Embracing the intersectional methodological outlook of the environmental humanities, the contributors to this edited collection explore the entanglements of cultures, ecologies, and socio-ethical issues in the roles of trees and their relationships with humans through narratives in literature and art.

Stephen Rostain's book is a culmination of 25 years of research on the extensive human modification of the wetlands environment of Guiana and how it reshapes our thinking of ancient settlement in lowland South America and other tropical zones. Rostain demonstrates that populations were capable of developing intensive raised-field agriculture, which supported significant human density, and construct causeways, habitation mounds, canals, and reservoirs to meet their needs. The work is comparative in every sense, drawing on ethnology, ethnohistory, ecology, and geography; contrasting island Guiana with other wetland regions around the world; and examining millennia of pre-Columbian settlement and colonial occupation alike. Rostain's work demands a radical rethinking of conventional wisdom about settlement in tropical lowlands and landscape management by its inhabitants over the course of millennia.

Many of us have stopped to pick wildflowers or have admired them as they flourished in fields and along hiking trails and roads. Always appreciated, but not always recognized, these beauties can now be identified with Wildflowers in the Field and Forest, the most inclusive field guide available to the wildflowers of the Northeastern United States. Designed for easy use, the book features two-page spreads with descriptive text and range maps on the left page and color photos on the right. The descriptions are concise, but thorough, and the range maps show both where the plant grows and at what time of year it is likely to be in bloom. Plants are grouped by flower color, usually the feature first noticed by the observer. The species are subsequently grouped by leaf arrangement, type of leaves, and number of flower parts as indicated in the "quick characters" box at the top of each page. There is also a simple key in the beginning of the book that allows one to quickly narrow the search to a few pages. In addition to the more common and conspicuous wildflowers, many of the lesser known, and often overlooked, species are depicted. Over 1400 species are described with nearly all of them illustrated with full-color photos. While these photos generally show the flowers of the plant, insets of leaves and occasionally fruits are often included as well. A bar on each photo allows users to accurately judge the actual size of each flower. Both serious botanists and casual nature observers will welcome this beautifully photographed and expertly detailed guide.

People’s Plants is a scientific review of all of the most important useful plants of southern Africa. It remains the first and only fully illustrated ethnobotanical reference source for southern Africa. In this expanded and updated second edition, traditional and contemporary uses of more than 700 plants are described and illustrated in 20 chapters, each dealing with a specific category of plant use:
• FOODS & DRINKS – (1) Cereals, (2) Seeds & nuts, (3) Fruits & berries, (4) Vegetables, (5) Roots, bulbs & tubers, and (6) Beverages.
• HEALTH & BEAUTY – (7) General medicines, (8) Tonic plants, (9) Mind & mood plants, (10) Women’s health, (11) Wounds, burns & skin conditions, (12) Dental care, (13) Perfumes & repellents, and (14) Soap plants and cosmetics.
• SKILLS & CRAFTS – (15) Hunting & fishing, (16) Dyes and tans, (17) Utility timbers, (18) Fire-making and firewood, (19) Basketry, weaving & ropes, (20) Thatching, mats & brooms.
This fascinating book is a must for anyone interested in useful plants, new crop plants, medicinal plants, new product development, ecotourism, rural development, traditional crafts, African culture, ethnobotany and botany in general.

The Story of Trees takes the reader on a visual journey from some of the earliest known tree species on our planet to the latest fruit cultivars.

The chosen trees have all had a profound effect on the planet and humankind. Starting with the Ginkgo biloba, fossils of which date back 270 million years, we learn about how trees came to be integral to the development of our species and how specific trees have become important religious, political and cultural symbols.

With beautiful illustrations by Thibaud Herem and fascinating botanical facts and figures, this book will appeal to tree lovers from all over the world.

The Green Thread: Dialogues with the Vegetal World is an interdisciplinary collection of essays in the emerging field of Plant Studies. The volume is the first of its kind to bring together a dynamic body of scholarship that shares a critique of long-standing human perceptions of plants as lacking autonomy, agency, consciousness, and, intelligence. The leading metaphor of the book-"the green thread", echoing poet Dylan Thomas' phrase "the green fuse"-carries multiple meanings. On a more apparent level, "the green thread" is what weaves together the diverse approaches of this collection: an interest in the vegetal that goes beyond single disciplines and specialist discourses, and one that not only encourages but necessitates interdisciplinary and even interspecies dialogue. On another level, "the green thread" links creative and historical productions to the materiality of the vegetal-a reality reflecting our symbiosis with oxygen-producing beings. In short, The Green Thread refers to the conversations about plants that transcend strict disciplinary boundaries as well as to the possibility of dialogue with plants.

Sasol First Field Guide to Wild Flowers of Southern Africa provides fascinating insight into the wild flowers of the region.

With the help of full-colour photo graphs and easy-to-read text, the beginner and budding naturalist will be able to identify the more common wild flowers that grow in southern Africa, discover where they are found, and learn about their unique features.

'Remarkable ... Evoking the intensity with which orchid hunters pursue their quarry ... Vivid and expressive' Sunday Times

Orchid Summer is a heady celebration of the beauty and history of the wild orchid species of the British Isles, embraced in one dazzling summer-long hunt by naturalist Jon Dunn.

The flowers that are the focus of this treasure hunt are exquisite and diverse. Some tower above the surrounding vegetation; others are vanishingly small and discrete. Some are sweetly scented; others smell of ripe billy goats. Some are abundant; others more elusive - none more so than the last to flower, the ghost orchid.

Capturing the intoxicating beauty of these rare flowers, Orchid Summer explores their history, their champions, their place in our landscape and the threats they face. Combining infectious enthusiasm and a painterly eye with a deep knowledge that comes from a lifetime's passionate devotion to their study, Dunn sweeps us up on his adventure.

How did the delphinium get its name? Which parts of the body lend their names to auriculas and orchids? Who are the gentian, lobelia and heuchera named after? Why are nasturtiums and antirrhinums connected? What does an everlasting pea have to do with Indian miniature paintings? These are some of the questions answered in Peter Parker's adventurous exploration of the mysteries of Botanical Latin. Evolved over many centuries and often thought to belong to the rarefied world of scholars and scientists, this invented language is in fact a very useful tool for everyday gardening. It allows us to find our way around nurseries; it sorts out confusions when two plants have the same English name; and it gives us all kinds of information about how big or small a plant will grow, what shape or colour it will develop, and what habitat it prefers. In his lively survey, Parker agues that Botanical Latin is not merely useful, but fun. The naming of plants draws upon geography, social and medical history, folklore, mythology, language, literature, the human body, the animal kingdom and all manner of ancient beliefs and superstitions. The book, beautifully illustrated with old woodcuts, explains how and why plants have been named, includes handy lists of identifying adjectives, and takes the reader down some of the stranger byways of human endeavour and eccentricity.

This will be the definitive treatment of the woody plants of Sonora, a remarkably diverse and biologically important region, where desert, temperate, and tropical biota meet and terminate. The Sonoran and Chihuahan deserts verge on temperate, and mountain forests and tropical mangrove estuaries along the coast. Felger is the recognized expert in the area, and the book contains an enormous body of information nowhere else obtainable. It covers the approximately 270 species of native and naturalized trees, featuring identification keys and original line illustrations of the leaves of every species and the diagnostic flowering and fruiting bodies of most species. The descriptive species accounts contain common names and synonyms, ecological and geographic data, ranges, natural history, economic uses, and conservation status, as well as the standard taxonomic descriptions.

How did one of the world's preeminent marine conservation scientists fall in love with coral reefs? We first meet Callum as a young student who had never been abroad, spending a summer helping to map the unknown reefs of Saudi Arabia. From that moment, when Callum first cleared his goggles, he never looked back. He went on to survey Sharm al-Sheikh, and from there he would dive into the deep in the name of research all over the world, from Australia's imperiled Great Barrier Reef to the hardier reefs of the Caribbean. Reef Life is filled with astonishing stories of adventure and the natural world, which are by turns lyrical and laced with a wonderful wry humor. Callum illuminates the science of our oceans and reefs and his book, combined with the stunning photographs from Alex Mustard, will also commit readers to support Callum's goal to preserve 10 percent of the world's oceans.

Can we imagine a world without flowers? Flowers are beautiful, offering us delight in their colour, fragrance and form, as well as their medicinal benefits. Flowers also speak to us in the language of the plant form itself, as cultural symbols in different societies, and at the highest levels of inspiration. In this beautiful and original book, renowned thinker and geometrist Keith Critchlow has chosen to focus on an aspect of flowers that has received perhaps the least attention. This is the flower as teacher of symmetry and geometry (the 'eternal verities', as Plato called them). In this sense, he says, flowers can be treated as sources of remembering -- a way of recalling our own wholeness, as well as awakening our inner power of recognition and consciousness. What is evident in the geometry of the face of a flower can remind us of the geometry that underlies all existence. Working from his own flower photographs and with every geometric pattern hand-drawn, the author reviews the role of flowers within the perspective of our relationship with the natural world. His illuminating study is an attempt to re-engage the human spirit in its intimate relation with all nature.

This field guide to the most common trees of Kenya covers some 300 indigenous and introduced species. Designed for residents and visitors to the country alike, tree descriptions are non-technical and each is accompanied by an original line drawing to aid identification.

Set off on a spellbinding expedition into the deep, dark woods...

Page after page of this book is packed with vintage drawings that portray the enchanting beauty of a wild, ancient wood. Journey down snaking pathways, beneath towering trees, and amongst glorious plants and wildlife to uncover the odd magical surprise.

Get creative! Adorn your personal items with more than 1,000 images of forest life, including intriguing toadstools, elegant trees, and even fantastical elves and more. Create gorgeous artwork and stationery, or simply enjoy this book as an exquisite keepsake.

The Complete Language of Flowers is a comprehensive encyclopedia providing the meanings, powers, facts, and folklore for over 1,001 flower species. Along with a beautiful visual depiction, each entry provides the flower's scientific and common names, characteristics, and historic meanings and powers from mythology, medieval legends, folklore, and flower poetry. For centuries, symbolic flower meanings have fascinated readers, writers, poets, and suddenly smitten couples alike. Extremely popular during the Victorian era, these floriographies flourished and versed the public on the hidden meaning of popular flowers such as: Purple Tulip-Eternal love Amaryllis-Adventurousness; Enthusiasm; Passion Daisy-Beauty and innocence; Cheer; Childlike playfulness Sunflower-Ambition; Constancy; Devotion Together with stunning full-color illustrations and two indexes, one for searching by common flower name and the other organized by meaning, this beautiful reference is a must-have for gardeners, florists, and flower enthusiasts. Whether you're looking to arrange the perfectly bespoken wedding bouquet or to understand what the yellow rose you just received from an admirer means (friendship), this updated floriography is a visual delight. Elegantly designed and beautifully illustrated, the Complete Illustrated Encyclopedia series offers comprehensive, display-worthy references on a range of intriguing topics, including birthday astrology, dream interpretation, techniques for harnessing the power of dreams, and the stories behind signs and symbols.

Sappi Tree spotting is a new, easy method of tree identification, written for the newcomer to an area, as well as the experienced tree enthusiast. It won't take long before you are able to recognise almost three-quarters of the larger trees you see in the bushveld. Innovative, accurate maps provide precise location information, Colour-coding lists the likely trees you will encounter in each area. The title is based on three innovative concepts - It keeps the terminology simple. The average recreational tree spotter will never use 'pubescent' when 'hairy' will do! Most trees are easy to find, as long as you look for the right trees in the right places. Some trees can be identified easily because of the striking features. These trees do not need a complex system of 'keying' because they are instantly recognisable.

To be published in 14 volumes over the next 12 years, the Flora of North America is an indispensable working resource for anyone with an interest in the distribution, habitat, morphology, and survival of the wide-ranging plant life in North America.

This introductory volume presents information on the physical and biological factors that have affected the evolution and distribution of plant life of North America. Current knowledge on geography, paleofloristics, and human impact is summarized, distilling the original field work of hundreds of contributors.

Beautifully illustrated, almost 100 drawings accompany the introductory essays, taken from various 19th and 20th century works. Chosen to illustrate plants mentioned within the text, they are also historical examples of the style and quality of botanical illustration from an earlier era to the present.

The complete collection will be an indispensable authoritative work for all botanical libraries and departments.

The stories of the planet's oldest trees and what they have meant to human beings. Humans have always revered long-lived trees. But as historian Jared Farmer reveals in Elderflora, our veneration took a modern turn in the eighteenth century when naturalists embarked on a quest to locate and precisely date the oldest living things on earth. The new science of tree time prompted travellers to visit ancient specimens and conservationists to protect sacred groves. Exploitation accompanied sanctification, as old-growth forests succumbed to imperial expansion and the industrial revolution. Taking us from Lebanon to New Zealand to California, Farmer surveys the complex history of the world's oldest trees, including voices of Indigenous peoples, religious figures, and contemporary scientists who study elderflora in crisis. In a changing climate, a long future is still possible, Farmer shows, but only if we give care to young things that might grow old. Combining rigorous scholarship with lyrical writing, Elderflora chronicles the complex roles ancient trees have played in the modern world and illuminates how we might need old trees now more than ever.

One of the world's first tree-top scientists, Meg Lowman is both a pioneer in her field - she invented one of the first treetop walkways - and a tireless advocate for the planet. In a voice as infectious in its enthusiasm as in its practical optimism, The Arbornaut chronicles her irresistible story. From climbing solo hundreds of feet into Australia's rainforests to measuring tree growth in the northeastern United States, from searching the redwoods of the Pacific coast for new life to studying leaf-eaters in Scotland's Highlands, from a bioblitz in Malaysia to conservation planning in India to collaborating with priests in Ethiopia's last forests, Lowman launches us into the life and work of a scientist and ecologist. She also offers hope, specific plans and recommendations for action; despite devastation across the world, we can still make an immediate and lasting impact against climate change.

The flora of the Indian subcontinent has stirred European curiosity and investigation for over two millennia. From pepper, a coveted commodity of the lucrative spice trade, to rhododendrons, orchids, and alpine flowers, cherished in innumerable British gardens and conservatories, Indian plants have long been highly prized in the West. This book surveys European perceptions of the diversity of the Indian flora, and examines its impact on European commerce and culture including botany, horticulture, and floral art. It chronicles the growing European awareness of the Indian flora from the first glimmerings of knowledge in the fifth century BC to the demise in the mid-nineteenth century of the British East India Company and of its successor, the India Office. An epilogue briefly surveys the development of botanical studies since the independence of India and Pakistan in 1947. The evolution of European-style gardens in India is examined, and the impact of the Indian flora on British gardens is assessed.

'It has been hand-planted by Tsarinas and felled by foresters. It has been celebrated by peasants, worshipped by pagans and painted by artists. It has self-seeded across mountains and rivers and train tracks and steppe and right through the ruined modernity of a nuclear fall-out site. And like all symbols, the story of the birch has its share of horrors (white, straight, native, pure: how could it not?). But, maybe in the end, what I'm really in search of is a birch that means nothing: stripped of symbolism, bereft of use-value . . . A birch that is simply a tree in a land that couldn't give a shit.' The birch, genus Betula, is one of the northern hemisphere's most widespread and easily recognisable trees. A pioneer species, the birch is also Russia's unofficial national emblem, and in The White Birch art critic Tom Jeffreys sets out to grapple with the riddle of Russianness through numerous journeys, encounters, histories and artworks that all share one thing in common: the humble birch tree. We visit Catherine the Great's garden follies and Tolstoy's favourite chair; walk through the Chernobyl exclusion zone and among overgrown concrete bunkers in Vladivostok; explore the world of online Russian brides and spend a drunken night in Moscow with art-activists Pussy Riot, all the time questioning the role played by Russia's vastly diverse landscapes in forming and imposing national identity. And vice-versa: how has Russia's dramatically shifting self-image informed the way its people think about nature, land and belonging? Curious, resonant and idiosyncratic, The White Birch is a unique collection of journeys into Russia and among Russian people.

We've become used to thinking of plants as things for us to use: as food, tools, resources, or just as an attractive background to our own lives. But it's time to change our minds. New research shows that plants can think, plan - and may even have memories. We share our planet with beings whose potential we have only glimpsed. Featuring the writing of Robin Wall Kimmerer, Susie Orbach and Merlin Sheldrake, This Book is a Plant will be your handbook to the new reality: showing you a pathway to completely reimagine your relationship with a different kind of natural world. Delve into a world of moss and fungi: Sheila Watt-Cloutier transports us to the Arctic spring, Rowan Hisayo Buchanan discovers the pleasures of painting trees, and Rebecca Tamas puts roots down through earth and soil. This Book is a Plant is made from paper: it was once part of a tree. But it's also a seed: the first shoots of a radical new way of seeing the world around you.