves together singers'
narratives with the practices and pedagogies of their teachers to
provide a model for training gender expansive vocalists. William
Sauerland promotes a two-fold action: first, cultivating
gender-affirming practices for teaching trans and genderqueer
singers, and second, disentangling vocal pedagogy from practices
and traditions that have historically promoted cisgender
narratives. Through case studies representing various identities
within the gender expansive population, this book provides an
insider's view to lesson pacing, vocal exercises, repertoire, and
processes toward vocal development. Sauerland provides a wealth of
practical and theoretical knowledge for teachers, choral directors,
and music educators, including: -Impacts of gender and identity in
teaching singers -Inclusive language especially for voice
classifications -Strategies for teaching -Repertoire considerations
-Professional responsibility and socio-emotional support in the
studio
Alfred's Basic Adult All-in-One Course is a greatly expanded
version of Alfred's Basic Adult Piano Course that includes lesson,
theory, technic and additional repertoire in a convenient,
"all-in-one" format. This comprehensive course adds such features
as isometric hand exercises, finger strengthening drills, and
written assignments that reinforce each lesson's concepts. The
accompanying DVD includes an introduction to all the pages in the
book and performances of the pieces by well-known teacher, Gayle
Kowalchyk. Titles: Alouette * Alpine Melody * Amazing Grace * Au
Claire de la Lune * Aunt Rhody * Auld Lang Syne * Aura Lee * The
Bandleader * Beautiful Brown Eyes * Blow the Man Down * Blues for
Wynton Marsalis * Brother John * Caf? Vienna * The Can-Can *
Chasing the Blues Away * Chiapanecas * Cockles and Mussels * The
Cuckoo * Day is Done * Dueling Harmonics * The Entertainer * A
Friend Like You * Go Down, Moses * Good King Wenceslas * Good
Morning to You * Good People * Got Those Blues * Greensleeves *
Happy Birthday to You * Harmonica Rock * Harp Song * Here's a Happy
Song * He's Got the Whole World in His Hands * I'm Gonna Lay My
Burden Down * Jericho * Jingle Bells * Joy to the World *
Kum-ba-yah * Largo (Dvorak) * Lavender's Blue * Lightly Row *
Little Brown Jug * Liza Jane * London Bridge * Lone Star Waltz *
Love Somebody * Lullaby * The Marine's Hymn * Mary Ann * Merrily We
Roll Along * Mexican Hat Dance * Michael, Row the Boat Ashore *
Money Can't Buy Everything * My Fifth * Ode to Joy * On Top of Old
Smoky * O Sole Mio * Raisins and Almonds * Rock Along * Rockets *
Rockin' Intervals * Rock It Away * Scarborough Fair * Shoo, Fly,
Shoo * Skip to My Lou * Standing in the Need of Prayer * The
Stranger * Tisket, a Tasket * Waltzing Chords * Waltz Time * What
Can I Share * When the Saints Go Marching In * Why Am I Blue?
While much has been written about the repertoire of musical works
for pianoforte duet, ensemble literature for the other classical,
historical, and contemporary keyboard instruments has usually been
mentioned in only incidental ways. The goal of this bibliography is
to advance the playing and listening enjoyment of works written for
two or more players at the individual or combined instruments of
the clavichord, harpsichord, and organ. It offers a starting point
for future research, covering material from the 16th through the
20th centuries, and lists works that keyboard performers can use in
programs without involving other instrumentalists or singers. The
book begins with a brief introduction to clavichord, harpsichord,
and organ music throughout the centuries and is followed by the
representative listing of more than 325 works, arranged
alphabetically by the more than 220 composers covered. This
literature spans five centuries, several nationalities, many
different styles, a wide range of compositional techniques, and all
types of ensembles. The degree of difficulty varies widely, though
most are within the grasp of even modest performers. Wherever
possible, sources for all scores have been cited, while those out
of print have been cited to recordings or even addresses of
composers and arrangers. A series of appendixes provide further
useful information, including a discography, addresses of
libraries, and addresses of music publishers. This original
reference work will be a valuable asset to students of keyboard
pedagogy, as well as for professional musicians and music scholars.
Firmly rooted in Paul Harris' Simultaneous Learning approach, this
new edition of Improve your sight-singing! Grades 1-3 is designed
to help overcome all the stumbling blocks to successful
sight-singing. Step by step you will build up a complete picture of
each piece, firstly through rhythmic, melodic and technical
exercises, then by making connections to your wider music-making,
studying prepared pieces and finally 'going solo' with a series of
meticulously graded sight-singing pieces. These editions of the
best-selling Improve your sight-singing! series have been
simplified into two (midrange) volumes, making them suitable for
instrumentalists who wish to improve their singing as well as for
singers preparing for sight-singing in vocal exams. The books
feature over 100 completely new practice exercises throughout and
have been brought up to date to match the latest ABRSM
sight-singing criteria.
Clarinet Basics is a landmark method by one of the leading figures
in clarinet education. It starts at absolute beginner level and
progresses to about elementary level.
There are 22 stages, each section includes a wonderful variety of
concert pieces from the great composers, traditional tunes and fun,
original exercises, 'finger gyms' and 'warm ups' to help establish
a sound technique, 'fact files' and 'quizzes' to teach notation and
general musicianship, helpful, clear 'fingering charts' and 'rhythm
boxes' and great illustrations.
This Book/CD edition is the perfect resource as the CD contains all
the accompaniments to all the pieces as well as providing
additional parts for the duets and trios. It is most suitable for
those wanting to teach themselves.
Alfred's Basic Adult All-in-One Course is designed for use with a
piano instructor for the beginning student looking for a truly
complete piano course. It is a greatly expanded version of Alfred's
Basic Adult Piano Course that will include lesson, theory, technic
and additional repertoire in a convenient, "all-in-one" format.
This comprehensive course adds such features as isometric hand
exercises, finger strengthening drills, and written assignments
that reinforce each lesson's concepts. There is a smooth, logical
progression between each lesson, a thorough explanation of chord
theory and playing styles, and outstanding extra songs, including
folk, classical, and contemporary selections. At the completion of
this course, the student will have learned to play some of the most
popular music ever written and will have gained a good
understanding of basic musical concepts and styles. Titles:
Alouette * Alpine Melody * Amazing Grace * Au Claire de la Lune *
Aunt Rhody * Auld Lang Syne * Aura Lee * The Bandleader * Beautiful
Brown Eyes * Blow the Man Down * Blues for Wynton Marsalis *
Brother John * Caf? Vienna * The Can-Can * Chasing the Blues Away *
Chiapanecas * Cockles and Mussels * The Cuckoo * Day is Done *
Dueling Harmonics * The Entertainer * A Friend Like You * Go Down,
Moses * Good King Wenceslas * Good Morning to You * Good People *
Got Those Blues * Greensleeves * Happy Birthday to You * Harmonica
Rock * Harp Song * Here's a Happy Song * He's Got the Whole World
in His Hands * I'm Gonna Lay My Burden Down * Jericho * Jingle
Bells * Joy to the World * Kum-ba-yah * Largo (Dvorak) * Lavender's
Blue * Lightly Row * Little Brown Jug * Liza Jane * London Bridge *
Lone Star Waltz * Love Somebody * Lullaby * The Marine's Hymn *
Mary Ann * Merrily We Roll Along * Mexican Hat Dance * Michael, Row
the Boat Ashore * Money Can't Buy Everything * My Fifth * Ode to
Joy * On Top of Old Smoky * O Sole Mio * Raisins and Almonds * Rock
Along * Rockets * Rockin' Intervals
New Solution for beginners Learn piano in MINUTES with this unique
illustrated guide. * Wish you knew the basics? * Don't have a lot
of extra time (or patience)? Fast & fun tutorial - easy
learning tricks + memory tips Quick visuals - so you don't need a
piano to follow along. 10 minutes is all it takes because a picture
is worth a thousand words. Learning piano from "text-heavy" books
can be dry & complicated. With new Smart Funnies 10-minute
lessons, you'll know piano basics in a flash Smart Funnies offers a
"less is more" approach to learning - using SIMPLE VISUALS and
humorous "funnies" to introduce new concepts. Funnies are not just
ENTERTAINING, they're EASIER to remember. A friendly gopher
character guides you through each image quickly & easily,
sharing important points along the way. This series offers three
10-minute lessons without text overload: piano KEYS + piano NOTES +
piano SYMBOLS (also available as separate lessons in print and
digital formats). Great for ALL AGES - whether you've never taken
lessons, are taking lessons now, or forgot lessons from your past.
A refreshingly FUN, FAST & EASY way to learn
Improvisation - the creation of a unique combination of musical
content within a musical context - is core to musicianship. As
authors Suzanne L. Burton and Alden H. Snell II demonstrate,
students already build skills that drive improvisation when they
listen to music or imitate rhythmic patterns. Building from this
observation, Ready, Set, Improvise! addresses improvisation in a
cogent, clear, practical, and sequential manner. As an essential
resource for music educators, this book synthesizes what we know
about exemplary music teaching and learning, provides an
easy-to-follow sequence for guiding improvisation instruction, and
gives techniques for assessment of students' skill and conceptual
development. Burton and Snell explore lessons in singing, rhythmic
chanting, moving, and playing instrument exercises that prepare
students to improvise. This all-in-one guide gives music teachers
the necessary tools with which to plan the next steps for students
to become independent musicians.
No pianist can experience the full flowering of her art without
eventually grappling with those great musical minds who composed
specifically for piano. In The Pianist's Craft, Richard Anderson
collects from his fellow pianist-scholars 19 articles on the
teaching, preparation, and performance of works by the greatest
composers in the standard piano repertoire. This collection ranges
in subject matter from Inge Rosar's meditation on playing Bach on
the modern keyboard to Gary Amato's assessment of Haydn's sonatas,
from Christie Skousen's review of tone production in Chopin to
GwenolynMok's foray into recreating Ravel's works on an Erard
piano, the same used by Ravel himself. Readers will find essays as
well on Mozart's piano compositions, Beethoven's sonatas, the
influence of Schubert's lieder on his piano works, and works by
Schumann, Liszt, Brahms, Debussy, Rachmaninoff, Scriabin,
Prokofiev, Shostakovich, Bartok, Gershwin, and Crumb. The
contributors all recognized nationally and internationally for
their contributions as performing artists, teachers, recording
artists, and clinicians write thoughtfully about the composers
whose work they have studied and played for years. Each author
addresses issues unique to the individual composer they have chosen
to explore, examining questions of phrasing, tempo, articulation,
dynamics, rhythm, color, gesture, lyricism, instrumentation, and
genre. Valuable insight is provided into teaching, performing, and
preparing these great works. In The Pianist's Craft these great
artists and teachers answer questions for readers that are
otherwise only addressed in conferences, master classes, and
private lessons. In this collection of essays, key points of
information and instruction are offered with over 200 musical
examples included as illustration. The Pianist's Craft is intended
for teachers and students of the intermediate and advanced levels
of piano, instructors and performers at the university level, and
those who love piano and piano music generally.
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