Kuypers, King, and their contributors explore the conception of rhetoric of eleven key American rhetoricians through analyses of their life's work. Each chapter provides a sense of that scholar's conception of rhetoric, be it through criticism, theory, or teaching. The communication discipline often highlights the work of others outside the discipline; however, it rarely acclaims the work of its own critics, teachers, and theorists. In this collection, the essays explore the innate mode of perception that guided the rhetorical understanding of the early critics. In so doing, this work dispels the myth that the discipline of Speech Communication was spawned from a monolithic and rigid center that came to be called neo-Aristotelianism. Scholars and researchers involved with the history of rhetoric, rhetorical criticism and theory, and American public address uill find this title to be a necessary addition to their collection.

Formalization plays an important role in semantics. Doing semantics and following the literature requires considerable technical sophistica tion and acquaintance with quite advanced mathematical techniques and structures. But semantics isn't mathematics. These techniques and structures are tools that help us build semantic theories. Our real aim is to understand semantic phenomena and we need the technique to make our understanding of these phenomena precise. The problems in semantics are most often too hard and slippery, to completely trust our informal understanding of them. This should not be taken as an attack on informal reasoning in semantics. On the contrary, in my view, very often the essential insight in a diagnosis of what is going on in a certain semantic phenomenon takes place at the informal level. It is very easy, however, to be misled into thinking that a certain informal insight provides a satisfying analysis of a certain problem; it will often turn out that there is a fundamental unclarity about what the informal insight actually is. Formalization helps to sharpen those insights and put them to the test."

At a superficial examination, English has different types of nominals with similar meaning and distribution: (1)a. John's performance ofthe song b. J ohn' s performing of the song c. John's performing the song d. the fact that John performs the song These nominals are also perceived by English speakers to be related to the same sentential construction: (2) John performs the song A more accurate inspection reveals, however, that the nominals in (1) differ both in their distribution and in the range of interpretations they allow. An adequate theory of nominalization should explicate rigorously how nominals of the types in (1) are related to sentential construction (2), and should also account for their distributional differences and meaning differences. The task of this book is to develop such a theory. I defend two main theses. The first is that, in order to provide an adequate semantics for the nominals in (1), one needs to distinguish among three types of entities in the domain of discourse (in addition to the type of ordinary individuals): events, propositions, and states xiii XIV PREFACE of affairs. I argue that the nominals in (1) differ in their ability to denote entities of these types and that predicates differ in their ability to select for them.

"Formal Pragmatics" addresses issues that are on the borderline of the semantics and pragmatics of natural language, from the point of view of a model-theoretic semanticist. This up-to-date resource covers a substantial body of formal work on linguistic phenomena, and presents the way the semantics-pragmatics interface has come to be viewed today.
Introduces Discourse Representation Theory and File Change Semantics, with their formal representation of context and context change.
Covers presupposition, including the nature and status of presuppositions as well as presupposition projection.
Deals with focus, its prosodic manifestation, and the model-theoretic analysis of its meaning and function. This volume, which serves as a textbook, as well as a reference or research book, offers a detailed discussion of key issues and clearly explains important, cutting-edge research.

Contents:
General Editor's Preface. Acknowledgements. 1. Preliminaries: Semiotics and Poetics: The Semiotics Enterprise; How Many Semiotics?; The material. 2. Foundations: Signs in the Theatre: Prague structuralism and the theatrical sign; Typologies of the sign. 3. Theatrical Communication: Codes, Systems and the Performance Text: Elements of theatrical communication; Theatrical Systems and Codes; Theatrical competence: frame, convention and the role of the audience. 4. Dramatic Logic: The construction of the dramatic world; Dramatic action and time; Actant, dramatis persona and the dramatic model. 5. Dramatic Discourse: Dramatic Communication; Context and deixis; Universe of discourse and co-text; Speech acts; The said and the unsaid: implicatures and figures; Textuality; Towards a dramatological analysis. 6. Concluding Comments: Theatre, Drama, Semiotics: Dramatic Text/performance text; A united enterprise? Suggestions for further reading. Bibliography. Index.

"Workplace Discourse" provides an overview of the rapidly developing field of spoken and written workplace interaction, taking a fresh perspective on research methods and key issues in the field. It examines discourse in a wide variety of workplace contexts using both genre analysis and a corpus-driven approach. The book draws on Koester's previous research, but examines the current state of workplace discourse more widely. It provides a descriptive account of the linguistic characteristics of workplace discourse within their social and organizational contexts, with illustrative extracts from real texts and naturally occurring spoken interactions. It showcases specific issues at the forefront of current research and practice in this area: the use of English as a lingua franca, the importance of relationship building and the teaching applications of research. Discourse is one of the most significant concepts of contemporary thinking in the humanities and social sciences as it concerns the ways language mediates and shapes our interactions with each other and with the social, political and cultural formations of our society. "The Continuum Discourse Series" aims to capture the fast-developing interest in discourse to provide students, new and experienced teachers and researchers in applied linguistics, ELT and English language with an essential bookshelf. Each book deals with a core topic in discourse studies to give an in-depth, structured and readable introduction to an aspect of the way language is used in real life.

This book documents how Oscar Wilde was appropriated as a fictional character by no less than thirty-two of his contemporaries. Focusing on Wilde's relationships with many of these writers, Kingston examines and critiques 'Wildean' portraits by such celebrated authors as Joseph Conrad, Arthur Conan Doyle, Henry James, George Bernard Shaw and Bram Stoker, as well as some lesser-known writers. Many fascinating, little-known biographical and literary connections are revealed. While this work will be of significant interest to scholars of Wilde, it is also written in a clear, accessible style which will appeal to the non-academic reader with a general interest in Wilde or the late Victorian period.

Over the last decade, Critical Discourse Analysis (CDA) has accrued an exceptional amount of attention across a wide number of academic disciplines within the humanities and social sciences.
In almost every field of human activity, we are surrounded by and caught up in a network of texts and discourses. At the same time, a gradual enfranchising of individuals in Western societies tends to make us less inclined to accept those surrounding texts and discourses unquestioningly. It is these twin factors that underpin all studies that appear under the aegis of CDA.
This unique, multidisciplinary collection gathers together the most influential writings adopting a CDA approach, along with the most important antecedent essays and articles from the earlier Twentieth Century. The articles that make up this collection are drawn from a wide range of journal sources, including articles critical of the CDA approach as well as those that illustrate applications of its principles and methods.
A detailed index and new introduction by the editor will help the reader navigate this wealth of diverse material.

Representing current theory and research in rhetoric, this volume brings together scholarship from a variety of orientations--theoretical, critical, historical, and pedagogical. Some contributions cover work that has previously been silenced or unrecognized, including Native American, African American, Latino, and women's rhetorics. Others explore rhetoric's relationship to performance and to the body, or to revising canons, stases, topoi, and pisteis. Still others are reworking the rhetorical lexicon to comprise contemporary theory. Among these diverse interests, rhetoricians find common themes and share intellectual and pedagogical enterprises that hold them together even as their institutional situations keep them apart.
Topics discussed in this collection include:
*Rhetoric as figurality; comparative and contrastive rhetorics; rhetoric and gender; and rhetorics of science and technology;
*Rhetoric and reconceptions of the public sphere; rhetoric and public memory; and rhetorics of globalization and social change, including issues of race, ethnicity, and nationalism;
*Rhetoric's institutionalized place in the academy, in relation to other humanities and to the interpretive social sciences; and
*The place of rhetoric in the formation of departments and the development of pedagogy
With its origins in the 2000 Rhetoric Society of America (RSA) conference, this volume represents the range and vitality of current scholarship in rhetoric. The conversations contained herein indicate that professing rhetoric is, at the turn of the millennium, an intellectual activity that engages with and helps formulate the most important public and scholarly questions of today. As such, it will be engaging reading for scholars and students, and is certain to provoke further thought, discussion, and exploration.

How do democratic and pluralistic societies cope with traumatic events in their past? What strategies and taboos are employed to reconstruct wars, revolutions, torturing, mass killings and genocide in a way to make their contradiction to basic human rights and values invisible? This interdisciplinary volume analyzes in detail for the first time, in multiple genres, the history and image of the "German "Wehrmacht"" and the debates in Austria and Germany surrounding two highly contested exhibitions about the war crimes of the German "Wehrmacht" during WWII.

Police interviewing is a critical part of the justice process, and more attention is now being paid to training in interview techniques. This new study uses tools drawn from interactional sociolinguistics and conversation analysis for a detailed study of some police questioning of adult suspects, and work undertaken in the training of police in interviewing children - in which quite different approaches seem to be adopted. Critical discourse analytic techniques are used in interpreting the outcome and the implications for training are explored.

The linguistic study of Chinese, with its rich morphological, syntactic and prosodic/tonal structures, its complex writing system, and its diverse socio-historical background, is already a long-established and vast research area. With contributions from internationally renowned experts in the field, this Handbook provides a state-of-the-art survey of the central issues in Chinese linguistics. Chapters are divided into four thematic areas: writing systems and the neuro-cognitive processing of Chinese, morpho-lexical structures, phonetic and phonological characteristics, and issues in syntax, semantics, pragmatics, and discourse. By following a context-driven approach, it shows how theoretical issues in Chinese linguistics can be resolved with empirical evidence and argumentation, and provides a range of different perspectives. Its dialectical design sets a state-of-the-art benchmark for research in a wide range of interdisciplinary and cross-lingual studies involving the Chinese language. It is an essential resource for students and researchers wishing to explore the fascinating field of Chinese linguistics.

This accessible and lively introduction to semantics and the multi-faceted nature of language guides the student and non-specialist through the major ways in which the English language makes meaning. The author discusses the meaning of linguistic units at all levels of language, from sound to discourse, while studying also the role of theories and models themselves in helping us to understand human linguistic behaviour. Through examples and exercises, readers are encouraged to think through and evaluate complex ideas and theories for themselves.

Freud swore by it. Heidegger swore at it. Kierkegaard swore off it. In our everyday lives we can't live without it. It's just talk. Before media, before the internet there was talk. We have monologues, conversations, chats, those funny little noises - "uh-huh", "yeah" - that pad out exchanges. There are all kinds of talk, too - hearsay, gossip, psychobabble, quotation; talk that isn't quite right (talking animals, demonic possession); talk that's great art.
Talk, Talk, Talk is a delightful collection of essays by some of the best thinkers - and talkers - of our time. These stellar contributors looks at talk from a range of perspectives, among them speech and political power, the Marx Brothers' idea of conversation, the idea of "talkative" ethnic identities, Lenny Bruce, daily self-affirmations, technologized talk, the telephone, the 'talking cure', and e-mail.

This is a collection of invited papers from the 1975 International Sym posium on Multiple-valued Logic. Also included is an extensive bib liography of works in the field of multiple-valued logic prior to 1975 - this supplements and extends an earlier bibliography of works prior to 1965, by Nicholas Rescher in his book Many-Valued Logic, McGraw-Hill, 1969. There are a number of possible reasons for interest in the present volume. First, the range of various uses covered in this collection of papers may be taken as indicative of a breadth which occurs in the field of multiple-valued logic as a whole - the papers here can do no more than cover a small sample: question-answering systems, analysis of computer hazards, algebraic structures relating to multiple-valued logic, algebra of computer programs, fuzzy sets. Second, a large part of the interest in such uses and applications has occurred in the last twenty, even ten years. It would be too much to expect this to be reflected in Rescher's 1969 book. Third, in the 1970's a series of annual symposia have been held on multiple-valued logic, which have brought much of this into a sharp focus. * The 1971 and 1972 symposia were held at the SUNY at Buffalo, the 1973 symposium at the Uni versity of Toronto, and the 1974 symposium at West Virginia Uni versity. Papers from these symposia are included in the bibliography which may be found in an appendix of this book."

"Text World Theory and Keats' Poetry" applies advances in cognitive poetics and text world theory to four poems by the nineteenth century poet John Keats. It takes the existing text world theory as a starting point and draws on stylistics, literary theory, cognitive linguistics, cognitive psychology and dream theories to explore reading poems in the light of their emphasis on states of desire, dreaming and nightmares. It accounts for the representation of these states and the ways in which they are likely to be processed, monitored and understood. "Text World Theory and Keats' Poetry" advances both the current field of cognitive stylistics but also analyses Keats in a way that offers new insights into his poetry. It is of interest to stylisticians and those in literary studies.

No two writing situations are exactly the same and skilled writers, like skilled painters, must develop the know-how to represent the objects of their writing as part of a flexible art. This special art of writing lies hidden between grammar--the well-formedness of sentences--and genre--the capacity of texts to perform culturally holistic communicative functions (e.g., the memo, the strategic report, the letter to the editor). Concealed between grammar and genre, this less visible art of writing is what Kaufer and Butler call "representational composition." Texts within this hidden art are best viewed not primarily as grammatical units or as genre functions, but as bearers of design elements stimulating imagistic, narrative, and information-rich worlds, and as an invitation to readers to explore and interact with them.
This volume presents a systematic study of the principles that underlie writing as representational composition. Drawing from student models derived from a studio method, the authors use each chapter to present a different aspect of what unfolds--across the course of the book--into a cumulative, interactive, and unified body of representational principles underlying the design of texts. They reveal what makes the textual representations achieved by expert writers worthwhile, and, at the same time, difficult for novice writers to reproduce. Extending the framework of their 1996 volume, "Rhetoric and the Arts" of Design, into a realm of textual design, this volume will interest students and instructors of writing, rhetoric, and information design.

During the period I have been working on this project I have received institutional support of several kinds, for which I am most grateful. I thank the Institute for Advanced Study at Stanford University, and the Spencer Foundation, for a stimulating environment in which the basic idea of this book was developed. The Max Planck Institute for Psycholinguistics at Nijmegen enabled me to spend several months working on the the manuscript. ANational Science Foundation grant to develop Discourse Representation theory, and a grant from The University Research Institute of the University of Texas, allowed me time to pursue this project. I also thank the Center for Cognitive Science at the University of Texas for research support. I thank Helen Aristar-Dry for reading early drafts of the manuscript, Osten Dahl for penetrating remarks on a preliminary version, and my collaborator Gilbert Rappaport for relentIess comments and questions throughout. The individuals with whom I have worked on particular languages are mentioned in the relevant chapters. I owe a particular debt of gratitude to the members of my graduate seminar on aspect in the spring of 1990: they raised many questions of importance which made a real difference to the working out of the theory. I have benefitted from presenting parts of this material publicly, including cOlloquia at the University of California at Berkeley, the University of California at San Diego, the University of Pennsylvania, Rice University, the University of Texas, and the University of Tel Aviv."

Like the journal TOPOl, the TOPOl Library is based on the assumption that philosophy is a lively, provocative, delightful activity, which constantly challenges our inherited habits, painstakingly elaborates on how things could be different, in other stories, in counterfactual situations, in alternative possible worlds. Whatever its ideology, whether with the intent of uncovering a truer structure of reality or of shooting our anxiety, of exposing myths or of following them through, the outcome of philosophical activity is always the destabilizing, unsettling generation of doubts, of objections, of criticisms. It follows that this activity is intrinsically a dialogue, that philosophy is first and foremost philosophical discussion, that it requires bringing out conflicting points of view, paying careful, sympathetic attention to their structure, and using this dialectic to articulate one's approach, to make it richer, more thoughtful, more open to variation and play. And it follows that the spirit which one brings to this activity must be one of tolerance, of always suspecting one's own blindness and consequently looking with unbiased eye in every comer, without fearing to pass a (fallible) judgment on what is there but also without failing to show interest and respect.

Recent archaeological discoveries, coupled with long-lost but now available epigraphical evidence, and a more expansive view of literary sources, provide new and dramatic evidence of the emergence of rhetoric in ancient Greece. Many of these artifacts, gathered through onsite fieldwork in Greece, are analyzed in this revised and expanded edition of GREEK RHETORIC BEFORE ARISTOTLE. This new evidence, along with recent developments in research methods and analysis, reveal clearly that long before Aristotle's Rhetoric, long before rhetoric was even stabilized into formal systems of study in Classical Athens, nascent, pre-disciplinary "rhetorics" were emerging throughout Greece. These newly acquired resources and research procedures demonstrate that oral and literate rhetoric emerged not only because of intellectual developments and the refinement of technologies that facilitated communication but also because of social, political and cultural forces that nurtured rhetoric's growth and popularity throughout the Hellenic world. GREEK RHETORIC BEFORE ARISTOTLE offers insights into the mentalities forming and driving expression, revealing, in turn, a great deal more about the relationship of thought and expression in Antiquity. A more expansive understanding of these pre-disciplinary manifestations of rhetoric, in all of their varied forms, enriches the history and the nature of classical rhetoric as a formalized discipline. - RICHARD LEO ENOS is Professor and holder of the Lillian Radford Chair of Rhetoric and Composition at Texas Christian University. His research concentration is in classical rhetoric with an emphasis in the relationship between oral and written discourse. He is past president of the American Society for the History of Rhetoric (1980-1981) and the Rhetoric Society of America (1990-1991). He received the RSA George E. Yoos Award Distinguished Service and was inducted as an RSA Fellow in 2006. He is the founding editor of ADVANCES IN THE HISTORY OF RHETORIC and the editor (with David E. Beard) of ADVANCES IN THE HISTORY OF RHETORIC: THE FIRST SIX YEARS (2007, Parlor Press). He is also the author of ROMAN RHETORIC: REVOLUTION AND THE GREEK INFLUENCE, Revised and Expanded Edition (2008, Parlor Press). - LAUER SERIES IN RHETORIC AND COMPOSITION, edited by Catherine Hobbs, Patricia Sullivan, Thomas Rickert, and Jennifer Bay.

This is a book about comparison in linguistics in general, rather than "contrastive analysis" as a distinct branch of linguistics. It addresses the question "Does the analytical apparatus used by linguists allow comparisons to be made across languages?" Four major domains are considered in turn: derivational morphology, syntax, semantics & pragmatics, and discourse. Contributions cover a broad spectrum of linguistic disciplines, ranging from contrastive linguistics and linguistic typology to translation studies and historical linguistics.

Anaphora is the study of referential relationships in language. Given the great flowering of the study of this topic in the last decade, it is time for a book that reports on the major results of recent research and sets the stage for further inquiry.

The authors represented in "Anaphora: A Reference Guide" are among the world's leading researchers on anaphora and are ideally suited to meet this goal. Their work draws on theoretical principles and methodologies in linguistics, cognitive psychology, and philosophy, as well as the integrated, broad perspective of cognitive science.

These stimulating reports of cutting-edge research will be useful to both undergraduate and graduate students and will find a large audience among professional researchers of anaphora and scholars who want to catch up on what is new and exciting in the area.

Subtitling serves two purposes: to translate the dialogue of foreign language films for secondary audiences (interlingual) and to transform the soundtrack of television programmes into written captions for deaf and hard-of-hearing viewers (intralingual). While both practices have strong linguistic roots, often being compared to text translation and editing, this book reveals the complex influences arising from the audiovisual environment. Far from being simply a matter of linguistic equivalence, the authors show how the effectiveness of subtitles is crucially dependent upon the hidden semiotic relations between text and image; relations which affect the meaning of the visual-linguistic message and the way in which that message is ultimately received. Focusing primarily on intralingual subtitling, The Semiotics of Subtitling adopts a holistic approach, combining linguistic theory with empirical eye-movement analysis in order to explore the full depth of the medium and the reading behaviour of viewers.

This book focuses on the relationship between syntax and meaning. Terje Lohndal's core claim is that it is possible to create a transparent mapping from syntax to logical form such that each syntactic Spell-Out domain directly corresponds to a conjunct at logical form. The argument focuses on two domains of grammar - phrase structure and argument structure - and brings together two independently established but seemingly unconnected hypotheses: that verbs do not require arguments, and that specifiers are not required by the grammar. Following the introduction, the second chapter looks in detail at the separation of the verb from its thematic arguments, and presents data from argument structure, reciprocals, and adjectival passives, while the third examines the claim that specifiers do not play a role as the target of various grammatical operations. Chapter 4 then brings these arguments together and proposes a syntax that maps transparently onto logical forms where all thematic arguments are severed from the verb. Moreover, the broader consequences of this approach are outlined in terms of Spell-Out, movement, linearization, thematic uniqueness, and agreement. The book closes with an examination of the relationship between grammatical and conceptual meaning, and a detailed discussion of the nature of compositionality.