The life and works of William Faulkner have generated numerous biographical studies exploring how Faulkner understood southern history, race, his relationship to art, and his place in the canons of American and world literature. However, some details on Faulkner's life collected by his early biographers never made it into published form or, when they did, appeared in marginalized stories and cryptic references. The biographical record of William Faulkner's life has yet to come to terms with the life-long friendships he maintained with gay men, the Extent to which he immersed himself into gay communities in Greenwich Village and New Orleans, and how profoundly this part of his life influenced his "apocryphal" creation of Yoknapatawpha County. Gay Faulkner: Uncovering a Homosexual Presence in Yoknapatawpha and Beyond explores the intimate friendships Faulkner maintained with gay men, among them Ben Wasson, William Spratling, and Hubert Creekmore, and places his fiction into established canons of LGBTQ literature, including World War I literature and representations of homosexuality from the Cold War. The book offers a full consideration of his relationship to gay history and identity in the twentieth century, giving rise to a new understanding of this most important of American authors.

Describes how queer Jews are changing Jewish American culture, creating communities and making room for themselves, as openly, unapologetically queer and Jewish. Combining political analysis and personal memoir, these essays explore the various ways queer Jews are creating new forms of Jewish communities and institutions, and demanding that traditional Jewish communities become more inclusive.

A largely unexplored area, this is an innovative and original examination of bisexual spaces as places that are defined by both geographical boundaries and cultural significance. Hemmings applies the ideas of queer theory as well as social and cultural geography in her fascinating investigation into the spaces and places of bisexual life. Specifically focusing on Northhampton, MA and San Francisco, she draws on interviews with community members and the town histories showing how and why they have developed into safe places for gay, lesbian, and bisexual communities.

Contents:
1. Situating the Study, Situating the Self 2. Negotiating the Self and Emotional Work 3. Speaking of (Teachers') Sexualities 4. Negotiating Sexualities 5. When Queer and Teacher Meet 6. Endeavoring to Flourish

Kate Evans' book is the first ever study of lesbian and gay pre-service teachers. It includes experiences as a student of teaching in the university, as well as teachers or assistant teachers in public schools. Integrating personal stories from interviews with broader global theories on notions of identity and queer theory, she gives a moving and insightful look at the positions these teachers hold. Her study provides for thought-provoking debate on the negotiation of self and subjectivity and gives valuable perspective to this growing field in education.

This work describes and analyzes the individual identities, social-ecological 'landscape' and group undertakings among the homosexual population of the Soviet Union during the final years of the communist regime. It includes detailed descriptions of the conditions of life and reveals substantial social organization regarding personal considerations, the social environment and legal-political status in society.

Significant historic and archaeological sites affiliated with two-spirit, lesbian, gay, bisexual, transgender, and queer history in the United States are examined in this unique volume. The importance of the preservation process in documenting and interpreting the lives and experiences of queer Americans is emphasized. The book features chapters on archaeology and interpretation, as well as several case studies focusing on queer preservation projects. The accessible text and associated activities create an interactive and collaborative process that encourages readers to apply the material in a hands-on setting.

In this unique and hilarious debut memoir, writer and comedian Greg Mania chronicles life as a "pariah prodigy." From inadvertently coming out to his Polish immigrant parents, to immersing himself in the world of New York City nightlife, and finding himself and his voice in comedy. Born to Be Public is a vulnerable and poignant exploration of identity (and the rediscovery of it), mental health, sex and relationships, all while pursuing a passion with victories and tragicomic blunders. At once raw and relatable, Mania's one-of-a-kind voice will make you shed tears from laughter and find its way into your heart.

The End of San Francisco breaks apart the conventions of memoir to reveal the passions and perils of a life that refuses to conform to the rules of straight or gay normalcy. A budding queer activist escapes to San Francisco, in search of a world more politically charged, sexually saturated, and ethically consistent--this is the person who evolves into Mattilda Bernstein Sycamore, infamous radical queer troublemaker, organizer and agitator, community builder, and anti-assimilationist commentator. Here is the tender, provocative, and exuberant story of the formation of one of the contemporary queer movement's most savvy and outrageous writers and spokespersons. Using an unrestrained associative style to move kaleidoscopically between past, present, and future, Sycamore conjures the untidy push and pull of memory, exposing the tensions between idealism and critical engagement, trauma and self-actualization, inspiration and loss. Part memoir, part social history, and part elegy, The End of San Francisco explores and explodes the dream of a radical queer community and the mythical city that was supposed to nurture it. "Mattilda is a dazzling writer of uncommon truths, a challenging writer who refuses to conform to conventionality. Her agitation is an inspiration."--Justin Torres, author of We the Animals "Author Mattilda Bernstein Sycamore is the artistic love child of John Genet and David Wojnarowicz, deconstructing language swathed in unbridled sensuality, while flinging readers into a disrupted, chaotic life of queer anarchy."--Gay and Lesbian Review "Bring on The End of San Francisco! And Mattilda Bernstein Sycamore, whose new book has reinvented memoir without the predictable gloss of passive resolution. This book is undeniably brave and new, and the internal energy churning at its core is like nothing you've seen, heard or read before. I swear."--T Cooper, author of Real Man Adventures "We hear so much about coming-of-age narratives that we seldom think about going-of-age--the shutting down and closure, the making sense of where we've been. Written with grace, reserve, and the honest tremblings that come when things matter, Mattilda shows us that The End of San Francisco is really the beginning of joy." --Daphne Gottlieb, author of 15 Ways to Stay Alive "It would be easy to describe The End of San Francisco as a Joycean 'Portrait of the Artist as a Young Queer' (although the book's intense stream of consciousness is reminiscent of the later, more experimental, Joyce)...but this is misleading. This journey of a life that begins in the professional upper-middle class (both parents are therapists) and the Ivy League and moves to hustling, drugs, activism--Sycamore was active in ACT UP and Queer Nation--and queer bohemian grunge, is profoundly American. At heart, Sycamore is writing about the need to escape control through flight or obliteration."--Michael Bronski, San Francisco Chronicle "But, some of my favorite writers and people released books this year. Like Mattilda Bernstein Sycamore's beautiful book about queerness and community and lack of and disappointment and marginalization and gentrification and sex, The End of San Francisco. God, I love that book, on a sentence level it is just heartbreaking." --Jessa Crispin, Bookslut Mattilda Bernstein Sycamore is the editor of four anthologies, including Why Are Faggots So Afraid of Faggots, That's Revolting, and Nobody Passes, and two novels. She writes regularly for a variety of publications, including the San Francisco Bay Guardian, Bitch, Bookslut, Alternet, and Time Out New York, and is the reviews editor at the feminist magazine Make/shift. She lives in Seattle, WA.

Constructed of words, artwork, photos and personal artifacts, Marginalia is an intimate and unconventional account of what it means to be a hybrid. It seamlessly interweaves experience with elements of sociology and psychology, exploring how one cultivates an identity containing multitudes -- queer, trans, mixed-race, other.

A renowned Yale law professor chronicles the Vermont law and the changes it brings. He refutes charges that the law is an immoral adomination or that it is a terrible compromise (a separate but unequal injustice). Similar laws have been passed all over Europe, and more US States will undoubtedly develop new legislation. He argues that we should all - in the name of liberty, equality,and simple pragmatism - take up the cause.

The Spectacle of Violence explores the issues surrounding violence and hostility towards lesbians and gay men. Drawing on in-depth interviews with women reflecting a range of experiences of verbal hostility, physical violence and sexual violence, Gail Mason asks fundamental questions about where violence comes from and what effects it has. How do lesbians and gay men manage the risk of violence? And what is the relationship between violence and power?
Challenging current thinking, Mason highlights the ways in which different identities, different bodies and different systems of thought interact. She argues for the importance of thinking about homophobic violence in the context of other core issues such as gender and race. Examining the visual nature of violence, she demonstrates how violence infiltrates not just the daily experience of lesbians and gay men, but also the knowledge systems through which we construct and recognise sexual identities.
Focussing on 'real life' experiences of violence, The Spectacle of Violence is an important contribution to current thought about violence. Moving beyond issues of causation and prevention, it offers new ways of theorising the relationship between identity, knowledge and power.

Series Information:
Writing Corporealities

Same Sex Intimacies offers vivid accounts of the different ways non-heterosexual people have been able to create meaningful intimate relationships for themselves and highlights the role of individual agency and collective endeavour in forging these roles: as friends, partners, parents and as members of communities. This topical book will provide compelling reading for students of the family, sexuality and lesbian and gay studies.

Same Sex Intimacies offers vivid accounts of the different ways non-heterosexual people have been able to create meaningful intimate relationships for themselves and highlights the role of individual agency and collective endeavour in forging these roles: as friends, partners, parents and as members of communities. This topical book will provide compelling reading for students of the family, sexuality and lesbian and gay studies.

Reframing Drag provides a critical survey of French and Anglo-American queer and feminist theorizations of drag performance, placing these approaches in a dialogue with contemporary drag practice and the representation of drag in three literary texts. Challenging pervasive assumptions circulating in existing queer and feminist analyses of drag performance, the author identifi es and questions three recurring ideas which have shaped the landscape of drag research: the argument that drag performances either uphold or subvert oppressive gender norms, the assumption that drag involves performing as the 'opposite sex', and the belief that drag can shed light on gender performativity. Informed by a range of gender and queer theory, this work contends that an intersectional, transfeminist approach to drag performance can provide richer, more nuanced understandings of drag and, unlike the 'opposite sex' narrative, acknowledges the gender diversity at work in current drag scenes.

When was the first chat line between men established? Who was the first "lesbian"? Were ancient Greek men who had sex with each other necessarily "gay," and what did Shakespeare think about crossdressing?

"A Little Gay History" answers these questions and more through close readings of art objects from the British Museum's far-ranging collection. Consulting ancient Egyptian papyri, the Roman Warren Cup's erotic figures, David Hockney's vivid prints, and dozens of other artifacts, R. B. Parkinson draws attention to a diverse range of same-sex experiences and situates them within specific historical and cultural contexts. The first of its kind, "A Little Gay History" builds a complex and creative portrait of love's many guises.

Who Killed My Father rips into France's long neglect of the working class and its overt contempt for the poor, accusing the complacent French politicians- at the minimum-of negligent homicide. The author goes to visit the ugly gray town of his childhood to see his dying father, barely fifty years old, who can hardly walk or breathe: "You belong to the category of humans whom politics consigns to an early death." It's as simple as that. Hand in hand with searing, specific denunciations are tender passages of a love between father and son, damaged early on by shame, poverty, and homophobia. Yet tenderness reconciles them, even as the state is killing off his father. Louis goes after the French system with bare knuckles but turns to his long-alienated father with open arms: this passionate combination makes Who Killed My Father a heartbreaking book.

Mademoiselle Giraud, My Wife (1870) is a novel by Adolphe Belot. Written at the height of his career as a popular playwright, the novel proved immensely popular and caused a stir with its depiction of homosexuality. Recognized today as an important work of French literature and in the history of sexuality, Mademoiselle Giraud, My Wife is a highly original, frequently funny, and ultimately tragic work of fiction from an underappreciated writer of nineteenth century France. Having forged a life of success and financial security for himself as a businessman, Adrien returns to Paris to find a wife. Singularly obsessed with tying his fate to a respectable woman, he finds himself struggling to remain realistic in his standards. Just when he thinks he will remain a bachelor for the rest of his days, Adrien meets the beautiful Paule Giraud, a friend of the influential Countess Berthe de Blangy. After a brief courtship, he marries Giraud only to find himself rejected in the bedroom. As he succumbs to jealousy and suspicion, Adrien becomes abusive and petulant, eventually leaving his wife in Paris for the city of Nice. There, he meets the Count de Blangy, who reveals to the unsuspecting husband the secret of his wife's sexual habits: for years, she has engaged in a lesbian affair with her friend Berthe. Enraged and dumbfounded, Adrien hatches a plan with the Count to separate their wives and punish them for their sexual deviancy. Tragic and scandalous, Mademoiselle Giraud, My Wife was a bestselling story of homosexuality told from the point of view of an author who clearly possessed his society's reprehensibly oppressive views on sex and gender. Regardless, Belot's novel remains an important landmark in the historical representation of homosexuality in literature. With a beautifully designed cover and professionally typeset manuscript, this edition of Adolphe Belot's Mademoiselle Giraud, My Wife is a classic work of French literature reimagined for modern readers.

For the Pleasure of His Company: An Affair of the Misty City (1903) is a novel by Charles Warren Stoddard. Published toward the end of Stoddard's career as a poet and travel writer whose friends included Mark Twain and Ambrose Bierce, For the Pleasure of His Company: An Affair of the Misty City is a pioneering novel that explores the ambitions of a young artist while illuminating the struggles of gay men in a society that failed to accept them as equals. At 25 years of age, Paul Clitheroe is "master of himself, but slave to fortune." A struggling writer, he lives a life of ennui and excess, looking for love and success without being sure of the shape of either. In the Misty City, he has begun making a name for himself among local editors and readers, finally finding publication for his work. Despite this modest success, he remains unsatisfied, unsure of himself, and increasingly restless. Are his mixed feelings merely a symptom of his poetic outlook, or something else altogether? When the debonair Foxlair invites Paul to join him on a voyage to the South Seas, a land of promise where gay men can live without fear of reprisal, he wonders if there is a place for him after all. With a beautifully designed cover and professionally typeset manuscript, this edition of Charles Warren Stoddard's For the Pleasure of His Company: An Affair of the Misty City is a classic work of American literature reimagined for modern readers.

The Intersexes: A History of Similisexualism as a Problem in Social Life (1906) is a work of nonfiction by Edward Irenaeus Prime-Stevenson. Written while Prime-Stevenson was living as an expatriate in Europe, The Intersexes is a defense of homosexuality grounded in scientific and historical research. Throughout his career, Prime-Stevenson sought to dispel falsehoods surrounding the history and social acceptance of homosexuality. Writing under the pseudonym Xavier Mayne, Prime-Stevenson took great care to insulate himself from the reprisal common to the period in which he worked. Despite his limited audience-copies of his works numbered in the hundreds-Prime-Stevenson is now recognized as a pioneering advocate for the rights of the LGBTQ community. "Between a protozoan and the most perfect development of the mammalia, we trace a succession of dependent intersteps...A trilobite is at one end of Nature's workshop: a Spinoza, a Shakespeare, a Beethoven is at the other. [...] Why have we set up masculinity and femininity as processes that have not perfectly logical and respectable inter-steps?" Seeking to defend homosexuality as a natural result of human evolution, Prime-Stevenson offers his theory of intersexes, of which he identifies two while leaving room for more to be defined in the future. To do so, he rejects the binary of masculine and feminine, both of which fail to describe the vast majority of humanity, in favor of a broader spectrum of sexual identity. Using the terms Uranian and Uraniad, which align with gay and lesbian respectively, Prime-Stevenson attempts to define these types, call attention to historical examples, and critique the societal condemnation and persecution of such individuals as "degenerate" or "criminal." This groundbreaking study, perhaps the first to approach homosexuality from a scientific, historical, personal, and legal point of view, is recognized today as a landmark in queer literature by academics around the world. With a beautifully designed cover and professionally typeset manuscript, this edition of Edward Irenaeus Prime-Stevenson's The Intersexes: A History of Similisexualism as a Problem in Social Life is a classic work of queer literature reimagined for modern readers.

Imre: A Memorandum (1906) is a novel by Edward Irenaeus Prime-Stevenson. Written while Prime-Stevenson was living as an expatriate in Europe, the novel is an earnest, positive story of romance between two men. Throughout his career, Prime-Stevenson sought to dispel falsehoods surrounding the history of homosexuality, most notably in Imre: A Memorandum and The Intersexes, a full-length study of the subject. Writing under the pseudonym Xavier Mayne, Prime-Stevenson took great care to insulate himself from the reprisal common to the period in which he worked. Despite his limited audience-copies of his works numbered in the hundreds-Prime-Stevenson is now recognized as a pioneering advocate for the rights of the LGBTQ community. At a cafe in Budapest, Oswald, a British ambassador in his thirties, meets the young, handsome Imre, a Hungarian military officer. The two develop a strong friendship through their shared interest in art, but as their relationship grows more serious, they begin spending hours upon hours sharing their innermost secrets. Eventually, their friendship turns to romance, a partnership between equals who respect and cherish one another despite the obstacles of an intensely homophobic society. Published in a time when homosexuality was largely criminalized, Imre: A Memorandum offered a hopeful narrative immersed in gay history that would prove both inspiring and instructional for generations to come. With a beautifully designed cover and professionally typeset manuscript, this edition of Edward Irenaeus Prime-Stevenson's Imre: A Memorandum is a classic work of American literature reimagined for modern readers.

Who's Who in Gay and Lesbian History: From Antiquity to the Mid-Twentieth Century is a comprehensive and fascinating survey of the key figures in gay and lesbian history from classical times to the mid-twentieth century. Among those included are:
* Classical heroes - Achilles; Aeneas; Ganymede
* Literary giants - Sappho; Christopher Marlowe; Arthur Rimbaud; Oscar Wilde
* Royalty and politicians - Edward II; King James I; Horace Walpole; Michel de Montaigne.
Over the course of some 500 entries, expert contributors provide a complete and vivid picture of gay and lesbian life in the Western world throughout the ages.

Looks at the wide range of contrasting images of the gay male body in Japanese popular culture, both mainstream and gay, and relate these images to the experience of an interview sample of Japanese gay men.

Looks at the wide range of contrasting images of the gay male body in Japanese popular culture, both mainstream and gay, and relate these images to the experience of an interview sample of Japanese gay men.