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Books > Humanities > History > African history > General
One night in the year 411/1021, the powerful ruler of the Fatimid
empire, al-Hakim bi-Amr Allah, rode out of the southern gates of
Cairo and was never seen again. Was the caliph murdered, or could
he have decided to abandon his royal life, wandering off to live
alone and anonymous? Whatever the truth, the fact was that al-Hakim
had literally vanished into the desert. Yet al-Hakim, though
shrouded in mystery, has never been forgotten. To the Druze, he was
(and is) God, and his disappearance merely indicated his reversion
to non-human form. For Ismailis, al-Hakim was the sixteenth imam,
descended from the Prophet, and infallible. Jews and Christians, by
contrast, long remembered him as their persecutor, who ordered the
destruction of many of their synagogues and churches. Using all the
tools of modern scholarship, Paul Walker offers the most balanced
and engaging biography yet to be published of this endlessly
fascinating individual.
For the first time, the 92-metre frieze of the Voortrekker Monument in Pretoria, one of the largest historical narratives in marble, has been made the subject of a book. The pictorial narrative of the Boer pioneers who conquered South Africa’s interior during the ‘Great Trek’ (1835-1852) represents a crucial period of South Africa’s past. Forming the concept of the frieze both reflected on and contributed to the country’s socio-political debates in the 1930s and 1940s when it was made. The frieze is unique in that it provides rare evidence of the complex processes followed in creating a major monument. Based on unpublished documents, drawings and models, these processes are unfolded step by step, from the earliest discussions of the purpose and content of the frieze through all the stages of its design to its shipping to post-war Italy to be copied into marble and final installation in the Monument. The book examines how visual representation transforms historical memory in what it chooses to recount, and the forms in which it depicts this. It also investigates the active role the Monument played in the development of apartheid, and its place in post-apartheid heritage. The second volume, to be published later this year, expands on the first, considering each of the twenty-seven scenes in depth, providing new insights into not only the frieze, but also South Africa’s history.
During the West's great transition into the post-Colonial age, the country of Rhodesia refused to succumb quietly, and throughout the 1970s fought back almost alone against Communist-supported elements that it did not believe would deliver proper governance. During this long war many heroes emerged, but none more skillful and courageous than Captain Darrell Watt of the Rhodesian SAS, who placed himself at the tip of the spear in the deadly battle to resist the forces of Robert Mugabe and Joshua Nkomo. It is difficult to find another soldier's story to equal Watt's in terms of time spent on the field of battle and challenges faced. Even by the lofty standards of the SAS and Special Forces, one has to look far to find anyone who can match his record of resilience and valor in the face of such daunting odds and with resources so paltry. In the fight he showed himself to be a military maestro. A bush-lore genius, blessed with uncanny instincts and an unbridled determination to close with the enemy, he had no peers as a combat-tracker (and there was plenty of competition). But the Rhodesian theatre was a fluid and volatile one in which he performed in almost every imaginable fighting role; as an airborne shock-trooper leading camp attacks, long range reconnaissance operator, covert urban operator, sniper, saboteur, seek-and-strike expert, and in the final stages as a key figure in mobilizing an allied army in neighboring Mozambique. After 12 years in the cauldron of war his cause slipped from beneath him, however, and Rhodesia gave way to Zimbabwe. When the guns went quiet Watt had won all his battles but lost the war. In this fascinating biography we learn that in his twilight years he is now concerned with saving wildlife on a continent where they are in continued danger, devoting himself to both the fauna and African people he has cared so deeply about.
In "Moving the Maasai" Lotte Hughes tells the scandalous story of
how the Maasai people of Kenya lost the best part of their land to
the British in the 1900s. Drawing upon unique oral testimony and
extensive archival research, she describes the many intrigues
surrounding two enforced moves that cleared the highlands for
European settlers, and a 1913 lawsuit in which the Maasai attempted
to reclaim their former territory, and explains why recent events
have brought the story full circle.
Burning the veil draws upon sources from newly-opened archives, exploring the 'emancipation' of Muslim women from the veil, seclusion and perceived male oppression during the Algerian War of decolonisation. The claimed French liberation was contradicted by the violence inflicted on women through rape, torture and destruction of villages. This book examines the roots of this contradiction in the theory of 'revolutionary warfare', and the attempt to defeat the National Liberation Front by penetrating the Muslim family, seen as a bastion of resistance. Striking parallels with contemporary Afghanistan and Iraq, French 'emancipation' produced a backlash that led to deterioration in the social and political position of Muslim women. This analysis of how and why attempts to Westernise Muslim women ended in catastrophe has contemporary relevance and will be important to students and academics engaged in the study of French and colonial history, feminism and contemporary Islam. -- .
Examining American foreign policy towards the Horn of Africa between 1945 and 1991, this book uses Ethiopia and Somalia as case studies to offer an evaluation of the decision-making process during the Cold War, and consider the impact that these decisions had upon subsequent developments both within the Horn of Africa and in the wider international context. The decision-making process is studied, including the role of the president, the input of his advisers and lower level officials within agencies such as the State Department and National Security Council, and the parts played by Congress, bureaucracies, public opinion, and other actors within the international environment, especially the Soviet Union, Ethiopia and Somalia. Jackson examines the extent to which influences exerted by forces other than the president affected foreign policy, and provides the first comprehensive analysis of American foreign policy towards Ethiopia and Somalia throughout the Cold War. This book offers a fresh perspective on issues such as globalism, regionalism, proxy wars, American aid programmes, anti-communism and human rights. It will be of great interest to students and academics in various fields, including American foreign policy, American Studies and Politics, the history of the Cold War, and the history of the Horn of Africa during the modern era.
This extraordinary, candid account of James Kilgo's African sojourn conveys the untamed beauty of the bush country with the attention of a seasoned naturalist and the wonder of a first-time visitor. With startling immediacy Kilgo recalls what Zambia's Luangwa River valley revealed to him: its voices, scents, textures, and, most meaningfully, colors. Hues like sienna, ochre, and umber forged a visceral link between the people, animals, and landscapes Kilgo encountered and the muted palette of ancient rock paintings in caves and overhangs across southern Africa. Kilgo barely knew the man who invited him to Africa. A further complication: the trip was a big-game safari, which conjured troubling images of privilege and excess. Yet he went, as an observer, for Africa had enthralled him since boyhood. Kilgo's recollections of his fellow travelers and the safari staff - their forays into the bush, visits to nearby villages, and long evening talks about nature, family, and faith - are all informed by a growing awareness of Africa's complexities and contradictions. As he reflects on the swirl of customs and beliefs all around him, as he and his traveling companions draw closer together, Kilgo measures what he has learned firsthand about Africa against his readings of those who came before him, including explorer and missionary David Livingstone, writers Ernest Hemingway and Isak Dinesen, and environmentalists Mark and Delia Owens. Kilgo thinks often about hunting: about the days - long initiatory rites of local native hunters; the motivations, beyond money, that can drive a poacher; the carnage the animals visit on each other nightly just outside the walls of the idyllic safari compound. Near the end of his stay, he is offered the chance to hunt a kudu, the great antelope of storied elusiveness. Pondering this unexpected opportunity, Kilgo wonders: Has he connected sufficiently with this remarkable place to justify his participation in the hunt? Is he ready and, above all, is he worthy?
In Dissimilar Coffee Frontiers Sven Van Melkebeke compares the divergent development of coffee production in eastern Congo and western Rwanda during the colonial period. The Lake Kivu region offers a remarkable case-study to investigate diversity in economic development. In Rwanda, on the eastern side of the lake, coffee was mainly cultivated by smallholder families, while in the Congo, on the western side of the lake, European plantations were the dominant mode of production. Making use of a wide array of largely untapped archival sources, Sven Van Melkebeke convincingly succeeds in moving the manuscript beyond a case-study of colonizers to a more nuanced history of interaction and in presenting an innovative new social history of labor and land processes.
A fresh analysis of the post-colonial war in Mozambique that contributes to debates about conflict, peacebuilding, development and nationalism and offers insights into the nature of contemporary politics and the current conflict. The 1976-1992 civil war which opposed the Government of Frelimo and the Renamo guerrillas (among other actors) is a central event in the history of Mozambique. Aiming to open up a new era of studies of the war, this book re-evaluates this period from a number of different local perspectives in an attempt to better understand the history, complexity and multiple dynamics of the armed conflict. Focusing at local level on either a province or a single village, the authors analyse the conflict as a "total social phenomena" involving all elements of society and impacting on every aspect of life across the country. The chapters examine Frelimo and Renamo as well as private, popular and state militias, the Catholic Church, NGOs and traders. Drawing on previously unexamined sources such as local and provincial state archives, religious archives, the guerrilla's own documentation and interviews, the authors uncoveralternative dimensions of the civil war. The book thus enables a deeper understanding of the conflict and its actors as well as offering an explanatory framework for understanding peacemaking, the nature of contemporary politics,and the current conflict in the country. Eric Morier-Genoud is a Lecturer in African history at Queen's University Belfast; Domingos Manuel do Rosario is Lecturer in electoral sociology and electoral governance at Eduardo Mondlane University, Maputo, Mozambique; Michel Cahen is a Senior Researcher at the Centre National de la Recherche Scientifique (CNRS) at Bordeaux Political Studies Institute and at the Casa de Velazquez in Madrid.
Nelson Mandela is widely considered to be one of the most inspiring and iconic figures of our age. Now, after a lifetime of putting pen to paper to record thoughts and events, hardships and victories, he has bestowed his entire extant personal papers, which offer an unprecedented insight into his remarkable life. A singular international publishing event, Conversations with Myself draws on Mandela’s personal archive of never-before-seen materials to offer unique access to the private world of an incomparable world leader. Journals kept on the run during the anti-apartheid struggle of the early 1960s; diaries and draft letters written on Robben Island and in other South African prisons during his twenty-seven years of incarceration; notebooks from the post-apartheid transition; private recorded conversations; speeches and correspondence written during his presidency – a historic collection of documents archived at the Nelson Mandela Foundation is brought together into a sweeping narrative of great immediacy and stunning power.
This book" "breaks new ground in understanding how modern society has shaped women's knowledge system in Africa and deconstructs long-held myths about the position of ordinary women in the construction of knowledge. Using case studies, it historicizes the experiences of ordinary women in Tanzania and looks at how empowerment is used to, paradoxically, eviscerate women's knowledge systems.
This book is about Angolan literature and culture. It investigates a segment of Angolan history and literature, with which even Portuguese-speaking readers are generally not familiar. Its main purpose is to define the features and the literary production of the so-called 'creole elite', as well as its contribution to the early manifestations of dissatisfaction towards colonial rule patent during a period of renewed Portuguese commitment to its African colonies, but also of unrealised ambitions, economic crisis, and socio-political upheaval in Angola and in Portugal itself. Nineteenth-century Angolan society was characterised by the presence of a semi-urbanised commercial and administrative elite of Portuguese-speaking creole families--white, black, some of mixed race, some Catholic and others Protestant, some old established and others cosmopolitan--who were based in the main coastal towns. As well as their wealth, derived from the functions performed in the colonial administrative, commercial and customs apparatus, their European-influenced culture and habits clearly distinguished them from the broad native population of black peasants and farm workers. In order to expand its control over the region, Portugal desperately needed the support of this kind of non-coloniser urban elite, which was also used as an assimilating force, or better as a source of dissemination of a relevant model of social behaviour. Thus, until the 1850s great creole merchants and inland chiefs dealt in captive slaves, bound for export to Brazil via Cape Verde and Sao Tome: the tribal aristocracy and the creole bourgeoisie thrived on the profits of overseas trade and lived in style, consuming imported alcoholic beverages and wearing European clothes. After the abolition, however, their social and economic position was eroded by an influx of petty merchants and bureaucrats from Portugal who wished to grasp the commercial and employment opportunities created by a new and modern colonial order, anxious to keep up with other European colonial powers engaged in the partition of the African continent. This book thus considers the first intellectuals, the early printed publications in the country, and the pioneers of Angolan literature who felt the need to raise their roots to higher dignity. Thus, they wrote grammar, dictionaries, poetry, fiction, and of course, incendiary articles denouncing exploitation, racism, and the different treatment afforded by the colonial authorities to Portuguese expatriates and natives.
Managing Heritage in Africa provides a wide-ranging, up-to-date synthesis of heritage management practice in Africa, covering a broad spectrum of heritage issues such as archaeology, living traditions, sacred sites, heritage of pain (slavery), international conventions cultural landscapes, heritage in conflict areas and heritage versus development. Dealing with both intangible and tangible heritage, Managing Heritage in Africa gives an informative insight into some of the major issues and approaches to contemporary heritage management in Africa and situates the challenges facing heritage practitioners.
Although British-born, John Allen lived in South Africa from 1954 to 1990, a 36-year period during which the country experienced its most climactic--and sometimes terrible--events. Speaking from firsthand knowledge and with an intimate understanding of the situation, the author takes us beyond the media hype that so dominated Western television screens to answer some of the most vital questions concerning the apartheid era:
Apartheid South Africa addresses these and a host of other issues, bringing to light little-known facts concerning historical detail and providing the reader with eyewitness accounts of day-to-day life in one of the most dangerous countries in the world.
Most African economies range from moderately advanced capitalist systems with modern banks and stock markets to peasant and pastoral subsistent systems. Most African countries are also characterized by parallel institutions of governance – one is the state sanctioned (formal) system and the other is the traditional system, which is adhered to, primarily but not exclusively, by the segments of the population in the subsistence peasant and pastoral economic systems.
Although Apollonius of Rhodes' extraordinary epic poem on the Argonauts' quest for the Golden Fleece has begun to get the attention it deserves, it still is not well known to many readers and scholars. This book explores the poem's relation to the conditions of its writing in third century BCE Alexandria, where a multicultural environment transformed the Greeks' understanding of themselves and the world. Apollonius uses the resources of the imagination - the myth of the Argonauts' voyage and their encounters with other peoples - to probe the expanded possibilities and the anxieties opened up when definitions of Hellenism and boundaries between Greeks and others were exposed to question. Central to this concern with definitions is the poem's representation of space. Thalmann uses spatial theories from cultural geography and anthropology to argue that the Argo's itinerary defines space from a Greek perspective that is at the same time qualified. Its limits are exposed, and the signs with which the Argonauts mark space by their passage preserve the stories of their complex interactions with non-Greeks. The book closely considers many episodes in the narrative with regard to the Argonauts' redefinition of space and the implications of their actions for the Greeks' situation in Egypt, and it ends by considering Alexandria itself as a space that accommodated both Greek and Egyptian cultures.
A methodical analysis of relations of domination and subordination through media narratives of nationhood in an African context. Nation as Grand Narrative offers a methodical analysis of how relations of domination and subordination are conveyed through media narratives of nationhood. Using the typical postcolonial state of Nigeria as a template andengaging with disciplines ranging from media studies, political science, and social theory to historical sociology and hermeneutics, Wale Adebanwi examines how the nation as grand narrative provides a critical interpretive lens through which competition among ethnic, ethnoregional, and ethnoreligious groups can be analyzed. Adebanwi illustrates how meaning is connected to power through ideology in the struggles enacted on the pages of the print media overdiverse issues including federalism, democracy and democratization, religion, majority-minority ethnic relations, space and territoriality, self-determination, and threat of secession. Nation as Grand Narrative will triggerfurther critical reflections on the articulation of relations of domination in the context of postcolonial grand narratives. Wale Adebanwi is associate professor of African American and African studies, University of California-Davis, and a visiting professor at the Institute of Social and Economic Research (ISER), Rhodes University, Grahamstown, South Africa.
The primary objective of this book is to understand the nature of the Boko Haram insurgency in northeast Nigeria. Boko Haram's goal of an Islamic Caliphate, starting in the Borno State in the North East that will eventually cover the areas of the former Kanem-Borno Empire, is a rejection of the modern state system forced on it by the West. The central theme of this volume examines the relationship between the failure of the state-building project in Nigeria and the outbreak and nature of insurgency. At the heart of the Boko Haram phenomenon is a country racked with cleavages, making it hard for Nigeria to cohere as a modern state. Part I introduces this theme and places the Boko Haram insurgency in a historical context. There are, however, multiple cleavages in Nigeria ethnic, regional, cultural, and religious and Part II examines the different state-society dynamics fuelling the conflict. Political grievances are common to every society; however, what gives Boko Haram the space to express such grievances through violence? Importantly, this volume demonstrates that the insurgency is, in fact, a reflection of the hollowness within Nigeria's overall security. Part III looks at the responses to Boko Haram by Nigeria, neighbouring states, and external actors. For Western actors, Boko Haram is seen as part of the "global war on terror" and the fact that it has pledged allegiance to ISIS encourages this framing. However, as the chapters here discuss, this is an over-simplification of Boko Haram and the West needs to address the multiple dimension of Boko Haram. This book will be of much interest to students of terrorism and political violence, insurgencies, African politics, war and conflict studies, and IR in general.
"This is the first book-length study of the French Caribbean presence in Africa, and serves as a unique contribution to the field of African Diaspora and Colonial studies. By using administrative records, newspapers, and interviews, it explores the French Caribbean presence in the colonial administration in Africa before World War II"--Provided by publisher. |
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