Consciousness is undoubtedly one of the last remaining scientific mysteries and hence one of the greatest contemporary scientific challenges. How does the brain's activity result in the rich phenomenology that characterizes our waking life? Are animals conscious? Why did consciousness evolve? How does science proceed to answer such questions? Can we define what consciousness is? Can we measure it? Can we use experimental results to further our understanding of disorders of consciousness, such as those seen in schizophrenia, delirium, or altered states of consciousness?
These questions are at the heart of contemporary research in the domain. Answering them requires a fundamentally interdisciplinary approach that engages not only philosophers, but also neuroscientists and psychologists in a joint effort to develop novel approaches that reflect both the stunning recent advances in imaging methods as well as the continuing refinement of our concepts of consciousness.
In this light, the Oxford Companion to Consciousness is the most complete authoritative survey of contemporary research on consciousness. Five years in the making and including over 250 concise entries written by leaders in the field, the volume covers both fundamental knowledge as well as more recent advances in this rapidly changing domain. Structured as an easy-to-use dictionary and extensively cross-referenced, the Companion offers contributions from philosophy of mind to neuroscience, from experimental psychology to clinical findings, so reflecting the profoundly interdisciplinary nature of the domain. Particular care has been taken to ensure that each of the entries is accessible to the general reader and that the overall volume represents a comprehensive snapshot of the contemporary study of consciousness. The result is a unique compendium that will prove indispensable to anyone interested in consciousness, from beginning students wishing to clarify a concept to professional consciousness researchers looking for the best characterization of a particular phenomenon.

Although psychoanalytic criticism has long been established as a practice in its own right, dialogue between the clinical and aesthetic has so far been perfunctory. This innovative book sets out to show in detail that there is a poetics of the unconscious equally at work in both domains, the critical potential of which has been missed by both sides.

In Part I, Wright focuses on the discoveries of Freudian psychoanalysis and demonstrates how the fundamental fantasies emerging in clinical practice are uncannily shared by works of art. This devotion of the unconscious to its phantasmic history is illustrated with examples from Freud, surrealist painting and Julia Kristeva's work on melancholia. In Part II, the focus shifts to Lacan's view of language as a means of agitating the unconscious of the reader. Part III takes examples from the rhetoric of clinical discourse, showing how practitioners are aware of a range of poetic meanings for both patient and analyst. The three parts demonstrate that all language is inescapably figural, as it betrays the operations of desire and fantasy in both aesthetic and clinical discourse.

This book is suitable for second- and third-year undergraduate students and above in literature and literary theory, feminism and gender studies, and psychoanalysis.

The concept of the archetype is crucial to Jung's radical interpretation of the human mind. Jung believed that every person partakes of a universal or collective unconscious that persists through generations. The origins of the concept can be traced to his very first publication in 1902 and it remained central to his thought throughout his life. As well as explaining the theoretical background behind the idea, in Four Archetypes Jung describes the four archetypes that he considers fundamental to the psychological make-up of every individual: mother, rebirth, spirit and trickster. Exploring their role in myth, fairytale and scripture, Jung engages the reader in discoveries that challenge and enlighten the ways we perceive ourselves and others.

Table of Contents

Introduction 1, From “Archetypes of the Collective Unconscious,” first published in the Eranos-Jahrbuch 1934, and later revised and published in Von den Wurzeln des Bewusstseins (Zurich, 1954), from which version the present translation is made. The translation of the original version, by Stanley Dell, in The Integration of the Personality (New York, 1939; London, 1940), has been freely consulted.—E DITORS ; Part 1 Psychological Aspects of the Mother Archetype; pt1_Chapter 1 On the Concept of the Archetype; pt1_Chapter 2 The Mother Archetype; pt1_Chapter 3 The Mother-Complex; pt1_Chapter 4 Positive Aspects of the Mother-Complex; pt1_Chapter 5; Conclusion; Part 2 Concerning Rebirth; pt2_Chapter 1 Forms of Rebirth; pt2_Chapter 2 The Psychology of Rebirth; pt2_Chapter 3 A Typical set of Symbols Illustrating the Process of Transformation; Part 3 The Phenomenology of the Spirit in Fairytales; pt3_Chapter 1 The Phenomenology of the Spirit in Fairytales 1, First published as a lecture, “Zur Psychologie des Geistes,” in the Eranos-Jahrbuch 1945. Revised and published as “Zur Phänomenologie des Geistes im Märchen,” in Symbolik des Geistes (Zurich, 1948), from which the present translation was made. This translation was published in a slightly different form in Spirit and Nature (Papers from the Eranos Yearbooks, 1; New York, 1953; London, 1954).—E DITORS ; Part 4 On the Psychology of the Trickster-Figure; pt4_Chapter 1 On the Psychology of the Trickster-Figure 1, Originally published as Part 5 of Der göttliche Schelm, by Paul Radin, with commentaries by C. G. Jung and Carl Kerényi (Zurich, 1954). The present translation then appeared in the English version of the volume: The Trickster; A Study in American Indian Mythology (London and New York, 1956); it is republished here with only minor revisions.—E DITORS ;

What constitutes enjoyment of life? Optimal Experience: Psychological Studies of Flow in Consciousness offers a comprehensive survey of theoretical and empirical investigations of the "flow" experience, a desirable or optimal state of consciousness that enhances a person's psychic state. "Flow" can be said to occur when people are able to meet the challenges of their environment with appropriate skills, and accordingly feel a sense of well-being, a sense of mastery, and a heightened sense of self-esteem. The authors show the diverse contexts and circumstances in which flow is reported in different cultures (e.g. Japan, Korea, Australia, Italy), and describe its positive emotional impacts. They reflect on the concept of flow vis-à-vis modern social structures, historical phenomena, and evolutionary biocultural selection. The ways in which the ability to experience flow affects work satisfaction, academic success, and the overall quality of life are suggested; and the childrearing practices that result in the ability to derive enjoyment from life, considered.

Have you ever seen something that wasn't really there? Heard someone call your name in an empty house? Sensed someone following you and turned around to find nothing? Hallucinations don't belong wholly to the insane. Much more commonly, they are linked to sensory deprivation, intoxication, illness, or injury. In some conditions, hallucinations can lead to religious epiphanies or even the feeling of leaving one's own body. Humans have always sought such life-changing visions, and for thousands of years have used hallucinogenic compounds to achieve them. In Hallucinations, with his usual elegance, curiosity, and compassion, Dr Oliver Sacks weaves together stories of his patients and of his own mind-altering experiences to illuminate what hallucinations tell us about the organization and structure of our brains, how they have influenced every culture's folklore and art, and why the potential for hallucination is present in us all, a vital part of the human condition.

What occurs within coma? What does the coma patient experience? How does the patient perceive the world outside of coma, if at all? The simple answer to these questions is that we don't know. Yet the sheer volume of literary and media texts would have us believe that we do. Examining representations of coma and brain injury across a variety of texts, this book investigates common tropes and linguistic devices used to portray the medical condition of coma, giving rise to universal mythologies and misconceptions in the public domain. Matthew Colbeck looks at how these texts represent, or fail to represent, long-term brain injury, drawing on narratives of coma survivors that have been produced and curated through writing groups he has run over the last 10 years. Discussing a diverse range of cultural works, including novels by Irvine Welsh, Stephen King, Tom McCarthy and Douglas Coupland, as well as film and media texts such as The Sopranos, Kill Bill, Coma and The Walking Dead, Colbeck provides an explanation for our fascination with coma. With a proliferation of misleading stories of survival in the media and in literature, this book explores the potential impact these have upon our own understanding of coma and its victims.

This book is a compilation of nine short books written between 2007 and 2021, in the ninth and tenth decades of the author's life. It contains his spiritual philosophy expressed in simple language accessible to all. The book tells of what the author has come to believe after a lifetime of seeking for the meaning of life, and how one should live that life at its optimum level. He explains that this cannot be proved: it is ultimately not susceptible to the usual scientific methods, for it lies in a different realm of reality which has to be experienced inwardly. However, its main tenets lie behind world religions and go back to mankind`s earliest thinkings and feelings. Believe it or not as you will, suggests the author. All he can say is that it has sustained him throughout his life and has made that life harmonious and joyous. The teachings of which he speaks are often referred to as the Ancient Wisdom. He first came across them at the age of twenty-five when he met a man who was well versed in that ancient wisdom which is to be found woven throughout major religions, philosophies and mystical teachings. This man was Eugene Halliday, who, the author says, was said to be one of the great spirits of the modern age. The phrase he used to describe the ultimate result of these teachings was 'Reflexive Self-Consciousness'. This, the author explains, was the same message taught by those of old, although expressed by his mentor Halliday in more modern terms. A wise but modest man, the author says that he is no academic or scholar or learned man - adding, with gentle humour, that it is written that an academic is an ass with a load of books on his back. He writes for the average person - of any age - who has no time left to think on these things but who may like to know more. He writes for this person - for he is such a one himself, he says. It is this which makes his story and his accumulated wisdom both inspiring and accessible.

It has long been one of the most fundamental problems of philosophy, and it is now, John Searle writes, "the most important problem in the biological sciences": What is consciousness? Is my inner awareness of myself something separate from my body?
In what began as a series of essays in The New York Review of Books, John Searle evaluates the positions on consciousness of such well-known scientists and philosophers as Francis Crick, Gerald Edelman, Roger Penrose, Daniel Dennett, David Chalmers, and Israel Rosenfield. He challenges claims that the mind works like a computer, and that brain functions can be reproduced by computer programs. With a sharp eye for confusion and contradiction, he points out which avenues of current research are most likely to come up with a biological examination of how conscious states are caused by the brain.
Only when we understand how the brain works will we solve the mystery of consciousness, and only then will we begin to understand issues ranging from artificial intelligence to our very nature as human beings.