When Joe Hutto began his experiment in imprinting two dozen wild turkey-in the tradition of the great animal behaviorist, Konrad Lorenz-he had no idea that it would change his life. Told with skill and humor, and vibrating with the natural wonders of the Florida flatwoods, Illumination in the Flatwoods will amaze and enrich all who share this season with the wild turkey.

The beautifully illustrated, definitive guide to foraging, harvesting, and preparing wild plants for food and medicine.

Identifying and Harvesting Edible and Medicinal Plants in Wild (and Not So Wild) Places shows readers how to find and prepare more than five hundred different plants for nutrition and better health. It includes information on common plants such as mullein (a tea made from the leaves and flowers suppresses a cough), stinging nettle (steam the leaves and you have a tasty dish rich in iron), cattail (cooked stalks taste similar to corn and are rich in protein), and wild apricots (an infusion made with the leaves is good for stomach aches and digestive disorders).

More than 260 detailed line drawings help readers identify a wide range of plants—many of which are suited for cooking by following the more than thirty recipes included in this book. There are literally hundreds of plants readily available underfoot waiting to be harvested and used either as food or as a potential therapeutic. This book is both a field guide to nature's bounty and a source of intriguing information about the plants that surround us.

'He writes so engagingly that it's hard to imagine that actual foraging can be more attractive than reading his accounts of it. ...[This book] is a treasure. It is beautifully produced, designed and illustrated.' - John Carey, The Sunday Times Shortlisted for the Andre Simon Food and Drink Book Awards for 2019 Look out of your window, walk down a country path or go to the beach in Great Britain, and you are sure to see many wild species that you can take home and eat. From dandelions in spring to sloe berries in autumn, via wild garlic, samphire, chanterelles and even grasshoppers, our countryside is full of edible delights in any season. John Wright is the country's foremost expert in foraging and brings decades of experience, including as forager at the River Cottage, to this seasonal guide. Month by month, he shows us what species can be found and where, how to identify them, and how to store, use and cook them. You'll learn the stories behind the Latin names, the best way to tap a Birch tree, and how to fry an ant, make rosehip syrup and cook a hop omelette. Fully illustrated throughout, with tips on kit, conservation advice and what to avoid, this is an indispensable guide for everyone interested in wild food, whether you want to explore the great outdoors, or are happiest foraging from your armchair.

Ferdinand Jacob Lindheimer is known as the 'father of Texas botany.' While he was not the first botanist to collect plants for scientific examination in Texas, his collections are credited with helping botanists around the world to understand the nature, extent, and significance of the diversity of plants in the state. In partnership with Asa Gray of Harvard University, Lindheimer spent eight years collecting Texas plants to distribute to a list of paying subscribers - including places like the British Museum, the Royal Botanic Gardens at Kew, and the Smithsonian Institution. Today, no fewer than 362 plant names are based, at least in part, on Lindheimer collections, and 65 plants have been named in his honor. Lindheimer was a founding settler of New Braunfels, raising his family on the banks of the Comal River while he continued to collect and ship plant specimens. He was 'elected' as the first editor of the Neu-Braunfelser Zeitung (still published today as the Herald-Zeitung), and served from 1852 to 1872. He wrote a number of articles for the Zeitung on topics ranging from plants, climate, and agriculture to Texas Indian affairs, optimism, and teaching schoolchildren. In the last year of Lindheimer's life, one of his students worked with him to collect an assortment of his essays and articles from the Zeitung. In 1879, the collection was published as AufsUEtze und Abhandlungen von Ferdinand Lindheimer im Texas (Essays and Articles of Ferdinand Lindheimer in Texas). John E. Williams now offers the first English translation of these essays, which provides valuable insight into the natural and cultural history of Texas.

Ever since the first human settlements 10,000 years ago, weeds have dogged our footsteps. They are there as the punishment of 'thorns and thistles' in Genesis and , two millennia later, as a symbol of Flanders Field. They are civilisations' familiars, invading farmland and building-sites, war-zones and flower-beds across the globe. Yet living so intimately with us, they have been a blessing too. Weeds were the first crops, the first medicines. Burdock was the inspiration for Velcro. Cow parsley has become the fashionable adornment of Spring weddings. Weaving together the insights of botanists, gardeners, artists and poets with his own life-long fascination, Richard Mabey examines how we have tried to define them, explain their persistence, and draw moral lessons from them. One persons weed is another's wild beauty.

Pennsylvania, a state of diverse geography and geology, is rich in flora. The second edition of The Plants of Pennsylvania identifies the nearly 3,400 species of trees, wildflowers, ferns, grasses, sedges, aquatic plants, and weeds native to or naturalized in the Commonwealth. Retaining the clearly written identification keys and descriptions that made the first edition such an essential reference, this new edition has been reorganized to reflect recent advances in our understanding of plant relationships. Families and genera are listed in a sequence determined by current studies of plant molecular genetics, thus providing new insights for the study of botany. In addition, species have been added to the book as a result of new discoveries. The botanical illustrations of Anna Anisko continue to complement the descriptions and add an element of beauty to the volume. Developed in conjunction with the Pennsylvania Flora Project, and compiled by botanists at the Morris Arboretum, the official arboretum of the Commonwealth of Pennsylvania, the second edition of The Plants of Pennsylvania is the authoritative guide to Pennsylvania's plant life. It will be indispensable to taxonomists, conservationists, ecologists, foresters, land planners, teachers, agricultural county agents, students, and amateur naturalists.

People’s Plants is a scientific review of all of the most important useful plants of southern Africa. It remains the first and only fully illustrated ethnobotanical reference source for southern Africa. In this expanded and updated second edition, traditional and contemporary uses of more than 700 plants are described and illustrated in 20 chapters, each dealing with a specific category of plant use:
• FOODS & DRINKS – (1) Cereals, (2) Seeds & nuts, (3) Fruits & berries, (4) Vegetables, (5) Roots, bulbs & tubers, and (6) Beverages.
• HEALTH & BEAUTY – (7) General medicines, (8) Tonic plants, (9) Mind & mood plants, (10) Women’s health, (11) Wounds, burns & skin conditions, (12) Dental care, (13) Perfumes & repellents, and (14) Soap plants and cosmetics.
• SKILLS & CRAFTS – (15) Hunting & fishing, (16) Dyes and tans, (17) Utility timbers, (18) Fire-making and firewood, (19) Basketry, weaving & ropes, (20) Thatching, mats & brooms.
This fascinating book is a must for anyone interested in useful plants, new crop plants, medicinal plants, new product development, ecotourism, rural development, traditional crafts, African culture, ethnobotany and botany in general.

The Apiaceae (Umbelliferae) of sub-Saharan Africa and Madagascar have remained scientifically poorly known despite their critical importance in understanding the early evolutionary history of the family. This scientific review gives a bird's eye view of the morphological and anatomical diversity of the family in Africa and Madagascar. The book is aimed at helping botanists, ecologists and conservationists to identify the remarkable African members of the family. It will hopefully also inspire the younger generation of botanists to expand our knowledge of the family. It is likely that more exciting discoveries still await us. The book provides an introduction to the structural diversity in the family and gives the correct botanical terminology - especially for the interesting fruits (schizocarps) that are typical of the family. Descriptions and illustrations for all 77 genera and 368 known species are provided, as well as a key to the genera. Introductory chapters focus on habit (growth form) and roots, leaves, synflorescences, flowers, fruits, chromosome numbers, pollinators, chemistry, plant uses, and phylogenetic relationships of African Apiaceae. Includes a checklist of the Apiaceae of sub-Saharan Africa and Madagascar as well as an extensive list of references.

The Story of Trees takes the reader on a visual journey from some of the earliest known tree species on our planet to the latest fruit cultivars.

The chosen trees have all had a profound effect on the planet and humankind. Starting with the Ginkgo biloba, fossils of which date back 270 million years, we learn about how trees came to be integral to the development of our species and how specific trees have become important religious, political and cultural symbols.

With beautiful illustrations by Thibaud Herem and fascinating botanical facts and figures, this book will appeal to tree lovers from all over the world.

'It has been hand-planted by Tsarinas and felled by foresters. It has been celebrated by peasants, worshipped by pagans and painted by artists. It has self-seeded across mountains and rivers and train tracks and steppe and right through the ruined modernity of a nuclear fall-out site. And like all symbols, the story of the birch has its share of horrors (white, straight, native, pure: how could it not?). But, maybe in the end, what I'm really in search of is a birch that means nothing: stripped of symbolism, bereft of use-value . . . A birch that is simply a tree in a land that couldn't give a shit.' The birch, genus Betula, is one of the northern hemisphere's most widespread and easily recognisable trees. A pioneer species, the birch is also Russia's unofficial national emblem, and in The White Birch art critic Tom Jeffreys sets out to grapple with the riddle of Russianness through numerous journeys, encounters, histories and artworks that all share one thing in common: the humble birch tree. We visit Catherine the Great's garden follies and Tolstoy's favourite chair; walk through the Chernobyl exclusion zone and among overgrown concrete bunkers in Vladivostok; explore the world of online Russian brides and spend a drunken night in Moscow with art-activists Pussy Riot, all the time questioning the role played by Russia's vastly diverse landscapes in forming and imposing national identity. And vice-versa: how has Russia's dramatically shifting self-image informed the way its people think about nature, land and belonging? Curious, resonant and idiosyncratic, The White Birch is a unique collection of journeys into Russia and among Russian people.

Paul Wood's brilliant and acclaimed London's Street Trees sold out three printings in its first edition, is a fixture in London's bookshops and museum and gallery gift shops, and was republished in Spring 2020 in a new, revised and expanded edition. One of its most popular features is the handful of 'tree walks' at the back, while the author is still leading his own guided 'street tree walks' every weekend somewhere in the capital. So now here is a whole book of tree walks around the capital - some for an hour or two, others for an afternoon, and several to while away a whole day. They take you to Ealing and Highgate, to see nineteenth-century London Planes lining the Embankment, newly-planted Persian Silk Trees in Brockley, and a whole Dawn Redwood forest at Canary Wharf - while pointing out the architecture and social and natural history along the way. You'll find trees taking you to the haunts of Seventies rock stars, in search of a long-buried circus elephant, and to some London's highest ground with the most stunning views over the capital.

Originally published by the U.S. Department of Transportation's Federal Highway Administration (FHWA), Office of Natural Environment to promote the planting and care of native plants along highway rights-of-way, this unique handbook provides managers of roadsides and adjacent lands with the information and background they need to make site-specific decisions about what kinds of native plants to use, and addresses basic techniques and misconceptions about using native plants. It brings together in a single volume a vast array of detailed information that has, until now, been scattered and difficult to find. The book opens with eighteen short essays on principles of ecological restoration and management from leading experts in the field including Reed F. Noss, J. Baird Callicott, Peggy Olwell, and Evelyn Howell. Following that is the heart of the book, more than 500 pages of comprehensive state-by-state listings that offer: - a colour map for each state with natural vegetations zones clearly marked - comprehensive lists of native plants, broken down by type of plant (grasses, forbs, trees, etc.) and including both scientific and common names, with each list having been verified for completeness and accuracy by the state's natural heritage program - contact names, addresses, and phone numbers for obtaining current information on invasive and noxious species to be avoided - resources for more information, including contact names and addresses for local experts in each state - The appendix adds definitions, bibliography, and policy citations to clarity any debates about the purpose and the direction of the use of native plants on roadsides. Roadside Use of Native Plants is a one-of-a-kind reference whose utility extends far beyond the roadside, offering a toolbox for a new aesthetic that can be applied to all kinds of public and private land. It can help lead the way to a cost-effective ecological approach to managing human-designed landscapes, and is an essential book for anyone interested in establishing or restoring native vegetation.

This book is the first to explore and highlight the history of the plants mentioned in the Qur’an, many of which are part of our everyday life, from pomegranates and grapes to ginger and garlic. Author Shahina A. Ghazanfar explores the context in which these plants are mentioned in the Qur’an - mainly as food plants, as well as for medicinal use, use in beauty, fragrance or for shade. Shahina’s in-depth research for this book has led to new findings in our knowledge of the historical and cultural significance of these plants, their traditional and present uses, as well as detailed exploration of the context in which they are mentioned in the Qur’an. The main section of the book highlights thirty of the plants most prominent in the Qur’an, with details on where the plant is mentioned in the Qur’an text, detailed etymology, cultural history, and botanical description. Each of these plants are beautifully illustrated with unique botanical paintings by artist Sue Wickison, drawn from living specimens in the wild. The authors take us on a fascinating journey through the cultural history of these important plants, brought to life with vivid and stunningly detailed botanical paintings.

Embracing the intersectional methodological outlook of the environmental humanities, the contributors to this edited collection explore the entanglements of cultures, ecologies, and socio-ethical issues in the roles of trees and their relationships with humans through narratives in literature and art.

"Cel grows her beautiful flowers with art and soul." -- Shane Connolly, floral designer and author Prepare the ground, sow seed, nurture, harvest and fill your home with beautiful flowers. Growing flowers can bring colour and life to the garden, and also give you an abundance of sustainable floral material to use at home. This handbook shows you how to plan a cutting garden, grow the perfect plants for the vase and nurture them so they thrive from season to season. Whether you have a few pots or a dedicated patch, you can grow beautiful blooms and learn how to cut, condition and arrange them for garden-gathered floral designs all year round, all without the carbon footprint of most shop-bought flowers! Cut Flowers includes a directory of flowers, bulbs and foliage to grow, plus pro advice on creating dreamy designs. This title is from the Bloom Gardener's Guide series, complete and comprehensive gardening handbooks. Bloom is an award-winning independent print magazine for gardeners, plant admirers, nature lovers and outdoor adventurers, and winner of the Garden Publication of the Year at the Garden Media Awards 2021. Other titles in this series include Shade and Pots.

Stephen Rostain's book is a culmination of 25 years of research on the extensive human modification of the wetlands environment of Guiana and how it reshapes our thinking of ancient settlement in lowland South America and other tropical zones. Rostain demonstrates that populations were capable of developing intensive raised-field agriculture, which supported significant human density, and construct causeways, habitation mounds, canals, and reservoirs to meet their needs. The work is comparative in every sense, drawing on ethnology, ethnohistory, ecology, and geography; contrasting island Guiana with other wetland regions around the world; and examining millennia of pre-Columbian settlement and colonial occupation alike. Rostain's work demands a radical rethinking of conventional wisdom about settlement in tropical lowlands and landscape management by its inhabitants over the course of millennia.

At the very end of the road is a six-bar metal gate. It is chained and padlocked and marks the exact line where the tarmac stops. Beyond that is a track, twelve pasture and hay fields, and an area of saltmarsh, bounded on one side by a river and on the other by vast tidal mudflats. Deep in the west of England, this is a place sculpted by the wind and painted by the tides. It is a place full of wildlife. This immersive and carefully crafted book of place explores the impact of season and tides and weather upon this land at the edge through a series of literary pictures crafted through lyrical imaginative language. The author attempts what few, if any, have tried to do, namely to render meticulous observations of the intimate details of wildlife and landscape to depict a place as faithfully and transparently as possible. This is a bold book, one that tries to capture the elusive soul of a place; a daring examination of both what makes a place and how it is remade daily through the interactions between landscape and observer. It is also radical for its approach challenges the current orthodoxy of nature writing that in order to supply a connection between author, subject, and reader, some sort of narrative framework of human emotion is required to provide it with a rationale. So, although the prose is subjective, the book is framed in such a way as to remove the author's presence almost completely. There is no story save that of the eternal change of the seasons, no narrative connection, no focus on a single species, no discussion or allusion to the environmental issues of our age, no characters. Indeed, there is barely any mention of people at all. Although it rarely tries to explain or educate, it simply places observations at centre stage. Yet in trying to unearth what it is precisely that constructs our relationship with place, the author has, paradoxically, produced one of the most deeply personal and unusual nature books.

The Complete Language of Flowers is a comprehensive encyclopedia providing the meanings, powers, facts, and folklore for over 1,001 flower species. Now in a pocket-size edition for easy, on-the-go reference. Along with a beautiful visual depiction, each entry provides the flower's scientific and common names, characteristics, and historic meanings and powers from mythology, medieval legends, folklore, and flower poetry. For centuries, symbolic flower meanings have fascinated readers, writers, poets, and suddenly smitten couples alike. Extremely popular during the Victorian era, these floriographies flourished and versed the public on the hidden meaning of popular flowers such as: Purple Tulip-Eternal love Amaryllis-Adventurousness; Enthusiasm; Passion Daisy-Beauty and innocence; Cheer; Childlike playfulness Sunflower-Ambition; Constancy; Devotion Together with stunning full-color illustrations and two indexes, one for searching by common flower name and the other organized by meaning, this beautiful reference is a must-have for gardeners, florists, and flower enthusiasts. Whether you're looking to arrange the perfectly bespoken wedding bouquet or to understand what the yellow rose you just received from an admirer means (friendship), this updated floriography is a visual delight. Elegantly designed and beautifully illustrated, the Complete Illustrated Encyclopedia series offers comprehensive, display-worthy references on a range of intriguing topics, including birthday astrology, dream interpretation, techniques for harnessing the power of dreams, and the stories behind signs and symbols.

Can we imagine a world without flowers? Flowers are beautiful, offering us delight in their colour, fragrance and form, as well as their medicinal benefits. Flowers also speak to us in the language of the plant form itself, as cultural symbols in different societies, and at the highest levels of inspiration. In this beautiful and original book, renowned thinker and geometrist Keith Critchlow has chosen to focus on an aspect of flowers that has received perhaps the least attention. This is the flower as teacher of symmetry and geometry (the 'eternal verities', as Plato called them). In this sense, he says, flowers can be treated as sources of remembering -- a way of recalling our own wholeness, as well as awakening our inner power of recognition and consciousness. What is evident in the geometry of the face of a flower can remind us of the geometry that underlies all existence. Working from his own flower photographs and with every geometric pattern hand-drawn, the author reviews the role of flowers within the perspective of our relationship with the natural world. His illuminating study is an attempt to re-engage the human spirit in its intimate relation with all nature.

These natural history guides have been developed to encourage young people and anyone with a budding interest in natural history to learn about the wonders of southern Africa's fascinating fauna and flora. They are an invaluable resource for the beginner, providing information at a glance: each of the species presented is described in easy-to-read text, with a photograph and distribution map. A short introduction gives context to the topic.

The Green Thread: Dialogues with the Vegetal World is an interdisciplinary collection of essays in the emerging field of Plant Studies. The volume is the first of its kind to bring together a dynamic body of scholarship that shares a critique of long-standing human perceptions of plants as lacking autonomy, agency, consciousness, and, intelligence. The leading metaphor of the book-"the green thread", echoing poet Dylan Thomas' phrase "the green fuse"-carries multiple meanings. On a more apparent level, "the green thread" is what weaves together the diverse approaches of this collection: an interest in the vegetal that goes beyond single disciplines and specialist discourses, and one that not only encourages but necessitates interdisciplinary and even interspecies dialogue. On another level, "the green thread" links creative and historical productions to the materiality of the vegetal-a reality reflecting our symbiosis with oxygen-producing beings. In short, The Green Thread refers to the conversations about plants that transcend strict disciplinary boundaries as well as to the possibility of dialogue with plants.

Sappi Tree spotting is a new, easy method of tree identification, written for the newcomer to an area, as well as the experienced tree enthusiast. It won't take long before you are able to recognise almost three-quarters of the larger trees you see in the bushveld. Innovative, accurate maps provide precise location information, Colour-coding lists the likely trees you will encounter in each area. The title is based on three innovative concepts - It keeps the terminology simple. The average recreational tree spotter will never use 'pubescent' when 'hairy' will do! Most trees are easy to find, as long as you look for the right trees in the right places. Some trees can be identified easily because of the striking features. These trees do not need a complex system of 'keying' because they are instantly recognisable.