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Books > Social sciences > Psychology > Cognition & cognitive psychology > General
This book presents and discusses seven contemporary theoretical
approaches to behavior analysis that build upon the foundations
laid by B.F. Skinner's radical behaviorism and renew its legacy.
These contemporary approaches show that behaviorism is not a
monolithic or static intellectual tradition, but a dynamic
movement, which changes and adapts in face of new questions,
issues, and perspectives. The death of behaviorism has been
proclaimed since its early days - a "premature" assessment, to say
the least - but this volume shows that behaviorism is alive and
kicking, even thirty years after its main proponent passed away.
This volume contains seven sections, each one dedicated to a
particular variation of contemporary behaviorism: Howard Rachlin's
teleological behaviorism, William Baum's molar behaviorism and
multiscale behavior analysis, John Staddon's theoretical
behaviorism, John Donahoe's biological behaviorism, Gordon Foxall's
intentional behaviorism, Steven Hayes' contextual behaviorism or
contextual behavioral science, and Emilio Ribes-Inesta's
field-theory behaviorism. Each section contains three chapters: the
first one written by the original proponent of each of these forms
of behaviorism, the second one written by a commentator, and the
third one written by the proponent, replying to the commentator.
Contemporary Behaviorisms in Debate will be a valuable tool to
behavior analysts and psychologists in general by providing an
introduction to contemporary forms of behaviorism and promoting
debates about the main philosophical issues faced by the field of
behavior analysis today- issues that can directly influence future
epistemological variations in the selection process of
"behaviorisms." By doing so the book is directed not only to the
present, but, more importantly, toward the future of the field.
Modern populations are superficially aware of media potentials and
paraphernalia, but recent events have emphasized the general
ignorance of the sentient media. Advertising has long been
suspected of cognitive manipulation, but emergent issues of
political hacking, false news, disinformation campaigns, lies,
neuromarketing, misuse of social media, pervasive surveillance, and
cyber warfare are presently challenging the world as we know it.
Media Models to Foster Collective Human Coherence in the
PSYCHecology is an assemblage of pioneering research on the methods
and applications of video games designed as a new genre of dream
analogs. Highlighting topics including virtual reality, personality
profiling, and dream structure, this book is ideally designed for
professionals, researchers, academicians, psychologists,
psychiatrists, sociologists, media specialists, game designers, and
students hoping for the creation of sustainable social patterns in
the emergent reality of energy and information.
This volume develops a comprehensive framework for applying the
theory of hauntology to everyday life from ethnographic and
clinical points of view. The central argument of the book is that
all human experience is fundamentally haunted, and that a shift
from ontological theory of subjective experience to a hauntological
one is necessary and has urgent implications. Building on the
notion of hauntology outlined by Derrida, the discussions are
developed within the frameworks of psychoanalytic theory,
specifically Jacques Lacan's object relational theory of ego
development and his structural reading of Freud's theory of the
psychic apparatus and its dynamics; along with the Hegelian
ontology of the negative and its later modifications by 20th
century philosophers such as Heidegger and Derrida; and the
semiotics of difference introduced by Saussure and worked by
Jakobson and others. This book argues and demonstrates the
immediate relevance of hauntological analysis in everyday life by
providing a microanalysis of the roles played by power, meaning and
desire; and by using vignettes and data from ethnographic research
and clinical settings, as well as references to literature, movies
and other cultural products.
In Measuring the Immeasurable Mind: Where Contemporary Neuroscience
Meets the Aristotelian Tradition, Matthew Owen argues that despite
its nonphysical character, it is possible to empirically detect and
measure consciousness. Toward the end of the previous century, the
neuroscience of consciousness set its roots and sprouted within a
materialist milieu that reduced the mind to matter. Several decades
later, dualism is being dusted off and reconsidered. Although some
may see this revival as a threat to consciousness science aimed at
measuring the conscious mind, Owen argues that measuring
consciousness, along with the medical benefits of such
measurements, is not ruled out by consciousness being nonphysical.
Owen proposes the Mind-Body Powers model of neural correlates of
consciousness, which is informed by Aristotelian causation and a
substance dualist view of human nature inspired by Thomas Aquinas,
who often followed Aristotle. In addition to explaining why there
are neural correlates of consciousness, the model provides a
philosophical foundation for empirically discerning and quantifying
consciousness. En route to presenting and applying the Mind-Body
Powers model to neurobiology, Owen rebuts longstanding objections
to dualism related to the mind-body problem. With scholarly
precision and readable clarity, Owen applies an oft forgotten yet
richly developed historical vantage point to contemporary cognitive
neuroscience.
Theatre, Performance and Cognition introduces readers to the key
debates, areas of research, and applications of the cognitive
sciences to the humanities, and to theatre and performance in
particular. It features the most exciting work being done at the
intersection of theatre and cognitive science, containing both
selected scientific studies that have been influential in the
field, each introduced and contextualised by the editors, together
with related scholarship from the field of theatre and performance
that demonstrates some of the applications of the cognitive
sciences to actor training, the rehearsal room and the realm of
performance more generally. The three sections consider the
principal areas of research and application in this
interdisciplinary field, starting with a focus on language and
meaning-making in which Shakespeare's work and Tom Stoppard's
Arcadia are considered. In the second part which focuses on the
body, chapters consider applications for actor and dance training,
while the third part focuses on dynamic ecologies, of which the
body is a part.
Humans have a unique ability to understand the beliefs, emotions,
and intentions of others-a capacity often referred to as
mentalizing. Much research in psychology and neuroscience has
focused on delineating the mechanisms of mentalizing, and examining
the role of mentalizing processes in other domains of cognitive and
affective functioning. The purpose of the book is to provide a
comprehensive overview of the current research on the mechanisms of
mentalizing at the neural, algorithmic, and computational levels of
analysis. The book includes contributions from prominent
researchers in the field of social-cognitive and affective
neuroscience, as well as from related disciplines (e.g., cognitive,
social, developmental and clinical psychology, psychiatry,
philosophy, primatology). The contributors review their latest
research in order to compile an authoritative source of knowledge
on the psychological and brain bases of the unique human capacity
to think about the mental states of others. The intended audience
is researchers and students in the fields of social-cognitive and
affective neuroscience and related disciplines such as
neuroeconomics, cognitive neuroscience, developmental neuroscience,
social cognition, social psychology, developmental psychology,
cognitive psychology, and affective science. Secondary audiences
include researchers in decision science (economics, judgment and
decision-making), philosophy of mind, and psychiatry.
This monograph presents innovative research regarding the body
experience of human individuals who are using assistive robotic
devices such as wearable robots or teleoperation systems. The focus
is set on human-in-the-loop experiments that help to empirically
evaluate how users experience devices. Moreover, these experiments
allow for further examination of the underlying mechanisms of body
experience through extending existing psychological paradigms,
e.g., by disentangling tactile feedback from contacts. Besides
reporting and discussing psychological examinations, the influence
of various aspects of engineering design is investigated, e.g.,
different implementations of haptic interfaces or robot control. As
haptics are of paramount importance in this tight type of
human-robot interaction, it is explored with respect to modality as
well as temporal and spatial effects. The first part of the book
motivates the research topic and gives an in-depth analysis of the
experimental requirements. The second and third part present
experimental designs and studies of human-robot body experience
regarding the upper and lower limbs as well as cognitive models to
predict them. The fourth part discusses a multitude of design
considerations and provides directions to guide future research on
bidirectional human-machine interfaces and non-functional haptic
feedback.
"Psychology of Learning and Motivation" publishes empirical and
theoretical contributions in cognitive and experimental psychology,
ranging from classical and instrumental conditioning to complex
learning and problem solving. Each chapter thoughtfully integrates
the writings of leading contributors, who present and discuss
significant bodies of research relevant to their discipline.
Volume 60 includes chapters on such varied topics as the balance
between mindfulness and mind-wandering; institutions; implications
for the nature of memory traces; repetition, spacing, and
abstraction; immediate repetition paradigms; stimulus-response
compatibility effects; environmental knowledge; and the control of
visual attention.
Volume 60 of the highly regarded "Psychology of Learning and
Motivation" seriesAn essential reference for researchers and
academics in cognitive scienceRelevant to both applied concerns and
basic research
This is the first volume to provide a detailed introduction to some
of the main areas of research and practice in the interdisciplinary
field of art and neuroscience. With contributions from
neuroscientists, theatre scholars and artists from seven countries,
it offers a rich and rigorous array of perspectives as a
springboard to further exploration. Divided into four parts, each
prefaced by an expert editorial introduction, it examines: *
Theatre as a space of relationships: a neurocognitive perspective *
The spectator's performative experience and 'embodied theatrology'
* The complexity of theatre and human cognition * Interdisciplinary
perspectives on applied performance Each part includes
contributions from international pioneers of interdisciplinarity in
theatre scholarship, and from neuroscientists of world-renown
researching the physiology of action, the mirror neuron mechanism,
action perception, space perception, empathy and intersubjectivity.
While illustrating the remarkable growth of interest in the
performing arts for cognitive neuroscience, this volume also
reveals the extraordinary richness of exchange and debate born out
of different approaches to the topics.
This monograph reviews cognitive and neuroscience studies of the
relations between timing of both neural and behavioral events and
human experience. The historical roots of these discussions are
traced to the beginning of modern psychology. In the beginning of
experimental psychology in Leibzig, Wundt worked on how elements of
sensation relate to consciousness. In later development of
psychology, the timing of conscious and unconscious processing of
information, the timing of events in learning including language
learning, mental speed and intelligence, and the speed of cognition
vis-a-vis emotion are all crucial questions. Systematic
consideration of neural times is complementary to conventional
neuroscience research, such as the Blue Brain Project focusing on
neural structure. The discussion of neural times in the literature
tends to be fragmented, incidental to whatever is the subject
matter. This book attempts to treat neural times in the whole range
of basic psychological processes more systematically, and shows how
they are germane to the understanding of many cognitive and
behavioral phenomena. Neural times are related to the evolutionary
development of the brain and the human experience. A crucial
dynamic in the interaction of evolutionarily older and newer
regions of the brain depends on timing. The interaction of the
generally faster unconscious processes, including emotions, and
more deliberate processes results in greater variation of
experiences and behaviors which is central to free will and
adaptive for humankind as a whole. This monograph is intended for
senior undergraduates, graduate students, and professionals
interested in an in-depth look at the role of timing of neural and
behavioral processes in affecting human experience. It is not a
textbook as such. It is a complementary resource for students of
cognitive psychology, learning, and evolutionary psychology.
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