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Books > Arts & Architecture > Art forms, treatments & subjects > Decorative arts & crafts > Furniture & cabinetmaking > General
While all but gone today, Jamestown's furniture industry was once
the second-largest producer of furniture in the United States.
Manufacturing boomed from 1816, when William Breed and Royal Keyes
opened their shops, to the 1920s, when Jamestown was still one of
the top wood furniture producers in the country. In the nineteenth
century, the thriving railroad industry allowed Jamestown's quality
creations to be distributed nationwide. After the Civil War, an
influx of Swedish immigrants brought their craftsmanship and skills
to Jamestown, forming Morgan Manufacturing, Empire Furniture
Company and many others. Then, their pieces were valued for quality
and durability; today, they're coveted by collectors as beautiful
antiques. Local expert Clarence Carlson uncovers the fascinating
story of Jamestown furniture.
Providing a complete review of cottonwood, the most commonly used
form of bark, this guide addresses the unique challenges and
benefits of carving tree bark and offers information on what to
expect from this atypical wood source, including the best places to
find it. An important section on troubleshooting teaches carvers
what to do when they encounter rot or insect damage in their bark.
One complete project, the Whimsical House, is outlined from start
to finish. Close-up photography and instructional captions are
included for added guidance. A full-color photography review offers
a glimpse at the range of projects possible for this unusual
material.
The focus of this book is on functional seating, and the key
argument presented is that functional seating needs to assist the
person using it for the performance of seated tasks, enhance rather
than detract from the person's posture and health, and it needs to
provide aesthetic features that do not limit task or health. The
book spans the period 3000BC to 2000AD and presents largely Western
seating. This book is unique in its approach to seating because it
draws together evidence that relates to seating that facilitates
health and task while also addressing aesthetic factors. This
evidence creates an understanding of how seats may be designed to
not only promote bodily health but also allow functional
optimisation of sitting and seating. This book is important to
furniture and industrial designers, interior decorators,
architects, those teaching seat design, health professionals
attending and educating those who relax or work in the seated
position, furniture historians, and members of the general public
interested in the history of seating.
A visual analysis of the colours used in furnishing fabrics and
wallpapers from the 15th century to now, providing inspiration for
designers. This simply structured and highly original book analyses
the palettes that have been used by designers in the creation of
furnishing fabrics and wallpapers from the 15th century to the
present. The colours used in each pattern are presented in a simple
proportional grid, giving a clear understanding of hues that have
been expertly combined at different periods to create the designs
we continue to admire and emulate. Spectrum opens with a brief
introduction by interior design expert Ros Byam Shaw, exploring the
history of colour as used in interiors. The fabrics and wallpapers
that follow are arranged chronologically. Each is reproduced on its
own double-page spread, and is accompanied by a brief
narrative-style caption that provides information about each fabric
or wallpaper and its significance in the context of interior
design. Unique in such a book are the colour grids shown beside
each pattern, in which the colours in the original piece are shown
in proportion to their use, and with their CMYK references to
enable designers to replicate these colours in their own work.
The ultimate collector's resource, including hundreds of pieces by
both well- and lesser-known designers from around the world. From
armchairs and chaises longues to cabinets and nightstands, the
period between the late 1930s and early 1970s was one of the most
productive, inventive and exciting eras for objects and furniture
in the home. Post-war optimism combined with new manufacturing
methods and material techniques to create an explosion of new
design and objects of desire. The appetite for mid-century modern
remains as strong as ever, both for classic designs - many still in
production since they were launched - and for rare, hard-to- find
or out-of-production pieces from lesser-known designers. While
numerous books surveying mid-century modern style have appeared
over the years, no publication has been specifically conceived for
the increasing collector's market in mid-century modern design,
focusing on each piece of furniture as an object of formal
invention, manufacturing intelligence and material innovation. This
definitive book profiles hundreds of pieces in a substantial format
perfect for reference in design libraries, studios and the homes of
private collectors - or as an object of design in its own right.
Each item of furniture is presented in detail, illustrated in
colour and profiled via in-depth descriptive texts by Dominic
Bradbury. The book's substantial reference section includes essays
on materials (eg, plywood) and designer profiles. Work by a host of
influential talents is profiled throughout, alongside lesser-known
pieces by Piet Hein, Bruno Mathsson, Lina Bo Bardi and Alexander
Girard.
Over 500 drawings scaled to 1/16" of pieces selected from leading
museums: chairs, settees, chests, highboys, sideboards by
Chippendale, Sheraton, Hepplewhite, Duncan Phyfe, etc. Colonial,
American, Windsor, Louis XIV, 18th-century Dutch, etc. Accompanying
text. 102 photographs.
'Loving Lebus' encapsulates the changing styles of furniture over
time. With comprehensive notes placing Lebus furniture in context
the author has selected the best of the firm's advertisements,
catalogue images, photographs and Lebus furniture pieces today.
Antique and vintage - Lebus furniture is enjoying a resurgence. We
are once again, 'Loving Lebus'. Paul has nurtured a passion for all
things Lebus. His first book 'Harris Lebus: A Romance with the
Furniture Trade' went behind the scenes to look into how Lebus
furniture was made. Now the Lebus story is complete - 'Loving
Lebus: Looking into Harris Lebus Furniture' is another labour of
love.
Designed to be a companion to our classic title 1000 Chairs, this
edition contains an awesome selection of over 1000 lights.
Presented chronologically by decade are the 20th century's most
interesting electric lights, from Tiffany's beautiful leaded-glass
shades to completely outrageous designs from the late 1960s and
1970s to the latest high-tech LED lamps. All major styles are
represented here-Arts & Crafts, Art Nouveau, Art Deco, Modern
Movement, De Stijl, Postwar, Pop, Radical, Postmodern, and
Contemporary-in 640 pages of truly illuminated works. This
definitive reference work is a must-have for collectors and design
fans. About the series Bibliotheca Universalis - Compact cultural
companions celebrating the eclectic TASCHEN universe!
Wallpaper's spread across trades, class and gender is charted in
this first full-length study of the material's use in Britain
during the long eighteenth century. It examines the types of
wallpaper that were designed and produced and the interior spaces
it occupied, from the country house to the homes of prosperous
townsfolk and gentry, showing that wallpaper was hung by Earls and
merchants as well as by aristocratic women. Drawing on a wide range
of little known examples of interior schemes and surviving
wallpapers, together with unpublished evidence from archives
including letters and bills, it charts wallpaper's evolution across
the century from cheap textile imitation to innovative new
decorative material. Wallpaper's growth is considered not in terms
of chronology, but rather alongside the categories used by
eighteenth-century tradesmen and consumers, from plains to flocks,
from China papers to papier mache and from stucco papers to
materials for creating print rooms. It ends by assessing the ways
in which eighteenth-century wallpaper was used to create
historicist interiors in the twentieth century. Including a wide
range of illustrations, many in colour, the book will be of
interest to historians of material culture and design, scholars of
art and architectural history as well as practicing designers and
those interested in the historic interior.
Visionary furniture design from Vienna In 1938, Vienna lost its
best and most creative minds. This rupture was manifested in all of
the arts and sciences and its mark is felt to this day - not least
in the field of furniture design. With inexhaustible creativity the
Jewish furniture designers who were forced to flee Vienna continued
to work while in exile. They taught at the best universities and
spread their ideas and vision throughout the entire world. Their
creations became classics of twentieth-century furniture design,
the epitome of mid-century modern style. This book honors the
memory of the exiled designers with a thorough overview of their
work. It details their life stories and their visionary designs,
which remain as relevant and contemporary as ever, and brings to
light new aspects of the history of Viennese furniture design. A
new history of Viennese furniture design, with 27 detailed
biographies Numerous previously unpublished photographs and
sketches Including works by Friedl Dicker-Brandeis, Martin Eisler,
Josef Frank, Friedrich Kiesler, Richard Neutra, Bruno Pollak,
Margarete Schutte-Lihotzky, Franz Singer, Ernst Schwadron, among
others
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Eames
(Hardcover)
Gloria Koenig; Edited by Peter Goessel
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R448
R412
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The creative duo Charles Eames (1907-1978) and Ray Kaiser Eames
(1912-1988) transformed the visual character of America. Though
best known for their furniture, the husband and wife team were also
forerunners in architecture, textile design, photography, and film.
The Eameses' work defined a new, multifunctional modernity,
exemplary for its integration of craft and design, as well as for
the use of modern materials, notably plywood and plastics. The
Eames Lounge Chair Wood, designed with molded plywood technology,
became a defining furniture piece of the 20th century, while the
couple's contribution to the Case Study Houses project not only
made inventive use of industrial materials but also developed an
adaptable floor plan of multipurpose spaces which would become a
hallmark of postwar modern architecture. From the couple's earliest
furniture experiments to their seminal short film Powers of Ten,
this book covers all the aspects of the illustrious Eames
repertoire and its revolutionary impact on middle-class American
living. About the series Born back in 1985, the Basic Art Series
has evolved into the best-selling art book collection ever
published. Each book in TASCHEN's Basic Architecture series
features: an introduction to the life and work of the architect the
major works in chronological order information about the clients,
architectural preconditions as well as construction problems and
resolutions a list of all the selected works and a map indicating
the locations of the best and most famous buildings approximately
120 illustrations (photographs, sketches, drafts, and plans)
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