The 1880s were a critical time in Cameroon. A German warship arrived in the Douala estuary and proclaimed Cameroon a protectorate. At that time, two Swedes, Knutson and Waldau, were living on the upper slopes of the Cameroon Mountain. Very little is known about their activities. One, Knutson, wrote a long memoir of his time in Cameroon (1883-1895) which is published here for the first time. It gives fascinating insights into everyday life in Cameroon and into the multifaceted relationships among the various Europeans, and between them and the Africans, at the end of the 19th century; we learn about the Swedes' quarrels first with the Germans and later with the British, over land purchases, thus revealing the origins of long on-going disputes over Bakweri lands. We are given vivid descriptions of Bakweri notables and their, and the Europeans', cultural practices, a rare eye-witness account of the sasswood witchcraft ordeal, and learn about Knutson's friendships with slaves. Together with appended contemporary correspondence, legal opinions, and early (translated) texts, this memoir must be considered as a unique and invaluable primary source for the pre-colonial history of Cameroon.

Sudan, the largest country in Africa, gained independence in 1956. Its population divided itself into Arab Muslim and Black African camps and, almost immediately, a 16-year civil war began. A second revolution broke in out 1983 when the governmant introduced Islamic Sharia law. This book provides a thorough chronicle of events in Sudan since Independance, drawing on first-hand interviews.

`Exquisite in its honesty and truth and resilience, and a necessary chronicle from one of the greatest writers of our time.' - Chimamanda Ngozi Adichie Selected as a Book of the Year 2016 in the Guardian As a young student, internationally renowned author Ngugi wa Thiong'o found his voice as a playwright, journalist and novelist, writing his first, pivotal works just as the countries of East Africa were in the final throes of their independence struggles. For Ngugi, an ambitious student leaving Kenya for the first time, the prestigious Makerere University embodies all the potential and excitement of the early 1960s. Campus is a haven of opportunity for the brightest African students, a meeting place for great thinkers and writers from all over the world, and its alumni, including Milton Obote and Julius Nyerere, are filling Africa's emerging political and cultural positions. Despite the challenges he faces as a young black man in a British colony, it is here that Ngugi begins to write, weaving stories from the fibres of memory, history and a shockingly turbulent present. Birth of a Dream Weaver is a moving and thought-provoking memoir of the birth of one of the most important writers today, and the death of one of the most violent periods in global history.

In the decades between the Berlin Conference that partitioned Africa and the opening of the African Hall at the American Museum of Natural History, Americans in several fields and from many backgrounds argued that Africa had something to teach them. Jeannette Eileen Jones traces the history of the idea of Africa with an eye to recovering the emergence of a belief in "Brightest Africa"--a tradition that runs through American cultural and intellectual history with equal force to its "Dark Continent" counterpart.
Jones skillfully weaves disparate strands of turn-of-the-century society and culture to expose a vivid trend of cultural engagement that involved both critique and activism. Filmmakers spoke out against the depiction of "savage" Africa in the mass media while also initiating a countertradition of ethnographic documentaries. Early environmentalists celebrated Africa as a pristine continent while lamenting that its unsullied landscape was "vanishing." New Negro political thinkers also wanted to "save" Africa but saw its fragility in terms of imperiled human promise. Jones illuminates both the optimism about Africa underlying these concerns and the racist and colonial interests these agents often nevertheless served. The book contributes to a growing literature on the ongoing role of global exchange in shaping the African American experience as well as debates about the cultural place of Africa in American thought.

Max Esser was an adventurous young merchant banker, a Rhinelander, who became the first managing director of the largest German plantation company in Cameroon. This volume gives a vivid account of the antecedents and early stages as experienced and described by Esser. In 1896 he ventured, with the explorer Zintgraff, into the hinterland to seek the agreement of Zintgraff's old ally, the ruler of Bali, for the provision of laborers for his projected enterprise. The consequences, many optimistically unforeseen, are illustrated with the help of contemporary materials. Esser's account is preceded by a look at his and his family's connections, added to by an account of newspaper campaigns against him, and completed by an examination of his Cameroon collection, which he gave to the Linden Museum in Stuttgart.

Dembour is to be warmly congratulated on her achievement, both intellectually and in terms of memory retrieval content ...Its anthropological skills and merits apart, for readers interested] in colonial administrators this book] is at once a prime analysis and a rich resource. - African Affairs An unusual achievement. Dr. Dembour's book is a work of theory, which shows what a complex business the production of knowledge is, but she writes with such warmth, directness and honesty that fundamental epistemological issues are made vivid for beginning students as well as experienced scholars ...Anyone who conducts interviews, students of memory and history, and those working in 'colonial studies' can all learn from this study. - Elizabeth Tonkin I congratulate you on an extraordinary work. I am sure it will be declared post-modern; I think it modern in the best sense--up to the critical standards of our day ...I see you engaged in ground-breaking work. - Johannes Fabian Marie-Benedicte Dembour teaches at the University of Sussex, School of Legal Studies.

Max Esser was an adventurous young merchant banker, a Rhinelander, who became the first managing director of the largest German plantation company in Cameroon. This volume gives a vivid account of the antecedents and early stages as experienced and described by Esser. In 1896 he ventured, with the explorer Zintgraff, into the hinterland to seek the agreement of Zintgraff's old ally, the ruler of Bali, for the provision of laborers for his projected enterprise. The consequences, many optimistically unforeseen, are illustrated with the help of contemporary materials. Esser's account is preceded by a look at his and his family's connections, added to by an account of newspaper campaigns against him, and completed by an examination of his Cameroon collection, which he gave to the Linden Museum in Stuttgart.

Cape Town, 2018. South Africa’s mother city is wracked by drought. The prospect of premier Helen Zille’s ‘Day Zero’ – the day when all taps run dry – is driving its citizens into a frenzy. When it’s announced that Mayor Patricia de Lille is off the water crisis, the predicament reaches its zenith and politicians turn upon each other.

And so begins a stupendous battle within the Democratic Alliance: who will lead Cape Town? It’s during this time that author and researcher Crispian Olver applies to the City of Cape Town to gain access to certain official documents as part of a research project. He is baffled when his application is rejected without explanation, but this only strengthens his resolve to explore how the city of his childhood is run. In particular, he has his sights set on the relationship between city politicians and property developers.

Olver interviews numerous individuals, including many ‘chopped’ from the city administration. What he uncovers is a pandora’s box of backstabbing, in-fighting and backroom deals. He explores dodgy property developments at Wescape and Maiden’s Cove, delves into attempts to ‘hijack’ civic associations, and exposes the close yet precautious relationship between the mayor and City Hall’s so-called ‘laptop boys’. But his main goal is to understand what led to the political meltdown within the Democratic Alliance, and the defection of De Lille to form her own party.

This analysis of the historical development of racial segregation in South Africa between the World War I and II casts light on the period immediately before the advent of modern-day apartheid and provides an account of the ideological, political and administrative origins of apartheid. Segregation is seen here as a complex combination of ideas and policies which aimed to entrench and legitimize the basis of white domination in South Africa. The authors feel that in essence, it represented an attempt to uphold white supremacy by containing the powerful social forces unleashed by South Africa's rapid process of industrialization. The work is based on archival research in South Africa and aims to draw upon some of the most recent scholarship.

A powerful re-reading of modern South African history following apartheid that examines the violent transformation during the transition era and how this was enacted in the African townships of the Witwatersrand. In 1993 South Africa state president F.W. de Klerk and African National Congress (ANC) leader Nelson Mandela were awarded the Nobel Peace Prize "for their work for the peaceful termination of the apartheid regime". Yet, while bothdeserved the plaudits they received for entering the negotiations that led to the end of apartheid, the four years of negotiations preceding the April 1994 elections, known as the transition era, were not "peaceful": they were the bloodiest of the entire apartheid era, with an estimated 14,000 deaths attributed to politically related violence. This book studies, for the first time, the conflicts between the ANC and the Inkatha Freedom Party that took place in South Africa's industrial heartland surrounding Johannesburg. Exploring these events through the perceptions and memories of combatants and non-combatants from war-torn areas, along with security force members, politicians and violence monitors, offers new possibilities for understanding South Africa's turbulent transition. Challenging the prevailing narrative which attributes the bulk of the violence to a joint state security force and IFP assault against ANC supporters, the author argues for a more expansive approach that incorporates the aggression of ANC militants, the intersection between criminal and political violence, and especially clashes between groups alignedwith the ANC. Gary Kynoch is Associate Professor of History at Dalhousie University. He has written one previous book, We are Fighting the World: A History of the Marashea Gangs in South Africa, 1947-1999 (OhioUniversity Press, 2005). Southern Africa (South Africa, Namibia, Lesotho, Zimbabwe and Swaziland): Wits University Press

Literature remains one of the few disciplines that reflect the experiences, sensibility, worldview, and living realities of its people. Contemporary African literature captures the African experience in history and politics in a multiplicity of ways. Politics itself has come to intersect and impact on most, if not all, aspects of the African reality. This relationship of literature with African people's lives and condition forms the setting of this study. Tanure Ojaide's Indigeneity, Globalization, and African Literature: Personally Speaking belongs with a well-established tradition of personal reflections on literature by African creative writer-critics. Ojaide's contribution brings to the table the perspective of what is now recognized as a "second generation" writer, a poet, and a concerned citizen of Nigeria's Niger Delta area.

Shortlisted for the Wolfson History Prize, Cundill History Prize, Fage and Oliver Prize, the Los Angeles Times Book Prize and the Pius Adesanmi Memorial Award Winner of the Historical Writers' Association Non-Fiction Crown 2020 Winner of the American Historical Association's Jerry Bentley Prize in World History 2020 Winner of the Nayef Al-Rodhan Prize for Global Cultural Understanding 2019 An Observer and Wall Street Journal Book of the Year 2019 A groundbreaking history that will transform our view of West Africa By the time of the 'Scramble for Africa' in the late nineteenth century, Africa had already been globally connected for many centuries. Its gold had fuelled the economies of Europe and Islamic world since around 1000, and its sophisticated kingdoms had traded with Europeans along the coasts from Senegal down to Angola since the fifteenth century. Until at least 1650, this was a trade of equals, using a variety of currencies - most importantly shells: the cowrie shells imported from the Maldives, and the nzimbu shells imported from Brazil. Toby Green's groundbreaking new book transforms our view of West and West-Central Africa. It reconstructs the world of kingdoms whose existence (like those of Europe) revolved around warfare, taxation, trade, diplomacy, complex religious beliefs, royal display and extravagance, and the production of art. Over time, the relationship between Africa and Europe revolved ever more around the trade in slaves, damaging Africa's relative political and economic power as the terms of monetary exchange shifted drastically in Europe's favour. In spite of these growing capital imbalances, longstanding contacts ensured remarkable connections between the Age of Revolution in Europe and America and the birth of a revolutionary nineteenth century in Africa. A Fistful of Shells draws not just on written histories, but on archival research in nine countries, on art, praise-singers, oral history, archaeology, letters, and the author's personal experience to create a new perspective on the history of one of the world's most important regions. 'Astonishing, staggering' Ben Okri, Daily Telegraph

Ideal for high school and undergraduate students, this addition to the Culture and Customs of Africa series examines the contemporary cultures and traditions of modern Gambia, from religious customs to literature to cuisine and much more. This title in the Culture and Customs of Africa series examines the traditions and customs of contemporary Gambia, a geographically tiny nation in the vast landscape of Africa that is home to a large number of various ethnic groups, each with its own distinctive way of life. It is a country that has been largely unknown in Western culture, with the exception of Alex Haley's book Roots and subsequent TV series, which highlights Gambia's historic significance in the slave trade. This book illuminates Gambian religion and worldview; literature and media; arts and architecture/housing; gender roles, marriage, and family; social customs, traditional dress, cuisine, and lifestyle; and music and dance. The author has successfully encapsulated both long-ago history and contemporary Gambia to provide students with a complete look at life in Gambia today. Information on past traditions and historic events is discussed in the context of how they pertain to life today and their influence on the constant evolution of Gambian life and culture. A map of Gambia Photographs depicting places in Gambia and people engaging in traditional activities and customs A bibliography of sources and additional reading

Origins of Pan-Africanism: Henry Sylvester Williams, Africa, and the African Diaspora recounts the life story of the pioneering Henry Sylvester Williams, an unknown Trinidadian son of an immigrant carpenter in the late-19th and early 20th century. Williams, then a student in Britain, organized the African Association in 1897, and the first-ever Pan-African Conference in 1900. He is thus the progenitor of the OAU/AU. Some of those who attended went on to work in various pan-African organizations in their homelands. He became not only a qualified barrister, but the first Black man admitted to the Bar in Cape Town, and one of the first two elected Black borough councilors in London. These are remarkable achievements for anyone, especially for a Black man of working-class origins in an era of gross racial discrimination and social class hierarchies. Williams died in 1911, soon after his return to his homeland, Trinidad. Through original research, Origins of Pan-Africanism: Henry Sylvester Williams, Africa, and the African Diaspora is set in the social context of the times, providing insight not only into a remarkable man who has been heretofore virtually written out of history, but also into the African Diaspora in the UK a century ago.

Although it is often simplified as an "ethnic conflict" in popular media, the current crisis in Darfur can only be superficially defined across ethnic lines. Any long-term solution to the conflict must also address the underlying social and environmental influences such as changing resource dynamics, expanding poverty, lack of infrastructure, and political corruption, which have brought the crisis to a head. This project diverges from previous studies by examining how the dynamic interaction between the environment, local governance, and national policy in Sudan has resulted in the Darfur crisis. It demonstrates how ecological degradation and the breakdown of community governance have destabilized the region, and how corruption and incompetence at the national level have culminated in the current crisis. Analyzing the interplay of these factors will yield valuable insights as to how a concerned international community can both end the tragic genocide and address the underlying injustices that engendered it. The analysis presented will be informative and accessible to a wide readership of students, academics, and concerned citizens.

Prue Smith spent much of her childhood in South Africa but as soon as World War Two ended she moved to England. It was only after apartheid ended that she returned to her roots, grateful that victory was secure over centuries of oppression.

When the author embarked on her study, her aim was to approach former colonial officers with a view to analyzing processes of domination in the ex-Belgian Congo. However, after establishing a rapport with some of these officers, the author was soon forced to revise her initial assumptions, widely held in present-day Belgium: these officers were not the "baddies" she had expected to meet. Exploring the colonial experience through the respondents' memories resulted in a far more complex picture of the colonial situation than she had anticipated, again forcing her to question her original assumptions. This resulted not only in a more differentiated perspective on Belgian colonialist rule, but is also sensitized her as regards the question of anthropological understanding and of what constitutes historical fact. These two aspects of her work are reflected in this study that offers specific material on the way Belgian colonialism is remembered and reflects on its conditions of production, thus combining ethnographic analysis with a theoretical essay.

This volume examines how African indigenous popular music is deployed in democracy, politics and for social crusades by African artists. Exploring the role of indigenous African popular music in environmental health communication and gender empowerment, it subsequently focuses on how the music portrays the African future, its use by African youths, and how it is affected by advanced broadcast technologies and the digital media. Indigenous African popular music has long been under-appreciated in communication scholarship. However, understanding the nature and philosophies of indigenous African popular music reveals an untapped diversity which can only be unraveled by the knowledge of myriad cultural backgrounds from which its genres originate. With a particular focus on scholarship from Nigeria, Zimbabwe and South Africa, this volume explores how, during the colonial period and post-independence dispensation, indigenous African music genres and their artists were mainstreamed in order to tackle emerging issues, to sensitise Africans about the affairs of their respective nations and to warn African leaders who have failed and are failing African citizenry about the plight of the people. At the same time, indigenous African popular music genres have served as a beacon to the teeming African youths to express their dreams, frustrations about their environments and to represent themselves. This volume explores how, through the advent of new media technologies, indigenous African popular musicians have been working relentlessly for indigenous production, becoming champions of good governance, marginalised population, and repositories of indigenous cultural traditions and cosmologies.

In the period between the outbreak of World War II in 1939 and the enactment of university apartheid by the Nationalist Government in 1959, the University of the Witwatersrand, Johannesburg (Wits) developed as an ‘open university’, admitting students of all races. This, the second volume of the history of Wits by historian Bruce Murray, has as its central theme the process by which Wits became ‘open’, the compromises this process entailed, and the defence the University mounted to preserve its ‘open’ status in the face of the challenges posed by the Nationalist Government.

The University’s institutional autonomy is highlighted by Yunus Ballim in his preface to the centenary edition of WITS: The ‘Open’ Years. He writes: ‘The emerging posture of a university willing to rise in defence of academic freedom was important because this was to become infused into the institutional culture of Wits.’

The book looks at the University’s role in South Africa’s war effort, its contribution to the education of ex-volunteers after the war, its leading role in training job-seeking professionals required by a rapidly expanding economy, and the rise of research and postgraduate study. Students feature prominently through their political activities, the flourishing of a student intelligentsia, the heyday of the Remember and Give (Rag) parade, rugby intervarsity, and the stunning success of Wits sportsmen and women. Wits: The ‘Open’ Years paints a vivid picture of the range of personalities who enlivened the campus – among them some well-known figures in the new South Africa.

The book includes chapters by Alf Stadler, who was Professor of Political Studies at Wits and the author of The Political Economy of Modern South Africa, and Jonty Winch, former Sports Officer at Wits and the author of Wits Sport.

Opens a fresh conversation on the study of the Mau Mau rebellion and Kenyan history by arguing that Mau Mau was a nationalist movement rather than a Kikuyu war. Through a critical examination of the Mau Mau oath used to initiate and unite fighters, The Power of the Oath opens a fresh conversation on the study of Mau Mau and Kenyan history. It argues for a historiographical shift inthe framing of the Mau Mau rebellion as a Kikuyu war. Instead, Mickie Mwanzia Koster suggests that Mau Mau was a nationalist movement, embraced by non-Kikuyu communities like the Kamba ethnic group. Incorporating a creative blendof primary sources, including testimonies from ex-Mau Mau participants, survey analysis, archival data, Mau Mau court cases, ceremonial reenactments, and folklore, The Power of the Oath demonstrates how and why the movement was spread, embraced, and internalized. Mwanzia Koster traces the evolution and structure of the Mau Mau oath, examining the British criminalization of the oath, its gendered use, and the purification associated with it, in order to reveal how Mau Mau unfolded in Kenya. Mickie Mwanzia Koster is associate professor of history at the University of Texas, Tyler.

In February 1937, following an abortive attack by a handful of insurgents on Mussolini's High Command in Italian-occupied Ethiopia, 'repression squads' of armed Blackshirts and Fascist civilians were unleashed on the defenceless residents of Addis Ababa. In three terror-filled days and nights of arson, murder and looting, thousands of innocent and unsuspecting men, women and children were roasted alive, shot, bludgeoned, stabbed to death, or blown to pieces with hand-grenades. Meanwhile the notorious Viceroy Rodolfo Graziani, infamous for his atrocities in Libya, took the opportunity to add to the carnage by eliminating the intelligentsia and nobility of the ancient Ethiopian empire in a pogrom that swept across the land. In a richly illustrated and ground-breaking work backed up by meticulous and scholarly research, Ian Campbell reconstructs and analyses one of Fascist Italy's least known atrocities, which he estimates eliminated 19-20 per cent of the capital's population.He exposes the hitherto little known cover-up conducted at the highest levels of the British government, which enabled the facts of one of the most hideous civilian massacres of all time to be concealed, and the perpetrators to walk free.