This exciting and original volume offers the first comprehensive critical study of the recent profusion of European films and television addressing sexual migration and seeking to capture the lives and experiences of LGBTIQ+ migrants and refugees. Queering the Migrant in Contemporary European Cinema argues that embodied cinematic representations of the queer migrant, even if at times highly ambivalent and contentious, constitute an urgent new repertoire of queer subjectivities and socialities that serve to undermine the patrolled borders of gender and sexuality, nationhood and citizenship, and refigure or queer fixed notions and universals of identity like 'Europe' and national belonging based on the model of the family. At stake ethically and politically is the elaboration of a 'transborder' consciousness and aesthetics that counters the homonationalist, xenophobic and homo/trans-phobic representation of the 'migrant to Europe' figure rooted in the toxic binaries of othering (the good vs bad migrant, host vs guest, indigenous vs foreigner). Bringing together 16 contributors working in different national film traditions and embracing multiple theoretical perspectives, this powerful and timely collection will be of major interest to both specialists and students in Film and Media Studies, Gender and Queer Studies, Migration/Mobility Studies, Cultural Studies, and Aesthetics.

Available Open Access under CC-BY-NC-ND licence This book provides the first detailed discussion of domestic violence and abuse in same sex relationships, offering a unique comparison between this and domestic violence and abuse experienced by heterosexual women and men. It examines how experiences of domestic violence and abuse may be shaped by gender, sexuality and age, including whether and how victims/survivors seek help, and asks, what's love got to do with it? A pioneering methodology, using both quantitative and qualitative research, provides a reliable and valid approach that challenges the heteronormative model in domestic violence research, policy and practice. The authors develops a new framework of analysis - practices of love - to explore empirical data. Outlining the implications of the research for practice and service development, the book will be of interest to policy makers and practitioners in the field of domestic violence, especially those who provide services for sexual minorities, as well as students and academics interested in issues of domestic and interpersonal violence.

This book focuses on the complexities of the bisexual umbrella-the phrase that is often used to describe a wide range of sexual identities, attractions, and behaviors that indicate attraction to more than one gender. As a consequence, the bisexual umbrella groups together a very heterogeneous group of people. The writers in this book each grapple with how the bisexual umbrella is applied to a variety of communities, people, and experiences, and discuss the benefits and costs of these applications. Topics include exploration of the similarities and differences between two-spirit people and bisexuals, including how their health concerns overlap and diverge, detailing personal and empirical experiences of sexual fluidity, descriptions of how bisexual, pansexual, and queer people conceptualize sexual identity, and explorations of pansexuality. Through these writings, the diversity underneath the bisexual umbrella is revealed. This book was originally published as a Special Issue of the Journal of Bisexuality.

Queer Representations in Chinese-language Film and the Cultural Landscape provides a cultural history of queer representations in Chinese-language film and media, negotiated by locally produced knowledge, local cultural agency, and lived histories. Incorporating a wide range of materials in both English and Chinese, this interdisciplinary project investigates the processes through which Chinese tongzhi/queer imaginaries are articulated, focusing on four main themes: the Chinese familial system, Chinese opera, camp aesthetic, and documentary impulse. Chao's discursive analysis is rooted in and advances genealogical inquiries: a non-essentialist intervention into the "Chinese" idea of filial piety, a transcultural perspective on the contested genre of film melodrama, a historical investigation of the local articulations of mass camp and gay camp, and a transnational inquiry into the different formats of documentary. This book is a must for anyone exploring the cultural history of Chinese tongzhi/queer through the lens of transcultural media.

This is a short and accessible introduction to the complex and evolving debates around queer theories, advocating for their critical role in academia and society. The book traces the roots of queer theories and argues that Foucault owed an important debt to other European authors including the feminist and homosexual liberation movements of the 1960-1970s and the anticolonial movements of the 1950s. Going beyond a simple introduction to queer theories, this book situates them firmly in a European and Italian context to offer a crucial set of arguments in defence of LGBTQI+ rights, in defence of the freedom of teaching and research, and in defence of a radical idea of democracy. The narrative of the book is divided into three short chapters which can be read independently or in sequence. The first chapter argues that queer theories are rooted in the critical philosophical tradition, the second presents a critique of heterosexism and the binary inherent to the gender-sex-sexual orientation system, and the third chapter sketches a history of the queer debate. The book offers a useful typology of queer theories by sorting them into three basic paradigms: Freudo-Marxism, radical constructivism, and antisocial and affective theories, clarifying the complexities of the nature of the debates for undergraduates. The book is both accessible and original, and is suitable for both specialist researchers and undergraduate students new to queer studies. It will be essential reading for those studying philosophy, sexuality studies and gender studies.

Featuring over 70 affirming interventions in the form of homework assignments, handouts, and activities, this comprehensive volume helps novice and experienced counselors support LGBTQ+ community members and their allies. Each chapter includes an objective, indications and contraindications, a case study, suggestions for follow-up, professional resources, and references. The book's social justice perspective encourages counselors to hone their skills in creating change in their communities while helping their clients learn effective coping strategies in the face of stress, bullying, microaggressions, and other life challenges. The volume also contains a large section on training allies and promoting greater cohesion within LGBTQ+ communities. Counseling and mental health services for LGBTQ+ clients require between-session activities that are clinically focused, evidence based, and specifically designed for one or more LGBTQ+ sub-populations. This handbook gathers together the best of such LGBTQ+ clinically focused material. As such, it will appeal both to students learning affirmative LGBTQ+ psychotherapy/counseling and to experienced practitioners. Offering practical tools used by clinicians worldwide, the volume is particularly useful for courses in clinical and community counseling, social work, and psychology. Those new to working with LGBTQ+ clients will appreciate the book's accessible foundation to guide interventions.

LGBT individuals and families are increasingly visible in popular culture and local communities; their struggles for equality appear regularly in news media. If history museums and historic sites are to be inclusive and relevant, they must begin incorporating this community into their interpretation. Interpreting LGBT History at Museums and Historic Sites is straightforward, accessible guidebook for museum and history professionals as they embark on such worthy efforts. This book features: *An examination of queer history in the United States. The rapid rate at which queer topics have entered the mainstream could conceivably give the impression that LGBT people have only quite recently begun to contribute to United States culture and this misconception ignores a rich history. A brief overview of significant events in LGBT history highlights variant sexuality and gender in U.S. history, from colonization to the first decades of the twenty-first century. *Case studies on the inclusion and telling of LGBT history. These chapters detail how major institutions, such as the Chicago History Museum, have brought this topic to light in their interpretation. *An extensive bibliography and reading list. LGBT history is a fascinating story, and the limited space in this volume can hardly do it justice. These features are provided to guide readers to more detailed information about the contributions of LGBT people to U.S. history and culture. This guide complements efforts to make museums and historic sites more inclusive, so they may tell a richer story for all people.

Current understandings of ageing and diversity are impoverished in three main ways. Firstly, with regards to thinking about what inequalities operate in later life there has been an excessive preoccupation with economic resources. On the other hand, less attention has been paid to cultural norms and values, other resources, wider social processes, political participation and community engagement. Secondly, in terms of thinking about the 'who' of inequality, this has so far been limited to a very narrow range of minority populations. Finally, when considering the 'how' of inequality, social gerontology's theoretical analyses remain under-developed. The overall effect of these issues is that social gerontology remains deeply embedded in normative assumptions which serve to exclude a wide range of older people. Ageing, Diversity and Equality aims to challenge and provoke the above described normativity and offer an alternative approach which highlights the heterogeneity and diversity of ageing, associated inequalities and their intersections. The Open Access version of this book, available at https://www.taylorfrancis.com/books/9781351851329, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 licence.

In The Queer Games Avant-Garde, Bonnie Ruberg presents twenty interviews with twenty-two queer video game developers whose radical, experimental, vibrant, and deeply queer work is driving a momentous shift in the medium of video games. Speaking with insight and candor about their creative practices as well as their politics and passions, these influential and innovative game makers tell stories about their lives and inspirations, the challenges they face, and the ways they understand their places within the wider terrain of video game culture. Their insights go beyond typical conversations about LGBTQ representation in video games or how to improve "diversity" in digital media. Instead, they explore queer game-making practices, the politics of queer independent video games, how queerness can be expressed as an aesthetic practice, the influence of feminist art on their work, and the future of queer video games and technology. These engaging conversations offer a portrait of an influential community that is subverting and redefining the medium of video games by placing queerness front and center. Interviewees: Ryan Rose Aceae, Avery Alder, Jimmy Andrews, Santo Aveiro-Ojeda, Aevee Bee, Tonia B******, Mattie Brice, Nicky Case, Naomi Clark, Mo Cohen, Heather Flowers, Nina Freeman, Jerome Hagen, Kat Jones, Jess Marcotte, Andi McClure, Llaura McGee, Seanna Musgrave, Liz Ryerson, Elizabeth Sampat, Loren Schmidt, Sarah Schoemann, Dietrich Squinkifer, Kara Stone, Emilia Yang, Robert Yang

Reading across the disciplines of the mid-century university, this book argues that the political shift in postwar America from consensus liberalism to New Left radicalism entailed as many continuities as ruptures. Both Cold War liberals and radicals understood the university as a privileged site for "doing politics," and both exiled homosexuality from the political ideals each group favored. Liberals, who advanced a politics of style over substance, saw gay people as unable to separate the two, as incapable of maintaining the opportunistic suspension of disbelief on which a tough-minded liberalism depended. Radicals, committed to a politics of authenticity, saw gay people as hopelessly beholden to the role-playing and duplicity that the radicals condemned in their liberal forebears.
"Camp Sites" considers key themes of postwar culture, from the conflict between performance and authenticity to the rise of the meritocracy, through the lens of camp, the underground sensibility of pre-Stonewall gay life. In so doing, it argues that our basic assumptions about the social style of the postwar milieu are deeply informed by certain presuppositions about homosexual experience and identity, and that these presuppositions remain stubbornly entrenched despite our post-Stonewall consciousness-raising.

Shortlisted for the 2018 BAAL Book Prize This book is a sociolinguistic ethnography of LGBT Mexicans/Latinxs in Phoenix, Arizona, a major metropolitan area in the U.S. Southwest. The main focus of the book is to examine participants' conceptions of their ethnic and sexual identities and how identities influence (and are influenced by) language practices. This book explores the intersubjective construction and negotiation of identities among queer Mexicans/Latinxs, paying attention to how identities are co-constructed in the interview setting in coming out narratives and in narratives of silence. The book destabilizes the dominant narrative on language maintenance and shift in sociolinguistics, much of which relies on a (heterosexual) family-based model of intergenerational language transmission, by bringing those individuals often at the margin of the family (LGBTQ members) to the center of the analysis. It contributes to the queering of bilingualism and Spanish in the U.S., not only by including a previously unstudied subgroup (LGBTQ people), but also by providing a different lens through which to view the diverse language and identity practices of U.S. Mexicans/Latinxs. This book addresses this exclusion and makes a significant contribution to the study of bilingualism and multilingualism by bringing LGBTQ Latinas/os to the center of the analysis.

From its beginnings in the 1970s and 1980s, interest in the topic of gender and migration has grown. Gender and Migration seeks to introduce the most relevant sociological theories of gender relations and migration that consider ongoing transnationalization processes, at the beginning of the third millennium. These include intersectionality, queer studies, social inequality theory and the theory of transnational migration and citizenship; all of which are brought together and illustrated by means of various empirical examples. With its explicit focus on the gendered structures of migration-sending and migration-receiving countries, Gender and Migration builds on the most current conceptual tool of gender studies-intersectionality-which calls for collective research on gender with analysis of class, ethnicity/race, sexuality, age and other axes of inequality in the context of transnational migration and mobility. The book also includes descriptions of a number of recommended films that illustrate transnational migrant masculinities and femininities within and outside of Europe. A refreshing attempt to bring in considerations of queer theory and sexual identity in the area of gender migration studies, this insightful volume will appeal to students and researchers interested in fields such as sociology, social anthropology, political science, intersectional studies and transnational migration.

Producing Queer Youth challenges popular ideas about online media culture as a platform for empowerment, cultural transformation, and social progress. Based on over three years of participant action research with queer teen media-makers and textual analysis of hundreds of youth-produced videos and popular media campaigns, the book unsettles assumptions that having a "voice" and gaining visibility and recognition necessarily equate to securing rights and resources. Instead, Berliner offers a nuanced picture of openings that emerge for youth media producers as they negotiate the structures of funding and publicity and manage their identities with digital self-representations. Examining youth media practices within broader communication history and critical media pedagogy, she forwards an approach to media production that re-centers the process of making as the site of potential learning and social connection. Ultimately, she reframes digital media participation as a struggle for-rather than, in itself, evidence of-power.

The political representation and involvement of sexual minorities in the United States has been highly contested and fiercely debated. As recent legislative and judicial victories create inroads towards equality for this growing population, members and advocates of these minorities navigate evolving political and legal systems while continuing to fight against societal and institutional resistance. Sexual Minorities and Politics is the first textbook to provide students with an up-to-date, thorough, and comprehensive overview of the historical, political, and legal status of sexual and gender minorities. Skillfully synthesizing the research of political scientists, political theorists, and historians, Jason Pierceson describes the history of the LGBT rights movement, chronicles the building of political and legal movements and the responses to them, examines philosophical debates within and about the movement, and assesses the current state of the politics and policies concerning sexual minorities. In addition to carefully structured analyses and contextual explanations, the text provides lists of key terms and discussion questions in each chapter to aid student comprehension and fuel classroom debate.

In this astonishing new history of wartime Britain, historian Stephen Bourne unearths the fascinating stories of the gay men who served in the armed forces and at home, and brings to light the great unheralded contribution they made to the war effort. Fighting Proud weaves together the remarkable lives of these men, from RAF hero Ian Gleed - a Flying Ace twice honoured for bravery by King George VI - to the infantry officers serving in the trenches on the Western Front in WWI - many of whom led the charges into machine-gun fire only to find themselves court-martialled after the war for indecent behaviour. Behind the lines, Alan Turing's work on breaking the 'enigma machine' and subsequent persecution contrasts with the many stories of love and courage in Blitzed-out London, with new wartime diaries and letters unearthed for the first time. Bourne tells the bitterly sad story of Ivor Novello, who wrote the WWI anthem 'Keep the Home Fires Burning', and the crucial work of Noel Coward - who was hated by Hitler for his work entertaining the troops. Fighting Proud also includes a wealth of long-suppressed wartime photography subsequently ignored by mainstream historians. This book is a monument to the bravery, sacrifice and honour shown by a persecuted minority, who contributed during Britain's hour of need.

Known as "The Mayor of Castro Street" even before he was elected to the San Francisco Board of Supervisors, Harvey Milk's personal life, public career, and final assassination reflect the dramatic emergence of the gay community as a political power in America. It is a story full of personal tragedies and political intrigues, assassinations at City Hall, massive riots in the streets, the miscarriage of justice, and the consolidation of gay power and gay hope.
Harvey Milk has been the subject of numerous books and movies, including the Academy Award-winning 1984 documentary, "The Times of Harvey Milk. " His life is also the basis of a 2008 major motion picture, "Milk, "starring Sean Penn. " " Randy Shilts was born in 1951, in Davenport, Iowa. One of the first openly gay journalists hired at a major newspaper, he worked for the "San Francisco Chronicle" for thirteen years. He died of AIDS in 1994 at his home in the Sonoma County redwoods in California. He was the author of "The Mayor of Castro Street: The Life and Times of Harvey Milk "(1982), "And the Band Played On: Politics, People and the AIDS Epidemic "(1987), and "Conduct Unbecoming: Lesbians and Gays in the U.S. Military "(1993). He also wrote extensively for many major newspapers and magazines, including "The New York Times, Newsweek, Esquire, The Los Angeles Times, "and "The Advocate."
"The Mayor of Castro Street "is Shilts's acclaimed story of Harvey Milk, the man whose personal life, public career, and tragic assassination mirrored the dramatic and unprecedented emergence of the gay community in America during the 1970s. His is a story of personal tragedies and political intrigues, assassination in City Hall and massive riots in the streets, the miscarriage of justice and the consolidation of gay power and gay hope.

The End of San Francisco breaks apart the conventions of memoir to reveal the passions and perils of a life that refuses to conform to the rules of straight or gay normalcy. A budding queer activist escapes to San Francisco, in search of a world more politically charged, sexually saturated, and ethically consistent--this is the person who evolves into Mattilda Bernstein Sycamore, infamous radical queer troublemaker, organizer and agitator, community builder, and anti-assimilationist commentator. Here is the tender, provocative, and exuberant story of the formation of one of the contemporary queer movement's most savvy and outrageous writers and spokespersons. Using an unrestrained associative style to move kaleidoscopically between past, present, and future, Sycamore conjures the untidy push and pull of memory, exposing the tensions between idealism and critical engagement, trauma and self-actualization, inspiration and loss. Part memoir, part social history, and part elegy, The End of San Francisco explores and explodes the dream of a radical queer community and the mythical city that was supposed to nurture it. "Mattilda is a dazzling writer of uncommon truths, a challenging writer who refuses to conform to conventionality. Her agitation is an inspiration."--Justin Torres, author of We the Animals "Author Mattilda Bernstein Sycamore is the artistic love child of John Genet and David Wojnarowicz, deconstructing language swathed in unbridled sensuality, while flinging readers into a disrupted, chaotic life of queer anarchy."--Gay and Lesbian Review "Bring on The End of San Francisco! And Mattilda Bernstein Sycamore, whose new book has reinvented memoir without the predictable gloss of passive resolution. This book is undeniably brave and new, and the internal energy churning at its core is like nothing you've seen, heard or read before. I swear."--T Cooper, author of Real Man Adventures "We hear so much about coming-of-age narratives that we seldom think about going-of-age--the shutting down and closure, the making sense of where we've been. Written with grace, reserve, and the honest tremblings that come when things matter, Mattilda shows us that The End of San Francisco is really the beginning of joy." --Daphne Gottlieb, author of 15 Ways to Stay Alive "It would be easy to describe The End of San Francisco as a Joycean 'Portrait of the Artist as a Young Queer' (although the book's intense stream of consciousness is reminiscent of the later, more experimental, Joyce)...but this is misleading. This journey of a life that begins in the professional upper-middle class (both parents are therapists) and the Ivy League and moves to hustling, drugs, activism--Sycamore was active in ACT UP and Queer Nation--and queer bohemian grunge, is profoundly American. At heart, Sycamore is writing about the need to escape control through flight or obliteration."--Michael Bronski, San Francisco Chronicle "But, some of my favorite writers and people released books this year. Like Mattilda Bernstein Sycamore's beautiful book about queerness and community and lack of and disappointment and marginalization and gentrification and sex, The End of San Francisco. God, I love that book, on a sentence level it is just heartbreaking." --Jessa Crispin, Bookslut Mattilda Bernstein Sycamore is the editor of four anthologies, including Why Are Faggots So Afraid of Faggots, That's Revolting, and Nobody Passes, and two novels. She writes regularly for a variety of publications, including the San Francisco Bay Guardian, Bitch, Bookslut, Alternet, and Time Out New York, and is the reviews editor at the feminist magazine Make/shift. She lives in Seattle, WA.

Drawing on border thinking, postcolonial and transnational feminisms, and queer theory, Gender, Sexuality and Identities of the Borderlands brings an intersectional feminist and queer lens to understandings of borderlands, liminality, and lives lived at the margins of socio-cultural and sexual normativities. Bringing together new and contemporary interdisciplinary research from across diverse global contexts, this collection explores the lived experiences of what Gloria Anzaldua might have called 'threshold people', people who live among and in-between different worlds. While it is often challenging, difficult, and even dangerous, inhabiting marginal spaces, living at the borders of socio-cultural, religious, sexual, ethnic, or gendered norms can create possibilities for developing unique ways of seeing and understanding the worlds within which we live. This collection casts a spotlight on the margins, those 'queer spaces' in literary, cinematic, and cultural borderlands; postcolonial and transnational feminist perspectives on movement and migration; and critical analyses of liminal lives within and between socio-cultural borders. Each chapter within this unique book brings a critical insight into diverse global human experiences in the 21st Century.

In this final volume of Christopher Isherwood's diaries, the celebrated writer greets advancing age with poignant humor and an unquenchable appetite for the new. Isherwood deepens his study of Hinduism, writes his final books, and immerses himself in the vibrant creative scenes of the 1970s. With his long-term companion, Don Bachardy, Isherwood delves into the art worlds of Los Angeles, New York, and London, where he meets Rauschenberg, Ruscha, Warhol, and Hockney. Collaborating with Bachardy on scripts for Broadway and Hollywood, he encounters John Huston, Merchant and Ivory, John Travolta, David Bowie, Jon Voight, Armistead Maupin, Elton John, and Joan Didion. This volume is a densely populated human comedy, sketched with both ruthlessness and benevolence against the background of the Vietnam War, the energy crisis, and the Nixon, Carter, and Reagan White Houses. The final installment of Isherwood's masterwork reveals a man candidly fearful of his approaching death, and yet engaged in the vitality and energy of daily life.

Exploring the experiences of LGBTQI+ parents and their children and their relationship with schools, this book illuminates how these families work with schools, and how schools do, or do not, support children of LGBTQI parents. Based on empirical research and making space for the voices of both parents and children, the research extends beyond previous studies of gay and lesbian parenting to include bisexual, transgender, queer, non-binary, and intersex parents. The authors consider the influence of pressure groups, school inspection frameworks, legislation, and the media, and examine the ways in which some schools are working to become more inclusive.

Reading across the disciplines of the mid-century university, this book argues that the political shift in postwar America from consensus liberalism to New Left radicalism entailed as many continuities as ruptures. Both Cold War liberals and radicals understood the university as a privileged site for doing politics, and both exiled homosexuality from the political ideals each group favored. Liberals, who advanced a politics of style over substance, saw gay people as unable to separate the two, as incapable of maintaining the opportunistic suspension of disbelief on which a tough-minded liberalism depended. Radicals, committed to a politics of authenticity, saw gay people as hopelessly beholden to the role-playing and duplicity that the radicals condemned in their liberal forebears.
"Camp Sites" considers key themes of postwar culture, from the conflict between performance and authenticity to the rise of the meritocracy, through the lens of camp, the underground sensibility of pre-Stonewall gay life. In so doing, it argues that our basic assumptions about the social style of the postwar milieu are deeply informed by certain presuppositions about homosexual experience and identity, and that these presuppositions remain stubbornly entrenched despite our post-Stonewall consciousness-raising.

Media matter, particularly to social minorities like lesbian, gay, bisexual, transgender and queer people. Rather than one homogenised idea of the 'global gay', what we find today is a range of historically and culturally specific expressions of gender and sexuality, which are reflected and explored across an ever increasing range of media outlets. This collection zooms in on a number of facets of this kaleidoscope, each chapter discussing the intersection of a particular European context and a particular medium with its affordances and limitations. While traditional mass media form the starting point of this book, the primary focus is on digital media such as blogs, social media and online dating sites. All contributions are based on recent, original empirical research, using a plethora of qualitative methods to offer a holistic view on the ways media matter to particular LGBTQ individuals and communities. Together the chapters cover the diversity of European countries and regions, of LGBTQ communities, and of the contemporary media ecology. Resisting the urge to extrapolate, they argue for specificity, contextualisation and a provincialized understanding of the connections between media, culture, gender and sexuality.

"Camp" is often associated with glamour, surfaces and an ostentatious display of chic, but as these authors argue, there is an underside to it that has often gone unnoticed: camp's simultaneous investment in dirt, vulgarity, the discarded and rejected, the abject. This book explores how camp challenges and at the same time celebrates what is arguably the single most important and foundational cultural division, that between the dirty and the clean. In refocusing camp as a phenomenon of the dark underside as much as of the glamorous surface, the collection hopes to offer an important contribution to our understanding of the cultural politics and aesthetics of camp.

Examining the ways in which feminist and queer activists confront privilege through the use of intersectionality, this edited collection presents empirical case studies from around the world to consider how intersectionality has been taken up (or indeed contested) by activists in order to expose and resist privilege. The volume sets out three key ways in which intersectionality operates within feminist and queer movements: it is used as a collective identity, as a strategy for forming coalitions, and as a repertoire for inclusivity. The case studies presented in this book then evaluate the extent to which some, or all, of these types of intersectional activism are used to confront manifestations of privilege. Drawing upon a wide range of cases from across time and space, this volume explores the difficulties with which activists often grapple when it comes to translating the desire for intersectionality into a praxis which confronts privilege. Addressing inter-related and politically relevant questions concerning how we apply and theorise intersectionality in our studies of feminist and queer movements, this timely edited collection will be of interest to students and scholars from across the social sciences and humanities with an interest in gender and feminism, LGBT+ and queer studies, and social movement studies.