Nazi Germany's MP 38 and MP 40 submachine guns are among World War II's most iconic weapons, but it is often forgotten that they continued in use all over the world for many decades after 1945, even being seen during the fighting in Libya in 2011. Widely issued to Fallschirmjager (parachute infantry) owing to their portability and folding stocks, the MP 38 and MP 40 became the hallmarks of Germany's infantry section and platoon leaders; by the war's end the Germans were following the Soviet practice of issuing entire assault platoons with submachine guns. Over 1 million were produced during World War II, many finding their way after 1945 into the hands of paramilitary and irregular forces, from Israel to Vietnam; the Norwegian armed forces continued to use them until the early 1990s, and examples and derivatives saw widespread use in the Yugoslav wars of that decade.
The submachine-gun concept had its origins in the trenches of World War I, as German designers sought to develop a new weapon that utilized pistol ammunition to deliver devastating bursts of automatic fire at close ranges. The massively influential Bergmann MP 18, the world's first purpose-built 'machine pistol' (submachine gun), spearheaded the German assaults of 1918 and, although the Treaty of Versailles banned the study and manufacture of light automatic weapons in Germany, weapons designers like Berthold Geipel and Heinrich Vollmer of Erfurter Maschinenfabrik (Erma) covertly continued to innovate in this field.
An open-bolt, blowback-operated weapon with a single-feed 32-round magazine offering fully automatic fire only and a patented telescoping return spring guide that served as a pneumatic recoil buffer, Geipel and Vollmer's MP 38 drew upon earlier prototypes such as the VMP 1930 and MP 36, as well as the EMP 35, another Erma design that was widely exported and saw combat in the Spanish Civil War. The MP 38 was one of the first of the lighter, more compact "second generation" of submachine guns, utilizing stamped-steel and plastic components that made it easier to produce than earlier types such as the M1928 Thompson and the MP 18, which featured wooden stocks and employed machined-steel parts. It was rapidly adopted by Germany's armed forces and first saw combat during the invasion of Poland in 1939. An improved version, the MP 40, made greater use of stamped steel and electro-spot welding to simplify production further; a twin-magazine version, the MP 40/II, was briefly and unsuccessfully considered as a counter to the select-fire Soviet PPSh-41 with its 71-round drum magazine.
The MP 38 and the MP 40 saw combat in the hands of German troops in every theater in which they were involved, and have become synonymous with Nazi Germany's war effort in popular perception. Even during the war Geipel and Vollmer's designs, mistakenly attributed to the rival designer Hugo Schmeisser by the Allies, profoundly influenced the British Sten and the US M3 "grease gun" as well as postwar weapons such as the Spanish Star Modelo Z-45 and the Yugoslav M56. Featuring specially commissioned full-color artwork and period and close-up photographs, this is the story of the origins, combat use, and lasting influence of two of World War II's most famous firearms.

This book is a compilation of CRS reports on conventional weapons systems. The first report focuses on the background and issues for Congress on cluster munitions, which are air-dropped or ground-launched weapons that release a number of smaller submunitions intended to kill energy personnel or destroy vehicles. The next report focuses on the background and issues for Congress on Navy Aegis Ballistic Missile (BMD) Defense Program. The subsequent report discusses the background and issues for Congress on the Coast Guards programs for procuring National Security Cutters (NCS), 25 Offshore Patrol Cutters (OPCs) and 58 Fast Response Cutters (FRCs). Finally, the process and procedures that currently apply to congressional consideration of foreign arms sales proposed by the President is reviewed. This includes consideration of proposals to sell major defense equipment, defense articles and services, or the retransfer to third-party states of such military items.

Creating Japan's Ground Self-Defense Force, 1945-2015 is a timely contribution to postwar Japan security studies. It is the first comprehensive account of Japan's post-1945 army, including a comprehensive institutional history, together with the evolution of roles and missions and the adoption of successive professional identities. The organizational history is embedded within a thorough examination of Japan's own defense policy, as well as of America's policy of alliance with Japan. The book examines and challenges assumptions about the drafting and adoption of the War Renunciation clause of Japan's postwar Peace Constitution, Article 9, which uniquely not only renounces war, but the arms to wage war. Thus Japan's army is not called an army, but the Ground Self-Defense Force (GSDF). The work also examines the place of an army and soldiers in the formation of Japan's national identity after its last devastating war, and explores the impact of constitutional, legal and policy restrictions, as well as the power of the legacy of the still-largely vilified Imperial Japanese Army on GSDF members who seek to serve because "there are people we want to protect." The study is rounded by an examination of the place of soldiers in Japan's popular culture, focused on movies, manga and anime, assessing the impact on the GSDF of a public imagination that most often ignores or villainizes soldiers, though ending with a note that some positive images of soldiers and of the GSDF members themselves have started to appear in the last few years. The book's author, a retired U.S. Army soldier who spent more than twenty years working, studying and training with the GSDF, offers a broad-ranging exploration of a unique organization. This work is extensively researched, using English and Japanese sources, and will appeal to anyone interested in Japanese security studies, alliance studies, and military imagery in Japanese pop culture, as well as to students of military history, international security, international relations, and cultural identity.

This volume's contributors offer a new critical language through which to explore and assess the historical, juridical, geopolitical, and cultural dimensions of drone technology and warfare. They show how drones generate particular ways of visualizing the spaces and targets of war while acting as tools to exercise state power. Essays include discussions of the legal justifications of extrajudicial killings and how US drone strikes in the Horn of Africa impact life on the ground, as well as a personal narrative of a former drone operator. The contributors also explore drone warfare in relation to sovereignty, governance, and social difference; provide accounts of the relationships between drone technologies and modes of perception and mediation; and theorize drones' relation to biopolitics, robotics, automation, and art. Interdisciplinary and timely, Life in the Age of Drone Warfare extends the critical study of drones while expanding the public discussion of one of our era's most ubiquitous instruments of war. Contributors. Peter Asaro, Brandon Wayne Bryant, Katherine Chandler, Jordan Crandall, Ricardo Dominguez, Derek Gregory, Inderpal Grewal, Lisa Hajjar, Caren Kaplan, Andrea Miller, Anjali Nath, Jeremy Packer, Lisa Parks, Joshua Reeves, Thomas Stubblefield, Madiha Tahir