'In this space nothing else exists, we are invisible and filled with our significance. I am an expanse of existence melding into yours, unbound by language or physicality and it makes us free. ' Mel Reeve, Shapeshifter from Writing Our Space Writing Our Space is a collection of personal essays, short stories, poems, and scripts written by members of the LGBTQ+ community across the UK. This collection spans from heartbreak on buses to loving our childhood selves; from tiger print skirts to reflections on an HIV diagnosis. Writing Our Space features some of our community's most talented voices such as: Andres N Ordica (winner of the Bloomsbury Short Story Slam 2016), Rosie Wilby (author of Is Monogamy Dead?), and Beth Kirkbride (founder and editor of The Indiependent). This insight into modern queerness speaks to our love, our grief, and our resilience, as both individuals and a community. To the LGBTQ+ community, from the LGBTQ+ community - in our own words.

Europe and the European Union are unavoidable, if ambiguous, political references in the post-Yugoslav space. This volume interrogates the forms and implications of the increasingly potent symbolic nexus that has developed between non-heterosexual sexualities, LGBT activism(s) and Europeanisation(s) in all of the Yugoslav successor states. Contributors to this book show how the long EU accession process disseminates discursive tools employed in LGBT activist struggles for human rights and equality. This creates a linkage between "Europeanness" and "gay emancipation" which elevates certain forms of gay activist engagement and perhaps also non-heterosexuality, more generally, to a measure of democracy, progress and modernity. At the same time, it relegates practices of intolerance to the LGBT community to the status of non-European primitivist Other who is inevitably positioned in the patriarchal past that should be left behind. >

Pencils down-graphite and eyebrow-and eyes to front of the room for this one-of-a-kind lesson. Since debuting over a decade ago, the world of RuPaul's Drag Race has steadily collected both popular and academic interests. This collection of original essays presents insightful analyses and a range of critical perspectives on Drag Race from across the globe. Topics covered include language and linguistics, cultural appropriation, racism, health, wealth, the realities of reality television, digital drag and naked bodies. Though varied in topical focus, each essay centers public pedagogy to examine what and how Drag Race teaches its audience. The goal of this book is to frame Drag Race as a classroom, one that is helpful for both teachers and students alike. With an academic-yet-accessible tone and an interdisciplinary approach, essays celebrate and examine the show and its spin-offs from the earliest seasons to the very start of the coronavirus pandemic in 2020.

- Help students understand digital media and digital cultures created, for, about or by queer and transgender people, activists, educators, and artists who work with or research ways to use digital means and measures to combat different forms of oppression, and explore self-expression and identity. - Contributions are written by researchers, activists, and academics whose diverse international experiences as LGBTQ advocates and community workers have provided them with unique access and insights into this traditionally marginalized populace and their use of social media and digital technology. - Examines questions of inclusion and, perhaps, more importantly, exclusions of certain voices and the different ways, age, race, class and disability intersect in specific social, cultural and global contexts throughout the collection. - Encourages dialogue and investigation of the transformative potential of digital activism and platforms from a global perspective.

- Help students understand digital media and digital cultures created, for, about or by queer and transgender people, activists, educators, and artists who work with or research ways to use digital means and measures to combat different forms of oppression, and explore self-expression and identity. - Contributions are written by researchers, activists, and academics whose diverse international experiences as LGBTQ advocates and community workers have provided them with unique access and insights into this traditionally marginalized populace and their use of social media and digital technology. - Examines questions of inclusion and, perhaps, more importantly, exclusions of certain voices and the different ways, age, race, class and disability intersect in specific social, cultural and global contexts throughout the collection. - Encourages dialogue and investigation of the transformative potential of digital activism and platforms from a global perspective.

This revised third edition of The Male Dancer updates and enlarges a seminal book that has established itself as the definitive study of the performance of masculinities in twentieth century modernist and contemporary choreography. In this authoritative and lively study, Ramsay Burt presents close readings of dance works from key moments of social and political change in the norms around gender and sexuality. The book's argument that prejudices against male dancers are rooted in our ideas about the male body and behaviour has been extended to take into account recent interdisciplinary discussions about whiteness, intersectionality, disability studies, and female masculinities. As well as analysing works by canonical figures like Nijinsky, Graham, Cunningham, and Bausch, it also examines the work of lesser-known figures like Michio Ito and Eleo Pomare, as well as choreographers who have recently emerged internationally like Germaine Acogny and Trajal Harrell. The Male Dancer has proven to be essential reading for anyone interested in dance and the cultural representation of gender. By reflecting on the latest studies in theory, performance, and practice, Burt has thoroughly updated this important book to include dance works from the last ten years and has renewed its timeliness for the 2020s.

This book explores how queerness and representations of queerness in media and culture are responding to the shifting socio-political, cultural and legal conditions in post-Soviet Russia, especially in the light of the so-called 'antigay' law of 2013. Based on extensive original research, the book outlines developments historically both before and after the fall of the Soviet Union and provides the background to the 2013 law. It discusses the proliferating alternative visions of gender and sexuality, which are increasingly prevalent in contemporary Russia. The book considers how these are represented in film, personal diaries, photography, theatre, protest art, fashion and creative industries, web series, news media and how they relate to the 'traditional values' rhetoric. Overall, the book provides a rich and detailed, yet complex insight into the developing nature of queerness in contemporary Russia.

This revised third edition of The Male Dancer updates and enlarges a seminal book that has established itself as the definitive study of the performance of masculinities in twentieth century modernist and contemporary choreography. In this authoritative and lively study, Ramsay Burt presents close readings of dance works from key moments of social and political change in the norms around gender and sexuality. The book's argument that prejudices against male dancers are rooted in our ideas about the male body and behaviour has been extended to take into account recent interdisciplinary discussions about whiteness, intersectionality, disability studies, and female masculinities. As well as analysing works by canonical figures like Nijinsky, Graham, Cunningham, and Bausch, it also examines the work of lesser-known figures like Michio Ito and Eleo Pomare, as well as choreographers who have recently emerged internationally like Germaine Acogny and Trajal Harrell. The Male Dancer has proven to be essential reading for anyone interested in dance and the cultural representation of gender. By reflecting on the latest studies in theory, performance, and practice, Burt has thoroughly updated this important book to include dance works from the last ten years and has renewed its timeliness for the 2020s.

Finalist for a Lambda Literary Award Finalist for the Publishing Triangle's Judy Grahn Award for Lesbian Nonfiction Finalist for the Marfield Prize For fans of Book of Ages and American Eve, this "lively, illuminating new biography" (The Boston Globe) of 19th-century queer actress Charlotte Cushman portrays a "brisk, beautifully crafted life" (Stacy Schiff, bestselling author of The Witches and Cleopatra) that riveted New York City and made headlines across America. All her life, Charlotte Cushman refused to submit to others' expectations. Raised in Boston at the time of the transcendentalists, a series of disasters cleared the way for her life on the stage-a path she eagerly took, rejecting marriage and creating a life of adventure, playing the role of the hero in and out of the theater as she traveled to New Orleans and New York City, and eventually to London and back to build a successful career. Her Hamlet, Romeo, Lady Macbeth, and Nancy Sykes from Oliver Twist became canon, impressing Louisa May Alcott, who later based a character on her in Jo's Boys, and Walt Whitman, who raved about "the towering grandeur of her genius" in his columns for the Brooklyn Daily Eagle. She acted alongside Edwin and John Wilkes Booth-supposedly giving the latter a scar on his neck that was later used to identify him as President Lincoln's assassin-and visited frequently with the Great Emancipator himself, who was a devoted Shakespeare fan and admirer of Cushman's work. Her wife immortalized her in the angel at the top of Central Park's Bethesda Fountain; worldwide, she was "a lady universally acknowledged as the greatest living tragic actress." Behind the scenes, she was equally radical, making an independent income, supporting her family, creating one of the first bohemian artists' colonies abroad, and living publicly as a queer woman. And yet, her name has since faded into the shadows. Now, her story comes to brilliant life with Tana Wojczuk's Lady Romeo, an exhilarating and enlightening biography of the 19th-century trailblazer. With new research and rarely seen letters and documents, Wojczuk reconstructs the formative years of Cushman's life, set against the excitement and drama of 1800s New York City and featuring a cast of luminaries and revolutionaries who changed the cultural landscape of America forever. The story of an astonishing and uniquely American life, Lady Romeo reveals one of the most remarkable forgotten figures in our history and restores her to center stage, where she belongs.

Drawing on border thinking, postcolonial and transnational feminisms, and queer theory, Gender, Sexuality and Identities of the Borderlands brings an intersectional feminist and queer lens to understandings of borderlands, liminality, and lives lived at the margins of socio-cultural and sexual normativities. Bringing together new and contemporary interdisciplinary research from across diverse global contexts, this collection explores the lived experiences of what Gloria Anzaldua might have called 'threshold people', people who live among and in-between different worlds. While it is often challenging, difficult, and even dangerous, inhabiting marginal spaces, living at the borders of socio-cultural, religious, sexual, ethnic, or gendered norms can create possibilities for developing unique ways of seeing and understanding the worlds within which we live. This collection casts a spotlight on the margins, those 'queer spaces' in literary, cinematic, and cultural borderlands; postcolonial and transnational feminist perspectives on movement and migration; and critical analyses of liminal lives within and between socio-cultural borders. Each chapter within this unique book brings a critical insight into diverse global human experiences in the 21st Century.

Queer Rebels is a study of gay narrative writings published in Spain at the turn of the 20th century. The book scrutinises the ways in which the literary production of contemporary Spanish gay authors - Jose Luis de Juan, Luis G. Martin, Juan Gil-Albert, Juan Goytisolo, Eduardo Mendicutti, Luis Antonio de Villena and Alvaro Pombo - engages with homophobic and homophile discourses, as well as with the vernacular and international literary legacy. The first part revolves around the metaphor of a rebellious scribe who queers literary tradition by clandestinely weaving changes into copies of the books he makes. This subversive writing act, named 'Mazuf's gesture' after the protagonist of Jose Luis de Juan's This Breathing World (1999), is examined in four highly intertextual works by other writers. The second part of the book explores Luis Antonio de Villena and Alvaro Pombo, who in their different ways seek to coin their own definitions of homosexual experience in opposition both to the homophobic discourses of the past and to the homonormative regimes of the commercialised and trivialised gay culture of today. In their novels, 'Mazuf's gesture' involves playing a sophisticated queer game with readers and their expectations.

Resistant Bodies in the Cultural Productions of Transnational Hispanic Caribbean Women: Reimagining Queer Identity examines the art created by several Caribbean women who use literature, film, graphic novels, music, testimonios, photographs, etc. to convey social justice, democracy, and new ways of re/imaging marginal identities. In using Chela Sandoval's theories on methodologies of the oppressed, Irune del Rio Gabiola argues how the tactics Sandoval offers can be productively applied to the cultural productions analyzed. The author explores how the protagonists of all the cultural productions this book focuses on developing tactics to create new possibilities and alternatives for self-fashioning. Particularly, del Rio Gabiola reconsiders concepts such as shame, failure, unbecoming, hermeneutics of love or flexible bodies as methodologies of the oppressed that propose decolonizing emancipatory techniques in a transnational arena.

As home to 1920s debauchery and excess and Hitler's Final Solution, Berlin's physical and symbolic landscape was an important staging ground for the highs and lows of modernity. "Life among the Ruins" asks how postwar attempts to rebuild infrastructure and identity necessitated an engagement with past practices set in motion long before 1945. Berliners were forced to adapt swiftly to changing historical circumstances. City spaces could be enabling as well as restrictive, sites of danger and desire, places of crime and adventure. As expats, soldiers, visitors, and citizens navigated the ruined urban landscape in search of what once was, they discovered signs of destruction but also signs of life. Although a symbol of defeat and destruction, the rubble gave refuge to a reemerging gay and lesbian scene, while youth gangs, prostitutes, hoods, and hustlers sought shelter and community there. As a metaphor for a modernity both feared and desired, the book questions what became of this history in the years leading up to the building of the Berlin Wall in 1961 when Cold War confrontation meant the city continued to occupy a unique place in 20th century European history.

Women, Crime and Justice in Context presents contemporary feminist approaches to key issues in criminal justice. It draws together key researchers from Australia and New Zealand to offer a context-specific textbook that covers all of the major debates in the discipline in an accessible way. This book examines both the foundational texts and cutting-edge contributions to the topic and acknowledges the unique challenges and debates in the local Australian and New Zealand context. Written as an entry-level text, it introduces undergraduate students to key theories and debates on the topics of offending, victimization and the criminal justice system. It explores key topics in feminist criminology with chapters exploring sex work, prison abolitionism, community punishment, media representations of crime and victims, and the impacts of digital technology on gendered violence. Centring on an intersectional approach, the book includes chapters that focus on disability, queer criminology, indigenous perspectives, migration and service-user perspectives. The book concludes by exploring future directions in feminist approaches to crime and justice. This book will be essential reading for undergraduates studying feminist criminology, gender and crime, queer criminology, socio-legal studies, intersectionality, sociology and criminal justice.

Women, Crime and Justice in Context presents contemporary feminist approaches to key issues in criminal justice. It draws together key researchers from Australia and New Zealand to offer a context-specific textbook that covers all of the major debates in the discipline in an accessible way. This book examines both the foundational texts and cutting-edge contributions to the topic and acknowledges the unique challenges and debates in the local Australian and New Zealand context. Written as an entry-level text, it introduces undergraduate students to key theories and debates on the topics of offending, victimization and the criminal justice system. It explores key topics in feminist criminology with chapters exploring sex work, prison abolitionism, community punishment, media representations of crime and victims, and the impacts of digital technology on gendered violence. Centring on an intersectional approach, the book includes chapters that focus on disability, queer criminology, indigenous perspectives, migration and service-user perspectives. The book concludes by exploring future directions in feminist approaches to crime and justice. This book will be essential reading for undergraduates studying feminist criminology, gender and crime, queer criminology, socio-legal studies, intersectionality, sociology and criminal justice.

With the vote to bless same-sex marriages, the Episcopal Church becomes the largest U.S. denomination to officially sanction same-sex relationships. Homosexuality has become a flashpoint at the intersection of religion, family, and politics. A Thorn in the Flesh: How Gay Sexuality is Changing the Episcopal Church tells the story of how homosexuality has been used to further conservative political agendas, both here and abroad. It describes how African and Asian churches have been drawn into a conflict that began in the United States in the Episcopal Church, and raises vital questions of whether people with different understandings of authority and truth can live in harmony. This provocative book is not a history of the movement for gay inclusion, nor a history of the movement for a new, conservative Anglican church in the Americas. Instead, it is a comparison of the conservative and the liberal parts of the church. There are those, such as the Church of England, who have conservative theological orientation and are most likely to oppose fully including gays and lesbians in the church. Hall, also, explores the rapid changes that have happened in Western society in the past fifty years that have led to the acceptance of same-sex marriage and homosexuality. This change has not come easily and even after nearly four decades, gay marriage remains a politically divisive issue in the United States and England.

Reimagining the Family is the first book-length study of representations of lesbian mothering in French literature. Focusing on female-authored texts published between 1970 and 2013, the book explores how literature reflects, engages with and even anticipates the recent, highly charged debates on the rights of same-sex couples and parents in France. Centred around the notion of "reimagining", the book examines how literature interrogates the normative definition of the family as a heterosexual, biological unit. It discusses a range of themes, including the difficulty of reconciling lesbianism with mothering, the role of the father, the identity of the co-mother and issues of difference and equality. The corpus includes both well-known and previously unstudied authors, and covers a range of genres, from autobiography to popular fiction. Collectively, the texts offer privileged insights into the increasingly relevant experiences of lesbian mothers and illustrate the changing face of the family in twenty-first-century France.

- There is a gap in the market for a practical book about working psychoanlaytically with LGBTQ clients. - Includes contributions from prominent clinicians working today in the UK, US and Australia. - Covers a range of topics, from the psychosexual to aging, transgenderism to parenting.

- There is a gap in the market for a practical book about working psychoanlaytically with LGBTQ clients. - Includes contributions from prominent clinicians working today in the UK, US and Australia. - Covers a range of topics, from the psychosexual to aging, transgenderism to parenting.

Drawing on empirical data from women who pay for sexual services and those who provide services to women, this ground-breaking study is the first of its kind in the UK, detailing the experiences of women who pay for sex in an explicit, direct, prearranged way. Unlike previous research on clients, which has predominantly focused on men who buy sex or women who engage in romance tourism in places such as the Caribbean, this innovative research offers new and original insights into the demand side of commercial sex. Too often, it is assumed that only men pay for sex from women or other men. Women are assumed to be service providers and are unimaginable as clients. This book therefore offers a radical departure from existing scholarship on commercial sex. In addition, the book examines the experiences of couples who pay for commercial sex, a client group that has received scant investigation. The book explores women's reasons for their engagement in commercial sex services, their backgrounds and characteristics, their strategies for remaining safe and managing potential risks, as well as their sexual health strategies. The nature of sexual service bookings with women clients is also examined, exploring the types of services women seek, the places where bookings occur and the fess they pay. Finally, the experiences of men, women and trans sex workers who provide sexual services to women are examined. By drawing on our unique data and comparing it to the literature on men clients, we present our theory 'Converging Sexualities'. We argue that commercial sex is a site of behavioural convergence and that women clients are behaving in ways that could be described as masculine or feminine. Our study therefore offers new ways to understand sexuality. This book will be of interest to researchers in the field of sexuality, sex work and women's behaviour.

This book unpacks the character of pornographic representations of queer Black masculinity and how these representations vary between corporate and noncorporate producers. The author argues that representations of Black men in gay porn rely on stereotypes of Black masculinity to arouse consumers, especially those which characterize Black men as "missing links" or focus excessively on their "dark phalluses." Moreover, these depictions consistently separate gay Black and white men's sexuality into bifurcated discursive spaces, thereby essentializing sexual aspects of racial identity. Lastly, though such depictions are less prevalent in user-submitted videos, overall, both user-submitted and corporate content reify stereotypes about Black masculinity. This book is written for researchers, lecturers, and graduate courses in the social sciences and humanities, including Sociology, Social Psychology, Sexuality, African American Studies, Women and Gender Studies, LGBTQ Studies, Culture and Art Studies, Porn Studies, Social Media Studies, and Public Health.

This comprehensive second edition inspires therapists to utilize clinical work to pragmatically address intersectional oppressions, lessen the burden of minority stress, and implement effective LGBTQ affirmative therapy. A unique and important contribution to LGBTQ literature, this handbook includes both new and updated chapters reflecting cutting-edge intersectional themes like race, ethnicity, polyamory, and monosexual normativity. A host of expert contributors outline the best practices in affirmative therapy, inspiring therapists to guide LGBTQ clients into deconstructing the heteronormative power imbalances that undermine LGBTQ relationships and families. There is also an increased focus on clinical application, with fresh vignettes included throughout to highlight effective treatment strategies. Couple and family therapists and clinicians working with LGBTQ clients, and those interested in implementing affirmative therapy in their practice, will find this updated handbook essential.

This comprehensive second edition inspires therapists to utilize clinical work to pragmatically address intersectional oppressions, lessen the burden of minority stress, and implement effective LGBTQ affirmative therapy. A unique and important contribution to LGBTQ literature, this handbook includes both new and updated chapters reflecting cutting-edge intersectional themes like race, ethnicity, polyamory, and monosexual normativity. A host of expert contributors outline the best practices in affirmative therapy, inspiring therapists to guide LGBTQ clients into deconstructing the heteronormative power imbalances that undermine LGBTQ relationships and families. There is also an increased focus on clinical application, with fresh vignettes included throughout to highlight effective treatment strategies. Couple and family therapists and clinicians working with LGBTQ clients, and those interested in implementing affirmative therapy in their practice, will find this updated handbook essential.

This original collection of essays explores the work and life choices of Spanish women who, through their writings and social activism, addressed social justice, religious dogmatism, the educational system, gender inequality, and tensions in female subjectivity. It brings together writers who are not commonly associated with each other, but whose voices overlap, allowing us to foreground their unconventionality, their relationships to each other, and their relation to modernity. The objective of this volume is to explore how the idea of "queerness" played an important role in the personal lives and social activism of these writers, as well as in the unconventional and nonconformist characters they created in their work. Together, the essays demonstrate that the concept of "queer women" is useful for investigating the evolution of women's writing and sexual identity during the period of Spain's fitful transition to modernity in the nineteenth century. The concept of queerness in its many meanings points to the idea of non-normativity and gender dissidence that encompasses how women intellectuals experienced friendship, religion, sex, sexuality, and gender. The works examined include autobiography, poetry, memoir, salon chronicles, short and long fiction, pedagogical essays, newspaper articles, theater, and letters. In addition to exploring the significant presence of queer women in nineteenth- and twentieth-century Spanish literature and culture, the essays examine the reasons why the voices of Spanish women authors have been culturally silenced. One thrust in this collection explores generational transitions of Spanish writers from the romantics and their "hermandad lirica" ("lyrical sisterhood") through to "las Sinsombrero" ("Women Without Hats"), and finally, current Spanish writers linked to the LGBTQ+ community.