Why were so many late-nineteenth-century homosexuals passionate about the Italian Renaissance? This book answers that question by showing how the Victorian coupling of criminality with self-fashioning under the sign of the Renaissance provided queer intellectuals with an enduring model of ruthlessly permissive individualism.

The story of gay rights has long been told as one of single-minded focus on the fight for sexual freedom. Yet its origins are much more complicated than this single-issue interpretation would have us believe, and to ignore gay liberation's multidimensional beginnings is to drastically underestimate its radical potential for social change. Ferguson shows how queer liberation emerged out of various insurgent struggles crossing the politics of race, gender, class, and sexuality, and deeply connected to issues of colonization, incarceration, and capitalism. Tracing the rise and fall of this intersectional politics, he argues that the one-dimensional mainstreaming of queerness falsely placed critiques of racism, capitalism, and the state outside the remit of gay liberation. As recent activism is increasingly making clear, this one-dimensional legacy has promoted forms of exclusion that marginalize queers of color, the poor, and transgender individuals. This forceful book joins the call to reimagine and reconnect the fight for social justice in all its varied forms.

Tensions in the struggle for sexual minority rights in Europe, newly available in paperback, is the first queer and poststructuralist reading of political rights concepts in the specific European transnational context. In the last thirty years Europe has seen the rise of gay, lesbian, bisexual and transgender movements fighting nationally and transnationally for participation rights in society. In addition academic theorists have increasingly paid attention to the epistemological and ontological roles gender and sexuality play in modern politics. However, in the political process of arguing for rights the centrality of those roles is mostly hidden from view in official institutional and movement discourses. This book investigates the conceptual themes of lesbian, gay and transgender rights and lobby politics in Europe and their open and hidden relations to binary and hierarchical orders of dominance. It contributes to an understanding of the conditions upon which politics of inclusion, participation, social justice and equality rest and why struggles for sexual minority rights have been so difficult and slow. It illuminates how the paradigms of political discourse constitute, consolidate and contest the meaning and cultural significance of gender and sexuality on modern, democratic, capitalist European societies. -- .

In the summer of 2010, Ragan Fox was one of twelve people selected to participate in the twelfth season of CBS's reality program Big Brother. Offering a rare, autobiographical, and behind-the-scenes peek behind Big Brother's theatrical curtain, Fox provides a scholarly account of the show's casting procedures, secret soundstage interactions, and viewer involvement, while investigating how the program's producers, fans, and players theatrically render identities of racial and sexual minorities. Using autoethnography, textual analysis, and spectator commentary as research, Inside Reality TV reflects on and critiques how identity is constructed on reality television, and the various ways in which people from historically oppressed groups are depicted in mass media.

Exploring the implications of the internet and bio-technologies for intimate and sexual life, this book discusses the concept of citizenship in relation to the extension of public health through the internet, and reveals concerns that sexually transmitted infections and HIV are associated with such technologies.

A history of French homosexuals since 1942 in the interconnected realms of law, politics and the media, with a focus on the complex relationship between French republican values and the possibilities they have offered for change in each of these three spheres.

This unique book examines the relationship between wounding and sexuality, bringing together issues around sexuality, gender, power, violence and representations. Drawing on a range of disciplines including cultural and media studies, sociology and psychology, it explores social practices such as S&M, cosmetic surgery and extreme sports.

"Lesbians in Television and Text after the Millennium" explores popular contemporary texts featuring lesbian characters, including "The L Word," "Queer as Folk," "Dykes to Watch Out For, " and various pornographic videos. Beirne places these works in the context of political and cultural trends of the post-millennial period and compares them to cultural representations of lesbians from the past. Taking up such issues as mainstreaming, feminine lesbians, the male gaze, female masculinity, and sexual practice, this book puts forward provocative readings of texts that have been little explored and offers new insights into the depiction of lesbians in popular culture.

Using the 1977 campaign against the Dade County Florida gay rights ordinance as a focal point, this book provides an examination of the emergence of the modern lesbian and gay American movement, the challenges it posed to the accepted American notions of sexuality, and how American society reacted in turn.

"Unhistorical Shakespeare" argues that the way in which we study history has significant bearing on what desire we study, and how we study it. Menon argues that our embrace of difference as the template for relating past and present produces a hetero temporality in which chronology determines identity. In turn, such an understanding of history fixes sexual identity as the domain of the present and relegates nebulous desire to a thing of the past. In contrast to this temporal-sexual reification, "Unhistorical Shakespeare" outlines the idea of homohistory, which questions the fundamental historicist assumptions of teleology, facticity, citation, origins, and authenticity to lay bare their investments in compulsory hetero temporality.

For three years the author did participant-observation at three nationally prominent queer organizations in Los Angeles-Christopher Street West, which produces L.A.'s queer pride festival; the Los Angeles Gay and Lesbian Center, a 37-year-old multi-site organization; and Bienestar, an HIV services organization for gay Latinos. Ward documents the evolution of these organizations, including class and race conflicts within them, but she especially focuses on the misuses of diversity culture.

"Respectably Queer" reveals how neoliberal ideas about difference are becoming embedded in the daily life of a progressive movement and producing frequent conflicts over the meaning of "diversity." The author shows how queer activists are learning from the corporate model to leverage their differences to compete with other non-profit groups, enhance their public reputation or moral standing, and establish their diversity-related expertise. Ward argues that this instrumentalization of diversity has increased the demand for predictable and easily measurable forms of difference, a trend at odds with queer resistance.

Ward traces the standoff between the respectable world of "diversity awareness" and the often vulgar, sexualized, and historically unprofessional world of queer pride festivals. She spotlights dissenting voices in a queer organization where diversity has become synonymous with tedious and superficial workplace training. And she shows how activists fight back when prevailing diversity discourses-the ones that "diverse" people are compelled to use in order to receive funding-simply don't fit.

When we are born, we are each assigned a gender based on our physical anatomy. But why is it that some people experience such dissonance between their biological sex and their inner identity? Is gender something we are or something we do? Is our expression of gender inborn or does it develop as we grow? Are the traditional binary male and female gender roles relevant in an increasingly fluid and flexible world? This intelligent, stimulating volume assesses the connections between gender, psychology, culture and sexuality, and reveals how individual and social attitudes have evolved over the centuries.

In recent years, lesbians and gay men have developed a new, aggressive style of politics. At the same time, innovative intellectual energies have made queer theory an explosive field of study. In "Fear of a Queer Planet", Michael Warner draws on emerging new queer politics, and shows how queer activists have come to challenge basic assumptions about the social and political world. Existing traditions of theory - Marxism, cultural studies, psychoanalysis, anthropology, legal theory, nationalism, and antinationalism - have too often presupposed a heterosexual society, as the essays in this volume demonstrate. "Fear of a Queer Planet" suggests a new agenda for social theory. It moves beyond the idea that lesbians and gay men share a minority identity and special interests and that their issues can be subordinated to more general social conflicts. Instead, Warner and the other contributors to this volume show that queer sexualities take many forms, are the subject of many kinds of conflict and struggles, and must be taken as a starting point in thinking about cultural politics. This collection explores the impact of ACT UP, Queer Nation, multiculturalism, the new religious right, outing, queerness, postmodernism, and other shifts in the politics of sexuality. The authors featured speak from different backgrounds of gender, race, nationality, and discipline. Together, they show how struggles over sexuality have profound implications for progressive politics, social theory, and cultural studies. Michael Warner has written extensively on censorship and the public sphere, the construction of American literary history, and the social and political implication of literary theories. He is author of "The Letter of the Republic: Publication and the Public Sphere in Eighteenth-Century America" and co-editor of "The Origins of Literary Studies in America: A Documentary Anthology".

"Sexuality and Its Queer Discontents in Middle English Literature" exposes the ways in which ostensibly normative sexualities depend upon queerness to shore up their claims of privilege. Through readings of such classic texts as "The Canterbury Tales, Pearl, Amis and Amiloun," and "Eger and Grime," Tison Pugh explains how sexual normativity can often be claimed only after queerness has been rejected, no matter how appealing such queerness might remain at the story's end. Masculinity itself is thus revealed to be a queer performance, one which heroic protagonists of medieval narratives embody while nonetheless highlighting its constricting limitations.

Valerie Traub analyzes the representation of female-female love, desire, and eroticism in a range of early modern discourses, including poetry, drama, visual arts, pornography, and medicine. Contrary to the silence ascribed to lesbianism in the Renaissance, Traub argues that the early modern period witnessed an unprecedented proliferation of representations of such desire. As a contribution to the history of sexuality and to feminist and queer theory, the book addresses current theoretical preoccupations through the lens of historical inquiry.

Valerie Traub analyzes the representation of female-female love, desire, and eroticism in a range of early modern discourses, including poetry, drama, visual arts, pornography, and medicine. Contrary to the silence ascribed to lesbianism in the Renaissance, Traub argues that the early modern period witnessed an unprecedented proliferation of representations of such desire. As a contribution to the history of sexuality and to feminist and queer theory, the book addresses current theoretical preoccupations through the lens of historical inquiry.

Arriving in New York at the tail end of what has been termed the "Golden Age" of Broadway and the start of the Off Broadway theater movement, Terrence McNally (1938-2020) first established himself as a dramatist of the absurd and a biting social critic. He quickly recognized, however, that one is more likely to change people's minds by first changing their hearts, and-in outrageous farces like The Ritz and It's Only a Play-began using humor more broadly to challenge social biases. By the mid-1980s, as the emerging AIDS pandemic called into question America's treatment of persons isolated by suffering and sickness, he became the theater's great poet of compassion, dramatizing the urgent need of human connection and the consequences when such connections do not take place. Conversations with Terrence McNally collects nineteen interviews with the celebrated playwright. In these interviews, one hears McNally reflect on theater as the most collaborative of the arts, the economic pressures that drive the theater industry, the unique values of music and dance, and the changes in American theater over McNally's fifty-plus year career. The winner of four competitive Tony Awards as the author of the Best Play (Love! Valour! Compassion! and Master Class) and author of the book for the Best Musical (Kiss of the Spider Woman and Ragtime), McNally holds the distinction of being one of the few writers for the American theater who excelled in straight drama as well as musical comedy. In addition, his canon extends to opera; his collaboration with composer Jake Heggie, Dead Man Walking, has proven the most successful new American opera of the last twenty-five years.

New Perspectives on Language and Sexual Identity is a contribution to the growing field of language and sexuality. The authors present new and exciting data from lesbian and gay conversations, narratives, representations of lesbians in film and erotic fiction, and representations of prominent gay men in newspaper reports to exemplify some of the ways in which lesbians and gay men construct identity from among the symbolic resources available within lesbian and gay communities.

This book connects the invention of masochism by turn-of-the-century sexologist Richard von Krafft-Ebing and writer Leopold von Sacher-Masoch to its contemporary appropriation by gay and lesbian filmmakers. Krafft-Ebing conceived of masochism as a literary perversion and as a gendered affliction. Mennel compares central texts by Sacher-Masoch with Monika Treut's film "Seduction: The Cruel Woman" and Kutlug Ataman's film "Lola and Billy the Kid," negotiating contemporary feminist theory and queer studies organized around gender and sexuality, on the one hand, and the fetish and masquerade, on the other.

Through focusing on the sexual politics that have emerged out of post-apartheid South Africa, Spurlin investigates textual and cultural representations of same-sex desire outside of the Euroamerican axes of queer culture and politics, and considers the ways in which queer cultural productions in southern Africa do not merely intersect with western queer identity politics and cultural representations but also resist them. "Imperialism Within the Margins" therefore provides an engaged and much-needed critique of the long-present "heterosexist" biases of postcolonial studies and the "western" biases of academic queer theory.

Interrogating a broad array of lesbian, gay, and feminist theories, this book considers instances of unnecessarily divisive turf-battling, yet focuses primarily on the productive debates that define and vitalize the field. Moving beyond the classic opposition that pits the sex-positive leftist academy against abstract "sexism" and "homophobia," Foertsch's text isolates oppositions "within" gender and sexuality studies, considering homophobic feminist theories, sexist (or anti-feminist) gay theories, and the field's tendency to triangulate itself in two-against-one fashion or in contests between two camps for the allegiance of the third.

"Queer Popular Culture "is an exciting new collection that brings together work from several disciplines that address queer representation in multiple contexts. The articles cover many aspects of contemporary U.S. and international queer culture, including the rise of the queer cowboy, the emergence of lesbian chic, and the expansion of representations of blackness, and work on queer, Taiwanese, online communities. Other essays address queer representations from soap operas to gangster films. The book also includes a pedagogical section that addresses the use of queer concepts in the classroom

TEACH SECONDARY AWARDS FINALIST Currently teachers don't receive the training or induction they need to make their school an LGBT+ inclusive environment. This can be seen by the fact that half of schools do not teach anything regarding LGBT+, and only 3% include LGBT+ content in two or more subjects. This book will help transform your school into a safe and inclusive place for all students. Written with Educate & Celebrate!, an Ofsted and DFE recognised 'Best Practice Award Programme', this book gives teachers, governors and other staff the knowledge, strategies and confidence they need to implement a curriculum that is inclusive for all. Covering the changes to law, including the Equality Act 2010 which requires actively promoting acceptance, what language to use, case studies and much more, it is a must have guide for all schools.

Find out why the gym has become the hottest place to work up a good sweat! Muscle Boys: Gay Gym Culture is an inside look at the secret world of exercise and fitness that's become one of the country's fastest growing and most influential gay subcultures. The author, a personal trainer on the San Francisco gay gym scene for more than a decade, examines the history, sociology, and influence of bodybuilding, male body image, and beefcake media, and incorporates the results of an online study of nearly 6,000 gay and bisexual men for an in-depth look at gay body culture and its role in modern gay life. Over the past 20 years, the physical and social trends of the gay gym have traveled far from the gay "ghettos" of New York and San Francisco, thanks to the modern gay man's ability to travel - both online and off. What was once a lifestyle for a small number of trendy gay men in big cities has become a way of life for many and the gay gym has become a subculture all its own. Muscle Boys includes interviews and profiles, photographs, and research findings on masculinity, steroids, sex in the locker room, and much more! Muscle Boys examines: the history of the ancient Greek gym culture and the Greek ideal the modern male body ideal - and the gay influences that created it body image in gay culture and its effect on modern gay socialization muscle media - a history of homoerotic muscle-bound photography, pornography, and advertising popular gay cultures and stereotypes (athletes, muscle boys, circuit boys, muscle bears, muscle daddies) the gym, fitness, and HIV fitness and health for gay baby boomers and seniors gay athletics steroids sex in the locker room "and much more" Muscle Boys is a mustread for anyone interested in gay body culture and for academics working in GLBT studies, human sexuality, psychology, and gay athletics.