The BBC and HBO series Gentleman Jack brought Anne Lister to international attention, awakening tremendous interest in her diaries, which run to nearly five million and are partly written in her secret code. They record in intimate detail Anne's intellectual energy and her challenges to so many of society's expectations of women at the time. In As Good as a Marriage, the sequel to Female Fortune, Jill Liddington's edited transcriptions of the diaries show us Anne from 1836-38. She guides the reader through life at Shibden Hall after Anne's unconventional 'marriage' to wealthy local heiress Ann Walker. The book explores the daily lives of these two women, from convivial evenings together to her ruthless pursuit of her own business and landowning ambitions. Yet the diaries' coded passages also record tensions and quarrels, with Ann Walker often in tears. Was their relationship really as fragile as Anne's coded writing suggests? This question is at the heart of As Good as a Marriage. -- .

This book addresses the 'three moments' in lesbian, gay, bisexual, transgender and intersex (LGBTI) asylum seekers' and refugees' efforts to secure protection: The reasons for their flight, the Refugee Status Determination process, and their integration into the host community once they are recognized refugee status.The first part discusses one of the most under-researched areas within the literature devoted to asylum claims based on sexual orientation and gender identity, namely the reasons behind LGBTI persons' flight. It investigates the motives that drive LGBTI persons to leave their countries of origin and seek sanctuary elsewhere, the actors of persecution, and the status quo of LGBTI rights. Accordingly, an intersectional approach is employed so as to offer a comprehensive picture of how a host of factors beyond sexual orientation/gender identity impact this crucial first stage of LGBTI asylum seekers' journey.In turn, the second part explores the challenges that LGBTI asylum seekers face during the RSD process in countries of asylum. It first examines these countries' interpretations and applications of the process in relation to the relevant UNHCR guidelines and questions the challenges including the dominance of Western conceptions and narratives of sexual identity in the asylum procedure, heterogeneous treatment concerning the definition of a particular social group, and the difficulties related to assessing one's sexual orientation within the asylum procedure. It subsequently addresses the reasons for and potential solutions to these challenges.The last part of the book focuses on the integration of LGBTI refugees into the countries of asylum. It first seeks to identify and describe the protection gaps that LGBTI refugees are currently experiencing, before turning to the reasons and potential remedies for them.

Through focusing on the sexual politics that have emerged out of post-apartheid South Africa, Spurlin investigates textual and cultural representations of same-sex desire outside of the Euroamerican axes of queer culture and politics, and considers the ways in which queer cultural productions in southern Africa do not merely intersect with western queer identity politics and cultural representations but also resist them. "Imperialism Within the Margins" therefore provides an engaged and much-needed critique of the long-present "heterosexist" biases of postcolonial studies and the "western" biases of academic queer theory.

The Safety Trap: Why We Need Diverse and Brave Spaces explains how the histories and currency of safe spaces are determined by those with privilege and power; those who choose to invite us in or leave us out. Whether we encounter boundaries at national borders, bathrooms, or birth certificates, our personal safety and wellbeing is at stake. Gender-diverse and queer non-binary people, have bodies, brains, and hearts that challenge traditional ways of being male, female, gay, straight, Black, white, good, and bad. These practitioners-at the interfaces of government policy, architecture, queer art curation, group work, sex work, and tattooing-explore cancel culture and free speech, considering what it takes to be brave. In our current times of global conflict and binary oppositions, they address the urgent need for accessible and inclusive spaces everywhere. To listen and speak across the ideological voids that divide us, we must understand the differences that underpin our feelings of safety and discomfort.

During Mardi Gras 1973, Stewart Butler fell in love with Alfred Doolittle-a wealthy socialite and schizophrenic from San Francisco. Their relationship was an improbable love story that changed the course of LGBTQ+ history. With Doolittle's money, Butler was able to retire and devote his life to political activism in the cause of queer liberation. A survivor of the horrific UpStairs Lounge arson, Butler was a founding member of the first statewide lesbian and gay rights organization in Louisiana and an early champion for transgender rights, playing a key role in the eight-year struggle to persuade PFLAG to become the first national LGBTQ+ organization to include trans people in its mission statement. In Political Animal: The Life and Times of Stewart Butler, author Frank Perez traces Butler's amazing life from his early childhood in Depression-era New Orleans, his adolescence at Carville where his father worked, his first unsuccessful attempt at college, his time in the army as a closeted gay man, his adventures in Alaska, his transformation into a hippie in the 1960s, his love affair with Doolittle, his decades as a gay rights advocate, and ultimately, his twilight years as an elder statesman. Based on Butler's own personal papers, including hundreds of letters, and dozens of interviews, Political Animal paints an intimate portrait of a legendary figure in gay politics and the times in which he lived.

An invaluable resource examining LGBTQIA+ portrayals in contemporary American film. The depictions of LGBTQIA+ characters in film have always varied immensely. However, the negative depictions often seem to outweigh the positive, perhaps because of the hurt they inspire or perhaps because they regrettably outnumber the positive films. The Encyclopedia of LGBTQIA+ Portrayals in American Film explores works from the past fifty years in order to not only discuss how LGBTQIA+ characters are portrayed in American film, but also how these portrayals affect viewers. Contributors to this valuable reference include film and media scholars, gender studies scholars, journalists, LGBTQIA+ advocates, and more, representing countries from around the world. This rich array of perspectives provide careful and critical examinations of more than 100 films, ranging from the ethical and compassionate to the deliberately cruel and destructive. Featuring films such as American Beauty, Batman v Superman, Fight Club, The Grand Budapest Hotel, Little Miss Sunshine, and Venom, this extensive volume informs and educates scholars and general readers alike, guiding them to see injustice more clearly and inspiring future generations to create art that is both inclusive and thoughtful.

With contributions from established and emerging scholars, this collection draws on original research to consider recent theoretical and methodological debates, shifts in law and policy, and social and cultural changes around sexuality. The book bridges identified gaps between theory, research methods and practice, and lived experiences across time and place. It reflects on the current wave of interdisciplinary work, setting out new ways of conceptualizing and researching sexuality and explores persistently marginalized, re-traditionalized and normative sexual practices, subjectivities and identities. This distinctive consideration of innovative contributions from across the humanities and social sciences places emergent debates, enduring legacies and new queries within its 'reflections' and 'futures'.

The volume takes a field which has become established over the past 40 years, and applies it to a marginalized sector of society, enabling students of oral history, and history more generally to engage with, question and develop new conversations around the field. Oral history is increasingly becoming an established part of the modern history canon and more and more developments within its parameters are being raised and studied - this book represents a key up-coming area. The only book to look specifically at LGBTQ positions and the specific issues it raises within oral history.

This deck is a celebration of LGBTQ+ activists, artists, comedians, writers, musicians and pop cultural giants who have shaped our worlds, expanded our horizons, and radically increased queer visibility. This deck is a standard poker set, with the four classic suits and 52 of the world's greatest queer icons.

A celebration of over 100 years of queer creativity, featuring 70 outstanding works of drawing, painting, photography, sculpture and installation. Over the last century, many artists have made works that challenge dominant models of gender and sexuality. The results can be sexy or serious, satirical or tender, discreetly coded or defiantly outspoken. This beautiful book illustrates the wide variety of queer art from around the world - exploring bodies and identity, love and desire, prejudice and protest through drawing, painting, photography, sculpture and installation. 70 outstanding works - from 1900 to the present - reveal how queer experiences have differed across time and place, and how art has been part of a story of changing attitudes and emerging identities. Featuring works by, among others, Egon Schiele, Duncan Grant, Claude Cahun, Hannah Hoch, Frida Kahlo, David Hockney, Glenn Ligon, Zanele Muholi, Allyson Mitchell and Tomoko Kashiki - all of whom subverted the norms of their day via bold, new forms of expression, A Queer Little History of Art is a celebration of over 100 years of queer creativity.

What queer lives, loves and possibilities teem within suburbia's little boxes? Moving beyond the imbedded urban/rural binary, "Relocations" offers the first major queer cultural study of sexuality, race and representation in the suburbs. Focusing on the region humorists have referred to as "Lesser Los Angeles"--a global prototype for sprawl--Karen Tongson weaves through suburbia's "nowhere"spaces to survey our spatial imaginaries: the aesthetic, creative and popular materials of the new suburbia.

Across southern California's freeways, beneath its overpasses and just beyond its winding cloverleaf interchanges, Tongson explores the improvisational archives of queer suburban sociability, from multimedia artist Lynne Chan's JJ Chinois projects and the amusement park night-clubs of 1980s Orange County to the imperial legacies of the region known as the Inland Empire. By taking a hard look at the cosmopolitanism historically considered de rigeur for queer subjects, while engaging with the so-called "New Suburbanism" that has captivated the national imaginary in everything from lifestyle trends to electoral politics, "Relocations" radically revises our sense of where to see and feel queer of color sociability, politics and desire.

Lesbian, gay, bisexual, transgender, and queer (LGBTQ) youth are disproportionately represented in the U.S. youth homelessness population. In Coming Out to the Streets, Brandon Andrew Robinson examines their lives. Based on interviews and ethnographic fieldwork in central Texas, Coming Out to the Streets looks into the LGBTQ youth's lives before they experience homelessness-within their families, schools, and other institutions-and later when they navigate the streets, deal with police, and access shelters and other services. Through this documentation, Brandon Andrew Robinson shows how poverty and racial inequality shape the ways that the LGBTQ youth negotiate their gender and sexuality before and while they are experiencing homelessness. To address LGBTQ youth homelessness, Robinson contends that solutions must move beyond blaming families for rejecting their child. In highlighting the voices of the LGBTQ youth, Robinson calls for queer and trans liberation through systemic change.

In States of Passion: Law, Identity and the Social Construction of Desire, Professor Yvonne Zylan explores the role of legal discourse in shaping sexual experience, sexual expression, and sexual identity. The book focuses on three topics: anti-gay hate crime laws, same-sex sexual harassment, and same-sex marriage, examining how sexuality is socially constructed through the institutionally-specific production of legal discourse.
States of Passion argues that law's power to authorize specific discourses and practices of love, desire, hatred, fear, and vulnerability remain grounded in the powerful discourses and institutional practices that mark law as dispassionate, cerebral, and fundamentally procedural. States of Passion contends that those states of passion we experience in our daily lives as particularly significant-to our sense of self, to our collective and social identities, and to our ideas about the body and its dictates-increasingly have as much to do with the state as they do with passion.

How do we represent the experience of being a gender and sexual outlaw? In Queer Forms, Ramzi Fawaz explores how the central values of 1970s movements for women's and gay liberation-including consciousness-raising, separatism, and coming out of the closet-were translated into a range of American popular culture forms. Throughout this period, feminist and gay activists fought social and political battles to expand, transform, or wholly explode definitions of so-called "normal" gender and sexuality. In doing so, they inspired artists, writers, and filmmakers to invent new ways of formally representing, or giving shape to, non-normative genders and sexualities. This included placing women, queers, and gender outlaws of all stripes into exhilarating new environments-from the streets of an increasingly gay San Francisco to a post-apocalyptic commune, from an Upper East Side New York City apartment to an all-female version of Earth-and finding new ways to formally render queer genders and sexualities by articulating them to figures, outlines, or icons that could be imagined in the mind's eye and interpreted by diverse publics. Surprisingly, such creative attempts to represent queer gender and sexuality often appeared in a range of traditional, or seemingly generic, popular forms, including the sequential format of comic strip serials, the stock figures or character-types of science fiction genre, the narrative conventions of film melodrama, and the serialized rhythm of installment fiction. Through studies of queer and feminist film, literature, and visual culture including Mart Crowley's The Boys in the Band (1970), Armistead Maupin's Tales of the City (1976-1983), Lizzy Borden's Born in Flames (1983), and Tony Kushner's Angels in America (1989-1991), Fawaz shows how artists innovated in many popular mediums and genres to make the experience of gender and sexual non-conformity recognizable to mass audiences in the modern United States. Against the ideal of ceaseless gender and sexual fluidity and attachments to rigidly defined identities, Queer Forms argues for the value of shapeshifting as the imaginative transformation of genders and sexualities across time. By taking many shapes of gender and sexual divergence we can grant one another the opportunity to appear and be perceived as an evolving form, not only to claim our visibility, but to be better understood in all our dimensions.

An up-close look at how porn permeates our culture Pictures of half-naked girls and women can seem to litter almost every screen, billboard, and advertisement in America. Pole-dancing studios keep women fit. Men airdrop their dick pics to female passengers on planes and trains. To top it off, the last American President has bragged about grabbing women "by the pussy." This pornification of our society is what Bernadette Barton calls "raunch culture." Barton explores what raunch culture is, why it matters, and how it is ruining America. She exposes how internet porn drives trends in programming, advertising, and social media, and makes its way onto our phones, into our fashion choices, and into our sex lives. From twerking and breast implants, to fake nails and push-up bras, she explores just how much we encounter raunch culture on a daily basis-porn is the new normal. Drawing on interviews, television shows, movies, and social media, Barton argues that raunch culture matters not because it is sexy, but because it is sexist. She shows how young women are encouraged to be sexy like porn stars, and to be grateful for getting cat-called or receiving unsolicited dick pics. As politicians vote to restrict women's access to birth control and abortion, The Pornification of America exposes the double standard we attach to women's sexuality.

Critical Approaches to Science and Religion offers a new direction for scholarship on science and religion that examines social, political, and ecological concerns long part of the field but never properly centered. The works that make up this volume are not preoccupied with traditional philosophical or theological issues. Instead, the book draws on three vital schools of thought: critical race theory, feminist and queer theory, and postcolonial theory. Featuring a diverse array of contributors, it develops critical perspectives by examining how histories of empire, slavery, colonialism, and patriarchy have shaped the many relationships between science and religion in the modern era. In so doing, this book lays the groundwork for scholars interested in speaking directly to matters such as climate change, structural racism, immigration, health care, reproductive justice, and sexual identity.

The Desiring-Image yields new models of queer cinema produced since the late 1980s, based on close formal analysis of diverse films as well as innovative contributions to current film theory. The book defines "queer cinema" less as a specific genre or in terms of gay and lesbian identity, but more broadly as a kind of filmmaking that conveys sexual desire and orientation as potentially fluid within any individual's experience, and as forces that can therefore unite unlikely groups of people along new lines, socially, sexually, or politically. The films driving this analysis range from celebrated fixtures of the New Queer Cinema of the 1990s (including Cheryl Dunye's The Watermelon Woman and Todd Haynes's Velvet Goldmine) to sexually provocative films of the same era that are rarely classified as queer (David Cronenberg's Dead Ringers and Naked Lunch) to breakout films by 21st-century directors (Rodney Evans's Brother to Brother, John Cameron Mitchell's Shortbus). To frame these readings and to avoid heterosexist assumptions in other forms of film analysis, The Desiring-Image revisits the work of the philosopher Gilles Deleuze, whose two major works on cinema somehow never address the radical ideas about desire he expresses in other texts. This book brings those notions together in innovative ways, making them clear and accessible to newcomers and field specialists alike, with clear, illustrated examples drawn from a wide range of movies extending beyond the central case studies. Thus, The Desiring-Image speaks to readers interested in queer and gay/lesbian studies, in film theory, in feminist and sexuality scholarship, and in theory and philosophy, putting those discourses into rich, surprising conversations with popular cinema of the last 30 years.

After the Second World War, a newly affluent United States reached for its own gourmet culture, one at ease with the French international style of Escoffier, but also distinctly American. Enter James Beard, authority on cooking and eating, his larger-than-life presence and collection of whimsical bow ties were synonymous with the nation's food for decades, even after his death in 1985. In the first biography of Beard in twenty-five years, acclaimed writer John Birdsall argues that Beard's struggles as a closeted gay man directly influenced his creation of an American cuisine. Starting in the 1920s, Beard escaped loneliness and banishment by travelling abroad to places where people ate for pleasure, not utility, and found acceptance at home by crafting an American ethos of food likewise built on passion and delight. Informed by never-before-tapped correspondence and lush with details of a golden age of home cooking, The Man Who Ate Too Much is a commanding portrait of a towering figure who still represents the best in food.

Bold, bright and fabulous just like you! This vibrant sticker book includes 200+ Pride themed stickers, featuring rainbows, Pride flags, pronouns and empowering slogans, all beautifully illustrated to be a source of inspiration, whether you're gay, bi, queer, intersex, trans, non-binary or an ally. Stick a rainbow on your laptop, a slogan on your water bottle or a Pride symbol in your journal, these stickers are a colourful and powerful reminder to take pride in yourself and the LGBTQIA+ community. Technical Information: 200+ Stickers Small, medium and large Durable and glossy Not suitable for children under three years due to small parts.

This is the definitive visual account of the gay liberation movement in New York, following the Stonewall uprising in Greenwich Village in 1969, an event that marked the coming-out of New York's gay community. As a direct outcome of Stonewall, gay pride marches were held in 1970 in San Francisco, Los Angeles, and New York. Fifty years later Pride will be celebrated in thousands of cities across the world. Including more than 190 photographs by Fred W. McDarrah chronicling the movement in all its glory, the book includes reflective essays by major figures such as Alan Ginsbery, Hilton Als and Sir Ian McKellan.

As the uproar over the recent New York State law demonstrates, same-sex marriage is a perennial hot-button issue, certain to impact the 2012 election. Debating Same-Sex Marriage provides a useful roadmap to both sides of this contentious matter. Taking a "point/counterpoint" approach, John Corvino (a philosopher and a prominent gay advocate) and Maggie Gallagher (a nationally syndicated columnist and co-founder of the National Organization for Marriage) consider key questions about the institution itself: What is marriage for? Is marriage meant to be a gendered institution? Why is the state in the business of sanctioning marriage? Where do the needs of children fit in? Will legalization of same-sex marriage lead to legalization of polygamy? Corvino argues that society should support same-sex marriage because of its interest in supporting stable households for all its members, gay and straight alike. Gallagher argues that government recognition of same-sex unions as marriages will disconnect marriage from its key public mission furthering responsible procreation, while stigmatizing traditional views of sex, marriage and family as bigotry. Both agree that the issue deserves thoughtful, rigorous engagement.

Proud, happy, grateful-gay youth describe their lives in terms that would have seemed surprising only a generation ago. Yet many adults, including parents, seem skeptical about this sea change in perceptions and attitudes. Even in an age of growing tolerance, coming out as gay is supposed to involve a crisis or struggle. This is the kind of thinking, say the young men at the heart of this book, that needs to change. Becoming Who I Am is an astute exploration of identity and sexuality as told by today's generation of gay young men. Through a series of in-depth interviews with teenagers and men in their early 20s, Ritch Savin-Williams reflects on how the life stories recorded here fulfill the promise of an affirmative, thriving gay identity outlined in his earlier book, The New Gay Teenager. He offers a contemporary perspective on gay lives viewed across key milestones: from dawning awareness of same-sex attraction to first sexual encounters; from the uncertainty and exhilaration of coming out to family and friends to the forming of adult romantic relationships; from insights into what it means to be gay today to musings on what the future may hold. The voices hail from diverse ethnic and socioeconomic backgrounds, but as gay men they share basic experiences in common, conveyed here with honesty, humor, and joy.