How do lawyers, judges and jurors read novels? And what is at stake when literature and law confront each other in the courtroom? Nineteenth-century England and France are remembered for their active legal prosecution of literature, and this book examines the ways in which five novels were interpreted in the courtroom: Gustave Flaubert's Madame Bovary, Paul Bonnetain's Charlot s'amuse, Henry Vizetelly's English translation of Emile Zola's La Terre, Oscar Wilde's The Picture of Dorian Gray and Radclyffe Hall's The Well of Loneliness. It argues that each of these novels attracted legal censure because they presented figures of sexual dissidence - the androgyne, the onanist or masturbator, the patricide, the homosexual and the lesbian - that called into question an increasingly fragile normative, middleclass masculinity. Offering close readings of the novels themselves, and of legal material from the proceedings, such as the trial transcripts and judicial opinions, the book addresses both the doctrinal dimensions of Victorian obscenity and censorship, as well as the reading practices at work in the courtroom. It situates the cases in their historical context, and highlights how each trial constitutes a scene of reading - an encounter between literature and the law - through which different forms of masculinity were shaped, bolstered or challenged.

The Open Access version of this book, available at http://www.tandfebooks.com/doi/view/10.4324/9781315474052, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license Today, Pride parades are staged in countries and localities across the globe, providing the most visible manifestations of lesbian, gay, bisexual, trans, queer and intersex movements and politics. Pride Parades and LGBT Movements contributes to a better understanding of LGBT protest dynamics through a comparative study of eleven Pride parades in seven European countries - Czech Republic, Italy, Netherlands, Poland, Sweden, Switzerland, the UK - and Mexico. Peterson, Wahlstroem and Wennerhag uncover the dynamics producing similarities and differences between Pride parades, using unique data from surveys of Pride participants and qualitative interviews with parade organizers and key LGBT activists. In addition to outlining the histories of Pride in the respective countries, the authors explore how the different political and cultural contexts influence: Who participates, in terms of socio-demographic characteristics and political orientations; what Pride parades mean for their participants; how participants were mobilized; how Pride organizers relate to allies and what strategies they employ for their performances of Pride. This book will be of interest to political scientists and sociologists with an interest in LGBT studies, social movements, comparative politics and political behavior and participation.

Like other forms of fan fiction, slash fiction-centered on same sex relationships between fictional characters-is a powerful cultural dialogue. Though the genre can be socially transformative, particularly as an active feminist resistance to patriarchal ideologies, it is more complex than other literary forms of resistance. This collection of new essays covers topics on real, "fringe" bodies and identities; the inscription and transgression of bodily boundaries; and the exploration of power, autonomy and personal agency. Exploring the darker side of the genre, they also discuss how systems of authority are both challenged and reiterated by the erotic imagination and how the voices of marginalized groups are both raised and ignored within slash fiction and fan communities.

From the Gay Repertoire is the first guide to consider the total sweep of gay plays published in English, not just those that were produced on Broadway and in London's West End. Here one will find, in addition to Off- and Off-Off-Broadway and regional theater offerings, plays from Ireland, Scotland, Wales, Canada, Australia, New Zealand, and South Africa. Puerto Rican, Indian, and Filipino plays written in English as well as translations from other languages are given their due place. As a result fully 70% of the plays included here are appearing for the first time in such a survey. Lovers of the theater will be happy to discover the rich gay repertoire that they have inherited.

Trans Identities in the French Media: Representation, Visibility, Recognition explores the representation of trans identities in contemporary French society, with essays in fields as wide-ranging as translation studies, women's and gender studies, film studies, and comics studies. This book analyzes the multi-layered meaning of "representation" to reflect on the questions of trans visibility and recognition in a French context. The texts selected provide readers with in-depth and innovative analyses that discuss the representation of trans identities in the French media, its main challenges, as well as the pitfalls and innovations that shape these representations today.

"Out and Running" is the first systematic analysis of lesbian, gay, bisexual, and transgender (LGBT) political representation that explores the dynamics of state legislative campaigns and the influence of lesbian and gay legislators in the state policymaking process. By examining state legislative elections from 1992 to 2006 and state policymaking from 1992 to 2009, Donald Haider-Markel suggests that the LGBT community can overcome hurdles and win elections; and, once in office, these officials can play a critical role in the policy representation of the community. However, he also discovers that there are limits to where and when LGBT candidates can run for office and that, while their presence in office often enhances policy representation, it can also create backlash. But even with some of these negative consequences, "Out and Running" provides compelling evidence that gays and lesbians are more likely to see beneficial legislation pass by increasing the number of LGBT state legislators. Indeed, grassroots politics in the states may allow the LGBT community its best opportunity for achieving its policy goals.

Riot grrrls, punk feminists best known for their girl power activism and message, used punk ideologies and the literacy practice of zine-ing to create radical feminist sites of resistance. In what ways did zines document feminism and activism of the 1990s? How did riot grrrls use punk ideologies to participate in DIY sites? In Writing a Riot: Riot Grrl Zines and Feminist Rhetorics, Buchanan argues that zines are a form of literacy participation used to document personal, social, and political values within punk. She examines zine studies as an academic field, how riot grrrls used zines to promote punk feminism, and the ways riot grrrl zines dealt with social justice issues of rape and race. Writing a Riot is the first full-length book that examines riot grrrl zines and their role in documenting feminist history.

Sexuality, religion and faith often have complex and conflicting interactions, on both personal and societal levels. Numerous studies have been conducted on queer subjects, but they have predominantly focused on 'Western' expressions of faith and queer identities. This book contributes to the wider scholarship on queer subjects by drawing on actual lived experiences of self-identifying gay and bisexual men in Malaysia. It discusses what we can learn from the realities of their lives that intersect with their religious, spiritual, theological or humanistic values in an Asian context. Analysed within the critical frameworks of queer theory and queer sexual theology, this study divulges the meanings ascribed to sexual identities and practices, as well as conceptualisations of masculinity, sexual desire, love and intimate physical connections. It also lays bare the complex negotiations between gender, desire and spirit, and how they can affect one another. Tying fascinating case studies and underexplored Asian theologies with wider conversations around sexuality and faith, this book will be of significant interest to scholars working in religious studies, theology, queer studies, sexuality studies and Asian studies.

This book utilizes collaborative autoethnography to examine transformations in health and aging among queer, trans, and intersex people in society. To this end, the authors each utilize their lived experiences as queer, trans, and/or intersex people to discuss inequalities and norms in U.S. healthcare. Further, they elaborate upon some ways U.S. healthcare systems may become more inclusive of queer, trans, and intersex populations over time. In so doing, they utilize the autoethnographic cases to illustrate and describe the complexities of sex, gender, and sexualities in health and aging as well as the ways such intricacies facilitate societal inequalities in health and aging.

Shortlisted for the 2018 BAAL Book Prize This book is a sociolinguistic ethnography of LGBT Mexicans/Latinxs in Phoenix, Arizona, a major metropolitan area in the U.S. Southwest. The main focus of the book is to examine participants' conceptions of their ethnic and sexual identities and how identities influence (and are influenced by) language practices. This book explores the intersubjective construction and negotiation of identities among queer Mexicans/Latinxs, paying attention to how identities are co-constructed in the interview setting in coming out narratives and in narratives of silence. The book destabilizes the dominant narrative on language maintenance and shift in sociolinguistics, much of which relies on a (heterosexual) family-based model of intergenerational language transmission, by bringing those individuals often at the margin of the family (LGBTQ members) to the center of the analysis. It contributes to the queering of bilingualism and Spanish in the U.S., not only by including a previously unstudied subgroup (LGBTQ people), but also by providing a different lens through which to view the diverse language and identity practices of U.S. Mexicans/Latinxs. This book addresses this exclusion and makes a significant contribution to the study of bilingualism and multilingualism by bringing LGBTQ Latinas/os to the center of the analysis.

Rebel Friendships considers the interplay between individuals and their friendships with social movements. The intersections between individual and community, the ways we experiment with social change, explore, create, and reduce the harms of modern living are the work of social movements. Yet, the process is rarely simple. Through auto-ethnographic reflections of experiences with the Beats, ACT-UP, Occupy Wall Street, anti-consumer, queer rights, and non-polluting transportation movements Shepard explores the way friendship infuses social movements with the social capital necessary to move bodies of ideas forward. Such innovation is rarely seen in more institutionalized social arrangements. Rebel Friendships offers a new take on the ties between friends who are connected through affinity and efforts aimed at social change.

Skinheads go beyond the societal stereotype of hate mongers, bigots, and Neo-Nazis. The community of skins also includes traditional skins (those that adhere to the original philosophy of the British movement in 1969), Skinheads Against Racial prejudice (SHARPS), and gay skins, female skins and Neo-Nazi or Racist/Nationalist skins. Skinhead History, Identity, and Culture covers the history, identity, and culture of the skinhead movement in Europe and America, looking at the total culture of the skins through a cross-sectional analysis of skinheads in various countries. Authors Borgeson and Valeri provide original research data to cast new light into the skinhead community. Some of the data is ethnographic, drawing on face-to-face interviews with skins of all kinds, while other data is compiled from the Internet and social media about various skinhead groups within the United States, Europe, and Australia. The book covers the history of the subculture; explores the unique cultures of female, gay, and Neo-Nazi skins; and explores manifestations of the culture as represented on the Internet and in music. The work discusses how skinheads derive their values and morals and how they fit into the larger social structure.

Pedro Almodovar is an internationally acclaimed Spanish director. The national and international fascination over Almodovar's cinema lies in his ability to reflect the problems of contemporary society, his lucidity in combining the urban and the rural, his ability to express the frustrations of modern man, as well as his freshness and spontaneity. Although the vast majority of studies on this Spanish director have focused on women and the gay world, his films are crowded with many types and archetypes of heterosexual men. This groundbreaking edited volume studies the men in the cinema of Almodovar from a broad yet comprehensive and complementary perspective. Each chapter of All About Almodovar's Men methodically dissects these male characters-their misery and their greatness, their frustrations and their desires-offering a kaleidoscopic view of man that goes beyond the narrow framework in which many studies have locked the rich cinema of Almodovar.

Clumsy stereotypes of the Romani and Travellers communities abound, not only culturally in programmes such as Big Fat Gypsy Weddings, but also amongst educators, social workers, administrators and the medical profession. Gypsy cultures are invariably presented as ruled by tradition and machismo. Women are presented as helpless victims, especially when it comes to gendered forms of violence. The reality, however, is much more complicated. In Gypsy Feminism, Laura Corradi demonstrates how Romaphobia - racist and anti-Gypsy rhetoric and prejudice, pervading every level of society - has led to a situation where Romani communities face multiple discrimination. In this context, the empowerment of women and girls becomes still more difficult: until recently, for example, women have largely remained silent about domestic violence in order to protect their communities, which are already under attack. Examining feminist research and action within Romani communities, Corradi demonstrates the importance of an intersectional approach in order to make visible the combination of racism and sexism that Gypsy women face every day. This concise and authoritative book will appeal to scholars and students in the areas of Sociology, Cultural Studies, Women's and Gender Studies and Anthropology, as well as Politics, Media Studies, Social Policy, and Social Work. It is also an invaluable resource for activists, community and social service workers, and policymakers.

This book traces the uneven history of queer media visibility through crucial turning points including the Hollywood Production Code era, the AIDS crisis of the 1980s, the so-called explosion of gay visibility on television during the1990s, and the re-imagination of queer representations on TV after the events of 9/11. Kohnen intervenes in previous academic and popular accounts that paint the increase in queer visibility over the past four decades as a largely progressive development. She examines how and why a limited and limiting concept of queer visibility structured around white gay and lesbian characters in committed relationships has become the embodiment of progressive LGBT media representations. She also investigates queer visibility across film, TV, and print media, and highlights previously unexplored connections, such as the lingering traces of classical Hollywood cinema's queer tropes in the X-Men franchise. Across all chapters, narratives and arguments emerge that demonstrate how queer visibility shapes and reflects not only media representations, but the real and imagined geographies, histories, and people of the American nation.

"Camp" is often associated with glamour, surfaces and an ostentatious display of chic, but as these authors argue, there is an underside to it that has often gone unnoticed: camp's simultaneous investment in dirt, vulgarity, the discarded and rejected, the abject. This book explores how camp challenges and at the same time celebrates what is arguably the single most important and foundational cultural division, that between the dirty and the clean. In refocusing camp as a phenomenon of the dark underside as much as of the glamorous surface, the collection hopes to offer an important contribution to our understanding of the cultural politics and aesthetics of camp.

On a September night in 1958, three New Orleans college students decided to entertain themselves in the French Quarter by "rolling a queer" and went looking for a gay man to assault. They chose Fernando Rios, a tourist from Mexico, who died from the beating he received. In perhaps the earliest example of the "gay panic" defense, the three defendants argued that they had no choice but to beat Rios because he had made an improper advance. When the jury acquitted them, the courtroom cheered. The author examines the murder and the trial in detail, and chronicles a time and place in American history where such a crime was inevitable.

The Middle East is often portrayed as oppressively patriarchal and homophobic. Yet, in recent years the region has become a vibrant and important arena for feminist and LGBTQ activism. This book provides an insight into this emerging politics through a unique analysis of feminist and LGBTQ social movements in the context of Lebanon's postwar sectarian system. Resisting Sectarianism argues that LGBTQ and feminists social movements are powerful agents of political and social transformation in Lebanon. Drawing on extensive ethnographic fieldwork, the book takes the reader inside these movements to see how they attract members and construct campaigns, forge alliances, and the multiple ways in which they generate important forms of resistance to, and change within, the sectarian system. The book also traces the strong obstacles that sectarian parties and religious authorities employ to weaken LGBTQ and feminist activism.

As lesbian, gay, bisexual, transgender and intersex identities increasingly secure legal recognition across the globe, these formal equality gains are contradicted by the continued presence of violence. Such violence emerges as a political pressure point for contestations of identity and power within wider systems of global and local inequality. Discourses of homophobia-related violence constitute subjectivities that enact violence and that are rendered vulnerable to it, as well as shaping political possibilities to act against violence. Blackwashing Homophobia critiques prevailing discourses through which violence and its queer targets are normatively understood, exploring the knowledge regimes in which multiple forms of othering are both reproduced and/or resisted. This book draws on primary research on lesbian subjectivity and violence in South Africa examining the intersections of sexual, gender, race and class identities, and the contemporary politics of violence in a postcolonial context: * What are the contending ways of knowing queers and the violence they face? * How are the causes, characters, consequence of, and 'cures' for, violence constructed through such knowledges and what are their power effects? The book explores these questions and their implications for how violence, as an instrument of power, might be countered. Blackwashing Homophobia is a timely intervention for theorising the discourse of homophobia-related violence and what it reveals and conceals, enables and hinders, in relation to queer identities and political imaginaries in times of violence. The book's interdisciplinary approach to the topic will appeal to social and political scientists, philosophers and psychology professionals, as well as to advanced psychology undergraduates and postgraduates alike.

Queer European Cinema commences with an overview of LGBTQ representation throughout cinematic history, interwoven with socio-political reality in Europe and beyond, to consider trends including the boarding school film, the gay road movie, and queer horror such as the lesbian vampire tale, before analysing case studies from the 'low culture' of pornography to the 'high culture' of arthouse cinema. This collection of essays explores borders and boundaries of geography, temporality, ethnicity, class, gender, sexuality, and desire in a range of European films at a time when both LGBTQ politics and the concept of Europe are under intense scrutiny in representation and reality, to demonstrate how LGBTQ film can serve as a political tool to create visibility and acceptance as well as providing entertainment. Chapters include an analysis of both trans and femme identities in Academy Award-winning Boys Don't Cry alongside German film, Unveiled; the intersection of lesbian visibility and the notion of nation on the Croatian screen at its point of entry into the European Union and during the gay marriage referendum; music and its relation to camp in Italian transnational cinema; European lesbian feminist pornography; and an analysis of liminal spaces and citizenship in queer French-language road movies. This book was originally published as a special issue of Studies in European Cinema.

The practice of adoption has changed dramatically over the past half century, with profound implications for children and families. Perhaps the most remarkable and controversial transformation during this time has been the growing willingness of adoption professionals to place children with sexual-minority individuals and couples. Yet, despite considerable research showing that lesbians and gay men can make good parents, they continue to experience difficulties and barriers in many parts of the country in their efforts to adopt and raise children. Indeed, while progress in this area has been significant, it has been impeded by the homophobia and heterosexist attitudes of adoption professionals and the judiciary; by numerous stereotypes and misconceptions about parenting by lesbians and gay men, and by a lack of adequate guidelines and training for establishing best practice standards in working with this rapidly growing group of adoptive parents. Adoption by Lesbians and Gay Men explores the gamut of historical, legal, sociological, psychological, social casework, and personal issues related to adoption by sexual-minority individuals and couples. Leading experts in a variety of fields address-and often shatter-the controversies, myths, and misconceptions hindering efforts by these individuals to adopt and raise children. What makes this book all the more valuable is that it provides insights and specific recommendations for establishing empirically validated best practices for working with an important sector of our society, for treating all prospective and current parents fairly and equally, and, perhaps most importantly, for increasing a still largely untapped resource for providing families for children who need them.

Love and Money argues that we can't understand contemporary queer cultures without looking through the lens of social class. Resisting old divisions between culture and economy, identity and privilege, left and queer, recognition and redistribution, Love and Money offers supple approaches to capturing class experience and class form in and around queerness. Contrary to familiar dismissals, not every queer television or movie character is like Will Truman on Will and Grace-rich, white, healthy, professional, detached from politics, community, and sex. Through ethnographic encounters with readers and cultural producers and such texts as Boys Don't Cry, Brokeback Mountain, By Hook or By Crook, and wedding announcements in the New York Times, Love and Money sees both queerness and class across a range of idioms and practices in everyday life. How, it asks, do readers of Dorothy Allison's novels use her work to find a queer class voice? How do gender and race broker queer class fantasy? How do independent filmmakers cross back and forth between industry and queer sectors, changing both places as they go and challenging queer ideas about bad commerce and bad taste? With an eye to the nuances and harms of class difference in queerness and a wish to use culture to forge queer and class affinities, Love and Money returns class and its politics to the study of queer life.

Struggles for LGBT rights and the security of sexual and gender minorities are ongoing, urgent concerns across the world. For students, scholars, and activists who work on these and related issues, this handbook provides a unique, interdisciplinary resource. In chapters by both emerging and senior scholars, the Oxford Handbook of Global LGBT and Sexual Diversity Politics introduces key concepts in LGBT political studies and queer theory. Additionally, the handbook offers historical, geographic, and topical case studies contexualized within theoretical frameworks from the sociology of sexualities, critical race studies, postcolonialism, indigenous theories, social movement theory, and international relations theory. It provides readers with up-to-date empirical material and critical assessments of the analytical significance, commonalities, and differences of global LGBT politics. The forward-looking analysis of state practice, transnational networks, and historical context presents crucial perspectives and opens new avenues for debate, dialogue, and theory.

The phrase 'LGBT community' is often used by policy-makers, service providers, and lesbian, gay, bisexual and trans (LGBT) people themselves, but what does it mean? What understandings and experiences does that term suggest, and ignore? Based on a UK-wide study funded by the Arts and Humanities Research Council, this book explores these questions from the perspectives of over 600 research participants. Examining ideas about community 'ownership'; 'difference' and diversity; relational practices within and beyond physical spaces; imagined communities and belongings; the importance of 'ritual' spaces and symbols, and consequences for wellbeing, the book foregrounds the lived experience of LGBT people to offer a broad analysis of commonalities and divergences in relation to LGBT identities. Drawing on an interdisciplinary perspective grounded in international social science research, the book will appeal to students and scholars with interests in sexual and/or gender identities in the fields of community studies, cultural studies, gender studies, geography, leisure studies, politics, psychology, sexuality studies, social policy, social work, socio-legal studies, and sociology. The book also offers implications for practice, suitable for policy-maker, practitioner, and activist audiences, as well as those with a more personal interest.