Homosexuality, Transsexuality, Psychoanalysis and Traditional Judaism explores the often incommensurable and irreconcilable beliefs and understandings of sexuality and gender in the Orthodox Jewish community from psychoanalytic, rabbinic, feminist, and queer perspectives. The book explores how seemingly irreconcilable differences might be resolved. The book is divided into two separate but related sections. The first highlights the divide between the psychoanalytic, academic, and traditional Orthodox Jewish perspectives on sexual identity and orientation, and the acute psychic and social challenges faced by gay and lesbian members of the Orthodox Jewish world. The contributors ask us to engage with them in a dialogue that allows for authentic conversation. The second section focuses on gender identity, especially as experienced by the Orthodox transgender members of the community. It also highlights the divide between theories that see gender as fluid and traditional Judaism that sees gender as strictly binary. The contributors write about their views and experiences from both sides of the divide. They ask us to engage in true authentic dialogue about these complex and crucial emotional and religious challenges. Homosexuality, Transsexuality, Psychoanalysis and Traditional Judaism will be of great interest to psychoanalysts and psychoanalytic psychotherapists as well as members and leaders of Jewish communities working with LGBTQ issues.

This new take on Queer Theory explores the ways in which sexuality, subjectivity and sociality have been discursively produced in various historical and cultural contexts. The book begins by putting gay and lesbian sexuality and politics in historical context and demonstrates how, and why, Queer Theory emerged in the West in the late twentieth century. It goes on to provide a detailed overview of the complex ways in which Queer Theory has been practised. Topics covered include: * race * sadomasochism * 'straight' sex * fetishism * community * popular culture * transgender * performativity Each chapter focuses on an issue or topic, provides a critical analysis of the specific ways in which it has been responded to by critics (including Sigmund Freud, Michel Foucault, Judith Butler, Jacques Derrida, Jean-Luc Nancy, Adrienne Rich and Laura Mulvey), and introduces key terms. Each chapter also discusses contemporary cinematic texts. Key Features * Extends current accounts of Queer Theory by analysing its relation to our everyday lives. * Provides historical overviews of key concepts such as heterosexuality, sadomasochism and fetishism. * Up to date coverage of issues and debates. * Examples are taken from contemporary popular cultural texts such as films, documentaries and art projects.

This book argues for the importance of narrative theories which consider gender and sexuality through the analysis of a diverse range of texts and media. Classical Narratology, an allegedly neutral descriptive system for features of narrative, has been replaced by a diverse set of theories which are attentive to the contexts in which narratives are composed and received. Issues of gender and sexuality have, nevertheless, been sidelined by new strands which consider, for example, cognitive, transmedial, national or historical inflections instead. Through consideration of texts including the MTV series Faking It and the papers of a nineteenth-century activist, Queer and Feminist Theories of Narrative heeds the original call of feminist narratologists for the consideration of a broader and larger corpus of material. Through analysis of issues including the popular representation of lesbian desire, the queer narrative voice, invisibility and power in the digital age, embodiment and cognitive narratology, reading and racial codes, this book argues that a named strand of narrative theory which employs feminist and queer theories as intersectional vectors is contemporary and urgent. The chapters in this book were originally published as a special issue of the journal Textual Practice.

This book compares the state of knowledge on men and masculinities in 14 countries across Europe, examining the effects of social change, Europeanization, globalization and new post-socialist configurations of Europe for men. Special attention is given to home and work, social exclusion, violence, and health.

This book charts an evolution in gay identity within American reality television and documentary film. Through focusing on the performative potential of gay men, it examines the emergence of the independent gay citizen as a bold new voice rejecting subjugation within the media. Through examining productions as diverse as ""An American Family"", ""Tongues United"", ""Silverlake Life"", ""The Real World"", ""Paternal Instinct"", ""Queer Eye for the Straight Guy"", and many others, this book explores how gay people as teens, devoted couples, parents, inspiring individuals and influential producers have contributed to the progression of gay identity in domestic arenas. These portrayals are played out while discussing AIDS, the development of same-sex family forms, the issues of procreation and gay marriage and the changing views of gay men as both creative producers and responsible social agents. In these forms of entertainment, gay social actors as political agents challenge dominant ideas, and invent new social worlds.

Diverse sex, gender, and sexual identities historically have been pushed to the margins in sport. While there is more visibility and inclusion for LGBTIQ (lesbian, gay, bisexual, transgender, intersex, queer) people in sport today than in the past, there still exists bigotry and marginalization. In this book, Vikki Krane and a team of leading sport scholars critically assess what we know about sex, gender, and sexuality in sport; expose areas in need of further inquiry; and offer new avenues for theory, research, and practice. Drawing on cultural studies perspectives, and with social justice at the heart of every chapter, the book discusses theory, policy, practice, and the experiences of LGBTIQ people in sport. Sex, Gender, and Sexuality in Sport is an important read for undergraduate and postgraduate students in any class with content on LGBTIQ people in sport, but particularly for those studying sport and gender, sexuality and sport, LGBT studies, psychology of gender, contemporary issues in sport, sociology of gender, and sport and higher education. It is also a vital resource for scholars who conduct research in the area of LGBTIQ people in sport.

In recent years, lesbian, gay, bisexual, and transgender (LGBT) athletes have received more media attention than ever before. Declining levels of homophobia across the Western world has facilitated a greater acceptance of LGBT athletes among heterosexual teammates, fans, and the sports media. Consequently, academic interest in sport, gender and sexuality has also increased substantially. This edited collection combines studies of gender and sexuality with that of the sports media to provide the first-ever comprehensive academic overview of LGBT athletes in the sports media. It draws upon work from a wide range of international scholars to provide an interdisciplinary analysis of improved media coverage of LGBT athletes, as well as the numerous issues and barriers which continue to exist. LGBT Athletes in the Sports Media will be of interest to students and scholars across a range of disciplines, including sociology, media studies, and gender studies.

"A Queer History of the Ballet "is the first book-length study of ballet's queerness. It theorizes the queer potential of the ballet look, and provides historical analyses of queer artists and spectatorships. It demonstrates that ballet was a crucial means of coming to visibility, of evolving and articulating a queer consciousness in periods when it was dangerous and illegal to be homosexual. It also shows that ballet continues to be a key element of the dance cultures through which queerness is explored. The book moves from the 19th century through the post-modern era, bringing together an important array of creative figures and movements, including Romantic ballet; Tchaikovsky; Diaghilev; Genet; Fonteyn; New York City Ballet; Neumeier; Bourne; Bausch; and Morris. It discusses the making and performance history of key works, including "La Sylphide, Giselle, Sleeping Beauty," and "Swan Lake,"
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A Queer History of the Ballet "will be especially useful to students and scholars involved in the growing number of courses on queer culture, theatre studies, dance history, gender studies, and cross-disciplinary approaches to literature. It is written in a lively, clear style that will make it accessible to the non-academic reader who has an interest in queer and/or dance history.

Sarah Schulman's writing is bold, provocative, and refreshingly unrepentant. First published in 1994, My American History: Lesbian and Gay Life During the Reagan and Bush Years combines critical commentary with a rich and varied collection of news articles, letters, interviews, and reports in which the author traces the development of lesbian and gay politics in the U.S. In her coverage of many tireless campaigns of activism and resistance, Sarah Schulman documents a powerful political history that most people - gay or straight - never knew happened. In her Preface to this second edition, Urvashi Vaid argues for the continued relevance of Schulman's writing to activism in the 21st century, particularly in light of the resurgence of the right in American politics. Also included is a selection of articles by Sarah Schulman for Womanews, in their original print format, with illustrations by Alison Bechdel. The book closes with an interview with the author, conducted by Steven Thrasher, especially for this new edition. It explores AIDS and homophobia during the Reagan/Bush administrations and at the dawn of the Trump era. My American History is a collection that gives voice to both the personal and political struggles of feminist and lesbian and gay communities in the 1980s. It is an important historical record that will enlighten and inform activists, as well as academics of women's, gender and sexuality studies, in the 21st century.

Abigail Garner was five years old when her parents divorced and her dad came out as gay. Like the millions of children growing up in these families today, she often found herself in the middle of the political and moral debates surrounding lesbian, gay, bisexual, and transgender (LGBT) parenting.

Drawing on a decade of community organizing, and interviews with more than fifty grown sons and daughters of LGBT parents, Garner addresses such topics as coming out to children, facing homophobia at school, co-parenting with ex-partners, the impact of AIDS, and the children's own sexuality.

Both practical and deeply personal, Families Like Mine provides an invaluable insider's perspective for LGBT parents, their families, and their allies.

In the summer of 2010, Ragan Fox was one of twelve people selected to participate in the twelfth season of CBS's reality program Big Brother. Offering a rare, autobiographical, and behind-the-scenes peek behind Big Brother's theatrical curtain, Fox provides a scholarly account of the show's casting procedures, secret soundstage interactions, and viewer involvement, while investigating how the program's producers, fans, and players theatrically render identities of racial and sexual minorities. Using autoethnography, textual analysis, and spectator commentary as research, Inside Reality TV reflects on and critiques how identity is constructed on reality television, and the various ways in which people from historically oppressed groups are depicted in mass media.

This text examines the implications for social theory and sexual politics of taking difference seriously. It explores the trouble difference makes not only for the social sciences, but also for the people - feminists, queer theorists, postmodernists - who champion difference. Seidman asks how social thinkers should conceptualize differences such as gender, race, and sexuality, without reducing them to an inferior status. He looks to the new social knowledges for innovative approaches to difference, while pointing out the conceptual, ethical and political difficulties which can characterize them. This is a wide-ranging discussion of contemporary social theory and sexual politics. In addition, it argues persuasively for a pragmatic approach to difference troubles in theory and politics.

Cookie Mueller (1949-1989) was a firecracker, a cult figure, a wild child, a writer, a go-go dancer, a mother and a queer icon. A child of suburban 1950s Maryland, she made her name first as an actress in the films of John Waters, and then as an art critic and columnist, a writer of hilarious stories and a maven of New York's downtown art world. "Edgewise" tells the story of Cookie's life through an oral history composed of more than 80 interviews with the people who knew her, including John Waters, Mink Stole, Gary Indiana, Sharon Niesp, Max Mueller, Linda Yablonsky, Richard Hell, Amos Poe and Raymond Foye. The contributors take us from the late-1960s artist communes of Baltimore to 1970s Provincetown and New York, through 1980s Berlin and Positano. Along with the text, "Edgewise" includes artwork, unpublished photographs and archival material and photography by Philip-Lorca diCorcia, David Armstrong, Robert Mapplethorpe, Peter Hujar and others.

The rates of bullying, truancy due to lack of safety in schools, and subsequent suicidality for LGBT+ youth are exponentially higher than for non-LGBT+ youth. As a result, many American K-12 students are suffering needlessly and many school leaders are unsure of what to do. This book solves that problem. Setting out best practices and professional guidance for creating LGBT+ inclusive learning in schools, this approachable and easy to follow book guides teachers, educators, administrators, and school staff toward appropriate and proven ways to create safer learning environments, update school policies, enhance curricula, and better support LGBT+ youth as they learn. Featuring real-life situations and scenarios, a glossary, and further resources, this book enables professionals in a variety of school roles to integrate foundational concepts into their everyday interactions with students, families, and staff to create an overall school culture that nurtures a welcoming, inclusive, and affirming environment for all. This book can be utilized by independent readers, department teams, and entire school district reading experiences. This book also includes brand new, never before seen postcards from PostSecret as its foreword and its afterword is written by James Lecesne, co-founder of The Trevor Project. Also inside is the very first (and likely only ever) interview by the leaders of "Parents of Transgender Children," the world's largest support group of its kind. **An audiobook version will become available in Spring 2020!

Producing Queer Youth challenges popular ideas about online media culture as a platform for empowerment, cultural transformation, and social progress. Based on over three years of participant action research with queer teen media-makers and textual analysis of hundreds of youth-produced videos and popular media campaigns, the book unsettles assumptions that having a "voice" and gaining visibility and recognition necessarily equate to securing rights and resources. Instead, Berliner offers a nuanced picture of openings that emerge for youth media producers as they negotiate the structures of funding and publicity and manage their identities with digital self-representations. Examining youth media practices within broader communication history and critical media pedagogy, she forwards an approach to media production that re-centers the process of making as the site of potential learning and social connection. Ultimately, she reframes digital media participation as a struggle for-rather than, in itself, evidence of-power.

Gary P. Cestaro's Queer Italia includes essays on Italian literature and film, medieval to modern, and attempts to define a queer tradition in Italian culture. Contributors explore the multiform dynamics of sexuality in Italian texts and aim not to promote the mistaken notion of a single homosexuality through history; rather, they upset and undo the equally misguided assumption of an omnipresent heterosexuality by uncovering the complexities of desire in texts from all periods. Somewhat paradoxically, a kind of queer canon results. These essays open a much-needed critical space in the Italian tradition wherein fixed definitions of sexual identity collapse. Queer Italia will be of interest to a wide audience of Italianists, medieval to modern, and queer cultural theorists.

A powerful and provocative collection of essays that offers poignant reflections on living between society's most charged, politicized, and intractably polar spaces-between black and white, rich and poor, thin and fat. Savala Nolan knows what it means to live in the in-between. Descended from a Black and Mexican father and a white mother, Nolan's mixed-race identity is obvious, for better and worse. At her mother's encouragement, she began her first diet at the age of three and has been both fat and painfully thin throughout her life. She has experienced both the discomfort of generational poverty and the ease of wealth and privilege. It is these liminal spaces-of race, class, and body type-that the essays in Don't Let It Get You Down excavate, presenting a clear and nuanced understanding of our society's most intractable points of tension. The twelve essays that comprise this collection are rich with unforgettable anecdotes and are as humorous and as full of Nolan's appetites as they are of anxieties. Over and over again, Nolan reminds us that our true identities are often most authentically lived not in the black and white, but in the grey of the in-between.

This book provides a comprehensive overview of human diversity by examining how issues of race, ethnicity, disability, religion, and sexual orientation affect daily interactions. With the increased awareness of cultural diversity, essays focus the reader on the many factors to consider in our ever-expanding society. Rather than adopting an elaborately theoretical style to explore these issues, the authors address the question of interaction in a clear and accessible style. Each essay, written by a leading scholar in the field, presents a different perspective on how appreciating and understanding human variety can enhance the quality of interactions between social groups.

This visionary volume examines how queer bodies are theatrically represented on the Cuban stage in ways that challenge one of the state's primary revolutionary tools, the categorization and homogenization of individuals. Bretton White critically analyzes contemporary performances that upset traditional understandings of performer and spectator, as well as what constitutes the ideal Cuban citizenry.Following the 1959 revolution, nonconformists were monitored and reported by local committees and punished or reformed by the government. Censorship was rampant, and Cuban art suffered as the state tried to control the national message. Through the lens of queer theory, White explores how the body has been central to the state's fear-based marginalization of gay life and looks at the ways these theatrical performances defuse that fear. She highlights the revolutionary model of masculinity and the role it plays in excluding people based upon visible queer difference. White finds that, through experimental performances of sexuality, actors create connections with audiences to evoke shared feelings of discomfort, intimacy, shame, longing, frustration, and failure, which echo the prevalence of these feelings in other Cuban spaces. By performing queerness, these plays question the state's narrative of heteronormativity and empower citizens to negotiate alternative understandings of Cuban identity.

No matter how much you prepare, coming out as gay or lesbian is a difficult, emotional process -- a process that will continue long after the words are spoken and the secret is out. There's no magic formula, but Outing Yourself by Michelangelo Signorile offers structure, guidance, and straightforward advice to all those:

WHO ARE STRUGGLING WITH THEIR SEXUALITY AND UNSURE OF WHAT TO DO
WHO HAVE ACCEPTED THAT THEY ARE GAY BUT ARE STILL AFRAID TO COME OUT
WHO CONSIDER THEMSELVES OUT OF THE CLOSET BUT REALIZE THEY HAVE FARTHER TO GO

Signorile's 14-step program -- complete with exercises, meditation notes, and anger checks, as well as the accounts of the coming-out experiences of other lesbians and gay men -- shows how you can successfully handle this life-changing, life-renewing process. A guide for the coming-out journey, Outing Yourself will convince all who read it that, in the words of the author, "The stress of coming out will never be as hard on you as the stress of staying in was."

An innovation in studies on Bible and film, How Hysterical is less centered on direct citation of the Bible in film than on analyses of hypostasized biblical influence in culture. Here, through accessible engagement with feminist, queer, postcolonial and ideological critical theories, Erin Runions discusses the processes by which biblical and filmic texts can both bolster and disrupt identifications with the norms that drive politics and culture.