Worlding Postcolonial Sexualities demonstrates how late twentieth century postcolonial print cultures initiated a public discourse on sexual activism and contends that postcolonial feminist and queer archives offer alternative histories of sexual precarity, vulnerability, and resistance. The book's comparative focus on India, Jamaica, and South Africa extends the valences of postcolonial feminist and queer studies towards a historical examination of South-South interactions in the theory and praxis of sexual rights. Analyzing the circumstances of production and the contents of English-language and intermittently bilingual magazines and newsletters published between the late 1970s and the late 1990s, these sources offer a way to examine the convergences and divergences between postcolonial feminist, gay, and lesbian activism. It charts a set of concerns common to feminist, gay, and lesbian activist literature: retrogressive colonial-era legislation impacting the status of women and sexual minorities; a marked increase in sexual violence; piecemeal reproductive freedoms and sexual choice under neoliberalism; the emergence and management of the HIV/AIDS crisis; precariousness of lesbian and transgender concerns within feminist and LGBTQ+ movements; and Non-Governmental Organizations as major actors articulating sexual rights as human rights. This methodologically innovative work is based on archival historical research, analyses of national and international policy documents, close readings of activist publications, and conversations with activists and founding editors. This is an important intervention in the field of gender and sexuality studies and is the winner of the 2020 Feminist Futures, Subversive Histories prize in partnership with the NWSA. The book is key reading for scholars and students in gender, sexuality, comparative literature, and postcolonial studies.

Why did Saint Augustine ask God to "circumcise [his] lips"? Why does Sir Gawain cut off the Green Knight's head on the Feast of the Circumcision? Is Chaucer's Wife of Bath actually-as an early glossator figures her-a foreskin? And why did Ezra Pound claim that he had incubated The Waste Land inside of his uncut member? In this little book, A. W. Strouse excavates a poetics of the foreskin, uncovering how Patristic theologies of circumcision came to structure medieval European literary aesthetics. Following the writings of Saint Paul, "circumcision" and "uncircumcision" become key terms for theorizing language-especially the dichotomies between the mere text and its extended exegesis, between brevity and longwindedness, between wisdom and folly. Form and Foreskin looks to three works: a peculiar story by Saint Augustine about a boy with the long foreskin; Sir Gawain and the Green Knight; and Chaucer's Wife of Bath's Tale. By examining literary scenes of cutting and stretching, Strouse exposes how Patristic treatments of circumcision queerly govern medieval poetics.

What queer lives, loves and possibilities teem within suburbia's little boxes? Moving beyond the imbedded urban/rural binary, "Relocations" offers the first major queer cultural study of sexuality, race and representation in the suburbs. Focusing on the region humorists have referred to as "Lesser Los Angeles"--a global prototype for sprawl--Karen Tongson weaves through suburbia's "nowhere"spaces to survey our spatial imaginaries: the aesthetic, creative and popular materials of the new suburbia.

Across southern California's freeways, beneath its overpasses and just beyond its winding cloverleaf interchanges, Tongson explores the improvisational archives of queer suburban sociability, from multimedia artist Lynne Chan's JJ Chinois projects and the amusement park night-clubs of 1980s Orange County to the imperial legacies of the region known as the Inland Empire. By taking a hard look at the cosmopolitanism historically considered de rigeur for queer subjects, while engaging with the so-called "New Suburbanism" that has captivated the national imaginary in everything from lifestyle trends to electoral politics, "Relocations" radically revises our sense of where to see and feel queer of color sociability, politics and desire.

Written for entry-level survey courses in queer or LGBTQ+ Studies for students from all majors, this engaging text covers a wide range of topics. Early chapters consider the meaning of "queer" and examine identities such as trans, bi, and intersex. Intersections between sexuality/gender expression and other identities such as race, ethnicity, and class are also examined. The book then reviews life experiences such as families, friendship, religion and spirituality, health, and politics through the lens of queerness. Queer Studies: Beyond Binaries: -Engages undergraduates with a narrative that applies key ideas to their own lives and experiences -Questions various binaries ("either/or" pairings) to help students examine their own sexual identity and gender expression -Reviews foundational concepts from queer theory and queer history to create a deeper understanding of the concepts -Emphasizes an intersectionality approach that demonstrates how one's identity is the product of multiple characteristics such as sexuality, gender, race, class, and dis/ability -Uses a multidisciplinary approach drawing from the social and natural sciences, humanities, and arts to provide a broad overview of perspectives -Details an individual or an event in Spotlight on sections to highlight the experiences of queer people. -Provides questions for class discussion or field activities in Issues for Investigation sections that apply the ideas covered in the chapter -Allows instructors to shape the class with different foci using the stand-alone chapters in Part III -Features an Instructor's resource manual available to adopters with 20+ PowerPoint slides for each chapter, sample syllabi for a variety of courses, teaching tips for using the Spotlight On and Issues for Investigation sections and the suggested readings, a test bank with objective and essay questions, and student aids such as keywords, chapter outlines and summaries, and learning objectives Designed for undergraduate courses in queer or LGBT+ Studies requiring no prerequisites, Queer Studies: Beyond Binaries also serves as an excellent supplement in courses on queer theory or history, or on sexuality, gender, and women's studies.

An award-winning biography of one of the first undercover journalists-a pioneering Swedish woman who lived a fascinating life of adventure and forbidden love and who changed journalism forever. Born in 1891 in Stockholm, Ester Blenda Nordstro m defied stereotypes from an early age. She wore trousers, smoked a pipe, and rode motorbikes, much to the chagrin of her esteemed family. As a young woman, she captivated the public as Sweden's first investigative journalist. Ester's real passion was uncovering the truth, which she did by inhabiting the lives of others. Under an assumed identity, she toiled as a Swedish milkmaid on a farm, lived for six months with the Indigenous Scandinavian Sami people, and journeyed to America alongside poor emigrants aspiring to a better life. She saved villages from starvation during the Finnish Civil War and joined an expedition to study volcanoes in Siberia. Her groundbreaking reports were received by a spellbound audience and would change journalism forever. But just as Ester's star was rising, her forbidden love affair with a woman ended in heartbreak, nearly destroying her. Her spectacular adventures and untamed heart concealed an inner turmoil that threatened to silence her powerful voice, but Ester's life and spirit were ultimately irrepressible. Life in Every Breath brings Ester's story back to the fore-and showcases one of the most fascinating women of the twentieth century.

The rights of lesbian, gay, bisexual, and transgender persons (LGBT) are strongly contested by certain faith communities, and this confrontation has become increasingly pronounced following the adjudication of a number of legal cases. As the strident arguments of both sides enter a heated political arena, it brings forward the deeply contested question of whether there is any possibility of both communities' contested positions being reconciled under the same law. This volume assembles impactful voices from the faith, LGBT advocacy, legal, and academic communities - from the Human Rights Campaign and ACLU to the National Association of Evangelicals and Catholic and LDS churches. The contributors offer a 360-degree view of culture-war conflicts around faith and sexuality - from Obergefell to Masterpiece Cakeshop - and explore whether communities with such profound differences in belief are able to reach mutually acceptable solutions in order to both live with integrity.

Psychology and Sexual Orientation strives to "come to terms" with lesbian, gay and bisexual life and with the controversial scientific and sociocultural theories and arguments on the origin and meaning of homosexuality and queer life in the US. Janis M. Bohan disrupts conventional psychological perspectives on queer life and identity and animates the ongoing debate between essentialism and constructionism. Bohan discusses the meaning of sexual orientation; lesbian, gay and bisexual identity development and stigma management; diversity in experiences; partners and parenting; and lesbian, gay and bisexual communities.

Far from the coastal centers of culture and politics, Kansas stands at the very center of American stereotypes about red states. In the American imagination, it is a place LGBT people leave. No Place Like Home is about why they stay. The book tells the epic story of how a few disorganized and politically naive Kansans, realizing they were unfairly under attack, rolled up their sleeves, went looking for fights, and ended up making friends in one of the country's most hostile states. The LGBT civil rights movement's history in California and in big cities such as New York and Washington, DC, has been well documented. But what is it like for LGBT activists in a place like Kansas, where they face much stiffer headwinds? How do they win hearts and minds in the shadow of the Westboro Baptist Church ( Christian" motto: "God Hates Fags")? Traveling the state in search of answers-from city to suburb to farm-journalist C. J. Janovy encounters LGBT activists who have fought, in ways big and small, for the acceptance and respect of their neighbors, their communities, and their government. Her book tells the story of these twenty-first-century citizen activists-the issues that unite them, the actions they take, and the personal and larger consequences of their efforts, however successful they might be. With its close-up view of the lives and work behind LGBT activism in Kansas, No Place Like Home fills a prairie-sized gap in the narrative of civil rights in America. The book also looks forward, as an inspiring guide for progressives concerned about the future of any vilified minority in an increasingly polarized nation.

Known as "The Mayor of Castro Street" even before he was elected to the San Francisco Board of Supervisors, Harvey Milk's personal life, public career, and final assassination reflect the dramatic emergence of the gay community as a political power in America. It is a story full of personal tragedies and political intrigues, assassinations at City Hall, massive riots in the streets, the miscarriage of justice, and the consolidation of gay power and gay hope.
Harvey Milk has been the subject of numerous books and movies, including the Academy Award-winning 1984 documentary, "The Times of Harvey Milk. " His life is also the basis of a 2008 major motion picture, "Milk, "starring Sean Penn. " " Randy Shilts was born in 1951, in Davenport, Iowa. One of the first openly gay journalists hired at a major newspaper, he worked for the "San Francisco Chronicle" for thirteen years. He died of AIDS in 1994 at his home in the Sonoma County redwoods in California. He was the author of "The Mayor of Castro Street: The Life and Times of Harvey Milk "(1982), "And the Band Played On: Politics, People and the AIDS Epidemic "(1987), and "Conduct Unbecoming: Lesbians and Gays in the U.S. Military "(1993). He also wrote extensively for many major newspapers and magazines, including "The New York Times, Newsweek, Esquire, The Los Angeles Times, "and "The Advocate."
"The Mayor of Castro Street "is Shilts's acclaimed story of Harvey Milk, the man whose personal life, public career, and tragic assassination mirrored the dramatic and unprecedented emergence of the gay community in America during the 1970s. His is a story of personal tragedies and political intrigues, assassination in City Hall and massive riots in the streets, the miscarriage of justice and the consolidation of gay power and gay hope.

INAUGURAL LILLY'S LIBRARY BOOK CLUB PICK FROM LILLY SINGH 'I really loved this book' Rumaan Alam, author of Leave the World Behind 'Patel writes with the wisdom and compassion of an old soul' Celeste Ng 'Utterly unforgettable' Nikesh Shukla 'A love letter to R&B' Susie Yang, author of White Ivy 'Something everyone can relate to' Lilly Singh, author of How to Be a Bawse 'A soulful and seductive love song of a book' Nancy Jooyoun Kim, author of The Last Story of Mina Lee 'Absolutely loved it' Luan Goldie, author of Nightingale Point 'It made me laugh and cry' Kavita Puri, author of Partition Voices 'Refreshing...Defiant...Consistently surprising.' The New York Times Book Review Lost in the jungle of Los Angeles, Akash Amin is filled with shame. Shame for liking men. Shame for wanting to be a songwriter. Shame for not being like his perfect brother. Shame for his alcoholism. And most of all, shame for what happened with the first boy he ever loved. When his mother tells him she is selling the family home, Akash must return to Illinois to confront his demons and the painful memory of a sexual awakening that became a nightmare. Akash's mum, Renu, is also plagued by guilt. She had it all: doting husband, beautiful house, healthy sons. But as the one-year anniversary of her husband's death approaches Renu can't stop wondering if she chose the wrong life thirty-five years ago and should have stayed in London with her first love. Together, Renu and Akash pack up the house, retreating further into the secrets that stand between them. When their pasts catch up to them, Renu and Akash must decide between the lives they left behind and the ones they've since created. By turns irreverent and tender, filled with the beats of '90s R&B, Tell Me How to Be is about our earliest betrayals and the cost of reconciliation. But most of all, it is the love story of a mother and son each trying to figure out how to be in the world.

Bisexuality in Europe offers an accessible and diverse overview of research on bisexuality and bi+ people in Europe, providing a foundation for theorising and empirical work on plurisexual orientations and identities, and the experiences and realities of people who desire more than one sex or gender Counteracting the predominance of work on bisexuality based in Ango-American contexts, this collection of fifteen contributions from both early-career and more senior academics reflects the current state of research in Europe on bisexuality and people who desire more than one sex or gender. The book is structured around three interlinked themes that resonate well with the international research frontiers of bisexual theorising: bisexual citizenship, intimate relationships, and bisexual+ identities. This book is the first of its kind in bringing together research from various European countries including Austria, Finland, Italy, the Netherlands, and Scandinavian countries, as well as from Europe as a wider geographical region.. Topics include pansexual identity, non-monogomies, asylum seekers and youth cultures. This is an essential collection for students, early career researchers, and more senior academics in Gender Studies, LGBTQI Studies and Sexuality Studies.

'A hymn to life, love, family, and spirit' DAVID MITCHELL, author of Cloud Atlas The vividly told, gloriously illustrated memoir of an artist born with disabilities who searches for freedom and connection in a society afraid of strange bodies. ***WINNER OF THE BARBELLION PRIZE*** In 1958, amongst the children born with spina bifida is Riva Lehrer. She endures endless medical procedures and is told she will never have a job, a romantic relationship or an independent life. But everything changes when as an adult Riva is invited to join a group of artists, writers, and performers who are building Disability Culture. Their work is daring, edgy, funny, and dark, and it rejects tropes that define disabled people as pathetic, frightening or worthless, instead insisting that disability is an opportunity for creativity and resistance. Riva begins to paint their portraits - and her art begins to transform the myths she's been told her whole life about her body, her sexuality, and other measures of normal. 'A brilliant book, full of strangeness, beauty, and wonder' Audrey Niffenegger 'Wonderful. An ode to art and the beauty of disability' Cerrie Burnell 'Stunning' Alison Bechdel ***SHORTLISTED FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD***

This is the first work to engage with intelligence studies through the lens of queer theory. Adding to the literature in critical intelligence studies and critical international relations theory, this work considers the ways in which both the spy, and the activities of espionage can be viewed as queer. Part One argues that the spy plays a role which represents a third path between the hard power of the military and the soft power of diplomacy. Part Two shows how the intelligence community plays a key role in enabling leaders of democracies to conduct covert activities running counter to that mission and ideology, in this way allowing a leader to have two foreign policies-an overt, public policy and a second, closeted, queer foreign policy.

An independent bookshop in Glasgow. An ice cream parlour in Havana, where strawberry is the queerest choice. A cathedral in ruins in Managua, occupied by the underground LGBTQIA+ community. Queer people have always found ways to exist and be together, and there will always be a need for queer spaces. In this lavishly illustrated volume, Adam Nathaniel Furman and Joshua Mardell have gathered together a community of contributors to share stories of spaces that range from the educational to the institutional to the re-appropriated, and many more besides. With historic, contemporary and speculative examples from around the world, Queer Spaces recognises LGBTQIA+ life past and present as strong, vibrant, vigorous, and worthy of its own place in history. Looking forward, it suggests visions of what form these spaces may take in the future to continue uplifting queer lives. Featured spaces include: Black Lesbian and Gay Centre, London Category Is Books, Glasgow Christopher Street, New York Coppelia, Havana New Sazae, Tokyo ONE Institute for Homophile Studies, Los Angeles Pop-Up spaces, Dhaka Queer House Party, Online Santiago Apostol Cathedral, Managua Trans Memory Archive, Buenos Aires Victorian Pride Centre, Melbourne

The Rowman & Littlefield Handbook of Transgender Studies is a comprehensive yet concise overview of the important issues, themes, and research on transgender people and populations. Coupling both their expertise along with their lived experiences, the authors in this contributed volume tackle topics including, but not limited to, medical care, education, coming out, the creation of families, and bathroom and military politics and possibilities. The volume opens with an introduction from the editor who outlines her own journey and experience searching for information on "transgender studies" when the term was first introduced to her in 2014. Since then, the field has risen in prominence and is one of the fastest growingareas of research in gender studies. Scholars and students alike will find this to be an accessible primer to the societal forces that impact and shape the lives of transgender people.

'We stand on the shoulders of giants. Now we learn their names.' THE QUEER BIBLE is a collection of essays written by queer icons, about the queer trailblazers throughout history who inspired them. From Elton John on Divine to Graham Norton on Armistead Maupin; Russell Tovey on David Robilliard to Lady Phyll on Moud Goba; Tan France on the Queer Eye cast to Mae Martin on Tim Curry, today's queer heroes write about the icons that provided a creative inspiration to them. Other contributors include Amelia Abraham, Paula Akpan, Courtney Act, Munroe Bergdorf, Mykki Blanco, Joseph Cassara, David Furnish, Paul Flynn, Paris Lees, Juliet Jacques, Gus Kenworthy, Freddy McConnell, Paul Mendez, Mark Moore, Hans Ulrich Obrist, Hanne Gaby Odiele and Matthew Todd. Each essay is accompanied by exclusive, bespoke illustrations by queer or ally artists, to create a truly beautiful celebration of queer culture. Based on the popular website QueerBible.com, founded by model and activist Jack Guinness, this timely collection, edited by him, continues his mission - to create a space dedicated to the celebration of queer history. The Queer Bible is a love letter to the LGBTQI+ community and its allies.

Hongwei Bao's Queer China: * Is the first study on queer literature and visual culture in contemporary China * Interdisciplinary in nature and draws from a host of case studies * Will be of great interest to scholars and students of literary and cultural studies, media and communication studies, film and screen studies, contemporary art, theatre and performance studies, gender and sexuality studies, China and Global South studies, sociology and anthropology, cultural history and cultural geography, political theory and the study of social movements

Straight Skin, Gay Masks and Pretending to Be Gay on Screen examines cinematic depictions of pretending-to-be-gay, assessing performances that not only reflect heteronormative and explicitly homophobic attitudes, but also offer depictions of gay selfhood with more nuanced multidirectional identifications. The case of straight protagonists pretending to be gay on screen is the ideal context in which to study unanticipated progressivity and dissidence in regard to cultural construction of human sexualities in the face of theatricalized epistemological collapse. Teasing apart the dynamics of depictions of both sexual stability and fluidity in cinematic images of men pretending to be gay offers new insights into such salient issues as sexual vulnerability and dynamics and long-term queer visibility in a politically complicated mass culture which is mostly produced in a heteronormative and even hostile cultural environment. Additionally, this book initially examines queer uses of sexuality masquerade in Alternate Gay World Cinema that allegorically features a world pretending to be gay, in which straights are harassed and persecuted, in order to expose the tragic consequences of sexual intolerance. Films and TV series examined as part of the analysis include The Gay Deceivers, Victor/Victoria, Happy Texas, William Friedkin's Cruising and many other straight and gay screens. This is a fascinating and important study relevant to students and researchers in Film Studies, Media Studies, Gender Studies, Queer Studies, Sexuality Studies, Communication Studies and Cultural Studies.

When the first edition of Queering the Pitch was published in early 1994, it was immediately hailed as a landmark and defining work in the new field of Gay Musicology. In light of the explosion of Gay Musicology since 1994, a new edition of Queering the Pitch is timely and needed. In this new work, the editors are including a landmark essay by Philip Brett on Gay Musicology, its history and scope. The essay itself has become a cause celebre, and this will be its first full appearance in print. Along with this new historical essay, the editors are contributing a new introduction that outlines the changes that have occurred over the last decade as Gay Musicology has grown.

In a highly original and interdisciplinary work bridging French and Francophone studies, cultural studies, media studies, and gender and sexuality studies, Luis Navarro-Ayala examines the transnational queer body as a physical and symbolic entity intrinsically connected with space. Through a transcultural and intersectional approach to bodily representations, socioeconomic conditions, and postcolonial politics, Navarro-Ayala analyzes queerness and Frenchness in narratives from North Africa and Latin America, revealing that Frenchness is coded to represent a sexually deviant "Other." France and Frenchness, in two distinct regions of the global South, have come to represent an imagined queer space enabling sexual exploration, even in social conditions that would have otherwise prevented queer agency.

In the 1930s, Freud observed that "when you meet a human being, the first distinction you make is `male or female?' and you are accustomed to make the distinction with unhesitating certainty." As Freud suggests, society is divisible by gender. We are taken to be either "male" or "female." This notion seems to be fixed within our culture and is often unquestioned. In this dynamic book, fashion journalist Laura Cherrie Beaney examines gender as a concept and as a practice that is also challenged and contested in the fashion industry. While gender has been relatively fixed within our society, we are nevertheless entertained by "gender bending." The media and entertainment industries now represent a range of gender identities. As much as it is a cultural phenomenon, gender is also an individual practice. Social theorists describe some individuals as "gender outlaws" for actively choosing to blend and shape their own gender identities. Fashionable clothing makes multiple statements about the wearer. It can identify social status and tell the viewer, "This is the type of person I am." In contemporary culture, fashion designers, stylists, photographers, and other media professionals have been fascinated with the idea of gender and its ever-changing boundaries. In recent years, the fashion industry has also focused on ideas of unisex identity and androgyny. Indeed, the fashion industry seems to afford a decadent sense of power to alternative gender identities. Fashion designers and stylists have been inspired by alternative gender identities when creating images and when showcasing their designs. Crossing the Catwalk explores fashion to understand how this mediated image of gender equality in the twenty-first century relates to reality by examining cross-dressing and transvestism through the construction of personal style. By using case studies from a range of different sources, the book will give a clear idea of how the reality of cross-dressing compares to the glamorous and decadent images portrayed by the fashion industry. It will aim to uncover the true motivations for those who cross dress and analyze the construction of gendered personal styles in relation to fashion.

"This stimulating collection of essays critically examines and celebrates what, for centuries, many have deeply feared and many others have known and cherished to be true-that theatre is, indeed, the queerest art. The special ephermerality and perilousness of queer existence on- and offstage make this volume's excellently rendered project of documentation through performance, writing, and publication not only admirable and necessary but urgent."--"The Drama Review"

"A rich and varied collection, featuring the voices both of academics and theatre practitioners."
--"American Theatre"

"Eclectic array of essays."
--"Theater Journal"

"The panel discussions...contributes a warm, witty and deliciously rhetorical piece."
--"Lambda Book Report"

From Shakespeare's gender-bending play "Twelfth Night" to the the critically-acclaimed Broadway hit "Angels in America," from 17th century kabuki theater of Japan--performed by cross-dressing prostitutes--to the NEA-denounced performance art of Holly Hughes, theater has long been--as co-editor Alisa Solomon terms it--the queerest art.

The Queerest Art is a pioneering collection of essays by and conversations among a diverse range of leading theater academics and artists. The first anthology to bring scholars and makers of queer theater into direct dialogue, the volume explores such subjects as same-sex desire in Restoration comedy, the racialized impact of colonial Shakespeare, the cuerpo politizado of a performance artist in contemporary Los Angeles, and the nitty-gritty of getting a queer show presented in Peoria. The Queerest Art rereads the history of performance as a celebration and critique of dissident sexualities, exploring the politics of pleasure and the pleasure of politics that drive the theater.

Lively and accessible, The Queerest Art will be useful to scholars, students, artists, and theater-goers alike interested in what makes queer theater . . . and what makes theater queer.

Contributors include: Jill Dolan, Brian Freeman, Randy Gener, George E. Haggerty, Holly Hughes, Ania Loomba, Tim Miller, JosA(c) Esteban MuAoz, Deb Parks-Satterfield, Lola Pashalinski, Everett Quinton, David RomAn, David Savran, Laurence Senelick, Don Shewey, Carmelita Tropicana, Valerie Traub, Paula Vogel, Doric Wilson, and Stacy Wolf.

This vital teachers' guide to challenging homophobic and biphobic bullying offers unique insights to address the issue at its core. With a renewed focus on a whole school approach, it builds capacity in those who work with young people and inspires an inclusive approach in every setting. Laying out clear advice on how to recognise, stop and prevent homophobic and biphobic bullying, readers are given strategies to work with its perpetrators, bystanders and targets. The author explains how to handle disclosures regarding sexual orientation and provides advice on effective Anti-Bullying Policy referencing homophobic and biphobic bullying. Based upon the work of the UK's leading and award-winning LGBT+ anti-bullying charity Educational Action Challenging Homophobia (EACH) this book additionally explores why young people are too often reluctant to report these forms of bullying; the increasing role of the online environment and the profound impacts bullying can have well into adulthood. Written by an expert in this field, this essential guide is for teachers, youth workers, the care sector and anyone with a duty of care towards young people.