This edited volume focuses on a key notion in Queer Theory and activism: challenging, resisting and subverting contestations to the identitarian expression and performance of LGBTIQ+ (lesbian, gay, bisexual, trans*, intersex, queer/querying etc.) subjects. The chapters in this volume address queer bodies and spaces both transnationally and within specific contexts-including focus studies on the U.S.; Russia; China; Yemen; and the Anglophone Caribbean. Part I addresses queer and contested forms of lived experiences and embodiments such as trans* and non-binary bodies. Part II explores spaces of belonging and exemplifies contested and negotiated in/exclusion. Part III focusses on (socio-)legal spaces of belonging, Human Rights and legal activism. In line with QPs ethics of genial intergenerational exchange and support, this volume features prominently the voices of doctoral and early-career researchers.

Queercore is a queer and punk transmedia movement that was instigated in 1980s Toronto via the pages of the underground fanzine ("zine") J.D.s. Authored by G.B. Jones and Bruce LaBruce, J.D.s. declared "civil war" on the punk and gay and lesbian mainstreams, consolidating a subculture of likeminded filmmakers, zinesters, musicans and performers situated in pointed opposition to the homophobia of mainline punk and the lifeless sexual politics and exclusionary tendencies of dominant gay and lesbian society. More than thirty years later, queercore and its troublemaking productions remain under the radar, but still culturally and politically resonant. This book brings renewed attention to queercore, exploring the homology between queer theory/practice and punk theory/practice at the heart of queercore mediamaking. Through analysis of key queercore texts, this book also elucidates the tropes central to queercore's subcultural distinction: unashamed sexual representation, confrontational politics and "shocking" embodiments, including those related to size, ability and gender variance. An exploration of a specific transmedia subculture grounded in archival research, ethnographic interviews, theoretical argumentation and close analysis, ultimately, Queercore proffers a provocative, and tangible, new answer to the long-debated question, "What does it mean to be queer?"

In 1980s America, coming out as gay as a father and husband was a significant journey for anyone to make. Coming out as gay as a priest guaranteed immersion into controversy, contradiction, and challenge. This book tells of The Reverend Canon Ted Karpf's navigation of new social and romantic journeys, all within the context of his priestly vocation in the Episcopal Church. Covering from 1968 to 2018, Karpf recounts his vivid memories, life-changing dreams and resonant reflections on living a life of faith in a socially and politically tumultuous period of history. His narratives are crafted as poetic meditations on enduring values and meaning, which can remind any reader that we are neither abandoned nor alone, and that forgiveness is a fulfilling way of living in a world of contradictions.

The stories in The Teacher's Closet: Lesbian and Gay Educators in Georgia's Public Middle Schools reveal the intricate and multifaceted process of identity management that lesbian and gay Georgia middle school teachers regularly engage in, with the intention of carefully negotiating the conservative, heterosexist, and at times homophobic culture of education. Disclosure for a homosexual teacher is not a one-time event. As the stories reveal, managing one's sexual identity is an ongoing process. A feeling of uneasiness surrounding acceptance from others is also a regular occurrence in the homosexual community. To understand why lesbian and gay teachers feel the need to conceal and protect their homosexual identities, it is necessary to understand the social and political climate that forces them to surrender their real identity. In our heterosexist society where homosexuals are often portrayed as different, even sinful, it is not surprising that many homosexual teachers refrain from disclosing their sexual identity to their students, especially in the conservative state of Georgia. The Teacher's Closet is relevant to courses that include diversity in teacher education and teach inclusion and equality in education.

Regardless of his own sexual orientation, L. Frank Baum's fictions revel in queer, trans, and other transgressive themes. Baum's life in the late 1800s and early 1900s coincided with the rise of sexology in the Western world, as a cascade of studies heightened awareness of the complexity of human sexuality. His years of productivity also coincided with the rise of children's literature as a unique field of artistic creation. Best known for his Oz series, Baum produced a staggering number of children's and juvenile book series under male and female pseudonyms, including the Boy Fortune Hunters series, the Aunt Jane's Nieces series, and the Mary Louise series, along with many miscellaneous tales for young readers. Baum envisioned his fantasy works as progressive fictions, aspiring to create in the Oz series "a modernized fairy tale, in which the wonderment and joy are retained and the heartaches and nightmares are left out." In line with these progressive aspirations, his works are often sexually progressive as well, with surprisingly queer and trans touches that reject the standard fairy-tale narrative path toward love and marriage. From Ozma of Oz's backstory as a boy named Tip to the genderless character Chick the Cherub, from the homosocial adventures of his Boy Fortune Hunters to the determined rejection of romance for Aunt Jane's Nieces, Queer Oz: L. Frank Baum's Trans Tales and Other Astounding Adventures in Sex and Gender shows how Baum exploited the freedoms of children's literature, in its carnivalesque celebration of a world turned upside-down, to reimagine the meanings of gender and sexuality in early twentieth-century America and to re-envision them for the future.

On the occasion of its fiftieth anniversary, the most important moment in LGBTQ history-depicted by the people who influenced, recorded, and reacted to it. June 28, 1969, Greenwich Village: The New York City Police Department, fueled by bigoted liquor licensing practices and an omnipresent backdrop of homophobia and transphobia, raided the Stonewall Inn, a neighborhood gay bar, in the middle of the night. The raid was met with a series of responses that would go down in history as the most galvanizing period in this country's fight for sexual and gender liberation: a riotous reaction from the bar's patrons and surrounding community, followed by six days of protests. Across 200 documents, Marc Stein presents a unique record of the lessons and legacies of Stonewall. Drawing from sources that include mainstream, alternative, and LGBTQ media, gay-bar guide listings, state court decisions, political fliers, first-person accounts, song lyrics, and photographs, Stein paints an indelible portrait of this pivotal moment in the LGBT movement. In The Stonewall Riots, Stein does not construct a neatly quilted, streamlined narrative of Greenwich Village, its people, and its protests; instead, he allows multiple truths to find their voices and speak to one another, much like the conversations you'd expect to overhear in your neighborhood bar. Published on the fiftieth anniversary of the moment the first brick (or shot glass?) was thrown, The Stonewall Riots allows readers to take stock of how LGBTQ life has changed in the US, and how it has stayed the same. It offers campy stories of queer resistance, courageous accounts of movements and protests, powerful narratives of police repression, and lesser-known stories otherwise buried in the historical record, from an account of ball culture in the mid-sixties to a letter by Black Panther Huey P. Newton addressed to his brothers and sisters in the resistance. For anyone committed to political activism and social justice, The Stonewall Riots provides a much-needed resource for renewal and empowerment.

Imagining Latinx Intimacies addresses the ways that artists and writers resist the social forces of colonialism, displacement, and oppression through crafting incisive and inspiring responses to the problems that queer Latinx peoples encounter in both daily lives and representation such as art, film, poetry, popular culture, and stories. Instead of keeping quiet, queer Latinx artists and writers have spoken up as a way of challenging stereotypes, prejudice, and the lived experiences of estrangement and physical violence. Artistic thinkers such as Gloria Anzaldua, Frances Negron-Muntaner, and Rane Arroyo have challenged such socio-political problems by imagining intimate social and intellectual spaces that resist the status quo like homophobic norms, laws, and policies that hurt families and communities. Building on the intellectual thought of researchers such as Jorge Duany, Adriana de Souza e Silva, and Jose Esteban Munoz, this book explains how the imagined spaces of Latinx LGBTQ peoples are blueprints for addressing our tumultuous present and creating a better future.

An up-close look at how porn permeates our culture Pictures of half-naked girls and women can seem to litter almost every screen, billboard, and advertisement in America. Pole-dancing studios keep women fit. Men airdrop their dick pics to female passengers on planes and trains. To top it off, the last American President has bragged about grabbing women "by the pussy." This pornification of our society is what Bernadette Barton calls "raunch culture." Barton explores what raunch culture is, why it matters, and how it is ruining America. She exposes how internet porn drives trends in programming, advertising, and social media, and makes its way onto our phones, into our fashion choices, and into our sex lives. From twerking and breast implants, to fake nails and push-up bras, she explores just how much we encounter raunch culture on a daily basis-porn is the new normal. Drawing on interviews, television shows, movies, and social media, Barton argues that raunch culture matters not because it is sexy, but because it is sexist. She shows how young women are encouraged to be sexy like porn stars, and to be grateful for getting cat-called or receiving unsolicited dick pics. As politicians vote to restrict women's access to birth control and abortion, The Pornification of America exposes the double standard we attach to women's sexuality.

This book is intended to challenge the status quo of music learning and experience by intersecting various musical topics with discussions of spirituality and queer studies. Spanning from the theoretical to the personal, the authors utilize a variety of approaches to query how music makers might blend spirituality's healing and wholeness with queer theory's radical liberation. Queering Freedom: Music, Identity and Spirituality represents an eclectic mix of historical, ethnomusicological, case study, narrative, ethnodramatic, philosophical, theological, and theoretical contributions. The book reaches an international audience, with invited authors from around the world who represent the voices and perspectives of over ten countries. The authors engage with policy, practice, and performance to critically address contemporary and historical music practices. Through its broad and varied writing styles and representations, the collection aims to shift perspectives of possibility and invite readers to envision a fresh, organic, and more holistic musical experience.

This groundbreaking collection is the first to focus specifically on LGBT* people and dementia. It brings together original chapters from leading academics, practitioners and LGBT* individuals affected by dementia. Multi-disciplinary and international in scope, it includes authors from the UK, USA, Canada and Australia and from a range of fields, including sociology, social work, psychology, health care and socio-legal studies. Taking an intersectional approach - i.e. considering the plurality of experiences and the multiple, interacting relational positions of everyday life - LGBT Individuals Living with Dementia addresses topics relating to concepts, practice and rights. Part One addresses theoretical and conceptual questions; Part Two discusses practical concerns in the delivery of health and social care provision to LGBT* people living with dementia; and Part Three explores socio-legal issues relating to LGBT* people living with dementia. This collection will appeal to policy makers, commissioners, practitioners, academics and students across a range of disciplines. With an ageing and increasingly diverse population, and growing numbers of people affected by dementia, this book will become essential reading for anyone interested in understanding the needs of, and providing appropriate services to, LGBT* people affected by dementia.

Bisexuality: A Critical Reader presents the essential primary texts on bisexuality from the last 100 years in an easy-to-read format. Exploring this often controversial concept from a range of perspectives, this book places bisexuality in its historical and cultural context and explores its many meanings and uses. Merl Storr's introductions give a straightforward overview of the texts included and sets them clearly in the context of debates on bisexuality.
This collection includes pieces by:
* Henry Havelock Ellis
* Sigmund Freud
* Alfred C. Kinsey, Wardell B. Pomeroy and Clyde E. Martin
* and Hélèn Cixous.

"Moffies" is an account of gay life in Southern Africa from 1990 to the present. It views the situation in each country of the subcontinent through the eyes of gays and lesbians living there, and tells of the triumphs and trials of homosexuals in Southern Africa during the past decade. It reveals their courageous attempts at coming out and speaking up in a part of the continent where leaders often use homosexuality as a scapegoat for their own political failures and with suspicious persistence promote public homophobia. But it also reveals the more personal struggles of all those gay Southern Africans who face the ambivalent anchorage of their own sexual orientation within the complex African cultural milieu.

An award-winning biography of one of the first undercover journalists-a pioneering Swedish woman who lived a fascinating life of adventure and forbidden love and who changed journalism forever. Born in 1891 in Stockholm, Ester Blenda Nordstro m defied stereotypes from an early age. She wore trousers, smoked a pipe, and rode motorbikes, much to the chagrin of her esteemed family. As a young woman, she captivated the public as Sweden's first investigative journalist. Ester's real passion was uncovering the truth, which she did by inhabiting the lives of others. Under an assumed identity, she toiled as a Swedish milkmaid on a farm, lived for six months with the Indigenous Scandinavian Sami people, and journeyed to America alongside poor emigrants aspiring to a better life. She saved villages from starvation during the Finnish Civil War and joined an expedition to study volcanoes in Siberia. Her groundbreaking reports were received by a spellbound audience and would change journalism forever. But just as Ester's star was rising, her forbidden love affair with a woman ended in heartbreak, nearly destroying her. Her spectacular adventures and untamed heart concealed an inner turmoil that threatened to silence her powerful voice, but Ester's life and spirit were ultimately irrepressible. Life in Every Breath brings Ester's story back to the fore-and showcases one of the most fascinating women of the twentieth century.

Exploring the experiences of LGBTQI+ parents and their children and their relationship with schools, this book illuminates how these families work with schools, and how schools do, or do not, support children of LGBTQI parents. Based on empirical research and making space for the voices of both parents and children, the research extends beyond previous studies of gay and lesbian parenting to include bisexual, transgender, queer, non-binary, and intersex parents. The authors consider the influence of pressure groups, school inspection frameworks, legislation, and the media, and examine the ways in which some schools are working to become more inclusive.

'Somehow, over time, we forgot that the rituals behind dating and sex were constructs made up by human beings and eventually, they became hard and fast rules that society imposed on us all.' True Love. Third Wheels. Dick pics. 'Dying alone'. Who decided this was normal? Sarah and Kayla invite you to put on your purple aspec glasses - and rethink everything you thought you knew about society, friendship, sex, romance and more. Drawing on their personal stories, and those of aspec friends all over the world, prepare to explore your microlabels, investigate different models of partnership, delve into the intersection of gender norms and compulsory sexuality and reconsider the meaning of sex - when allosexual attraction is out of the equation. Spanning the whole range of relationships we have in our lives - to family, friends, lovers, society, our gender, and ourselves, this book asks you to let your imagination roam, and think again what human connection really is. Includes exclusive 'Sounds Fake But Okay' podcast episodes.

In Kids on the Street Joseph Plaster explores the informal support networks that enabled abandoned and runaway queer youth to survive in tenderloin districts across the United States. Tracing the history of the downtown lodging house districts where marginally housed youth regularly lived beginning in the late 1800s, Plaster focuses on San Francisco's Tenderloin from the 1950s to the present. He draws on archival, ethnographic, oral history, and public humanities research to outline the queer kinship networks, religious practices, performative storytelling, and migratory patterns that allowed these kids to foster social support and mutual aid. He shows how they collectively and creatively managed the social trauma they experienced, in part by building relationships with johns, bartenders, hotel managers, bouncers, and other vice district denizens. By highlighting a politics where the marginal position of street kids is the basis for a moral economy of reciprocity, Plaster excavates a history of queer life that has been overshadowed by major narratives of gay progress and pride.

Byron's emotional and erotic life, which he indulged with an unstoppable energy, is a key element in understanding his powerful and passionate personality, as well as the society of his day, which was scandalised by his behaviour even while being conquered by his extraordinary charm. The Sour Fruit. Lord Byron, Love & Sex looks at the poet's now generally acknowledged bisexuality in all its aspects, from his fleeting liaisons to his love-affairs, female (his half-sister Augusta, Caroline Lamb and Teresa Guiccioli) and male (John Edleston, Nicolo Giraud and Loukas Chalandritsanos). The book's original approach provides unusual and fascinating insights, notably into Byron's homosexuality, hitherto relatively unexplored, and reveals a more truthful picture of the poet. Byron was strongly attracted to boys, who are referred to in Don Juan as 'sour fruit'. In his adolescence he had fallen for aristocratic contemporaries but would later be attracted to boys of a lower social station. He had several same-sex experiences in England, encouraged by the circle he frequented at Cambridge, particularly his friend Matthews, as well as during his Grand Tour, during which he was able to freely live out behaviours frowned on at home. In early 19th-century England, homosexuality was a criminal offence punished with the pillory or even hanging, and Byron preferred to keep his transgressive experiences to himself, or share them only with a restricted group of like-minded friends. There are numerous veiled references to the range of his tastes in his works and his letters, which adopt a code aimed at the initiated that we are today better able to decipher. Innuendos abound, pointing to aspects of his submerged life, to adultery, incest and, above all, homosexuality - and we can now more fully appreciate the wit and verve of his letters as well as a clutch of agonised love-poems. An appended chapter examines Don Leon, an anonymous work purporting to be by Byron himself and salaciously recounting his love-life, which was first published some forty years after his death and has been on more than one occasion banned for obscenity.

In 1999, General Museveni, Uganda's autocratic leader, ordered police to arrest homosexuals for engaging in behavior he characterized as ""un-African"" and against Biblical teaching. A state-sanctioned campaign of harassment of LGBT people followed. With the approval of sections of Uganda's clergy (and the support of U.S. evangelicals) harsh morality laws were passed against pornography and homosexual acts. The former disproportionately affected urban women, curtailing their freedoms. The latter - known as the ""kill the gays bill"" - called for life imprisonment or capital punishment for homosexuals. The author weaves together a series of vignettes and anecdotes that trace the development of Uganda's morality laws against a backdrop of Machiavellian politics, religious fundamentalism and the human rights struggle of LGBT Ugandans.

"Important...a truly fascinating reading on this controversial subject."
-- "Library Journal"

"The reprinted documents are what makes Burg's book valuable, and they allow readers to judge for themselves whether gays and lesbians deserve to be fully integrated into the modern military."--"The Journal of Sex Research"

In Ancient Greece and Rome, in Crusader campaigns and pirate adventures, same-sex romances were a common and condoned part of military culture. From the Peloponnesian War to the Gulf War, from Achelleus to Lawrence of Arabia gays and lesbians have played a crucial but often hidden role in military campaigns. But recent debates over the legality of gay service in the military and the "don't ask, don't tell" policy have obscured this rich aspect of military history. Richard Burg has recovered important documents and assembled an anthology on these often invisible gay and lesbian warriors.

Burg shows us that the Amazons of legend weren't just fictional. We learn about the richness and variety of their culture in documents from Plato, Seneca and Suetonius. From courts-martial proceedings we discover women warriors in seventeenth century England who passed as men in order to serve, and army officers whose underground culture fostered long-term romantic friendships.

There are also sections on the American Civil War, World War I and II, the contemporary U.S. military as well as sailors and pirates. This anthology will forever change the way we think about "gays in the military."

'A hymn to life, love, family, and spirit' DAVID MITCHELL, author of Cloud Atlas The vividly told, gloriously illustrated memoir of an artist born with disabilities who searches for freedom and connection in a society afraid of strange bodies. ***WINNER OF THE BARBELLION PRIZE*** ***SHORTLISTED FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD*** In 1958, amongst the children born with spina bifida is Riva Lehrer. At the time, most such children are not expected to survive. Her parents and doctors are determined to 'fix' her, sending the message over and over again that she is broken. That she will never have a job, a romantic relationship, or an independent life. Enduring countless medical interventions, Riva tries her best to be a good girl and a good patient in the quest to be cured. Everything changes when, as an adult, Riva is invited to join a group of artists, writers, and performers who are building Disability Culture. Their work is daring, edgy, funny, and dark-it rejects tropes that define disabled people as pathetic, frightening, or worthless. They insist that disability is an opportunity for creativity and resistance. Emboldened, Riva asks if she can paint their portraits-inventing an intimate and collaborative process that will transform the way she sees herself, others, and the world. Each portrait story begins to transform the myths she's been told her whole life about her body, her sexuality, and other measures of normal. Written with the vivid, cinematic prose of a visual artist, and the love and playfulness that defines all of Riva's work, Golem Girl is an extraordinary story of tenacity and creativity. With the author's magnificent portraits featured throughout, this memoir invites us to stretch ourselves toward a world where bodies flow between all possible forms of what it is to be human. 'Riva Lehrer is a great artist and a great storyteller. This is a brilliant book, full of strangeness, beauty, and wonder' AUDREY NIFFENEGGER 'This astonishing, heart soaring and often shocking memoir of a Jewish woman with spina Bifida born in the 50's is bright and dark, terrifying and wonderful. An ode to art and the beauty of disability' CERRIE BURNELL

Young adult literature featuring teenage lesbian, gay, bisexual, transgender and questioning characters is growing in popularity. Unlike the ""problem novels"" of the past, which focused on the guilt, bullying and isolation of LGBTQ characters, today's narratives present more sympathetic and celebratory portrayals. The author explores a selection of recent novels-many of which may be new to readers-and places them in the wider contexts of LGBTQ literature and history. Chapters discuss a range of topics, including the relationship of Queer Theory to literature, LGBTQ families, and recent trends in utopian and dystopian science fiction.

Scholars of postcolonial and LGBT studies examine the validity of the globalization of queer cultures Globalization has a taste for queer cultures. Whether in advertising, film, performance art, the internet, or in the political discourses of human rights in emerging democracies, queerness sells and the transnational circulation of peoples, identities and social movements that we call "globalization" can be liberating to the extent that it incorporates queer lives and cultures. From this perspective, globalization is seen as allowing the emergence of queer identities and cultures on a global scale. The essays in Queer Globalizations bring together scholars of postcolonial and lesbian and gay studies in order to examine from multiple perspectives the narratives that have sought to define globalization. In examining the tales that have been spun about globalization, these scholars have tried not only to assess the validity of the claims made for globalization, they have also attempted to identify the tactics and rhetorical strategies through which these claims and through which global circulation are constructed and operate. Contributors include Joseba Gabilondo, Gayatri Gopinath, Janet Ann Jakobsen, Miranda Joseph, Katie King, William Leap, Lawrence LaFountain-Stokes, Bill Maurer, Cindy Patton, Chela Sandoval, Ann Pellegrini, Silviano Santiago, and Roberto Strongman.